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Mapping Artists' Professional Development Programmes in the Uk: Knowledge and Skills
1 REBECCA GORDON-NESBITT FOR CHISENHALE GALLERY SUPPORTED BY PAUL HAMLYN FOUNDATION MARCH 2015 59 PAGES MAPPING ARTISTS’ PROFESSIONAL DEVELOPMENT PROGRAMMES IN THE UK: KNOWLEDGE AND SKILLS 2 COLOPHON Mapping Artists’ Professional Development This research was conducted for Chisenhale Programmes in the UK: Knowledge and Skills Gallery by Rebecca Gordon-Nesbitt with funding from Paul Hamlyn Foundation. Author: Rebecca Gordon-Nesbitt Editors: Polly Staple and Laura Wilson → Chisenhale Gallery supports the production Associate Editor: Andrea Phillips and presentation of new forms of artistic delivery Producer: Isabelle Hancock and engages diverse audiences, both local and Research Assistants: Elizabeth Hudson and international. Pip Wallis This expands on our award winning, 32 year Proofreader: 100% Proof history as one of London’s most innovative forums Design: An Endless Supply for contemporary art and our reputation for Commissioned and published by Chisenhale producing important solo commissions with artists Gallery, London, March 2015, with support from at a formative stage in their career. Paul Hamlyn Foundation. We enable emerging or underrepresented artists to make significant steps and pursue Thank you to all the artists and organisational new directions in their practice. At the heart of representatives who contributed to this research; our programme is a remit to commission new to Regis Cochefert and Sarah Jane Dooley from work, supporting artists from project inception Paul Hamlyn Foundation for their advice and to realisation and representing an inspiring and support; and to Chisenhale Gallery’s funders, challenging range of voices, nationalities and art Paul Hamlyn Foundation and Arts Council England. forms, based on extensive research and strong curatorial vision. -
Anya Gallaccio
ANYA GALLACCIO Born Paisley, Scotland 1963 Lives London, United Kingdom EDUCATION 1985 Kingston Polytechnic, London, United Kingdom 1988 Goldsmiths' College, University of London, London, United Kingdom SOLO EXHIBITIONS 2019 NOW, The Scottish National Gallery of Modern Art, Edinburgh, Scotland Stroke, Blum and Poe, Los Angeles, CA 2018 dreamed about the flowers that hide from the light, Lindisfarne Castle, Northumberland, United Kingdom All the rest is silence, John Hansard Gallery, Southampton, United Kingdom 2017 Beautiful Minds, Thomas Dane Gallery, London, United Kingdom 2015 Silas Marder Gallery, Bridgehampton, NY Lehmann Maupin, New York, NY Museum of Contemporary Art San Diego, San Diego, CA 2014 Aldeburgh Music, Snape Maltings, Saxmundham, Suffolk, United Kingdom Blum and Poe, Los Angeles, CA 2013 ArtPace, San Antonio, TX 2011 Thomas Dane Gallery, London, United Kingdom Annet Gelink, Amsterdam, The Netherlands 2010 Unknown Exhibition, The Eastshire Museums in Scotland, Kilmarnock, United Kingdom Annet Gelink Gallery, Amsterdam, The Netherlands 2009 So Blue Coat, Liverpool, United Kingdom 2008 Camden Art Centre, London, United Kingdom 2007 Three Sheets to the wind, Thomas Dane Gallery, London, United Kingdom 2006 Galeria Leme, São Paulo, Brazil One art, Sculpture Center, New York, NY 2005 The Look of Things, Palazzo delle Papesse, Siena, Italy Blum and Poe, Los Angeles, CA Silver Seed, Mount Stuart Trust, Isle of Bute, Scotland 2004 Love is Only a Feeling, Lehmann Maupin, New York, NY 2003 Love is only a feeling, Turner Prize Exhibition, -
Studio International Magazine: Tales from Peter Townsend’S Editorial Papers 1965-1975
