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Saints and New Mexico Roland F
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of New Mexico New Mexico Quarterly Volume 17 | Issue 3 Article 4 1947 Saints and New Mexico Roland F. Dickey Follow this and additional works at: https://digitalrepository.unm.edu/nmq Recommended Citation Dickey, Roland F.. "Saints and New Mexico." New Mexico Quarterly 17, 3 (1947). https://digitalrepository.unm.edu/nmq/vol17/iss3/ 4 This Contents is brought to you for free and open access by the University of New Mexico Press at UNM Digital Repository. It has been accepted for inclusion in New Mexico Quarterly by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. Dickey: Saints and New Mexico l I SAINTS AND NEW MEXICO* Roland. F. I!ickey EW MEXI.CAN CHILDREN write "J. M. J." on the corners of examina-_ N tion papers-"Jesus, Maria, Jose." Here, as in every CatholIc country, the Holy Family and the saints are earnestly implored in every crisis. Each ,saint has his sphere of special efficacy, ,and the language is rich with deference to holy pe~sons. From the Guadalupe Moun~ins to the San Agustin Plains, from the San Juan River to·the Santa Rita copper mines, Southwestern geog raphy is an index of popular saints. Cities and towns, too, are com memorative, usually named from the saint's day of their founding. Children are baptized under the guardianship of the holy person . age on'whose festival day they are born; and no New Mexico family is without an almanac designating the Church fe!1Sts for each day of the I year. -
NEW MEXICO, SANTA FE New Mexico State Records Center And
Guide to Catholic-Related Records in the West about Native Americans See User Guide for help on interpreting entries NEW MEXICO, SANTA FE new 2006 New Mexico State Records Center and Archives W-382 1205 Camino Carlos Rey Santa Fe, New Mexico 87507 Phone 505-476-7948 http://www.nmcpr.state.nm.us/ Online Archive of New Mexico, http://elibrary.unm.edu/oanm/ Hours: Monday-Friday, 8:00-4:45 Access: Some restrictions apply Copying facilities: Yes Holdings of Catholic-related records about Native Americans: Inclusive dates: 1598-present; n.d. Volume: 1-2 cubic feet Description: 26 collections include Native Catholic records. /1 “Valentin Armijo Collection, 1960-002” Inclusive dates: Between 1831-1883 Volume: Less than .2 cubic foot Description: Papers (copies) of Valentin Armijo; includes the Catholic Church in Peña Blanca, New Mexico. /2 “Alice Scoville Barry Collection of Historical Documents, 1959-016” Inclusive dates: 1791, 1799, 1826 Volume: 3 folders Description: Finding aid online, http://elibrary.unm.edu/oanm/; includes: a. “Letter Comandante General Pedro de Nava, Chihuahua, to Governor of New Mexico Fernando de la Concha,” July 26, 1791, 1 letter: re: death of Father Francisco Martin-Bueno, O.F.M., the scarcity of ministers, and the substitution of Fray Francisco Ocio, O.F.M. to administer to the Pueblos of Pecos and Tesuque b. “Letter from Comandante General Pedro de Nava, Chihuahua, to governor of New Mexico,” August 6, 1799, 1 letter: re: religion c. “Letter from Baltazar Perea, Bernalillo, to the Gefe Politico y Militar [Governor],” July 2, 1826, 1 letter: re: construction of a chapel at Bernalillo /3 “Fray Angelico Chavez Collection of New Mexico Historical Documents, 1960- 007” Inclusive dates: 1678-1913 (bulk, 1689-1811) Volume: Approximately .3 cubic foot 1 Description: Includes the missions at Zuni Pueblo, San Ildefonso Pueblo, Laguna Pueblo, and Santa Cruz, New Mexico. -
The Pillars of Dominican Life
Section: Two: Formation Programmes Australian Province (www.op.org.au/laity/manual/two.pdf) THE PILLARS OF DOMINICAN LIFE DOMINICAN SPIRITUALITY FOR THE LAITY PREFACE The following chapters are adaptations of conferences I gave to the members four San Francisco Chapter of Lay Dominicans. They were further adapted to serve as our formation programs for those who have asked to be received into the Order. They are a distillation of reflections, study and conclusions I have drawn over my fifty-four years as a Dominican. As Master of Students for the formation of our young Dominicans to the priesthood I had to reflect on these concepts more intensely than I would have ordinarily. They have been further modified for a wider audience with the hope that it will find them helpful in clarifying what it means to be a Dominican. It is a glorious vocation, a rich blessing and grace from God. Let us be grateful to him for it. Gregory Anderson, O.P. Chaplain to the San Francisco Chapter of Lay Dominicans 1 THE PILLARS OF DOMINICAN LIFE DOMINICAN SPIRITUALITY FOR THE LAITY INTRODUCTION Anyone who is at all familiar with spiritual literature knows that there are various schools of spirituality. We speak freely and easily of Benedictine Spirituality, Franciscan Spirituality, Carmelite Spirituality, and Ignatian Spirituality. We know also there a number of other subdivisions, such as Rhenish, French and so forth. We Dominicans may feel somewhat chagrined that Dominican Spirituality is not mentioned in the same context. We may wonder if there is such a thing as a peculiarly Dominican Spirituality, and if there is, why does it not get more publicity. -
