Marta Herford I)IE I~E11~IL1CFN L((In Srlei{IE

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/ / , / I / / / / / / / Mappenwerke von Matisse bis Twombly aus der Sammlung Marzona MARTa Herford I)IE I~E11~IL1C~~F~~N l((iN srLEI{I~~E~~--. l;l'\[) I<:lTNSrrLEI{ Joset Albers 72-75 Sam Francis 46 Pier re Alechinsky 46 Günter Fruhtrunk 58 Getulio Alviani 58 Gilbert & George 88/89 Karel Appel 46 Jean-Pierre Gillard 76 Machteid Appel 46 Allen Ginsberg 50 Jean-Bernard Arkitu 76 Bruno Gironcoli 84 Arman 58 Lily Greenham 58 Jean Arp 28/29,34/35 Antoine Grimaud 76 Christian Ludwig Attersee 84 Red Grooms 50 Enrico BaJ 46 Micheline Hachette 76 Cario Belloli 58 Hans Hanko 58 Edouard Berreur 76 Hans Hartung 54 Guido Biasi 58 Erwin Heerich 82/83 Max Bill 54 Bernhard Heiliger 54 Erich Brauer 58 Gotttried Honegger 44/15 Andre Breton 42/43 Friedensreich Hundertwasser 58 Gerard-Philippe Broutin 76 Robert Indiana 46, 50/51 Camille Bryen 54 Isidore Isou 76 Franr o.s e Canal 76 Marcel Janco 54 Enrico Castellani 58 Altred Jensen 46/48 Mare Chagall 36/37 Allen Jones 50 Gianni Colombo 58 Asger Jorn 54/56,78/79 Robert Creeley 50 Pier re Jouvet 76 Jean-Paul Curtay 76 Wassily Kandinsky 12/13 Myriam Darreil 76 Allan Kaprow 46 Alan Davie 46 Lajos Kassak 58 Giorgio de Chir ico 24/25 William Katz 50 Alain de l at o ur 76 Paul Klee 20/21 Sonia Delaunay 34 Kenneth Koch 50 Walter Dexel 58 Hitz Köthe 58/59 Jim Dine 46 Kiki Kogelnik (Kiki OK) 48/49 Piero D'Ora zio 54/55 Hans Krenn 58 Marcel Duchamp 22/23 Markus Kutter 58 /",ax Ernst 18/19 Yves Laloy 58 Gudmundur G. Erro 58 Le Corbusier 38-41 f'llarisol Escobar 50/51 Maurice Lemaitre 76 Oyvind Fahlstrom 46 Altred Leslie 46 Josef Levi 50 Jacques Spacagna 76 Roy Lichtenstein 46 Daniel Spoerri 68/69 Alberto Magnelli 34/35, 54 Henrik St ef an 14/15 Gerard Malanga 50 Frederic Studeny 76 Franz Mare 16n7 Sophie Taeuber-Arp 34/35 Roberto Matta 52/53 Paul Talmann 58 Henri 1'1,atisse 30-33 Yves Tanguy 42/43 Christian Megert 58 Antoni Taple s 54/57,80-83 Joan Mitchell 46 Jacqueline Tarkieltaub 75 Farkas Molnar 14 Walasse Ting 46 Mareello Morandlni 58 Jean Tinguely 66/67 Robert Motherwell 54 Richard Tuttle 54/65 Willy Müller 58 Cy Twombly 50-63 Claes Oldenburg 46, 50 Günther Uecker 70/71 Meret Oppenheim 92/93 Jan Vandyken 58 Blinky Palermo 90/91 Bram van Velde 46 Pablo Picasso 26/27 Andy Warhol 46,50 Walter Pichler 84 Tom Wesselmann 46/47,50 Patrick Poulain 76 John Willenbecher 50 Frant;oise Poyet 75 Fritz Wotruba 54 Arnulf Rainer 84/85 Jean-Pierre Yvaral 58 Mel Ramos 45 Ossip Zadkine 54 Robert Rauschenberg 45 Reinhoud 45 Jean-Paul Riopelle 45 James Rosenquist 45 Ulrich Rückriem 85/87 Roland Sabatier 75/77 Giuseppe Santomaso 54 Alain Satle 76 Peter Saul 50 Antonio Saura 45 Paolo Scheggi 58 Wieland Schmied 58 Michel Seuphor 44/45, 54 Kimber Smith 45 K.R.H. Sonderborg 46.

