ENGLISH MOVIE-‐LIST Index Number Title of the Movie Director Running

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ENGLISH MOVIE-LIST Index Number Title of the Movie Director Running Time Eng 0001 Mother Theresa Fabrizio Costa 115 mints Eng 0002 North Country Niki Caro 120 mints Eng 0003 The English Patient Anthony Minghella 162 mints Eng 0004 Perfume Tom Tykwer 145 mints Eng 0005 Brick Lane Sarah Gavron 101 mints Eng 0006 Notting Hill Roger Michell 119 mints Eng 0007 Boys Don't Cry Kimberly Peirce 118 mints Eng 0008 Billy Elliot Stephen Daldry 105 mints Eng 0009 Schindler's List Steven Spielberg 196 mints Eng 0010 Artificial Intelligence Steven Spielberg 145 mints Eng 0011 The Pianist Roman Polanski 2hr 30 mints Eng 0012 The Piano Jane Campion 121 mints Eng 0013 One Flew Over the Cuckoo's Nest Milos Forman 134 mints Eng 0014 A Beautiful Mind Ron Howard 2hr 16 mints Eng 0015 Forest Gump Robert Zemeckis 142 mints Eng 0016 Invictus Clint Eastwood 186 mints Eng 0017 Sometimes in April Raoul Peck 140 mints Eng 0018 Hotel Rwanda Terry George 2hr 2 mints Eng 0019 Philadelphia Jonathan Demme 121 mints Eng 0020 The Shawshank Redemption Frank Darabont 142 mints Eng 0021 Savior Peter Antonijevic 104 mints Eng 0022 Oliver Twist Roman Polanski 94 mints Eng 0023 The Gods Must be Crazy I Jamie Uys 109 mints Eng 0024 The Gods Must be Crazy II Jamie Uys 98 mints Eng 0025 Provoked Jag Mundhra 95 mints Eng 0026 Doctor Zhivago David Lean 200 mints Eng 0027 Amistad Steven Spielberg 2hrs 35 mints Eng 0028 Thin Red Line Terrence Malick 171 mints Eng 0029 No Man's Land David Tanovic 98 mints Eng 0030 Little Buddha Bernardo Bertolucci 128 mints Eng 0031 Sweet November Pat O'Connor 119 mints Eng 0032 Bordertown Gregory Nava 112 mints Eng 0033 Changeling Clint Eastwood 2hrs 22 mints Eng 0034 Free Willy Simon Wincer 112 mints Eng 0035 The Last Temptaion of Christ Bonus Material 112 mints Eng 0036 The Reader Eng 0037 Bend it Like Beckham Gurinder Chadha 112 mints Eng 0038 Mandela Long Wlak to Freedom Justin Chadwick 152 mints.

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Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David
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DAN HILAND Re-Recording Mixer
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Annotated Bibliography of Works Cited and Consulted for the Repurposing an Argument Paper
Annotated Bibliography of Works Cited and Consulted for the Repurposing an Argument Paper Articles/Other Information This information is mostly just stuff that either was sourced in my source paper or general occupy wall street/tea party information I researched. I believe the only article I directly referenced are the Tea Party website, the Limbaugh quote, the Forbes article about the 29 banks too big to fail, and the charts webpage (Blodget). “About Us.” Occupy Wall Street | NYC Protest for American Revolution. Occupy Wall Street. Web. 10 Oct. 2011. <http://occupywallstreet.org/about/>. De facto website for the entire movement. The statement of purpose was useful in finding out just what the protesters actually want, and what kind of change they hope to affect . “Alzheimer’s Association – 10 Signs of Alzheimer’s.” Alzheimer’s Association. 17 Nov. 2010. Web. 16 Dec. 2010. <http://www.alz.org/alzheimers_disease_10_signs_of_alzheimers.asp>. Used to inform writing from source piece. “The Black Dead: Bubonic Plague.” Middle Ages – Medieval Resources. Web. 17 Nov. 2010. <http://www.themiddleages.net/plague.html>. Used to inform writing from source piece. Blodget, Henry. “CHARTS: Here’s What The Wall Street Protesters Are So Angry About…” Business Insider. Business Insider, 10 Oct. 2011. Web. 10 Oct. 2011. <http://www.businessinsider.com/what-wall-street-protesters-are-so- angry-about-2011-10?op=1>. This is where the bulk of my statistical information comes from. Again, I’m not sure how exactly to credit this site and its many, many charts, since RS doesn’t really make use of citations within its articles.