2 Historic Churches on the High Road to Taos
2 Historic Churches on the High Road to Taos his northbound tour includes churches between the Santuario de Chimayó (discussed in the previous chapter) and San Francisco T de Asís in Ranchos de Taos. Córdova, Truchas, Ojo Sarco, and Las Trampas are missions of Holy Family Parish in Chimayó; Chamisal, Llano, Picurís, Río Lucio, and Placita are missions of San Antonio de Padua parish in Peñasco; and San Francisco de Asís is the mother church and Talpa a mis- sion of the parish in Ranchos de Taos. San Antonio De Padua, Córdova Córdova was initially settled by 1750, but its adobe church, San Antonio, was not built until 1832. The retablos and many of the bultos in the church are works of one of New Mexico’s outstanding santeros, [José] Rafael Aragón. Aragón moved his family to Córdova—then called Pueblo Quemado— after his wife died in 1832. He was about thirty-six at the time, and shortly after, between 1834 and 1838, he was commissioned to oversee a redesign of the church interior and to paint the three altar screens that are still in San Antonio today. A later resident of the village, José Dolores López (1868–1937), pioneered the woodcarving style that is now associated with Córdova. The tradition continues among his descendants and others, and there are signs in the village for home- based workshops and galleries. Visits to San Antonio are generally limited to the exterior unless they coincide with Las Posadas, Holy Week, or the feast day, celebrated on the Saturday or Sunday closest to June 13. -
ABC-Clio-Flagellation.Pdf
Bräunlein, Peter J. "Flagellation." Religions of the World, Second Edition: A Comprehensive Encyclopedia of Beliefs and Practices. Ed. Martin Baumann, J. Gordon Melton. Santa Barbara, CA: ABC-CLIO, 2010, 1120-1122 Flagellation Peter J. Bräunlein Flagellation is the act of whipping the human body by using flexible instruments such as the whip, the scourge, or cat-o’-nine-tails. Flagellation can be located in the context of law, religion, medicine, or sexual excitation. In many cases the juridical and religious aspects are indivisible, whereas sexual arousal by (self-) flagellation is a distinguished phenomenon of Western modernity. In two monotheistic traditions—Roman Catholicism and Shia Islam—self-flagellation plays a role until today. Flagellation in Antiquity The use of flogging instruments has been a long legal tradition of corporal punishment. The Latin word flagellum designates a multi-thong type scourge (whip, lash) with interlaced pieces of metal or bones that inflicts severe wounds on the body of the convict. The Roman law prescribed punishment by the flagellum either to extract a confession or as an overture to execution or as a distinct penalty. In the ancient Latin world flagellation was considered an extreme, gruesome penalty that caused not only tremendous pain but oftentimes grave mutilation and even death. Roman citizens were exempt from being sentenced to scourging whereas noncitizens were subject to it. Furthermore, the whipping of slaves was a common practice throughout the antique world. The ritualistic usage of the whip was practiced in various Greco-Roman and Egyptian cults, namely, the cult of Isis, the Dionysian cult, the Thargelia festival, or the Roman festival of Lupercalia. -
Redalyc.Art, Ritual, and Confraternities in Sixteenth-Century
Anales del Instituto de Investigaciones Estéticas ISSN: 0185-1276 [email protected] Instituto de Investigaciones Estéticas México Verdi WEBSTER, Susan Art, Ritual, and Confraternities in Sixteenth-Century New Spain. Penitential Imagery at the Monastery of San Miguel, Huejotzingo Anales del Instituto de Investigaciones Estéticas, vol. XIX, núm. 70, primavera, 1997, pp. 5-43 Instituto de Investigaciones Estéticas Distrito Federal, México Available in: http://www.redalyc.org/articulo.oa?id=36907001 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative SUSAN VERDI WEBSTER university of saint thomas Art, Ritual, and Confraternities in Sixteenth-Century New Spain* Penitential Imagery at the Monastery of San Miguel, Huejotzingo** cholars of Spanish colonial history have often expressed astonish- ment at the remarkable speed with which the indigenous populations of New Spain were converted to Christianity, the huge numbers con- S 1524 verted, and the extent of the territory covered during the period from , when the first Franciscans arrived, to the end of the sixteenth century. While the depth of conversion is certainly open to debate, by the end of the cen- tury, a reportedly extensive number of indigenous people had been baptized, * Un breve adelanto de este trabajo fue publicado en Laboratorio de Arte (Sevilla), núm. 8, 1995, pp. 61-72 (N. de la R.). ** Earlier versions of parts of this study were presented at the International Congress on Medieval Studies in 1994 and at a symposium held at Virginia Polytechnic Institute, “Cultu- ral Transmission and Transformation in the Ibero-American World,” in 1995. -
Renewing the Creative Economy of New Mexico
