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ONLINE and ONTOP
THE HOLIDAYS COME EARLY FOR NASHVILLE FANS AS W NETWORK RELEASES TRAILER AND ANNOUNCES SNEAK PEEK OF THE NEW SEASON First Hour of the Two-Hour Season 5 Premiere Debuts on W Network and wnetwork.com Thursday, December 15 New Season of Nashville Premieres January 5 on W Network View the Exclusive Trailer Here #Nashville To Share this Release socially visit: http://bit.ly/2g8aMkz For Immediate Release TORONTO, December 1, 2016 – Nashies have been good this year! As an early holiday gift for Nashville fans, W Network is providing a sneak peek of the first hour of the two-hour season premiere on Thursday, December 15 at 9 p.m. ET/PT. Immediately following the broadcast, the sneak peek will be available on wnetwork.com for 24 hours. Additionally, W Network just dropped the trailer for the new season. Produced by Lionsgate, ABC Studios and Opry Entertainment, the two-hour season premiere of Nashville will debut on its new Canadian home, W Network, on Thursday, January 5 at 9 p.m. ET/PT. Nashville is set against the backdrop of the city's music scene and follows Rayna Jaymes and Juliette Barnes. Both women face personal and professional challenges as they navigate their paths as artists and individuals. Surrounding them and often complicating their lives are their family, friends and, in some cases, lovers, as well as the up-and-coming performers and songwriters trying to get ahead in the business. Music City can mean so many things to different people. In Nashville, musicians and songwriters are at the heart of the storm driven by their own ambitions. -
<Billno> <Sponsor> SENATE JOINT RESOLUTION 138 by Harper
<BillNo> <Sponsor> SENATE JOINT RESOLUTION 138 By Harper A RESOLUTION to recognize CMT for its illustrious tenure and its decision to become the new home of the television series Nashville. WHEREAS, it is fitting that the members of this General Assembly should honor those venerable organizations that serve as exemplars in their industries, setting a standard of excellence and providing quality services that enrich the lives of those around the globe; and WHEREAS, one such organization is CMT, a cable and satellite television network, which recently acquired the television show Nashville, sparing the series an untimely end and further cementing CMT's legacy as the top purveyor of all things country music; and WHEREAS, making its debut on March 6, 1983, CMT, an initialism of Country Music Television, is the leading television and digital authority on country music and entertainment, reaching more than ninety-two million homes throughout the United States; CMT and its website, CMT.com, offer an unparalleled mix of music, news, live concerts, and series and is the top resource for country music on demand; and WHEREAS, CMT is a most fitting home for the television hit Nashville, a drama set in Music City that takes viewers inside the industry that earned Nashville that moniker; and WHEREAS, Nashville debuted October 10, 2012, on ABC, garnering 8.93 million viewers; created by Academy Award winner Callie Khouri, the critically acclaimed series is set against the backdrop of the city's music scene and follows the personal and professional challenges -
Monroe County YMCA 4 Day / 3 Night Nashville TN Adventure – June 14-17, 2016
Monroe County YMCA 4 day / 3 night Nashville TN Adventure – June 14-17, 2016 Day 1 – Tuesday, June 14, 2016 10:00 a.m. Depart Columbia for Nashville, TN (314 miles). 3:30 p.m. Arrive Nashville. Meet our local representative and check-in: GuestHouse Inn (615) 885-4030 2420 Music Valley Drive 4:45 p.m. Dinner included at the Aquarium Restaurant, located inside Opry Mills. Dive into the Aquarium Restaurant, a spectacular underwater dining adventure where you are seated around a 200,000 gallon centerpiece aquarium with more than 100 species of colorful tropical fish. 7:00 p.m. Experience the Grand Ole Opry – Nashville’s must-see attraction and the world’s longest running live radio show. As the home of country music, the Opry offers an incredible mix of talent to create an American experience like no other! Day 2 – Wednesday, June 15, 2016 6:30 a.m. – 8:00 a.m. Deluxe continental breakfast included at hotel. 8:00 a.m. Depart for Studio B. 8:30 a.m. Enjoy a personally guided tour of historic RCA Studio B, Home of 1,000 Hits, where music legends recorded timeless songs. Stand where Elvis himself stood to record over 200 songs. 10:00 a.m. Admission included to the Country Music Hall of Fame, where you can hear rare recordings of country’s legendary performers, see behind-the-scenes films by today’s stars, along with costumes, instruments and personal treasures from country music’s past and present. 11:30 a.m. Free time on historic 2nd Avenue (downtown) for lunch on own. -
LSA Template