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Customized Book List Art & Design
ABCD springer.com Springer Customized Book List Art & Design FRANKFURT BOOKFAIR 2007 springer.com/booksellers Art & Design 1 H. Aardse, A.v. Baalen (Eds.) S. Aigner, Wien, Österreich (Ed.) S. Bächli Findings on Ice Emanzipation und Konfrontation / Lidschlag / How It Looks Emancipation and Confrontation / Emancipacija in konfrontacija The Pars Foundation was founded from the con- Silvia Bächli gehört zu den international beachteten viction that art and science are both essentially cre- Kunst aus Kärnten von 1945 bis heute. Architektur aus Schweizer Künstlerinnen ihrer Generation. Die ative processes. Artists begin with an idea that is ul- Kärnten seit 1945 und Kunst im öffentlichen Raum heute. in enger Zusammenarbeit mit der Künstlerin timately expressed in the form of music, images, or entstandene Publikation gibt erstmals einen words. Scientists begin with a hypothesis, sketch an repräsentativen Überblick über ihr Schaffen seit idea, and then test and describe it. Every year Pars „Emancipation and Confrontation" documents 1983. Silvia Bächli verunsichert mit ihrer Kunst, invites artists and scientists to make a contribution both the emergence of a new, postwar generation of die den Betrachter auf eine Gratwanderung schickt to creative thinking. The current topic, “Ice,” is situ- artists, and the way art has developed between then zwischen Banalität und gezielter Kontinuität. In ated in a wide variety of contexts: in connection with and now. In addition to painting, sculpture, photog- ihrer Kunst konzentriert sie sich stets auf das Mini- greenhouse effect, the rise in sea level, or a dancer’s raphy, video art and installtions have also gained in mum. Zu sehen sind einzelne Arme oder Gesichter muscles before making his first move.
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Kiki Kogelnik Josh Kline
OXFORD MODERN ART MODERN EXHIBITION NOTES KIKI KOGELNIK FLY ME FREEDOM TO THE JOSH KLINE JOSH MOON EXHIBITION NOTES EXHIBITION MODERN ART OXFORD CONTENTS Instagram: @mao_gallery Instagram: 1 What is the exhibition about? @mao_gallery Twitter: Facebook: Modern Art Oxford Art Modern Facebook: 2 Piper Gallery Map www.modernartoxford.org.uk 3 Middle Gallery Map Bundeskanzleramt Österreich. Bundeskanzleramt is supported by the Kiki Kogelnik Foundation, Austria and and Austria Foundation, Kogelnik Kiki the by supported is Moon the to Me Fly 4 Artist Interview Kogelnik: Kiki An extract from an interview between Josh Kline and Ryan Trecartin York. New Gallery, Subal Simone and Rinkhy Andrew London, Taneva from the Kiki Kogelnik Foundation, Elisabeth Koegler, Director, Austrian Cultural Forum Forum Cultural Austrian Director, Koegler, Elisabeth Foundation, Kogelnik Kiki the from Taneva 5 Extract from This is What The End of Racial Profiling Looks Like by Katya and Okresek Tatjana Schwarz, George Dr Schwarz-Kogelnik, Mono to thanks special With Tara Lai Quinian and Deborah Ramirez 6 - 7 Events helped to realise this exhibition. this realise to helped Modern Art Oxford is grateful to the many individuals, companies and organisations that have have that organisations and companies individuals, many the to grateful is Oxford Art Modern continue our work by making a donation before you leave. you before donation a making by work our continue If you have enjoyed your visit today and believe in free access to exhibitions, please help us to to us help please exhibitions, to access free in believe and today visit your enjoyed have you If This exhibition guide is available in a large print format.
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The Late Walasse Ting
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Artseen, Vivian Springford
ArtSeen: Vivian Springford By Barbara A. MacAdam December 14, 2020 Vivian Springford, Untitled, 1973. Acrylic on canvas, 48 x 48 x 1 3/8 inches. Courtesy Almine Rech, New York. Photo: Dan Bradica. Abstract painter Vivian Springford (1913–2003) has come a long way, from both her early black Abstract Expressionist paintings and her work as illustrator of Albert Carr’s book Juggernaut: the Path of Dictatorship, for which she portrayed 20 political dictators from the Napoleonic era to the early 20th century. Springford’s career followed a circuitous route, eventually finding the point where, as she explained, “My painting is my own small plot of energy, in terms of color and movement, in the universal whole.” From Franz Kline-like gestural paintings to the stain-soaked canvases that became her signature works, Springford found her place in an ever-shifting abstract art world. The 18 paintings in this delightful show attest to her success. A 1932 debutante, the Milwaukee-born, New York City-raised artist eschewed her privileged private-school upbringing and attended the Art Students League instead of college, moving in bohemian circles at a fertile moment in the city’s cultural life. Her work captured the eye of New York Times critic Howard Devree and the prominent critic-scholar and Ab Ex proponent Harold Rosenberg, who helped her land her first show in 1960 at the Great Jones Gallery in New York. This was followed by a second solo show, at the Preston Gallery, in 1963. The opening at the Great Jones Gallery appears in the short 1961 movie Bowl of Cherries, written and directed by William Kronick.
