Portland Daily Press: September 01,1880
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Torrey Source List
Clarence A Torrey - Genealogy Source List TORREY SOURCE LIST A. Kendrick: Walker, Lawrence W., ―The Kendrick Adams (1926): Donnell, Albert, In Memoriam . (Mrs. Family,‖ typescript (n.p., 1945) Elizabeth (Knight) Janverin Adams) (Newington, N.H., A. L. Usher: unidentified 1926) A. Morgan: Morgan Gen.: Morgan, Appleton, A History Adams-Evarts: Adams, J. M., A History of the Adams and of the Family of Morgan from the Year 1089 to Present Evarts Families (Chatham, N.Y.: Courier Printing, Times by Appleton Morgan, of the Twenty-Seventh 1894) Generation of Cadivor-Fawr (New York: privately Adams-Hastings: Adams, Herbert Baxter, History of the printed, [1902?]) Thomas Adams and Thomas Hastings Families (Amherst, Abbe-Abbey: Abbey, Cleveland, Abbe-Abbey Genealogy: Mass.: privately printed, 1880) In Memory of John Abbe and His Descendants (New Addington: Harris, Thaddeus William, ―Notes on the Haven, Conn.: Tuttle, Morehouse & Taylor, 1916) Addington Family,‖ Register 4 (April 1850) Abbott: Abbott, Lemuel Abijah, Descendants of George Addington (1931): Addington, Hugh Milburn, History of Abbott of Rowley, Mass. of His Joint Descendants with the Addington Family in the United States and England: George Abbott, Sr., of Andover, Mass.; of the Including Many Related Families: A Book of Descendants of Daniel Abbott of Providence, R.I., 2 Compliments (Nickelsville, Va.: Service Printery, 1931) vols. (n.p.: privately printed, 1906) Adgate Anc.: Perkins, Mary E., Old Families of Norwich, Abell: Abell, Horace A., One Branch of the Abell Family Connecticut, MDCLX to MDCCC (Norwich, Conn., Showing the Allied Families (Rochester, N.Y., 1934) 1900) Abington Hist.: Hobart, Benjamin, History of the Town of Agar Anc.: unidentified Abington, Plymouth County, Mass. -
Portland Daily Press: February 03,1882
PORTLAND DAILY PRESS. ESTABLISHED JUNE 23, I862.-TOL. 10. WEDNESDAY PORTLAND, MORNING, JUNE 4, 1879. TERMS $8.00 PEE ANNUM, dTaDYANCe” jiil IVIHLAKD DAILY TRESS, CITY ADVERTISEMENTS. who in the Rebellion of Published every day (Sundays excepted) by the INSURANCE. fought their just Memorial MISCELLANEOUS.__ ___ THE PRES8. Striking Address. I_ and equal share and inlluence in tho Gov- PORTLAND FVBLISSISIVG CO., CITY OF PORTLAND. but I do insist that the At 109 WEDNESDAY ernment; people who Exchange St., Portland. MORNING, JUNE 4. Wendell Phlliip3 on the Lessons of The Drains and Sewers to still hold to a doctrine which is subversive Terms : Eight Dollars a Year. To mail subscrib- Build. ers I of all which from tho Day. Seven Dollars a if in advance. FREE I AVe do not read government, it Year, paid TICKETS anonymous letters and communi- day will be received tlie Com- Proposals by was first in SEALEDmittee on Drains and Sewers till MONDAY, cations. 1 he name and address of the writer are in conceived, was itself incipient THE MAINeTsTATE TRESS the 9th at 12 o’clock hist., noon, for building Sew- TO all cases indispensable, not necessarily for publica- treason, which has desolated The following is the memorial address de- is ers in Elm, Congress, West Commer- nearly every published every Thursday Morning at $2.50 a Cumberland, tion but as a of faith. livered cial and North to aud guaranty good household in the shall no by Wendell Decoration year, if paid in advance at $2.00 a year. Streets, according plaus speci- land, have more Phillips, Day fications at City Civil Engineer's office. -
Makeup-Hairstyling-2019-V1-Ballot.Pdf
2019 Primetime Emmy® Awards Ballot Outstanding Hairstyling For A Single-Camera Series A.P. Bio Melvin April 11, 2019 Synopsis Jack's war with his neighbor reaches a turning point when it threatens to ruin a date with Lynette. And when the school photographer ups his rate, Durbin takes school pictures into his own hands. Technical Description Lynette’s hair was flat-ironed straight and styled. Glenn’s hair was blow-dried and styled with pomade. Lyric’s wigs are flat-ironed straight or curled with a marcel iron; a Marie Antoinette wig was created using a ¾” marcel iron and white-color spray. Jean and Paula’s (Paula = set in pin curls) curls were created with a ¾” marcel iron and Redken Hot Sets. Aparna’s hair is blow-dried straight and ends flipped up with a metal round brush. Nancy Martinez, Department Head Hairstylist Kristine Tack, Key Hairstylist American Gods Donar The Great April 14, 2019 Synopsis Shadow and Mr. Wednesday seek out Dvalin to repair the Gungnir spear. But before the dwarf is able to etch the runes of war, he requires a powerful artifact in exchange. On the journey, Wednesday tells Shadow the story of Donar the Great, set in a 1930’s Burlesque Cabaret flashback. Technical Description Mr. Weds slicked for Cabaret and two 1930-40’s inspired styles. Mr. Nancy was finger-waved. Donar wore long and medium lace wigs and a short haircut for time cuts. Columbia wore a lace wig ironed and pin curled for movement. TechBoy wore short lace wig. Showgirls wore wigs and wig caps backstage audience men in feminine styles women in masculine styles. -