TECHNICAL FOCUS: INSTALLATIONS Copyright Lighting &Sound America September 2020 issue live link: http://plasa.me/lsasep2020 Brad Paisley’s setup for Live from the Drive-In. Drive Up, Plug In, and Play By: Dan Daley Drive-in and parking-lot concerts bring The very first drive-in theatre was a hybrid: a cinema auditorium in Las a semblance of normalcy to a COVID- Cruces, New Mexico seated 700 moviegoers, but parking spots for as disrupted concert industry many as 40 automobiles within the n a m e e r F n i v e K : s r e h t o l l A ; r e y e M y r a G : o t o h p t f e l p o T Above and opposite: Outside Nissan Stadium in Nashville. 68 • September 2020 • Lighting &Sound America grounds were positioned to allow occupants to also comfortably view the films. This was in 1915, so sound was not an issue. Fast forward a century or so and sound is a huge issue for drive-ins, as this quintessentially American institu - tion, which had seen its numbers dwindle from over 4,000 in its mid- century heyday to fewer than 350 or so today, finds itself literally at center stage as a primary venue for live music in the midst of a pandemic. As clubs and music halls shut down to prevent the spread of the COVID-19 virus, the live-music sector, which had become the main moneymaker for the music business as recorded-music sales and royalties were decimated by streaming and other online distribution The parking lot at Ruoff Mortgage Music Center in Noblesville, Indiana. -
In YOUR Backyard: @Nashseverewx
In YOUR Backyard: @NashSevereWx WARNING: Failure to read below may result in lack of information that will keep you and the ones you love safe during severe weather. You’ve heard of and probably seen “the calm before the storm.” Well, for the past two years, a Williamson County man has made it his mission to provide a calm “during” the storm. His name is David Drobny and he has been using his Twitter account @NashSevereWx to inform Williamson and Davidson County in real-time about the threatening weather that we so often have. Since we are in the midst help. He saw that Bellevue resident, of tornado season, it is time for the rest of Williamson and Will Minko$, was running a similar Davidson County, not already following @NashSevereWx, Twitter feed, so Drobny contacted to get on board. Why? Because you CANNOT get this kind of weather him. Minko$ was quickly on board information from anywhere else. Our four local news stations have to cover all of middle Tennessee. !ey’re very good at what they do, but An avid follower of @ when multiple storms come and they have to divide their attention, @ NashSevereWx is Williamson NashSevereWX focuses on only the two counties. County resident and journalist, Mindy Tate. Tate has been a “weather nut” since the age of 12, Drobny is a lawyer by profession so informing our community about the when she was hiding from the tornadoes in her garage. Tate says, weather is something he does voluntarily, as a result of his passion for it. “!e guys at NashSevereWx feed my habit for information on He is also married with two children. -
Cardinal Sins
Cardinal Sins Volume 29, Issue 1 The fine arts and literature magazine of Saginaw Valley State University 7400 Bay Road University Center, MI 48710 www.svsu.edu/cardinalsins Produced by the students and staff of Saginaw Valley State University and published on campus by the Graphics Center, Cardinal Sins features art, photography, poetry, and prose by members of the SVSU community, including alumni. All submissions are considered for publication. Selection is made by blind voting of the staff, who are excluded from receiving an award in any category. Cardinal Sins uses Adobe InDesign. This issue features MyriadPro and American Typewriter fonts. Copyright 2009, Cardinal Sins. All subsequent publishing rights revert to the artists. Cover designed by Nicole Vlisides. SVSU does not discriminate based on race, religion, color, gender, sexual orientation, national origin, age, physical impairment, disability or veteran status in the provision of education, employment and other services. Cardinal Sins Editor-in-Chief Amelia Glebocki Editorial Staff Charles Davenport Beth Erbacher Noah Essenmacher Chris Giroux Emily Krueger Kirsten McIlvenna Kelly Mundt Tracy Thiel Tim Windy Business Manager Alex Soares Web Manager Trevor Baranek Academic Adviser Peter Brian Barry Administrative Support Patricia Latty Sharon Opheim Table of Contents Editor’s Note...................................................................................................................8 Black & White Artwork The Battle Cassandra Birchmeier...........................................................................14 -
Kenny Burrell Kenny Burrell Mp3, Flac, Wma
