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Diplomarbeit
DIPLOMARBEIT „Die Kunstfigur "Nerd" - eine Subkultur und ihre Darstellung im Film“ Verfasserin Andrea Torggler angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuerin / Betreuer: Univ. - Prof. Dr. Michael Gissenwehrer Inhalt 1. Einleitung...................................................................................................................... 1 2. Der Begriff „Nerd“ ..................................................................................................... 3 2.1. Etymologie des Begriffes Nerd ............................................................................. 9 2.2. Geeks und Nerds weltweit ................................................................................... 11 2.3. Dichotomie .......................................................................................................... 13 3. Soziologische Aspekte der Nerd-Identität .................................................................. 15 3.1. Männlichkeit und Sexualität ................................................................................ 15 3.2. „Oriental racism“ ................................................................................................. 17 3.3. “MaNchine” ........................................................................................................ 21 3.4. Ein bisschen “Asperger”? ................................................................................... -
Superman's Girl Friend, Lois Lane and the Represe
Research Space Journal article ‘Superman believes that a wife’s place is in the home’: Superman’s girl friend, Lois Lane and the representation of women Goodrum, M. Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Please cite this publication as follows: Goodrum, M. (2018) ‘Superman believes that a wife’s place is in the home’: Superman’s girl friend, Lois Lane and the representation of women. Gender & History, 30 (2). ISSN 1468-0424. Link to official URL (if available): https://doi.org/10.1111/1468-0424.12361 This version is made available in accordance with publishers’ policies. All material made available by CReaTE is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Contact: [email protected] ‘Superman believes that a wife’s place is in the home’: Superman’s Girl Friend, Lois Lane and the representation of women Michael Goodrum Superman’s Girl Friend, Lois Lane ran from 1958-1974 and stands as a microcosm of contemporary debates about women and their place in American society. The title itself suggests many of the topics about which women were concerned, or at least were supposed to concern them: the mediation of identity through heterosexual partnership, the pressure to marry and the simultaneous emphasis placed on individual achievement. Concerns about marriage and Lois’ ability to enter into it routinely provide the sole narrative dynamic for stories and Superman engages in different methods of avoiding the matrimonial schemes devised by Lois or her main romantic rival, Lana Lang. -
2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p. -
David Bianculli / 14 Signal Hill Road / Cherry Hill, NJ 08003 / 856-424-6407
Curriculum Vitae 2020 David Bianculli [email protected] TV CRITIC National Public Radio’s Fresh Air with Terry Gross, 1987- present. Founder, editor and columnist, TVWorthWatching.com, 2007-present. TV Worth Watching, YouTube videos, 2019-present. TV Guide, 2017-2018. Multichannel News, 2011. Broadcasting & Cable, 2008-2009. New York Daily News, 1993-2007. New York Post, 1987-93. Philadelphia Inquirer, 1983-87. Akron Beacon Journal, 1980-83. Ft. Lauderdale News/Sun-Sentinel, 1977-80. Gainesville Sun, 1975-77. -- Articles, columns and commentary published in: The New York Times, CNN.com, TV Guide, Rolling Stone, Film Comment, The New York Times Book Review, London Independent, Variety, Boston Phoenix, Taxi, The Week, Family Life, Washington Journalism Review, Electronic Media, Channels of Communication, Television Business International, Parents’ Choice, Television Quarterly, Fame, Cinefantastique, Multichannel News, and hundreds of daily newspapers via syndication. AUTHOR The Platinum Age of Television: From ‘I Love Lucy’ to ‘The Walking Dead,’ How TV became Terrific. NY: Doubleday, 2016. Dangerously Funny: The Uncensored Story of ‘The Smothers Brothers Comedy Hour.’ NY: Touchstone/Simon & Schuster, 2009. Dictionary of Teleliteracy: Television’s 500 Biggest Hits, Misses, and Events. NY: Continuum Publishing Co., 1996. Syracuse University Press, paperback, 1997. Teleliteracy: Taking Television Seriously. NY: Continuum Publishing Co., 1992. Touchstone/Simon & Schuster, paperback, 1994. Graduate thesis: A Comparative Study of College Level CRT/VDT Computer Editing Teaching Methods. University of Florida, 1977. -- Contributed articles or chapters to: “Nichols” and “That Was the Week That Was,” Television Finales: From ‘Howdy Doody’ to ‘Girls.’ Co-edited, with Douglas L. Howard. Syracuse University Press, 2018. “Dossier: Dennis Potter in America,” in peer-reviewed Critical Studies in Television: The International Journal of Television Studies (8, 1), Spring 2013. -