Building on the Past, Facing the Future: Renewing the Creative Economy of New Mexico Jeffrey Mitchell And Gillian Joyce With Steven Hill And Ashley M. Hooper 2014 This report was commissioned by the New Mexico Department of Cultural Affairs and prepared by UNM’s Bureau of Business and Economic Research. As will be discussed in this report, we interviewed arts and culture workers and entrepreneurs across the state of New Mexico. We asked them for two words to describe New Mexico in general and for two words to describe how New Mexico has changed. We entered these data into a ’word cloud’ software program. The program visually represents the data so that the more often a word is mentioned, the larger it appears. The figure above is a representation of the words offered by members of the New Mexico creative economy when interviewed for this project. Acknowledgements We would like to thank Secretary Veronica Gonzales for her vision – without her, this project would not have been possible. Also, at the Department of Cultural Affairs we would like to thank Anne Green-Romig, Loie Fecteau and Paulius Narbutas for their support and patience. At the Department of Tourism, we would like to thank Jim Orr for his help with tourism data. We owe a debt of gratitude to the more than 200 arts and culture workers throughout the state who took time out of their days to offer their insights and experiences in the arts and culture industries of New Mexico. At UNM-BBER, we would like to thank Jessica Hitch for her intrepid data collection, Catherine A. -
The Triangle and the Tetragrammaton
New Mexico Historical Review Volume 37 Number 4 Article 4 10-1-1962 The Triangle and the Tetragrammaton Floyd S. Fierman Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation Fierman, Floyd S.. "The Triangle and the Tetragrammaton." New Mexico Historical Review 37, 4 (1962). https://digitalrepository.unm.edu/nmhr/vol37/iss4/4 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected], [email protected], [email protected]. THE TRIANGLE AND THE TETRAGRAMMATON1 ANote on the Cathedral at Santa Fe by F;r...OYD S. FIERMAN* NE OF THE MOST charming stories that has currency O throughout the Southwest concerns the Cathedral at Santa Fe dedicated to St. Francis of Assisi. Above the en trance of the Cathedral2 is a Triangle and inscribed within its borders is the Tetragrammaton, the word for God in-> scribed in Hebrew letters. The construction of this Cathedral was initiated during the episcopate of Archbishop John B. Lamy. Its cornerstone was laid on July 14, 1869 and, like many houses of worship, its construction extended over a peroid of years. Twitchell recounts that in 1912 it was still incomplete.3 In recent years it has appeared incongruous to many peo ple that the Catholic Church, whose prayer language is Latin, should have a Hebrew inscription over its entrance, even though it was enclosed in a Triangle. It was not questioned or considered unusual at the time that it was placed in the archway, if the lack of reference to the symbol in the local newspapers is a guide. -
National Register of Historic Places Multiple Property Documentation Form
NPS Fann 10-900-b (Rev. 01/2009) 0MB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Multiple Property Documentation Form This fonn is used for documenting property groups relating to one or several historic contexts. See instructions in National Register Bulletin How to Complete the Multiple Property Documentation Form (fonnerly 16B). Complete each item by entering the requested infonnation. For additional space, use continuation sheets (Fonn 10-900-a). Use a typewriter, word processor, or computer to complete all items xx New Submission ----- Amended Submission A. Name of Multiple Property Listing Camino Real in New Mexico, AD 1598-1881 B. Associated Historic Contexts 1. Geography and natural character; physical character and setting of the road 2. Exploration and settlement, invasion and war 3. Social, political and cultural significance 4. Economic and commercial significance See pp. 3-70 C. Form Prepared by name/title Thomas Merlan, Michael P. Marshall, and John Roney organization Merlan Associates LLC date May 1, 2010 street & number 1677 Cerro Gordo Road telephone (505) 983-2645 city or town _S_a_nt_a_F_e___________________ st_a_te __ N_M ____ z_.ip_co_d_e_8_7_5_0_1 __ e-mail [email protected] D. Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this documentation fonn meets the National Register documentation standards and sets forth requirements for the listing of related properties consistent with the National Register criteria. This submission meets the procedural and professional requirements set forth in 36 CFR 60 and the Secretary of the Interior's Standards and Guidelines for Archeology and Historic Preservation. -
Galloway's Alabado and the Musical Traditions of the Penitentes