Kenny Burrell Kenny Burrell mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Kenny Burrell Country: US Released: 1956 Style: Hard Bop, Bop MP3 version RAR size: 1734 mb FLAC version RAR size: 1777 mb WMA version RAR size: 1855 mb Rating: 4.5 Votes: 480 Other Formats: VQF RA MP2 MP4 WAV FLAC MP1 Tracklist Hide Credits Get Happy A1 Written-By – Arlen*, Koehler* But Not For Me A2 Written-By – Gershwin* Mexico City A3 Written-By – Kenny Dorham Moten Swing A4 Written-By – Bennie Moten, Buster Moten Cheeta B1 Written-By – Kenny Burrell Now See How You Are B2 Written-By – Pettiford*, Harris* Phinupi B3 Written-By – Kenny Burrell How About You B4 Written-By – Lane*, Freed* Companies, etc. Recorded At – Van Gelder Studio, Hackensack, New Jersey Recorded At – Audio-Video Studios Copyright (c) – Liberty Records, Inc. Credits Bass – Oscar Pettiford (tracks: A4, B1, B2, B3, B4), Paul Chambers (tracks: A1), Sam Jones (tracks: A3) Design [Cover Artwork] – Andy Warhol Design [Cover] – Reid Miles Drums – Arthur Edgehill (tracks: A3), Kenny Clarke (tracks: A1), Shadow Wilson (tracks: A4, B1, B2, B3, B4) Liner Notes – Leonard Feather Percussion – Candido (tracks: A1) Piano – Bobby Timmons (tracks: A3), Tommy Flanagan Producer – Alfred Lion Recorded By [Recording By], Mastered By [Mastering By] – Rudy Van Gelder Tenor Saxophone – Frank Foster (tracks: B2, B3, B4), J.R. Monterose (tracks: A3) Trumpet – Kenny Dorham (tracks: A3) Notes Recorded at the Audio-Video Studios, NYC on March 12, 1956 (tracks A4 to B4), at the Rudy Van Gelder Studio, Hackensack, NJ, on May 29, 1956 (track A1) and on May 30, 1956 (tracks A2, A3). -
Kenny Burrell
Kenny Burrell One of the leading exponents of straight-ahead jazz guitar, Kenny Burrell is a highly influential artist whose understated and melodic style, grounded in bebop and blues, made him in an in-demand sideman from the mid-'50s onward and a standard by which many jazz guitarists gauge themselves to this day. Born in Detroit in 1931, Burrell grew up in a musical family in which his mother played piano and sang in the Second Baptist Church choir and his father favored the banjo and ukulele. Burrell began playing guitar at age 12 and quickly fell under the influence of such artists as Charlie Christian, Django Reinhardt, Oscar Moore, T-Bone Walker, and Muddy Waters. Surrounded by the vibrant jazz and blues scene of Detroit, Burrell began to play gigs around town and counted among his friends and bandmates pianist Tommy Flanagan, saxophonists Pepper Adams and Yusef Lateef, drummer Elvin Jones, and others. In 1951, Burrell made his recording debut on a combo session that featured trumpeter Dizzy Gillespie as well as saxophonist John Coltrane, vibraphonist Milt Jackson, and bassist Percy Heath. Although his talent ranked among the best of the professional jazz players at the time, Burrell continued to study privately with renowned classical guitarist Joe Fava and enrolled in the music program at Wayne State University. Upon graduating in 1955 with a B.A. in music composition and theory, Burrell was hired for a six-month stint touring with pianist Oscar Peterson's trio. Then, in 1956, Burrell and Flanagan moved to New York City and immediately became two of the most sought-after sidemen in town, performing on gigs with such luminaries as singers Tony Bennett and Lena Horne, playing in Broadway pit orchestras, as well as recording with an array of legendary musicians including Coltrane, trumpeter Kenny Dorham, organist Jimmy Smith, vocalist Billie Holiday, and many others. -
The Thomas Berryman Number
The Thomas Berryman Number by James Patterson, 1947– Published: 1976 J J J J J I I I I I Table of Contents Prologue Down on the Farm (1962) Preface Jones‘ Thomas Berryman (1974) & Part I … The First Trip North. Part II … The End of the Funniest Man in America. Part III … The Girl Who Loved Thomas Berryman. Part IV … The First Southern Detective Story. Part V … „Punk“. Part VI … The Jimmie Horn Number. Part VII … The Thomas Berryman Number. * * * * * This book is a work of fiction. Names, characters, places, and incidents are the product of the author‘s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental. J J J J J I I I I I Prologue Down on the Farm (1962) Claude, Texas, 1962 The year he and Ben Toy left Claude, Texas—1962—Thomas Berryman had been in the habit of wearing black cowboy boots with distinctive red stars on the ankles. He’d also been stuffing four twenty-dollar bills in each boot sole. By mid- July the money had begun to shred and smell like feet. One otherwise unpromising afternoon there’d been a shiny Coupe de Ville out on Ranch Road #5. It was metallic blue. Throwing sun spirals and stars off the bumpers. He and Ben Toy had watched its approach for six or eight miles of scruffy Panhandle desert. They were doing nothing. “Bored sick and dying fast on a fencerail,” Berryman had said earlier. Toy had only half-smiled. “You heard about that greaseball Raymond Cone? I suppose you did,” the conversation was going now. -
Con Safos --A Chicano's Journey Through Life in California