Sob Sisters: the Image of the Female Journalist in Popular Culture
SOB SISTERS: THE IMAGE OF THE FEMALE JOURNALIST IN POPULAR CULTURE By Joe Saltzman Director, Image of the Journalist in Popular Culture (IJPC) Joe Saltzman 2003 The Image of the Female Journalist in Popular Culture revolves around a dichotomy never quite resolved. The female journalist faces an ongoing dilemma: How to incorporate the masculine traits of journalism essential for success – being aggressive, self-reliant, curious, tough, ambitious, cynical, cocky, unsympathetic – while still being the woman society would like her to be – compassionate, caring, loving, maternal, sympathetic. Female reporters and editors in fiction have fought to overcome this central contradiction throughout the 20th century and are still fighting the battle today. Not much early fiction featured newswomen. Before 1880, there were few newspaperwomen and only about five novels written about them.1 Some real-life newswomen were well known – Margaret Fuller, Nelly Bly (Elizabeth Cochrane), Annie Laurie (Winifred Sweet or Winifred Black), Jennie June (Jane Cunningham Croly) – but most female journalists were not permitted to write on important topics. Front-page assignments, politics, finance and sports were not usually given to women. Top newsroom positions were for men only. Novels and short stories of Victorian America offered the prejudices of the day: Newspaper work, like most work outside the home, was for men only. Women were supposed to marry, have children and stay home. To become a journalist, women had to have a good excuse – perhaps a dead husband and starving children. Those who did write articles from home kept it to themselves. Few admitted they wrote for a living. Women who tried to have both marriage and a career flirted with disaster.2 The professional woman of the period was usually educated, single, and middle or upper class. -
Suddenly Mommy Program 2019
Suddenly Mommy merch available! Online at ClearlyBlonde.com Theatre INSERT NAME Presents Starring Remember The Leopard Written by Anne Marie Scheffler Print Robe from MILF Story Consultant Rosie Shuster Life Crisis? Production Design by Andy Moro Also available on www.- Original Song by Erinne White, Choreography by Nicola Pantin clearlyblonde.com Follow Anne Marie on Facebook! facebook.com/AnneMarieScheffler twitter @clearlyblonde instagram @annemariescheffler www.suddenlymommy.com Insert Date 2019 Suddenly Mommy! wrote many episodes of Square Pegs, as well as Bob and Margaret. She story edited CatDog, wrote screenplays for 6 of the major stu- Written & Performed by Anne Marie Scheffler dios including Warner Brothers and MGM. Rosie also produced many Story Consultant Rosie Shuster Carol Burnett Shows in the 90s, and a Superman's 50th Anniversary Production Design by Andy Moro Special. About Andy Moro About The Show Andy Moro has collaborated with companies including Native Earth Anne Marie Scheffler jumps into a new world of funny! Having kids! Performing Arts, Red Sky Performance, VideoCabaret, Topological Sure, she thought that’s what she always wanted, but they’re so Theatre, Cabaret Productions, Kaha:wi Dance Theatre, Buddies in much work! It looked so easy in the brochure! A mom in real life, Bad Times, Halfbreed Productions, da da kamera and more. Recent Scheffler exposes the truth of motherhood in an authentic and hilar- work includes Set and Lights for VideoCabaret’s War of 1812 at the ious way. She’ll make you feel good about your parenting skills! Stratford Festival, Set and Lights for Native Earth’s Free as Injuns, Projections for Kaha:wi’s Transmigration Set and Projections for About Anne Marie Scheffler* Kaha:wi’s Medicine Bear, Topological and YPT’s Beyond the Cuckoo’s Anne Marie is the writer and performer of 8 one woman shows, in- Nest, Waawaate Fobister’s AGOKWE and Red Sky’s Migrations at the cluding Situation: NORMA, Watch Norma’s Back, Leaving Norma, Dat- Banff Centre. -
JERRY COLLINS with KEVIN O'neill - ("The Why Guy") the Illustrated Press