Special Edgartown Issue
59 School Street Box 1310 Edgartown MA 02539 Formerly MVMUSEUM The Dukes County Intelligencer MAY 2018 VOLUME 59 Quarterly NO. 2 Martha’s Vineyard Museum’s Journal of Island History MVMUSEUM.ORG Special Cooke Street Edgartown Landmarks Issue (l to r) Cooke Street landmarks: Commercial Wharf, the Old Mayhew Homestead, the Thomas Cooke House, and the Rev. Joseph Thaxter House. The Mayhew and Thaxter houses have been demolished; the Cooke House, owned by the Museum, is open to the public in the summer. Cooke Street and the Origins of Edgartown Mary Marchant’s 1862 Voices from Edgartown’s Past MVMUSEUM.ORG MVMUSEUM Cover, Vol. 59 No. 2.indd 1 7/3/18 5:10:20 PM Membership Dues Student ..........................................$25 Individual .....................................$55 (Does not include spouse) Family............................................$75 Sustaining ...................................$125 Patron ..........................................$250 Benefactor...................................$500 President’s Circle .....................$1,000 Memberships are tax deductible. For more information on membership levels and benefits, please visit www.mvmuseum.org Edgartown The Martha’s Vineyard Museum and its journal were both founded—un- der other names—in Edgartown: one in 1922, the other in 1959. This issue of the MVM Quarterly is a celebration of the town that gave them birth. Tom Dunlop’s lead article, “Edgartown Rising,” uses Cooke Street as a window on the interplay of tensions between religion and commerce— and the sometimes violent struggles between rival sects—that shaped the town’s growth. A pair of articles by Elizabeth Trotter dive deep into Edgartown during the tumultuous 1860s, through the private diary of 24-year-old Mary Marchant and the very public editorials in which James Cooms, the fiery young editor of the Gazette, called for eradication of slav- ery and equal rights for African Americans. -
August 28,1880
PORTLAND, SATURDAY MORNING, AUGUST 28, 1S80. ISISfgltf «¥S5SI PKIt E :i ( ENTS DEMOCRATIC OPINION OF THI THE PORTLAND DAILY PRESS, APPOINTMENTS. The Boys Come Marching Home. It was a demonstration last THE PRESS. COUNT-OUT. magnificent me _MISCELLA XEOUS.__ The letter of the Hon. E. else- Published every dry (Sundays eiceptedi by j no H. Gove, night. Portland never saw before so There is possible w ay in w hicli A Ion large HON R G. HOUR where PEBLISHIAG CO., zo Gnrecion can be from rank published, voices, we believe, the a political It broke the hearts of ;*OB iL vYD SATURDAY MORNING, AUGUST 28. of Michigan prevented meeting. ing himself Governor as as he lives sentiment of the Maine Green- the At iOtt K.XrHANQK ST., PORTLAND. WILL SPEAK AT long prevailing Fusionists. Xow let us make as mag-, and keeping his precious set of vil backers who made their to a tar. To mail and BRIDGToN, 28. way the Green- niiicent a demonstration at the in Kii.v» Kitlu Dollars y snbecrlb FAST. We do not read anonymous letters commuui Saturday Evening, Aug. polls Sep GOING laius iu this Stale in Council l’oi ^rs Dollars a it paid lu advance back from the *even Tear, cations. The name and address of the writer are in FREEPORT, Monday Evening, Aug. 30, organization Republican par- tember, and a dishonest count will never HOLLIS 31. life, provided they can secure uom all cases not necessarily for publica GROVE, Tuesday, Aug. His view of the PRESS indispensable, inati ons for the and ty. -
Ohio UGRR.Pdf
HAMILTON AVENUE – ROAD TO FREEDOM 13. Jonathan Cable – A Presbyterian minister, his family fugitive slaves in a tool house and wooden shed attached to once lived north of 6011 Belmont Avenue. Levi Coffin his house. 