JAMES (SANTA FE) GALLOWAY’S ALABADO AND THE MUSICAL TRADITIONS OF THE PENITENTES Rebecca Weidman-Winter, B. M., M. M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS December 2011 APPROVED: Terri Sundberg, Major Professor Bernardo Illari, Committee Member Kathleen Reynolds, Committee Member John Holt, Chair of the Division of Instrumental Studies Lynn Eustis, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music James D. Meernik, Acting Dean of the Toulouse Graduate School Weidman-Winter, Rebecca. James (Santa Fe) Galloway’s Alabado and the Musical Traditions of the Penitentes. Doctor of Musical Arts (Performance), December 2011, 55 pp., 1 table, 37 musical examples, references, 39 titles. This dissertation explores the musical traditions of the Penitentes of New Mexico and how these traditions influenced James (Santa Fe) Galloway’s Alabado for soprano, alto flute, and piano. Due to geographical isolation and religious seclusion the music of the Penitential Brotherhood is not well known outside of these New Mexican communities. The focus of this study, as pertaining to the music of the Penitentes, is the alabado “Por el rastro de la cruz,” and the pito, a handmade wooden flute. Included in this paper are transcriptions of pito melodies performed by Vicente Padilla, Cleofes Vigil, Emilio Ortiz, and Reginald Fisher, which have been transcribed by John Donald Robb, William R. Fisher, Reginald Fisher, and Rebecca Weidman- Winter. Few resources are available on Galloway or Alabado, an unpublished work, yet the popularity of this piece is apparent from the regular performances at the National Flute Association Conventions and by flutists throughout the United States. -
Holy Week Focus Film Highlights Spirituality of Valley Communities' Lives
Holy Week focus Film highlights spirituality of Valley communities' lives By MARVIN READ THE PUEBLO CHIEFTAIN The religious piety and fervor that characterized Spain for centuries is alive and well --- perhaps nowhere as much as in Colorado's San Luis Valley. It draws from the sense of faith that came to the New World with the Franciscan and other missionaries in the 16th century. The spirit was refined and reshaped by the Indio-American cultures of Mexico and the Southwestern United States, and the living and display of that faith takes on an even deeper and richer character in the current Lenten season and climaxes during Holy Week. San Luis Valley native Rick Vigil has captured and recorded some of that faith in a 24-minute documentary, "Spirituality and Its People --- El Valle de San Luis." His film, shot between 2001 and 2005, features both religious leaders and laity from the communities of San Luis, Antonito, Capulin, Conejos, La Jara, San Antonio and San Francisco. Featured on the DVD are the Rev. Pat Valdez and Sister Rene Weeks, a member of the Dominican Sisters of Great Bend, Kan., who has worked in the Valley for 16 years. Valdez, a priest of the Theatine order, is a long-term pastor at Sangre de Cristo Parish in San Luis and an impressive --- some would say fabled --- motivator of his parishioners' energy and faith. Together, pastor and congregation visualized --- and then built --- an impressive, and not inexpensive Stations of the Cross on a mesa outside of town, with each of the stations, including a 15th Resurrection statue, cast by local sculptor Huberto Maestas. -
UNIVERSITY of CALIFORNIA Los Angeles Indigenous Artists
UNIVERSITY OF CALIFORNIA Los Angeles Indigenous Artists, Ingenuity, and Resistance at the California Missions After 1769 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Art History by Yve Barthelemy Chavez 2017 © Copyright by Yve Barthelemy Chavez 2017 ABSTRACT OF THE DISSERTATION Indigenous Artists, Ingenuity, and Resistance at the California Missions After 1769 by Yve Barthelemy Chavez Doctor of Philosophy in Art History University of California, Los Angeles, 2017 Professor Charlene Villaseñor Black, Chair This dissertation aims to place California Indian agency and artistry at the forefront of California mission art studies through close analysis of Chumash and Tongva practices at four of Southern California’s missions: San Gabriel, San Buenaventura, Santa Barbara, and Santa Inés. Although the mission churches and their decorations reflect European stylistic influences, all twenty-one mission sites are the products of California Indian ingenuity and resistance. By examining primary accounts and ethnographic sources, this dissertation presents an Indigenous reading of Chumash and Tongva dances, stone sculpting, basket weaving, and painting carried out under great adversity at the missions. After entering the missions, California Indians continued to practice their ancestors’ traditions that pre-dated the Franciscan friars’ 1769 arrival. California Indian artists also combined local materials with European and Mexican styles, which gave their art and the mission buildings a unique appearance. This dissertation draws upon decolonizing methodologies, rooted in interdisciplinary studies, to deconstruct Eurocentric biases in archival ii sources and romanticized misunderstandings in historical scholarship about mission art and California Indian contributions. The traditional art historical tools of formal analysis and iconography bring to light the artistic talents of California’s first peoples and dignify Indigenous art on its own terms.