Me-TV Net Listings for 4-27-20

Total Page:16

File Type:pdf, Size:1020Kb

Me-TV Net Listings for 4-27-20 Monday Tuesday Wednesday Thursday Friday Saturday Sunday METV 4/27/20 4/28/20 4/29/20 4/30/20 5/1/20 5/2/20 5/3/20 06:00A Dragnet 29436 {CC} Dragnet 30226 {CC} Dragnet 30206 {CC} Dragnet 30202 {CC} Dragnet 30224 {CC} The Beverly Hillbillies 6824 {CC} ALF 1001 {CC} 06:30A I Love Lucy 083 {CC} I Love Lucy 084 {CC} I Love Lucy 085 {CC} I Love Lucy 086 {CC} I Love Lucy 087 {CC} The Beverly Hillbillies 6825 {CC} ALF 1002 {CC} 07:00AThe Beverly Hillbillies 6819 {CC}The Beverly Hillbillies 6820 {CC}The Beverly Hillbillies 6821 {CC}The Beverly Hillbillies 6822 {CC}The Beverly Hillbillies 6823 {CC}Bat Masterson 1074ASaved {CC} by the Bell (E/I) AFM13 {CC} <E/I-13-16> 07:30A My Three Sons 0068 {CC} My Three Sons 0069 {CC} My Three Sons 0070 {CC} My Three Sons 0071 {CC} My Three Sons 0072 {CC} Bat Masterson 1069ASaved {CC} by the Bell (E/I) AFM09 {CC} <E/I-13-16> 08:00ALeave It to Beaver 13220 {CC}Leave It to Beaver 13215 {CC}Leave It to Beaver 13211 {CC}Leave It to Beaver 13223 {CC}Leave It to Beaver 13226 {CC} Trackdown 22Saved {CC} by the Bell (E/I) AFM10 {CC} <E/I-13-16> 08:30ALeave It to Beaver 13221 {CC}Leave It to Beaver 13222 {CC}Leave It to Beaver 13216 {CC}Leave It to Beaver 13224 {CC}Leave It to Beaver 13217 {CC} Trackdown 23Saved {CC} by the Bell (E/I) AFM15 {CC} <E/I-13-16> 09:00A Have Gun, Will TravelSaved 38 {CC} by the Bell (E/I) AFM11 {CC} <E/I-13-16> Perry Mason 6517 {CC} Perry Mason 6518 {CC} Perry Mason 6519 {CC} Perry Mason 6520 {CC} Perry Mason 6521 {CC} 09:30A Have Gun, Will TravelSaved 39 {CC} by the Bell (E/I) AFM18 {CC} <E/I-13-16> 10:00A The Flintstones 108 {CC} Matlock 8918 {CC} Matlock 89191 {CC} Matlock 89202 {CC} Matlock 8921 {CC} Matlock 8922 {CC} Maverick 5 {CC} 10:30A The Flintstones 112 {CC} 11:00A In the Heat of the Night In the Heat of the Night In the Heat of the Night In the Heat of the Night In the Heat of the Night The Flintstones 113 {CC} Wagon Train 0607A {CC} 11:30A 8805 {CC} 8807 {CC} 8811 {CC} 8812 {CC} 8802 {CC} The Flintstones 114 {CC} 12:00P The Brady Bunch 105 {CC} The Waltons 409 {CC} The Waltons 410 {CC} The Waltons 411 {CC} The Waltons 412 {CC} The Waltons 413 {CC} The Big Valley 4XAC22 {CC} 12:30P The Brady Bunch 106 {CC} 01:00P Gunsmoke 050 {CC} Gunsmoke 053 {CC} Gunsmoke 054 {CC} Gunsmoke 056 {CC} Gunsmoke 058 {CC} Gunsmoke 063 {CC} The Brady Bunch 104 {CC} 01:30P Gunsmoke 051 {CC} Gunsmoke 048 {CC} Gunsmoke 052 {CC} Gunsmoke 057 {CC} Gunsmoke 064 {CC} Gunsmoke 062 {CC} The Brady Bunch 107 {CC} 02:00P Gilligan's Island 54 {CC} Bonanza 8112 {CC} Bonanza 8113 {CC} Bonanza 8115 {CC} Bonanza 8116 {CC} Bonanza 8114 {CC} Bonanza 352 {CC} 02:30P Gilligan's Island 55 {CC} 03:00P The Rifleman 145 {CC} The Rifleman 147 {CC} The Rifleman 149 {CC} The Rifleman 151 {CC} The Rifleman 153 {CC} Gilligan's Island 56 {CC} Rawhide 126 {CC} 03:30P The Rifleman 146 {CC} The Rifleman 148 {CC} The Rifleman 150 {CC} The Rifleman 152 {CC} The Rifleman 154 {CC} Gilligan's Island 57 {CC} 04:00P Wanted Dead or Alive 122 {CC} Gilligan's Island 58 {CC} Wagon Train 15457 {CC} Wagon Train 15461 {CC} Wagon Train 15479 {CC} Wagon Train 15484 {CC} Wagon Train 15474 {CC} 04:30P Wanted Dead or Alive 123 {CC} Gilligan's Island 59 {CC} 05:00P Adam-12 40101 {CC} Adam-12 40129 {CC} Adam-12 40128 {CC} Adam-12 40125 {CC} Adam-12 29515 {CC} The Rifleman 155 {CC}The Andy Griffith Show (OTO) 1 {CC} 05:30P Adam-12 40113 {CC} Adam-12 40127 {CC} Adam-12 40124 {CC} Adam-12 29501 {CC} Adam-12 29512 {CC} The Rifleman 156 {CC}The Andy Griffith Show (OTO) 107 {CC} 06:00P The Flintstones 101 {CC} The Flintstones 103 {CC} The Flintstones 105 {CC} The Flintstones 107 {CC} The Flintstones 110 {CC} Gomer Pyle, U.S.M.C. (OTO) 001 {CC} 06:30P The Flintstones 102 {CC} The Flintstones 104 {CC} The Flintstones 106 {CC} The Flintstones 109 {CC} The Flintstones 111 {CC} The Three Stooges 079,Mayberry R.F.D. (OTO) 101 {CC} 005, 153, 010, 179, 144 07:00P M*A*S*H 1G18 {CC} M*A*S*H 1G23 {CC} M*A*S*H 9B03 {CC} M*A*S*H 9B07 {CC} M*A*S*H 9B05 {CC} M*A*S*H 9B10 {CC} {CC} 07:30P M*A*S*H 9B02 {CC} M*A*S*H 1G20 {CC} M*A*S*H 9B06 {CC} M*A*S*H 9B08 {CC} M*A*S*H 9B09 {CC} M*A*S*H J301 {CC} 08:00PThe Andy Griffith Show 97 {CC}The Andy Griffith Show 103 {CC}The Andy Griffith Show 108 {CC}The Andy Griffith Show 110 {CC}The Andy Griffith Show 114 {CC}Svengoolie Classic Horror & Sci-Fi Movie 08:30PThe Andy Griffith Show 102 {CC}The Andy Griffith Show 104 {CC}The Andy Griffith Show 109 {CC}The Andy Griffith Show 111 {CC}The Andy Griffith Show 115 {CC} Frankenstein Columbo 40701 {CC} 09:00PGomer Pyle, U.S.M.C. 010 {CC}Gomer Pyle, U.S.M.C. 011 {CC}Gomer Pyle, U.S.M.C. 012 {CC}Gomer Pyle, U.S.M.C. 013 {CC}Gomer Pyle, U.S.M.C. 014 {CC}Boris Karloff, Colin Clive (1931) - Horror 09:30P Green Acres 073 {CC} Green Acres 074 {CC} Green Acres 075 {CC} Green Acres 076 {CC} Green Acres 077 {CC} TV-PG {CC} Collector's Call 203 {CC} 10:00P Hogan's Heroes 6704 {CC} Hogan's Heroes 6706 {CC} Hogan's Heroes 6708 {CC} Hogan's Heroes 6712 {CC} Hogan's Heroes 6713 {CC} The Flintstones 062 {CC} Star Trek 068 {CC} 10:30P Hogan's Heroes 6705 {CC} Hogan's Heroes 6707 {CC} Hogan's Heroes 6709 {CC} Hogan's