The Old Time Radio Club Established 1975 b Number 332 September 2005 / JERRY COLLINS with KEVIN O'NEILL - ("The Why Guy") The Illustrated Press Membership Information Club Officers and Librarians New member processing: $5 plus club membership President of $17.50 per year from January 1 to December 31. Jerry Collins (716) 683-6199 Members receive a tape library listing, reference 56 Christen Ct. library listing and the monthly newsletter. Lancaster, NY 14086 Memberships are as follows: If you join January [email protected] March, $17.50; April-June, $14; JUly-September, $10; October-December, $7. All renewals should be Vice President & Canadian Branch sent in as soon as possible to avoid missing Richard Simpson (905) 892-4688 newsletter issues. Please be sure to notify us if you 960 16 Road R.R. 3 have a change of address. The Old Time Radio Fenwick, Ontario Club meets on the first Monday of the month at 7:30 Canada, LOS 1CO PM during the months of September through June at St. Aloysius School Hall, Cleveland Drive and Treasurer, Videos & Records Century Road, Cheektowaga, NY. There is no meet Dominic Parisi (716) 884-2004 ing during the month of July, and an informal meet 38 Ardmore PI. ing is held in August at the same address. Buffalo, NY 14213 Anyone interested in the Golden Age of Radio is Membership Renewals, Change of Address welcome. The Old Time Radio Club is affiliated with Peter Bellanca (716) 773-2485 the Old Time Radio Network. 1620 Ferry Road Grand Island, NY 14072 Club Mailing Address [email protected] Old Time Radio Club 56 Christen Ct. -
MAKING IT HAPPEN in NEW YORK CITY
PURCHASE COLLEGE MAGAZINE | THINK WIDE OPEN FALL/WINTER 2014 MAKING IT HAPPEN in NEW YORK CITY PLUS: 2010 Graduates Talk about the Impact of College ... FOUR YEARS IN AND FOUR YEARS OUT LOOKING GOOD: The Newly Renovated Campus Plaza Boasts Green Grass, Blooming Trees, and Open Pathways. TABLE [THIS MOMENT] OF CONTENTS Pursuits 1 IN TIME By Thomas J. Schwarz Making It Happen in New York City 5 Purchase has a lot to offer, but the value of our location News Briefs 12 and its proximity to New York stand out among our greatest assets. Our students can hop on a train and Four Years In and Four Years Out 17 thirty-five minutes later find themselves in one of the greatest hubs of ideas, culture, and commerce on the Looking Good 22 planet. Equally appealing is the ability to return to our lush campus away from the distractions of New York City to recharge, focus, and apply what’s been absorbed, Alumni in Action 24 whether on stage or in the classroom, studio, or laboratory. In Making It Happen in New York City, Neuberger Museum of Art 29 you’ll find a few of our many New York stories—alumni, students, and faculty and their connections to New York City. The Performing Arts Center 29 Following a recent screening of the documentary film Ivory Tower at the Jacob Burns Film Center, I participated COVER PHOTOGRAPHY in a discussion about the importance in 2014 of earning a college degree. BY KELLY CAMPBELL While student debt is a harsh reality and financial concern for many prospective students, it should not overshadow the benefits a college On the Cover: Dan DeGloria ‘01 and his company degree provides. -
Superman's First Live-Action Lois Lane, Noel Neill, Dies at Age 95
11/14/2016 Superman's First LiveAction Lois Lane, Noel Neill, Has Died — moviepilot.com S U P E R M A N ' S F I R S T L I V E -A C T I O N LO I S … H E AT H E R S N O W D E N #Superman Superman's First Live-Action Lois Lane, Noel Neill, Dies At Age 95 July 5, 2016 at 03:46AM By Heather Snowden @heathers Posted by Heather Snowden @heathers Staff Writer at MP. Lover of bad puns, nostalgic feels and all things Winona. The star of The Adventures of Superman and the screen's first live‐action Lois Lane, Noel Neill, has passed away at the age of 95. According to reports, Neill http://moviepilot.com/posts/3988970 1/10 11/14/2016 Superman's First LiveAction Lois Lane, Noel Neill, Has Died — moviepilot.com died following a long battle with an undisclosed illness in her home in Tuscan, Arizona. WHAT TO READ NEXT S U P E R M A N ' S F I R S T L I V E -A C T I O N LO I S … H E AT H E R S N O W D E N Henry Cavill Reveals the ONLY Thing That Can Beat Superman by Kit Simpson Browne Titans, Spiderman, Miles Morales, Static Shock & more (DC and Marvel) by Thomas Kohain According to Neil deGrasse Noel Neill with actor George Reeves in 1957 via Facebook Tyson, Batman CAN Beat Superman The news spread throughout fan networks after her close friend and by Kit Simpson Browne biographer, Jim Nolt, posted a tribute to the Hollywood star on his Facebook Gotham: New Saviour vol 6: page. -
Thinking About Journalism with Superman 132