1. Hall of Free Discussion site - The Hall was so named by wrote about the deeds of Cable, who procured clothing and 26. Mt. Healthy Christian Church – 7717 Harrison Avenue James Ludlow, son of Israel Ludlow (a Hamilton County gave slaves shelter in his house. He is seen in this – Founded by Pastor David S. Burnet, part of the Cincinnati abolitionist surveyor whose first home was built in photograph as the tall man in the back row. The man with Burnet family, this church was torn apart by the slavery Northside) who built it for the purpose of open discussion the top hat is Levi Coffin; they are with some of those they question. It expelled Aaron Lane for his abolitionist views of controversial topics. After the Lane Debates, some helped to escape. against the protests of other members and for six years the abolitionist seminary students taught classes here to blacks, 14. Samuel and Sally Wilson house – 1502 Aster Place – church stopped holding services. while others taught here and then moved on to Oberlin A staunch abolitionist family, the Wilsons moved to 27. Rev. Dr. John Witherspoon Scott – 7601 Hamilton College. Abolitionist speakers such as Rev. Lyman Beecher College Hill in 1849, purchasing land and a small log cabin Avenue – Built in 1840, this was a station for the and William Cary were popular. -
Virtually Bi Edges No Oiaiige Iii Strategy
Tt^=7l ■' v . .■ X' The Wflflther ■ATU10AX, A rm . 14 iM i A v e riffl Dally Clrenlatfon Fcrecaat of-L'. S. Weather Mi^ichesiery Evening Herald For the Month at M a td li^ m s — 1 _______________ , i f ” i ' I ..- Rafn tonight hqd Tuesday mom- / r nXpn a winter coat and fur collar 'bun-' ' 9 , 1 5 8 In afternoon W gh *^ died atx>ut bar neck. Indicating tempemturea WiiM Bronze Star First Wteriu^s WALTER SCHULTZ I A m aldarilaa balfava in tak Member ot.ttM Audit ‘AboiTt T qw u L o ^ H^ro Dead Heard Along 'Main^^treet that 82 CoaCTCM StVMt ing ^no chancaa with thlf,,jiyjtuaual Baraan at ClkpBlstloaa ■ \ April weather, while the teen-, Mancitester-^A City of Village Charm V tli^ e Plapii^ agera Walk along confldentljr with Ashes and l^nbbish Tha B*lv««on Amjy Women'i And on Some of H^heeter\Side Too PRICE: e W k d :E N T 3 out fear of catching cold. (TWELVE PAGES) Homa Laaj^a will ba in charge ef Tlemoved T ^ S*15881 MANCHESTER, CONN., MONDAY, APR IL^16, 1945 tha Braifrain Jthis avening at 8 A l^ d e r who was In Forest ^ of Bolton. up a stiff sYi filia l One Here/^nder VOL. LXir.,Vo. 166 ’elo^M lt the clUdel; of vocar and Park, Springfield, last Sunday J to conve: the mess serge' Remember the mid-May apple inat^umental miielc and readings, brings back a story of profiteering hU cooking ways blossom fetes they used to stage G. -
Contemporary Carioca: Technologies of Mixing in A
Con tempo C o n t e m p o r a r y raryC a r i o c a Cari oca ontemporary CCarioca Technologies of Mixing in a Brazilian Music Scene Frederick Moehn Duke University Press Durham anD LonDon 2012 © 2012 Duke University Press All rights reserved. Printed in the United States of America on acid-free paper ♾ Designed by Kristina Kachele Typeset in Quadraat and Ostrich Sans by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. Duke University Press gratefully acknowledges the support of Stony Brook University, which provided funds toward the publication of this book. For Brazil’s musical alchemists ontents Illustrations ix C Preface xi Acknowledgments xxiii Introduction 1 1 Marcos Suzano: A Carioca Blade Runner 25 2 Lenine: Pernambuco Speaking to the World 55 3 Pedro Luís and The Wall: Tupy Astronauts 92 4 Fernanda Abreu: Garota Carioca 130 5 Paulinho Moska: Difference and Repetition 167 6 On Cannibals and Chameleons 204 Appendix 1: About the Interviews, with a List of Interviews Cited 211 Appendix 2: Introductory Aspects of Marcos Suzano’s Pandeiro Method 215 Notes 219 References 245 Discography 267 Index 269 llustrations Map of Rio de Janeiro with inset of the South Zone 6 1 “mpb: Engajamento ou alienação?” debate invitation xii 2 Marcos Suzano’s favorite pandeiro (underside) 29 I 3 Marcos Suzano demonstrating his pandeiro and electronic foot pedal effects setup 34 4 A common basic samba pattern on pandeiro 48 5 One of Marcos Suzano’s pandeiro patterns 49 6 Marcos -
Dr. Mathias C. Williams
Dr. Mathias C. Williams: Early Settler of College Hill & Abolitionist The Strobridge Lithograph of College Hill c1860, showing the home and grounds of Dr. Mathias C. Williams in College Hill (lower right), as it would have appeared prior to being consumed in a fire in 1864. At left is the Farmers’ College and Cary’s Academy Buildings. Introduction When I was three years old, my parents purchased what was known as the Daniel B Pierson home, and later the Orville Simpson home. Growing up in an old house with a rolling landscape around it was a true joy. The old place, since christened as Tanglewood, has always held a special position for me. As an adult, this eventually meant delving into the history of the home and the families who inhabited it and shaped the landscape and architecture of which I have become the steward. Most all of the material began with Daniel B. Pierson and went forward; but I want to know what was there before that? Well, William Cary purchased 491 acres in Section 30 of Millcreek Township in 1813 at $7 per acre and that became the core of College Hill. Of these acres, he later sold 56 of them in 1819 to his half-brother John Strong, and a decade later the southernmost portion of that tract was made into a ten acre lot that would hold its form for nearly a century and become the residence of Daniel B. Pierson. In the recorded history of College Hill we have found that there have been many omissions. -