Heroes 6711 {CC} Hogan's Heroes 6714 {CC} The Honeymooners 33 {CC} 11:00PThe Carol Burnett Show 194The {CC} Carol Burnett Show 196The {CC} Carol Burnett Show 197The {CC} Carol Burnett Show 199The {CC} Carol Burnett Show 200 {CC}Buck Rogers in the 25thThe Dick Van Dyke Show 97 {CC} 11:30P Century 53412 {CC} The Dick Van Dyke Show 98 {CC} Perry Mason 162 {CC} Perry Mason 163 {CC} Perry Mason 164 {CC} Perry Mason 165 {CC} Perry Mason 166 {CC} 12:00A The Twilight Zone 40 {CC} The Invaders 512 {CC} 12:30A The Twilight Zone 35 {CC} The Twilight Zone 36 {CC} The Twilight Zone 37 {CC} The Twilight Zone 38 {CC} The Twilight Zone 39 {CC} The Twilight Zone 41 {CC} 01:00AAlfred Hitchcock Presents 13626Alfred {CC} Hitchcock Presents 13627Alfred {CC} Hitchcock Presents 13629Alfred {CC} Hitchcock Presents 13633Alfred {CC} Hitchcock Presents 13632 {CC} Alfred Hitchcock Presents 13636 {CC} Lost in Space 9503 {CC} 01:30AAlfred Hitchcock Presents 13606Alfred {CC} Hitchcock Presents 13609Alfred {CC} Hitchcock Presents 13624Alfred {CC} Hitchcock Presents 13637Alfred {CC} Hitchcock Presents 13630 {CC} Alfred Hitchcock Presents 13604 {CC} 02:00A Voyage to the Bottom of the Mannix 083 {CC} Mannix 086 {CC} Mannix 094 {CC} Mannix 093 {CC} Mannix 092 {CC} Sea TA7212 {CC} The Fugitive 110 {CC} 02:30A 03:00A Cannon 7220 {CC} Cannon 7217 {CC} Cannon 7222 {CC} Cannon 7221 {CC} Cannon 7223 {CC} Land of the Giants 2418 {CC}Mission: Impossible 12 {CC} 03:30A 04:00A The Time Tunnel TA9608 Peter Gunn 206 {CC} Barnaby Jones 7918 {CC} Barnaby Jones 7916 {CC} Barnaby Jones 7917 {CC} Barnaby Jones 7920 {CC} Barnaby Jones 7911 {CC} 04:30A {CC} Peter Gunn 207 {CC} 05:00A Highway Patrol 117 {CC} Highway Patrol 118 {CC} Highway Patrol 119 {CC} Highway Patrol 120 {CC} Petticoat Junction 6804 {CC} Highway Patrol 121 {CC} 4/16/20 @ 3:37 PM 05:00A Highway Patrol 117 {CC} Highway Patrol 118 {CC} Highway Patrol 119 {CC} Highway Patrol 120 {CC} Petticoat Junction 6804 {CC} Highway Patrol 121 {CC} Planet of the Apes TAB513 {CC} 05:30A Dragnet 29434 {CC} Dragnet 30205 {CC} Dragnet 30203 {CC} Dragnet 30201 {CC} Petticoat Junction 6805 {CC} Dragnet 30229 {CC} Legend: Subject To Change E/I = Educational/Instructional Yellow = Changes 4/16/20 @ 3:37 PM METV 06:00A 06:30A 07:00A 07:30A 08:00A 08:30A 09:00A 09:30A 10:00A 10:30A 11:00A 11:30A 12:00P 12:30P 01:00P 01:30P 02:00P 02:30P 03:00P 03:30P 04:00P 04:30P 05:00P 05:30P 06:00P 06:30P 07:00P 07:30P 08:00P 08:30P 09:00P 09:30P 10:00P 10:30P 11:00P 11:30P 12:00A 12:30A 01:00A 01:30A 02:00A 02:30A 03:00A 03:30A 04:00A 04:30A 05:00A 4/16/20 @ 3:37 PM 05:00A 05:30A 4/16/20 @ 3:37 PM.