Studio International magazine: Tales from Peter Townsend’s editorial papers 1965-1975 Joanna Melvin 49015858 2013 Declaration of authorship I, Joanna Melvin certify that the worK presented in this thesis is my own. Where information has been derived from other sources, I confirm that this is indicated in the thesis. i Tales from Studio International Magazine: Peter Townsend’s editorial papers, 1965-1975 When Peter Townsend was appointed editor of Studio International in November 1965 it was the longest running British art magazine, founded 1893 as The Studio by Charles Holme with editor Gleeson White. Townsend’s predecessor, GS Whittet adopted the additional International in 1964, devised to stimulate advertising. The change facilitated Townsend’s reinvention of the radical policies of its founder as a magazine for artists with an international outlooK. His decision to appoint an International Advisory Committee as well as a London based Advisory Board show this commitment. Townsend’s editorial in January 1966 declares the magazine’s aim, ‘not to ape’ its ancestor, but ‘rediscover its liveliness.’ He emphasised magazine’s geographical position, poised between Europe and the US, susceptible to the influences of both and wholly committed to neither, it would be alert to what the artists themselves wanted. Townsend’s policy pioneered the magazine’s presentation of new experimental practices and art-for-the-page as well as the magazine as an alternative exhibition site and specially designed artist’s covers. The thesis gives centre stage to a British perspective on international and transatlantic dialogues from 1965-1975, presenting case studies to show the importance of the magazine’s influence achieved through Townsend’s policy of devolving responsibility to artists and Key assistant editors, Charles Harrison, John McEwen, and contributing editor Barbara Reise. -
Michael Landy Born in London, 1963 Lives and Works in London, UK
Michael Landy Born in London, 1963 Lives and works in London, UK Goldsmith's College, London, UK, 1988 Solo Exhibitions 2017 Michael Landy: Breaking News-Athens, Diplarios School presented by NEON, Athens, Greece 2016 Out Of Order, Tinguely Museum, Basel, Switzerland (Cat.) 2015 Breaking News, Michael Landy Studio, London, UK Breaking News, Galerie Sabine Knust, Munich, Germany 2014 Saints Alive, Antiguo Colegio de San Ildefonso, Mexico City, Mexico 2013 20 Years of Pressing Hard, Thomas Dane Gallery, London, UK Saints Alive, National Gallery, London, UK (Cat.) Michael Landy: Four Walls, Whitworth Art Gallery, Manchester, UK 2011 Acts of Kindness, Kaldor Public Art Projects, Sydney, Australia Acts of Kindness, Art on the Underground, London, UK Art World Portraits, National Portrait Gallery, London, UK 2010 Art Bin, South London Gallery, London, UK 2009 Theatre of Junk, Galerie Nathalie Obadia, Paris, France 2008 Thomas Dane Gallery, London, UK In your face, Galerie Paul Andriesse, Amsterdam, The Netherlands Three-piece, Galerie Sabine Knust, Munich, Germany 2007 Man in Oxford is Auto-destructive, Sherman Galleries, Sydney, Australia (Cat.) H.2.N.Y, Alexander and Bonin, New York, USA (Cat.) 2004 Welcome To My World-built with you in mind, Thomas Dane Gallery, London, UK Semi-detached, Tate Britain, London, UK (Cat.) 2003 Nourishment, Sabine Knust/Maximilianverlag, Munich, Germany 2002 Nourishment, Maureen Paley/Interim Art, London, UK 2001 Break Down, C&A Store, Marble Arch, Artangel Commission, London, UK (Cat.) 2000 Handjobs (with Gillian -
Hannah Black ‘Some Context’ 22 September – 10 December 2017
HANNAH BLACK ‘SOME CONTEXT’ 22 SEPTEMBER – 10 DECEMBER 2017 READING LIST A reading list of texts, books and articles has been compiled in collaboration with Hannah Black to accompany her exhibition, Some Context, at Chisenhale Gallery. This resource expands on ideas raised through Black’s new commission. Included is previous writing by Black, such as her publications Dark Pool Party (DOMINICA/Arcadia Missa, 2016) and Life, with Juliana Huxtable, (mumok, 2017); essays and books that provide reference and further context to the work; and a selection of writings by contributors to The Situation (2017). Abreu, M. A. (2017). Three Poems by Manuel Arturo Abreu. [online] The Believer Logger. Available at: https://logger.believermag.com/post/three-poems-by-manuel-arturo-abreu [Accessed 8 Sep. 2017]. Aima, R. (2017). Body Party: Hannah Black. Mousse Magazine, [online] (57). Available at: http://moussemagazine.it/rahel-aima-hannah-black-2017/ [Accessed 7 Sep. 2017]. Black, H. (2014). My Bodies. [video] Available at: https://vimeo.com/85906379 [Accessed 7 Sep. 