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Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.
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Stanley Kubrick -- Auteur Adriana Magda College of Dupage
ESSAI Volume 15 Article 24 Spring 2017 Stanley Kubrick -- Auteur Adriana Magda College of DuPage Follow this and additional works at: https://dc.cod.edu/essai Recommended Citation Magda, Adriana (2017) "Stanley Kubrick -- Auteur," ESSAI: Vol. 15 , Article 24. Available at: https://dc.cod.edu/essai/vol15/iss1/24 This Selection is brought to you for free and open access by the College Publications at DigitalCommons@COD. It has been accepted for inclusion in ESSAI by an authorized editor of DigitalCommons@COD. For more information, please contact [email protected]. Magda: Stanley Kubrick -- Auteur Stanley Kubrick – Auteur by Adriana Magda (Motion Picture Television 1113) tanley Kubrick is considered one of the greatest and most influential filmmakers in history. Many important directors credit Kubrick as an important influence in their career and Sinspiration for their vision as filmmaker. Kubrick’s artistry and cinematographic achievements are undeniable, his body of work being a must watch for anybody who loves and is interested in the art of film. However what piqued my interest even more was finding out about his origins, as “Kubrick’s paternal grandmother had come from Romania and his paternal grandfather from the old Austro-Hungarian Empire” (Walker, Taylor, & Ruchti, 1999). Stanley Kubrick was born on July 26th 1928 in New York City to Jaques Kubrick, a doctor, and Sadie Kubrick. He grew up in the Bronx, New York, together with his younger sister, Barbara. Kubrick never did well in school, “seeking creative endeavors rather than to focus on his academic status” (Biography.com, 2014). While formal education didn’t seem to interest him, his two passions – chess and photography – were key in shaping the way his mind worked.
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Download Via FTP Upon Request
“There are some true cinematic gems in the secret world of short form moviemaking. One of those gems is The Pond … A deep and heartwarming film, it achieves in 20 minutes what many films fail to do in two hours.” “Viewers are in for a treat … A powerful piece of filmmaking with soulful performances by Alicia Witt and David Morse.” SYNOPSIS A heartbroken young woman (Alicia Witt) sets about scattering her husband’s ashes on the pond in an apple orchard they had both loved. But the waters of the pond hold a secret, and when a stranger (David Morse) appears unexpectedly, the very fabric of reality is ripped apart and she must choose between sacrifice and oblivion. THE POND, an award-winning narrative short film, marks the directorial debut from writer Dan Hannon and stars Alicia Witt (NBC’s “Friday Night Lights,” THE UPSIDE OF ANGER, MR. HOLLAND’S OPUS), David Morse (HBO’s “Treme,” THE HURT LOCKER, THE GREEN MILE) and Todd Rotondi (HOWL). THE POND world premiered at the 2010 Palm Springs International ShortFest and has won the Directorial Discovery Grand Prize Award at the 2010 Rhode Island International Film Festival and the Best Dramatic Short Award at the 2010 New Hampshire Film Festival. The film also recently achieved Finalist status at the 2011 USA Film Festival, Honorable Mention at the 2011 Philadelphia Independent Film Festival, and received a 2011 Maverick Movie Award Nomination. CAST Alicia Witt (“Shelly”) Alicia Witt made her feature film debut in David Lynch’s DUNE and has since starred in such memorable films as MR.