Recommended publications
  • Case 2:18-Mj-00152-EFB Document 6 Filed 08/15/18 Page 1 of 32
    Case 2:18-mj-00152-EFB Document 6 Filed 08/15/18 Page 1 of 32 1 MCGREGOR W. SCOTT United States Attorney 2 AUDREY B. HEMESATH HEIKO P. COPPOLA 3 Assistant United States Attorneys 501 I Street, Suite 10-100 4 Sacramento, CA 95814 Telephone: (916) 554-2700 5 CHRISTOPHER J. SMITH 6 Acting Associate Director 7 JOHN D. RIESENBERG Trial Attorney 8 Office of International Affairs Criminal Division 9 U.S. Department of Justice 1301 New York Avenue NW 10 Washington, D.C. 20530 11 Telephone: (202) 514-0000 12 Attorneys for Plaintiff 13 United States of America 14 IN THE UNITED STATES DISTRICT COURT 15 EASTERN DISTRICT OF CALIFORNIA 16 17 IN THE MATTER OF 18 THE EXTRADITION OF OMAR AMEEN CASE NO. 2:18-MJ-0152 EFB 19 20 21 22 MEMORANDUM OF EXTRADITION LAW AND REQUEST 23 FOR DETENTION PENDING EXTRADITION PROCEEDINGS 24 25 26 27 28 Case 2:18-mj-00152-EFB Document 6 Filed 08/15/18 Page 2 of 32 1 TABLE OF CONTENTS Page 2 I. FACTUAL BACKGROUND ..........................................................................................................1 3 II. LEGAL FRAMEWORK OF EXTRADITION PROCEEDINGS ...................................................2 4 A. The limited role of the Court in extradition proceedings. ....................................................2 5 B. The Requirements for Certification .....................................................................................3 6 1. Authority Over the Proceedings ...........................................................................3 7 2. Jurisdiction Over the Fugitive ..............................................................................4
    [Show full text]
  • Roy Huggins Papers, 1948-2002
    http://oac.cdlib.org/findaid/ark:/13030/c8g15z7t No online items Roy Huggins Papers, 1948-2002 Finding aid prepared by Performing Arts Special Collections Staff; additions processed by Peggy Alexander; machine readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] © 2012 The Regents of the University of California. All rights reserved. Roy Huggins Papers, 1948-2002 PASC 353 1 Title: Roy Huggins papers Collection number: PASC 353 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Physical Description: 20 linear ft.(58 boxes) Date: 1948-2002 Abstract: Papers belonging to the novelist, blacklisted film and television writer, producer and production manager, Roy Huggins. The collection is in the midst of being processed. The finding aid will be updated periodically. Creator: Huggins, Roy 1914-2002 Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
    [Show full text]
  • Mediasprawl: Springfield U.S.A
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Iowa Research Online Iowa Journal of Cultural Studies Volume 3, Issue 1 2003 Article 10 SUBURBIA Mediasprawl: Springfield U.S.A Douglas Rushkoff∗ ∗ Copyright c 2003 by the authors. Iowa Journal of Cultural Studies is produced by The Berkeley Electronic Press (bepress). https://ir.uiowa.edu/ijcs Mediasprawl: Springfield U.S.A. Douglas Rushkoff The Simpsons are the closest thing in America to a national media literacy program. By pretending to be a kids’ cartoon, the show gets away with murder: that is, the virtual murder of our most coercive media iconography and techniques. For what began as entertaining interstitial material for an alternative network variety show has revealed itself, in the twenty-first century, as nothing short of a media revolu­ tion. Maybe that’s the very reason The Simpsons works so well. The Simpsons were bom to provide The Tracey Ullman Show with a way of cutting to commercial breaks. Their very function as a form of media was to bridge the discontinuity inherent to broadcast television. They existed to pave over the breaks. But rather than dampening the effects of these gaps in the broadcast stream, they heightened them. They acknowledged the jagged edges and recombinant forms behind the glossy patina of American television and, by doing so, initiated its deconstruction. They exist in the outlying suburbs of the American media landscape: the hinter­ lands of the Fox network. And living as they do—simultaneously a part of yet separate from the mainstream, primetime fare—they are able to bear witness to our cultural formulations and then comment upon them.