2017]. Black, H. (2016). Apocalypse Tourism. [online] The Towner. Available at: http://www.thetowner.com/apocalypsetourism/ [Accessed 9 Sep. 2017]. Black, H. (2015). Long term effects. In: K. Williams, H. Black, R. Johnson, A. Zett, S. M Harrison and S. Kotecha, After the eclipse. [online] Available at: http://www.annazett.net/pdf/AFTER%20THE%20ECLIPSE.pdf [Accessed 7 Sep. 2017]. Black, H. (2015). Some of the police officers spent up to 10 years pretending to be people who had died. In: E. Ryan, ed., Oh wicked flesh!. London: South London Gallery. Black, H. (2016). [Readings] | A Kind of Grace, by Hannah Black | Harper’s Magazine. -
TESS JARAY Present Lives and Works in London, UK 1957-60 Slade
TESS JARAY Present Lives and works in London, UK 1957-60 Slade School of Fine Art, University College, London, UK 1954-57 Saint Martins School of Art and Design, London, UK 1938 Moved to UK 1937 Born in Vienna, Austria Public Collections Abbot Hall Art Gallery, Kendal, UK Arts Council Collection, London, UK Contemporary Art Society, London, UK Graves Art Gallery, Sheffield, UK Museum of Contemporary Art, Belgrade, Serbia Museum des 20 Jahrhunderts, Vienna, Austria Städtisches Museum, Leverkusen, Germany Sundsvall Museum, Sundsvall, Sweden Szépmüvészeti Múzeum, Budapest, Croatia The British Council, London, UK The British Museum, London, UK The Fogg Art Museum, Harvard University, MA, US The Sainsbury Centre, Norwich, UK The Tate Collection, London, UK The Victoria and Albert Museum, London, UK University College London, London, UK Walker Art Gallery, Liverpool, UK Western Australia Art Gallery, Perth, Australia Whitworth Art Gallery, Manchester, UK Worcester City Art Gallery and Museum, Worcester, UK Select Solo Exhibitions 2018 Tess Jaray: Aleppo, Exile Gallery, Berlin, Germany 2017 Tess Jaray, Early Paintings, Sotheby’s S|2, London, UK Tess Jaray, Djanogly Art Gallery, Nottingham, UK Tess Jaray: Into Light, Marlborough Fine Art, London UK Tess Jaray: The Light Surrounded, Albertz Benda, New York, NY 2016 Tess Jaray: Dark & Light, Megan Piper, London, UK 2015 Extra Terrestrial, East Gallery NUA, Norwich University of the Arts, Norwich, UK 2014 The Landscape of Space, Djanogly Art Gallery, Nottingham, UK 2013 Drawings, Karsten Schubert, -
The Penthouses | Central Street, Clerkenwell EC1
www.east-central.london The Penthouses | Central Street, Clerkenwell EC1 Welcome to the East Central Penthouse Collection. Four 3 bedroom lateral apartments located on the upper most level of this stylish new Clerkenwell, EC1 development. Each zinc clad penthouse features spacious light filled open plan living, and private south facing terraces with uninterrupted Clerkenwell views. Specification and workmanship are of the highest quality. All penthouse interiors are designed and specified by Love Interiors and feature fitted wardrobes to master suites, high gloss kitchens by London designer Urban Myth and hotel style bathrooms and en-suites. 01 E C A beguiling combination of old and new, of Eclectic Clerkenwell tradition and progress, Clerkenwell lies at the heart of modern London. East Central offers the quintessential London life, with one foot in the elegant, bohemian tradition of Bloomsbury and one foot in the booming technological hub of Shoreditch. This state of the art development of stunning apartments and penthouses combines cutting edge contemporary architecture in its stone and glass design, with the effortless character of its historic EC1 location. Follow in the footsteps of Dickens, Lenin, Cromwell, of kings themselves, as you step into A Portrait of the Area 21st Century Clerkenwell living. 02 03 E C East London has a market tradition dating back to the 12th Century. Historic Whitecross Street market, located between Old Street and Barbican, is a highly acclaimed haven of street foods making it a favourite lunchtime venue. Aside from the many local markets, some of the most critically celebrated and popular restaurants in London are to be found within a short walk of Central Street. -
Whitechapel Gallery Publications