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SALTS Samuel Leuenberger & Elise Lammer Hauptstrasse 12 CH–4127
Press Release SOULLESS SKIN Sarah Margnetti starring Kiki Kogelnik 9 September - 21 October 2017 Opening Reception: Friday 8 September 2017, 6pm Receiving her BA from ECAL in Lausanne and her Masters from HEAD in SALTS Geneva, Sarah Margnetti (*1983 in Monthey, lives and works in Brussels and Samuel Leuenberger & Lausanne) went on to get a technical training at The Van der Kelen-Logelain Elise Lammer Institute in Brussels, one of the first schools dedicated to the study of decorative Hauptstrasse 12 painting. Founded in 1882, it’s also one of the few places where art education CH–4127 Birsfelden is not about free expression, but about learning one strict, ancient discipline. [email protected] Mastering the technique of trompe l’oeil, Margnetti has developed a virtuous +41 61 311 73 75 painting style that combines optical illusions and abstract motives. For SALTS, the artist filled the two exhibition spaces with intricate, painterly landscapes covering all the walls. In the context of this exhibition, Margnetti, together with the curators, selected some drawings, paintings and sculptures of the late Austrian Pop artist Kiki Kogelnik (1935-1997, lived and worked in New York and Vienna), with whom she shares a similar formal and conceptual vocabulary, despite the half century that separates them. Sarah Margnetti worked on a series of wall paintings, putting together an elusive narrative that explores the fragmentation of the human body and the sensorial and cultural potential of certain materials. Initially invited to realise the exhibition alone, it was later decided to grow the project into a conceptual and visual conversation between her and Kiki Kogelnik.
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Laura Castellis October 27, 2015 Review of Kiki Kogelnik: Fly Me to the Moon at Modern Art Oxford
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Video Transcript Kiki Kogelnik
Video Transcript: Stephen Hepworth, Director of Kiki Kogelnik Foundation, talks about the life and work of Kiki Kogelnik, and her exhibition 'Riot of Objects' at MOSTYN. Kiki Kogelnik was born on 22nd January 1935 in Southern Austria and grew up in the town of Bleiburg. Her father was an accountant, her mother was a schoolteacher. She was the middle of three children and was named originally Sigrid, Kiki was a nickname her elder brother Herwig gave her, and she later chose to adopt it, becoming Kiki Kogelnik. She initially studied at the Vienna Academy of the Applied Arts under the sculptor Hans Knesel, where she made the two early plaster sculptures included in this exhibition: Untitled Head and Untitled Figure in 1954. These iconic objects are reflective of a common post-war European sensibility, both figurative and reductively angular in form they evoke a melancholic pity and sadness. In 1956 she enrolled at the Vienna Academy of Fine Arts to study under the painters Albert Paris Gütersloh and Herbert Boeckl. Her work was firmly rooted in the traditions of modernism, her paintings made with a palette of sombre colours and flat painterly forms. In 1958 she was awarded a grant that enabled her to travel to Paris, London, Dublin, Rome and Norway and with this her work became more spontaneous with looser more gestural marks. While on a visit to Paris in 1959 she met the artists: Cesar, Joan Mitchell and Sam Francis who she became involved, and later visited New York with in 1960. Relocating there permanently in 1961 taking up residence in his studio at 940 Broadway at 23rd Street just two blocks away from the legendary Chelsea Hotel.
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Press Release Asger Jorn
Press Release Asger Jorn The Prints March 23―June 30, 2019 Mönchsberg [4] A twofold premiere: the first comprehensive retrospective of the work Press of Asger Jorn (1914 Vejrum, DK―1973 Aarhus, DK) in Austria will also Mönchsberg 32 be the first exhibition outside Denmark to present the artist’s entire 5020 Salzburg printed oeuvre. Austria T +43 662 842220-601 Salzburg, March 22, 2019. In the exhibition Asger Jorn. The Prints, the F +43 662 842220-700 Museum der Moderne Salzburg presents around 550 works of graphic art by [email protected] the preeminent Danish visual artist, including lithographs, woodcuts, www.museumdermoderne.at etchings, linocuts, silkscreen prints, and potato prints. “As with past exhibition projects, we are drawing on our own collection; fine art prints make up half of our holdings, and among them are works by Asger Jorn given to the museum by its founding director, Otto Breicha, that are now on view in our galleries. A generous loan from the Museum Jorn enables us to show the complete set of ca. 550 prints, the first such presentation anywhere in the world,” Thorsten Sadowsky, director of the Museum der Moderne Salzburg, notes. An ensemble of fifty-two works dating from between 1933 and 1939 that were recently rediscovered in Denmark and have been on public display only once is also on its way to Salzburg. Complementing his work in painting—and, to Jorn’s mind, in no way secondary to it—the prints he created between the 1930s and 1970s bear witness to the artist’s zest for experimentation and his interest in the potentials of his materials as well as his prodigious fabulist’s imagination and wit.
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Marta Herford I)IE I~E11~IL1C~~F~~N L((In Srlei{I~~E~~

Marta Herford I)IE I~E11~IL1CFN L((In Srlei{IE