    [Show full text]
  • Visit Us on the Web at DECADES.Com
    Monday Tuesday Wednesday Thursday Friday Weekend 6/8/15 6/9/15 6/10/15 6/11/15 6/12/15 6/13/15 - 6/14/15 7a / 1p / 7p / 1a Through the Decades Through the Decades Through the Decades Through the Decades {CC} Through the Decades {CC} 150610 {CC} 150611 {CC} 150612 {CC} 8a / 2p / 8p / 2a Drifter: Henry Lee Lucas The Boston Strangler Love Field Antonio Sabato Jr., John Burke David Faustino, Andrew Divoff (2008) - Hanky Panky Michelle Pfeiffer, Dennis Haysbert Frances 9a / 3p / 9p / 3a (2009) - Thriller Thriller Gene Wilder, Gilda Radner (1982) - (1992) - Drama Jessica Lange, Kim Stanley (1982) - TV-14 L, S, V {CC} TV-14 L, V {CC} Comedy TV-14 {CC} Weekend Binge: That Girl Drama TV-PG {CC} TV-14 S, V {CC} Greatest Sports Legends: Secretariat 06 10a / 4p / 10p / 4a {CC} The Fugitive 153 {CC} Bonanza 527 {CC} Love, American Style 666 {CC} Disasters of the Century: Le Mans Race Car Crash 010 {CC} 11a / 5p / 11p / 5a I Love Lucy 155 {CC} Gunsmoke 7215 {CC} Hawaii Five-O 6817 {CC} The Saint 110 {CC} Daniel Boone 3007 {CC} Car 54, Where Are You? 051 {CC} 12p / 6p / 12a / 6a Naked City 0010 {CC} The Greats: Anne Frank 09 {CC} Gunsmoke 7413 {CC} Hawaii Five-O 7214 {CC} Route 66 13 {CC} The Achievers: Babe Ruth 12 {CC} Have Gun, Will Travel 118 {CC} Our look back begins on June Today we look back at the Serials kilers have an infamous Today we look at the events of Today we examine the topics 8th, 1949, with the Hollywood end of a historic manhunt for place in history, and today we June 11th.
    [Show full text]
  • University of Florida Thesis Or Dissertation Formatting
    THE TELEVISED SOUTH: AN ANALYSIS OF THE DOMINANT READINGS OF SELECT PRIME-TIME PROGRAMS FROM THE REGION By COLIN PATRICK KEARNEY A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2020 © 2020 Colin P. Kearney To my family ACKNOWLEDGMENTS A Doctor of Philosophy signals another rite of passage in a career of educational learning. With that thought in mind, I must first thank the individuals who made this rite possible. Over the past 23 years, I have been most fortunate to be a student of the following teachers: Lori Hocker, Linda Franke, Dandridge Penick, Vickie Hickman, Amy Henson, Karen Hull, Sonya Cauley, Eileen Head, Anice Machado, Teresa Torrence, Rosemary Powell, Becky Hill, Nellie Reynolds, Mike Gibson, Jane Mortenson, Nancy Badertscher, Susan Harvey, Julie Lipscomb, Linda Wood, Kim Pollock, Elizabeth Hellmuth, Vicki Black, Jeff Melton, Daniel DeVier, Rusty Ford, Bryan Tolley, Jennifer Hall, Casey Wineman, Elaine Shanks, Paulette Morant, Cat Tobin, Brian Freeland, Cindy Jones, Lee McLaughlin, Phyllis Parker, Sue Seaman, Amanda Evans, David Smith, Greer Stene, Davina Copsy, Brian Baker, Laura Shull, Elizabeth Ramsey, Joann Blouin, Linda Fort, Judah Brownstein, Beth Lollis, Dennis Moore, Nathan Unroe, Bob Csongei, Troy Bogino, Christine Haynes, Rebecca Scales, Robert Sims, Ian Ward, Emily Watson-Adams, Marek Sojka, Paula Nadler, Marlene Cohen, Sheryl Friedley, James Gardner, Peter Becker, Rebecca Ericsson,
    [Show full text]
  • Spring 2021 Mayberry Magazine
    Spring 2021 MayberryMAGAZINE Mayberry Man Andy Griffith Show Movie nearing release A star comes to visit Andy Finds Himself Mayberry Trivia College opened new Test your knowledge world What’s Happening? Comprehensive calendar ISSUE 30 Table of Contents Cover Story — Finally here? Despite the COVID-19 pandemic, work on the much ballyhooed Mayberry Man movie has continued, working around delays, postponements, and schedule changes. Now, the movie is just a few months away from release to its supporters, and hopefully, a public debut not too long afterward. Page 8 Andy finds himself He certainly wasn’t the first student to attend the University of North Carolina, nor the last, but Andy Griffith found an outlet for his creative talents at the venerable state institution, finding himself, and his career path, at the school. Page 4 Guest stars galore Being a guest star on “The Andy Griffith Show” could be a launching pad for young actors, and even already established stars sometimes wanted the chance to work with the cast and crew there. But it was Jean Hagen, driving a fast car and doing some smooth talking, who was the first established star to grace the set. Page 6 What To Do, What To Do… The pandemic put a halt to many shows and events over the course of 2020, but there might very well be a few concerts, shows, and events stirring in Mount Airy — the real-life Mayberry — this spring and summer. Page 10 SPRING 2021 SPRING So, You Think You Know • The Andy Griffith Show? Well, let’s see just how deep your knowledge runs.