Thinking about Journalism with Superman 132 Thinking about Journalism with Superman Matthew C. Ehrlich Professor Department of Journalism University of Illinois at Urbana-Champaign Urbana, IL [email protected] Superman is an icon of American popular culture—variously described as being “better known than the president of the United States [and] more familiar to school children than Abraham Lincoln,” a “triumphant mixture of marketing and imagination, familiar all around the world and re-created for generation after generation,” an “ideal, a hope and a dream, the fantasy of millions,” and a symbol of “our universal longing for perfection, for wisdom and power used in service of the human race.”1 As such, the character offers “clues to hopes and tensions within the current American consciousness,” including the “tensions between our mythic values and the requirements of a democratic society.”2 This paper uses Superman as a way of thinking about journalism, following the tradition of cultural and critical studies that uses media artifacts as tools “to size up the shape, character, and direction of society itself.”3 Superman’s alter ego Clark Kent is of course a reporter for a daily newspaper (and at times for TV news as well), and many of his closest friends and colleagues are also journalists. However, although many scholars have analyzed the Superman mythology, not so many have systematically analyzed what it might say about the real-world press. The paper draws upon Superman’s multiple incarnations over the years in comics, radio, movies, and television in the context of past research and criticism regarding the popular culture phenomenon. -
Living in Shuster's House
--> Bob Aaron [email protected] January 19, 2002 Living in Shuster's house I'll always treasure the aura the late comic left behind as the original owner of my house You could say the recent death of Canadian comic legend Frank Shuster hit me where I live. Emotionally and literally. You see, the place I call home was built for Shuster in 1951 and he lived here for 19 years during the heyday of his world- famous television show. So, as a devout fan of Frank Shuster and his partner Johnny Wayne, starting from the time their CBC TV shows were broadcast in black and white, I feel lucky to be surrounded by the magical Shuster aura. The study where these New in Homes columns are written every week was the workroom where the two comedians created so many of the television scripts that are now entertainment classics. Back in July, 1955, a magazine called Canadian Homes and Gardens ran a photo feature entitled "Wayne and Shuster at Home." It's apparent, when comparing the photographs of the 1,800-square-foot Shuster house back then, with how it is today, that not much has changed. The furniture is different, of course, but the living room, dining room, centre hall and main staircase look today just as they did in 1955. Even our living room piano is in the same position as Shuster's was back then. Although the built-in bookshelves in the Shuster study have remained the same, the comedian and his partner might not recognize the room, which is now crammed with computers, printer, fax machine, desks, file cabinets, and a lot of books on real estate and coins (my other life interest). -
N and Now Arctic Adventure Ellie Ga ’00 Retraces the Tara’S North Pole Expedition Through Memory and Fortunetelling
Non-Profit U.S. Postage PAID Augusta, ME 221 East 71st Street Permit No.121 New York, NY 10021 1-800-MARYMOUNT www.mmm.edu RETURN SERVICE REQUESTED MaryMount M a n h a t t a n Fall 2010-2011 Magazine Then and Now Arctic Adventure Ellie Ga ’00 Retraces The Tara’s North Pole Expedition through Memory and Fortunetelling The seventh and eighth floors of Marymount Manhattan’s Main Building housed a swimming pool until it was removed at the end of the 2002-2003 academic year. The reconstruction of both floors provided the College with the opportunity to enhance the learning environment for MMC students. Science classrooms and faculty offices are now located on the seventh floor, and in 2009 the Offices of Academic Affairs and Student Affairs were built on the eighth floor. Cover.indd 1 11/10/10 11:25 AM Experience Marymount Manhattan College’s Cover feature Fall Repertoire In 2008, photographer ellie Ga ’00 returned from her post as an artist-in- residence aboard The Tara, a research vessel lodged in the ice of the arctic ocean. Ga continues to synthesize her experience through recent projects like The Fortunetellers and Three Arctic Booklets. December 9-11, 2010 Performance dates and times: Thursday, December 9 at 8 p.m.; Friday, December 10 at 8 p.m.; and Saturday, December 11 at 2 p.m. and 8 p.m. For tickets, call (212) 517-0610. Reservations can be made on or after November 1. Cover.indd 2 11/5/10 2:17 PM Contents 3 President’s Page 4 camPus view 6 Opportunities Ahead Internships Offer MMC Students Glimpse into Workforce 11 alumni avenue