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28Th Leeds International Film Festival Presents Leeds Free Cinema Week Experience Cinema in New Ways for Free at Liff 28 from 7 - 13 November
LIFF28th 28 Leeds International Film Festival CONGRATULATIONS TO THE LEEDS INTERNATIONAL FILM FESTIVAL IN YOUR 28TH YEAR The BFI is proud to partner with Screen Yorkshire in a fantastic year for filmmaking in the region INCLUDING ‘71 GET SANTA SCREENING AT LIFF28 X + Y CATCH ME DADDY & LIFF28 OPENING NIGHT FILM TESTAMENT OF YOUTH Image: (2014) Testament of Youth James Kent Dir. bfi.org.uk/FilmFund Film Fund Ad LIFF 210x260 2014-10_FINAL 3.indd 1 27/10/2014 11:06 WELCOME From its beginnings at the wonderful, century-old Hyde Park Leeds International Film Festival is a celebration of both Picture House to its status now as a major national film event, film culture and Leeds itself, with this year more than 250 CONGRATULATIONS Leeds International Film Festival has always aimed to bring screenings, events and exhibitions hosted in 16 unique a unique and outstanding selection of global film culture locations across the city. Our venues for LIFF28 include the TO THE LEEDS INTERNATIONAL to the city for everyone to experience. This achievement main hub of Leeds Town Hall, the historic cinemas Hyde is not possible without collaborations and this year we’ve Park Picture House and Cottage Road, other city landmarks FILM FESTIVAL IN YOUR 28TH YEAR assembled our largest ever line-up of partners. From our like City Varieties, The Tetley, Left Bank, and Royal Armouries, long-term major funders the European Union and the British Vue Cinemas at The Light and the Everyman Leeds, in their Film Institute to exciting new additions among our supporting recently-completed Screen 4, and Chapel FM, the new arts The BFI is proud to partner with Screen Yorkshire organisations, including Game Republic, Infiniti, and Trinity centre for East Leeds.
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Language of Darkness
ARTS-UG 1611 | FALL 2018 CLASS : TUESDAYS + THURSDAYS, 6:20 PM - 9:00 PM 194 MERCER STREET, ROOM 208 instructor Pedro Cristiani 1 Washington Pl, Room 431 (212) 992.7772 office hours : Wednesdays, 3:00 - 4:30 PM [email protected] “Horror is a reaction— it’s not a genre.” — John Carpenter course description From Murnau’s Nosferatu to Bryan Fuller’s Hannibal, horror has proven to spawn its own storytelling archetypes, serving as strong subtext for race, faith, politics and sexuality. This seven week arts workshop gives the participants the screenwriter’s tools and weapons to research, develop and execute an original genre feature outline. We will explore how different horror auteurs deliver a unique vision from the same source material, as well as how this particular genre has transcended and inﬂuenced even the most “respected” mainstream directors. The sessions will not only cover the question of subverting narrative components and theme, but also creating “mood” and the “sense of the ominous”. Students will research and settle on an original horror source [literary, folkloric or real-life], and will be guided throughout the stages of creating their own unique mythology, as part of the fully- developed feature outline— which will then generate a short ﬁlm script in proper industry- standard format. In-class screening excerpts will include Dracula [Todd Browning and F. F. Coppola], The Thing [John Carpenter], Ringu [Hideo Nakata], Get Out [Jordan Peele], Let The Right One In [Tomas Alfredson], Rosemary’s Baby [Roman Polanski], The Fly [David Cronenberg], American Psycho [Mary Harron], Ju-On [Takashi Shimizu], The Shining [Stanley Kubrick], The Autopsy of Jane Doe [André Øvredal].