    [Show full text]
  • Popular Television Programs & Series
    Middletown (Documentaries continued) Television Programs Thrall Library Seasons & Series Cosmos Presents… Digital Nation 24 Earth: The Biography 30 Rock The Elegant Universe Alias Fahrenheit 9/11 All Creatures Great and Small Fast Food Nation All in the Family Popular Food, Inc. Ally McBeal Fractals - Hunting the Hidden The Andy Griffith Show Dimension Angel Frank Lloyd Wright Anne of Green Gables From Jesus to Christ Arrested Development and Galapagos Art:21 TV In Search of Myths and Heroes Astro Boy In the Shadow of the Moon The Avengers Documentary An Inconvenient Truth Ballykissangel The Incredible Journey of the Batman Butterflies Battlestar Galactica Programs Jazz Baywatch Jerusalem: Center of the World Becker Journey of Man Ben 10, Alien Force Journey to the Edge of the Universe The Beverly Hillbillies & Series The Last Waltz Beverly Hills 90210 Lewis and Clark Bewitched You can use this list to locate Life The Big Bang Theory and reserve videos owned Life Beyond Earth Big Love either by Thrall or other March of the Penguins Black Adder libraries in the Ramapo Mark Twain The Bob Newhart Show Catskill Library System. The Masks of God Boston Legal The National Parks: America's The Brady Bunch Please note: Not all films can Best Idea Breaking Bad be reserved. Nature's Most Amazing Events Brothers and Sisters New York Buffy the Vampire Slayer For help on locating or Oceans Burn Notice reserving videos, please Planet Earth CSI speak with one of our Religulous Caprica librarians at Reference. The Secret Castle Sicko Charmed Space Station Cheers Documentaries Step into Liquid Chuck Stephen Hawking's Universe The Closer Alexander Hamilton The Story of India Columbo Ansel Adams Story of Painting The Cosby Show Apollo 13 Super Size Me Cougar Town Art 21 Susan B.
    [Show full text]
  • The Hunger Games: an Indictment of Reality Television
    The Hunger Games: An Indictment of Reality Television An ELA Performance Task The Hunger Games and Reality Television Introductory Classroom Activity (30 minutes) Have students sit in small groups of about 4-5 people. Each group should have someone to record their discussion and someone who will report out orally for the group. Present on a projector the video clip drawing comparisons between The Hunger Games and shows currently on Reality TV: (http://www.youtube.com/watch?v=wdmOwt77D2g) After watching the video clip, ask each group recorder to create two columns on a piece of paper. In one column, the group will list recent or current reality television shows that have similarities to the way reality television is portrayed in The Hunger Games. In the second column, list or explain some of those similarities. To clarify this assignment, ask the following two questions: 1. What are the rules that have been set up for The Hunger Games, particularly those that are intended to appeal to the television audience? 2. Are there any shows currently or recently on television that use similar rules or elements to draw a larger audience? Allow about 5 to 10 minutes for students to work in their small groups to complete their lists. Have students report out on their group work, starting with question #1. Repeat the report out process with question #2. Discuss as a large group the following questions: 1. The narrator in the video clip suggests that entertainments like The Hunger Games “desensitize us” to violence. How true do you think this is? 2.