For over a century the Trade orders New and recent ”La Caixa” Collection at Previous titles in the series: Whitechapel Gallery has exhibition titles Whitechapel Gallery Thames & Hudson A series of four special publications premiered world-class 181a High Holborn to accompany a year-long display of artists such as Jackson London, WC1V 7QX works from Barcelona’s ”La Caixa” Pollock, Frida Kahlo and +44 (0) 20 7845 5000 Collection at Whitechapel Gallery [email protected] in four chapters, selected by and David Hockney, as well featuring newly-commissioned as groundbreaking group Selected exhibition titles available NEW fictional works by some of the most exhibitions. We continue in North America through: Max Mara Art Prize for Women 2019: distinctive English and Spanish- Artbook | D.A.P. language writers working today. Cabinet d’amateur, an oblique novel to showcase the best in NEW Helen Cammock 75 Broad Street, Suite 630 Anna Maria Maiolino Edited by Laura Smith, Bilingual edition (English/Spanish) by Enrique Vila-Matas contemporary art, alongside New York, NY 10004 Making Love Revolutionary with Candy Stobbs Paperback, 96pp 978-0-85488-273-1 our pioneering education and +1 (212) 627 1999 Edited by Lydia Yee, 210 x 148mm Whitechapel Gallery [email protected] Bilingual edition (English/Italian) public events programmes. with Trinidad Fombella Paperback with 7-inch vinyl, 152pp £14.99 Paperback 280 × 215 mm 978-0-85488-279-3 978-0-85488-277-9 Publications September 2019 June 2019 £24.99 £19.99 (inc VAT) Cover: Yinka Shonibare, Anna Maria Maiolino’s (b. 1942, The seventh winner of the biennial The British Library, 2014 (detail) Calabria; lives and works in São Paulo) Max Mara Art Prize for Women, Helen © Yinka Shonibare CBE. -
Frank Bowling Cv
FRANK BOWLING CV Born 1934, Bartica, Essequibo, British Guiana Lives and works in London, UK EDUCATION 1959-1962 Royal College of Art, London, UK 1960 (Autumn term) Slade School of Fine Art, London, UK 1958-1959 (1 term) City and Guilds, London, UK 1957 (1-2 terms) Regent Street Polytechnic, Chelsea School of Art, London, UK SELECTED SOLO EXHIBITIONS 1962 Image in Revolt, Grabowski Gallery, London, UK 1963 Frank Bowling, Grabowski Gallery, London, UK 1966 Frank Bowling, Terry Dintenfass Gallery, New York, New York, USA 1971 Frank Bowling, Whitney Museum of American Art, New York, New York, USA 1973 Frank Bowling Paintings, Noah Goldowsky Gallery, New York, New York, USA 1973-1974 Frank Bowling, Center for Inter-American Relations, New York, New York, USA 1974 Frank Bowling Paintings, Noah Goldowsky Gallery, New York, New York, USA 1975 Frank Bowling, Recent Paintings, Tibor de Nagy Gallery, New York, New York, USA Frank Bowling, Recent Paintings, William Darby, London, UK 1976 Frank Bowling, Recent Paintings, Tibor de Nagy Gallery, New York, New York, USA Frank Bowling, Recent Paintings, Watson/de Nagy and Co, Houston, Texas, USA 1977 Frank Bowling: Selected Paintings 1967-77, Acme Gallery, London, UK Frank Bowling, Recent Paintings, William Darby, London, UK 1979 Frank Bowling, Recent Paintings, Tibor de Nagy Gallery, New York, New York, USA 1980 Frank Bowling, New Paintings, Tibor de Nagy Gallery, New York, New York, USA 1981 Frank Bowling Shilderijn, Vecu, Antwerp, Belgium 1982 Frank Bowling: Current Paintings, Tibor de Nagy Gallery, -
Patrick Painter, Inc
PATRICK PAINTER, INC Glenn Brown Born 1966, Northumberland, England Lives and works in London Education 1992 Goldsmiths’ College, London 1988 Bath College of Higher Education 1985 Norwich School of Art, Foundation Course Solo Exhibitions 2006 Galerie Max Hetzler, Berlin, Germany 2005 Patrick Painter Inc., Santa Monica, CA 2004 Serpentine Gallery, London, England Gagosian Gallery, New York, New York 2002 Galerie Max Hetzler, Berlin, Germany 2001 Patrick Painter Inc., Santa Monica, California Künstlerverein Malkasten, Düsseldorf, Germany 2000 Domaine de Kerguéhennec, Centre d’art Contemporain, Bignan, Franc Galerie Max Hetzler Berlin, Germany Patrick Painter Inc., Santa Monica, California Jerwood Space, London, England Galerie Ghislaine Hussenot, Paris, France 1996 Queen’s Hall Arts Centre, Hexham, England 1995 Karsten Schubert