SIHHHDS304A Design and Apply Classic Long Hair up Styles
SIHHHDS304A Design and apply classic long hair up styles Release: 1 SIHHHDS304A Design and apply classic long hair up styles Date this document was generated: 26 May 2012 SIHHHDS304A Design and apply classic long hair up styles Modification History Not applicable. Unit Descriptor This unit describes the performance outcomes, skills and knowledge required to create classic long hair design finishes on a range of clients. Application of the Unit This unit applies to hairdressers in salon environments, who apply classic finished up-style designs to long hair on female clients. A person undertaking this role applies discretion and judgement and accepts responsibility for outcomes of own work. Licensing/Regulatory Information No licensing, legislative, regulatory or certification requirements apply to this unit at the time of endorsement. Pre-Requisites Nil Employability Skills Information This unit contains employability skills. Approved Page 2 of 9 © Commonwealth of Australia, 2012 Service Skills Australia SIHHHDS304A Design and apply classic long hair up styles Date this document was generated: 26 May 2012 Elements and Performance Criteria Pre-Content Elements and Performance Criteria ELEMENT PERFORMANCE CRITERIA Elements describe the Performance criteria describe the performance needed to essential outcomes of a demonstrate achievement of the element. Where bold italicised text unit of competency. is used, further information is detailed in the required skills and knowledge section and the range statement. Assessment of performance is to be consistent with the evidence guide. 1. Analyse client 1.1. Establish natural hair type, texture, growth patterns, characteristics. length, structure and movement by physical and visual examination. 1.2. Observe facial features and bone structure. -
The Agrarian Crusade, a Chronicle of the Farmer in Politics
The Agrarian Crusade, A Chronicle of the Farmer in Politics Solon J. Buck Project Gutenberg's Etext The Agrarian Crusade, by Solon J. Buck Copyright laws are changing all over the world, be sure to check the laws for your country before redistributing these files!!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Please do not remove this. This should be the first thing seen when anyone opens the book. Do not change or edit it without written permission. The words are carefully chosen to provide users with the information they need about what they can legally do with the texts. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. Presently, contributions are only being solicited from people in: Texas, Nevada, Idaho, Montana, Wyoming, Colorado, South Dakota, Iowa, Indiana, and Vermont. As the requirements for other states are met, additions to this list will be made and fund raising will begin in the additional states. These donations should be made to: Project Gutenberg Literary Archive Foundation PMB 113 1739 University Ave. Oxford, MS 38655 Title: The Agrarian Crusade, A Chronicle of the Farmer in Politics Author: Solon J. Buck Release Date: November, 2001 [Etext #2899] [Yes, we are about one year ahead of schedule] Edition: 10 Project Gutenberg's Etext The Agrarian Crusade, by Solon J. -
The Impact of World War II on Women's Fashion in the United States and Britain
UNLV Theses, Dissertations, Professional Papers, and Capstones 12-2011 The impact of World War II on women's fashion in the United States and Britain Meghann Mason University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Cultural History Commons, European History Commons, Fashion Design Commons, Industrial and Product Design Commons, and the United States History Commons Repository Citation Mason, Meghann, "The impact of World War II on women's fashion in the United States and Britain" (2011). UNLV Theses, Dissertations, Professional Papers, and Capstones. 1390. http://dx.doi.org/10.34917/3290388 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. THE IMPACT OF WORLD WAR II ON WOMEN’S FASHION IN THE UNITED STATES AND BRITAIN By Meghann Mason A thesis submitted in partial fulfillment Of the requirements