    [Show full text]
  • Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
    Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Weekend Movie Schedule Photo Can Be Fixed
    The Goodland Star-News / Friday, May 12, 2006 5 MONDAY EVENING MAY 15, 2006 brassiere). However, speaking as a 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 fellow sugar addict, my advice is to E S E = Eagle Cable S = S&T Telephone Photo can be fixed start cutting back on the sugar, be- The First 48: Twisted Tattoo Fixation Influences; Inked Inked Crossing Jordan (TV14) The First 48: Twisted 36 47 A&E DEAR ABBY: My husband, cause not only is it addictive, it also Honor; Vultures designs. (TVPG) (TVPG) (TVPG) (HD) Honor; Vultures abigail Oprah Winfrey’s Legends Grey’s Anatomy: Deterioration of the Fight or Flight KAKE News (:35) Nightline (:05) Jimmy Kimmel Live “Keith,” and I are eagerly awaiting makes you crave more and more. And 4 6 ABC an hour after you’ve consumed it, Ball (N) Response/Losing My Religion (N) (HD) at 10 (N) (TV14) the birth of our first child. Sadly, van buren Animal Precinct: New Be- Miami Animal Police: Miami Animal Police: Animal Precinct: New Be- Miami Animal Police: Keith’s mother is in very poor health. you’ll feel as fatigued as you felt “en- 26 54 ANPL ginnings (TV G) Gators Galore (TVPG) Gator Love Bite ginnings (TV G) Gators Galore (TVPG) ergized” immediately afterward. The West Wing: Tomor- “A Bronx Tale” (‘93, Drama) Robert De Niro. A ‘60s bus driver “A Bronx Tale” (‘93, Drama) A man She’s not expected to live more than 63 67 BRAVO a few months after the birth of her dear abby DEAR ABBY: I was adopted by a row (TVPG) (HD) struggles to bring up his son right amid temptations.
    [Show full text]
  • The Beverly Hillbillies: a Comedy in Three Acts; 9780871294111; 1968; Dramatic Publishing, 1968
    Paul Henning; The Beverly Hillbillies: A Comedy in Three Acts; 9780871294111; 1968; Dramatic Publishing, 1968 The Beverly Hillbillies is an American situation comedy originally broadcast for nine seasons on CBS from 1962 to 1971, starring Buddy Ebsen, Irene Ryan, Donna Douglas, and Max Baer, Jr. The series is about a poor backwoods family transplanted to Beverly Hills, California, after striking oil on their land. A Filmways production created by writer Paul Henning, it is the first in a genre of "fish out of water" themed television shows, and was followed by other Henning-inspired country-cousin series on CBS. In 1963, Henning introduced Petticoat Junction, and in 1965 he reversed the rags The Beverly Hillbillies - Season 3 : A nouveau riche hillbilly family moves to Beverly Hills and shakes up the privileged society with their hayseed ways. The Beverly Hillbillies - Season 3 English Sub | Fmovies. Loading Turn off light Report. Loading ads You can also control the player by using these shortcuts Enter/Space M 0-9 F. Scroll down and click to choose episode/server you want to watch. - We apologize to all users; due to technical issues, several links on the website are not working at the moments, and re - work at some hours late. Watch The Beverly Hillbillies 3 Online. the beverly hillbillies 3 full movie with English subtitle. Stars: Buddy Ebsen, Donna Douglas, Raymond Bailey, Irene Ryan, Max Baer Jr, Nancy Kulp. "The Beverly Hillbillies" is a classic American comedy series that originally aired for nine seasons from 1962 to 1971 and was the first television series to feature a "fish out of water" genre.
    [Show full text]
  • Excerpt from a Cuban in Mayberry
    Interlude THE ROAD TO MAYBERRY Nobody's from no place. ANDY TAYLOR, " STRANGER IN TOWN" (1.1_2) HE DEBUT EPISODE OF THE ANDY GRIFFITH SHOW T was broadcast on October 3, 1960. Two weeks later, in Havana, my family's food wholesaling business-we called it el almacen, the warehouse-was confiscated by the Castro regime. A few days after that, on October 24, 1960, I left Cuba with my parents, my two brothers, and my sister on an overnight ferry to Key West called, of all things, The City of Havana. I was eleven years old. My parents were in their late thirties. That evening CBS broadcast the fourth epi­ sode of TAGS, "Ellie Comes to Town." It strikes me as fitting and a little eerie that as Ellie was settling into Mayberry, I was beginning my own road to the Friendly Town. The story of how I became an undocumented Mayberrian, the town's resident alien, began on that Monday. Like hundreds of thousands of other Cubans, we settled in Miami. Except that we didn't truly settle, since we were planning to return to Cuba to pick up where the island's turbulent history had left us off. We saw ourselves as people passing through, transients rather than settlers. Unlike immigrants, we didn't come to America looking for a better life. We had a good one in Cuba. America was a rest stop before we turned around and headed back home. The im­ migrant lives in the fast lane. He is in a hurry-in a hurry to get a job, learn the language, lay down roots.
    [Show full text]