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ESTEEMED TALENT TO LEAD ZURICH 2012 MASTER CLASS SESSIONS Zurich, Switzerland – August 27, 2012 – The Zurich Film Festival (ZFF) announced today the revered group of industry professionals that will headline the Festival’s signature Master Class series. 2012 ZFF Master Class instructors include: ● Three-time Academy Award® nominated writer, producer and director Frank Darabont ("The Green Mile,” “The Shawshank Redemption,” “The Walking Dead”) ● Two-time Academy Award® nominated producer Michael Shamberg (“Pulp Fiction,” “Erin Brockovich,” “The Big Chill”) ● Two-time Academy Award® winning editor Pietro Scalia (“Gladiator,” “Good Will Hunting,” “Black Hawk Down”) Academy Award® winning producer Greg Shapiro (“Hurt Locker,” “Harold & Kumar Go to White Castle,” “The Rum Diary”) ● Academy Award® nominated writer Asghar Farhadi (“A Separation,” “About Elly,” “Fireworks Wednesday”) ● Director Daniel Espinosa (“Safe House,” “Easy Money”) ● Award-winning director Benh Zeitlin (“Beasts of the Southern Wild”) ● Motion picture talent agent David Flynn (UTA) Legendary producer and entertainment industry icon Jerry Weintraub (“Ocean’s Eleven” series, “Karate Kid” series) will lead a Master Class session in addition to being honoured with a career achievement award. Along with conducting their respective Master Class sessions in Zurich, Daniel Espinosa, Michael Shamberg and Pietro Scalia will be serving on the Festival’s international fiction jury with Frank Darabont serving as the Jury President. ZFF’s popular master classes serve as a platform that facilitates networking between talented young filmmakers and leading international experts in the film industry. The classes are designed to inspire, motivate and promote the exchange of practical skills amongst workshop participants, in a unique, personalized environment where renowned experts discuss their process and experiences.
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Cinephilist 12 18828.Pdf
It started as a way to take my video store background, and create a SHAREABLE list of those go-to films that I recommend/would be happy to watch again (and again). now it’s well over one hundred. And I just thought of another a minute ago. They cover pretty much all genres. And hopefully vintages. Though it takes a while for something to become a classic. The categorizing symbols are something that I ‘borrowed’ from Neil French, and his: ‘cut! 100 greatest movie scenes’. But was granted permission. Thanks Neil. Though the icons are just rough guides. My opinions really. as Some of these films are too hard to pigeonhole. But they’re definitely worth watching. More than once. Enjoy. The SYMBOLS Emotion, Romance Humor, comedy SPORTS Shock, horror, ACTION, oddities Tension, suspense Music, choreography dialogue Great Acting/actors Great direction/director Great cinematography A beautiful Mind 2001 DIRECTOR: RON HOWARD NOTES: Fascinating story. Well-played. TRAILER A FEW GOOD MEN 1992 DIRECTOR: ROB Reiner NOTES: Courtroom scenes. Nicholson monologue. Cruise is actually not annoying. TRAILER A fish called wanda 1988 DIRECTOR: Charles Crichton, John cleese NOTES: Great cast. Classic Kevin Kline. TRAILER ALIEN 1979 DIRECTOR: RIDLEY SCOTT NOTES: ‘In space, no one can hear you scream.’ TRAILER ALIENS 1986 DIRECTOR: JAMES CAMERON NOTES: Could be better than the original. Paxton at his best. TRAILER AMéLIE 2001 DIRECTOR: JEAN-PAUl jeunet NOTES: Sweet story with a twist. One of the best soundtracks in the history of film. TRAILER American beauty 1999 DIRECTOR: SAM Mendes NOTES: Mesmerizing and ethereal.
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Reflection and Introspection in the Film Scores Of
REFLECTION AND INTROSPECTION IN THE FILM SCORES OF THOMAS NEWMAN by CHELSEA NICOLE ODEN A THESIS Presented to the School of Music and Dance and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2016 THESIS APPROVAL PAGE Student: Chelsea Nicole Oden Title: Reflection and Introspection in the Film Scores of Thomas Newman This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the School of Music and Dance by: Stephen Rodgers Chairperson Jack Boss Member Marian Smith Member and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2016 ii © 2016 Chelsea Nicole Oden iii THESIS ABSTRACT Chelsea Nicole Oden Master of Arts School of Music and Dance June 2016 Title: Reflection and Introspection in the Film Scores of Thomas Newman The most transformative moments in life cause us to look both backward (reflection) and inward (introspection). Likewise, reflective and introspective moments in film often align with important plot points. Separating music and dialogue from the rhythms of the image, these moments suspend time, creating a distinct temporality for the character(s) and the viewer to observe the past and the present in juxtaposition. The music of film composer Thomas Newman brings to life some of the most beautiful reflective and introspective moments in cinema. In this thesis, I approach Newman’s understudied, but highly successful film scores from narrative, musical, and audiovisual perspectives.
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TONY ADLER 1St ASSISTANT DIRECTOR DGA
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