844 CON SAFOS --A CHICANO'S JOURNEY THROUGH LIFE IN CALIFORNIA The Michigan Letters You Are What You Eat! September 1969 Those sagacious words were once uttered by EDITOR'S NOTES: George Darrah, an attorney, my good friend Fred Contreras when we were the Michigan State Chairman, wrote to American GI talking about dieting. He was a few pounds over Forum National Executive Secretary-Treasurer Zeke weight and I was about 120 lbs. over "normal." Duran regarding an editorial I had written in THE We were remembering that everything that FORUMEERaboutDr. Hector P. Garcia running against people love to eat is fattening ... Avocados, pork Dan Campos for National Chairman at the Cheyenne chops, fried eggs, country fried potatoes, pizza, ice convention. cream, peanuts, spaghetti, fried chicken, hamburg My argument was that as long as the long shadow of ers, french fries, chocolate milk shakes, etc., etc., Dr. Hector P. Garcia hovered over future conventions, etc. potential candidates would not want to run and be Dieticians recommend that you eat lots of fruit embarrassed at the polls by the national founder. and vegetables. You cannot possibly eat too many --ETS fruits and too much vegetables, they say. OK. This is what Mr. Darrah wrote to Zeke on Following Fred's logic it makes sense to me that Sept. 30, 1969: if you eat a lot of pork chops and bacon, you will DearZeke: very soon be built like a porker. Makes sense to me. As I promised you over the telephone I am writing But if you eat lots of fruit, are you destined to concerning the editorial excorciating Dr. -
Pride Takes Over Twitter for Nashville Public Library
NASHVILLE PUBLIC LIBRARY 615 Church St.| Nashville, TN | 37219 CONTACT: Emily Waltenbaugh Public Information Officer [email protected] 615.862.5754 (desk) 615.406.8153 (mobile) PRIDE TAKES OVER TWITTER FOR NASHVILLE PUBLIC LIBRARY NPL Shares Support for Orlando, Tells the Story of Nashville’s LGBT Community NASHVILLE, Tenn.— Nashville Public Library (NPL) turned its Twitter account over to visitors to its booth at the Nashville Pride festival June 25. Festivalgoers were encouraged to write their answers to prompts like “I want to tell the LGBT community in Orlando ,” “I want to tell the next generation,” and “I am proud because” on white boards. Photos of their responses were then tweeted to NPL’s 12,000+ followers. More than 100 Pride attendees participated in the Twitter takeover, which was retweeted by Mayor Megan Barry, Congressman Jim Cooper, Nashville Pride organizers and more, for a total reach of more than 100,000 people. “I want to tell the LGBT community in Orlando . .” “I am proud because . .” This is NPL’s third year to participate in Nashville Pride, which saw record attendance of more than 20,000 participants in 2016. NPL’s booth also featured archival photos of past Nashville Pride festivals and hosted a community survey focused on identity and concepts of safe spaces. Respondents’ submissions were color- coded to their birth decade and hung inside the NPL tent, creating a rainbow backdrop. To view all the images from NPL’s Pride Twitter takeover, visit www.twitter.com/NowAtNPL/media. About Nashville Public Library Nashville Public Library maintains a collection of 2 million items, including books, periodicals, DVDs, CDs, audiobooks, and downloadable books, movies and music. -
Nashville Community Theatre: from the Little Theatre Guild
NASHVILLE COMMUNITY THEATRE: FROM THE LITTLE THEATRE GUILD TO THE NASHVILLE COMMUNITY PLAYHOUSE A THESIS IN Theatre History Presented to the Faculty of the University of Missouri – Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by ANDREA ANDERSON B.A., Trevecca Nazarene University, 2003 Kansas City, Missouri 2012 © 2012 ANDREA JANE ANDERSON ALL RIGHTS RESERVED THE LITTLE THEATRE MOVEMENT IN NASHVILLE, TENNESSEE: THE LITTLE THEATRE GUILD AND THE NASHVILLE COMMUNITY PLAYHOUSE Andrea Jane Anderson, Candidate for the Master of Arts Degree University of Missouri - Kansas City, 2012 ABSTRACT In the early 20th century the Little Theatre Movement swept through the United States. Theatre enthusiasts in cities and towns across the country sought to raise the standards of theatrical productions by creating quality volunteer-driven theatre companies that not only entertained, but also became an integral part of the local community. This paper focuses on two such groups in the city of Nashville, Tennessee: the Little Theatre Guild of Nashville (later the Nashville Little Theatre) and the Nashville Community Playhouse. Both groups shared ties to the national movement and showed a dedication for producing the most current and relevant plays of the day. In this paper the formation, activities, and closure of both groups are discussed as well as their impact on the current generation of theatre artists. iii APPROVAL PAGE The faculty listed below, appointed by the Dean of the College of Arts and Sciences, have examined a thesis titled “Nashville Community Theatre: From the Little Theatre Guild to the Nashville Community Playhouse,” presented by Andrea Jane Anderson, candidate for the Master of Arts degree, and certify that in their opinion it is worthy of acceptance.