Gallery, London, England Group Exhibitions 2005 Translations, Thomas Dane, London, England Ecstasy: In and About Altered States, Museum of Contemporary Art, Los Angeles, California Strata: Difference and Repetition, Fondazione Davide Halevim, Milan, Italy 2003 La Biennale di Venezia: Delays and Revolutions, Padiglione Italia, Giardini della Biennale, Venice, Italy 2002 Sao Paulo Bienal: Iconografias Metropolitanas, Oscar Niemeyer Bulding, 1 PATRICK PAINTER, INC Pavilhao Ciccillio Matarazzo, Parque Ibirapuera Melodrama, Artium, Centro-Museo Vasco de Arte Contemporaneo, Spain and Palacio de los Condes de Gabia, Granada Biennale of Sydney 2002: (The World May Be) Fantastic, Museum of Contemporary Art Sydney and Art Gallery -
Alison Wilding
!"#$%&n '(h)b&#% Alison Wilding Born 1948 in Blackburn, United Kingdom Currently lives and works in London Education 1970–73 Royal College of Art, London 1967–70 Ravensbourne College of Art and Design, Bromley, Kent 1966–67 Nottingham College of Art, Nottingham !" L#xin$%on &%'##% London ()* +,-, ./ %#l +!! (+).+0+ //0!112! 1++.3++0 f24x +!! (+).+0+ //0!112! 1+.)3+0) info342'5%#564'7%#n5678h79b#'%.68om www.42'5%#64'7%#n5678h79b#'%.68om !"#$%&n '(h)b&#% Selected solo exhibitions 2013 Alison Wilding, Tate Britain, London, UK Alison Wilding: Deep Water, Whitworth Art Gallery, Manchester, UK 2012 Alison Wilding: Drawing, ‘Drone 1–10’, Karsten Schubert, London, UK 2011 Alison Wilding: How the Land Lies, New Art Centre, Roche Court Sculpture Park, Salisbury, UK Alison Wilding: Art School Drawings from the 1960s and 1970s, Karsten Schubert, London, UK 2010 Alison Wilding: All Cats Are Grey…, Karsten Schubert, London, UK 2008 Alison Wilding: Tracking, Karsten Schubert, London, UK 2006 Alison Wilding, North House Gallery, Manningtree, UK Alison Wilding: Interruptions, Rupert Wace Ancient Art, London, UK 2005 Alison Wilding: New Drawings, The Drawing Gallery, London, UK Alison Wilding: Sculpture, Betty Cuningham Gallery, New York, NY, US Alison Wilding: Vanish and Detail, Fred, London, UK 2003 Alison Wilding: Migrant, Peter Pears Gallery and Snape Maltings, Aldeburgh, UK 2002 Alison Wilding: Template Drawings, Karsten Schubert, London, UK 2000 Alison Wilding: Contract, The Henry Moore Foundation Studio, Halifax, UK Alison Wilding: New Work, New -
Whitechapel Gallery Ten Years of Transformation 2009–2019
Whitechapel Gallery Ten Years of Transformation 2009–2019 1 Message from the Director One of my first responsibilities on becoming Director of the Whitechapel Gallery in 2001 was to confirm the purchase of the grand Victorian Passmore Edwards Library, adjacent to the Gallery’s own 1901 Arts & Crafts building. We asked ourselves, how should we expand our physical footprint while saving a heritage building? And, what could this marvelous sequence of spaces contribute to the experience of art? All the while we needed to remain faithful to our founding mission of sharing great art with everyone. In 2009 – after eight years of planning, hundreds of meetings, millions of pounds raised and the sturm und drang of the construction itself – Whitechapel Gallery opened its new space. Designed by Flemish architects Robbrecht and Daem the dramatically expanded building also inaugurated a new chapter in the story of the Whitechapel Gallery. The decade that has passed since those whirlwind opening weeks has been one of conversation and partnership; of the local and the global; and of experimentation and innovation. The success of the past ten years is a cause for celebration and a source of inspiration as we forge ahead in our role as an international epicentre for the dissemination of art, culture and creativity. The extraordinary figures and images in the following pages are a testament to the collective accomplishments of the past decade. However, none of these would have been achieved without the individual efforts of so many. It has been a privilege to work with so many great artists, curators, critics, collectors, scholars, gallerists, educationalists, supporters, colleagues and of course visitors, all of whom have joined us in our curatorial adventure.