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Full Environmental Assessment Form (FEAF) Workbook
Full Environmental Assessment Form (FEAF) Workbook SEQR Environmental Assessment Form Guidance Documents The Full Environmental Assessment Form (FEAF) is designed specifically for Type I Actions. It has three parts. The first part (Part 1) is filled out by the applicant, or project sponsor. Part 2 and Part 3 are the responsibility of the lead agency. Throughout the workbook, the term 'lead agency' is also referred to as the 'reviewing agency'. Part 1 of the FEAF provides details that will help the reviewing agency understand the location, size, type, and characteristics of the proposed project. Part 1 can be completed by the applicant using information prepared as part of the approval submission along with maps, plats, or other studies that may have been conducted and by exploring the information and maps available through the links in this guide. The lead agency should also review the information provided by the applicant in Part 1 for basic accuracy and completeness. Sometimes, the lead agency is also the project sponsor and there are no other agencies involved. An example of this is when a municipality adopts a local law. In such circumstances, the lead agency would also be required to complete Part 1 as the project sponsor. Part 2 is used to help the reviewing agency identify potential impacts that may result from the project. In order to do this, the reviewing agency will evaluate information from Part 1, but may also ask the applicant for clarification of information provided in Part 1, or additional information. Part 3 is used by the reviewing agency to determine if the potential adverse impacts identified in Part 2 are significant or not, and whether a draft environmental impact statement (DEIS) will be prepared. -
Eating After the Triple Disaster: New Meanings of Food in Three Post-3.11 Texts
EATING AFTER THE TRIPLE DISASTER: NEW MEANINGS OF FOOD IN THREE POST-3.11 TEXTS by ROSALEY GAI B.A., The University of Chicago, June 2016 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2020 © Rosaley Gai, 2020 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, the thesis entitled: Eating After the Triple Disaster: New Meanings of Food in Three Post-3.11 Texts submitted by Rosaley Gai in partial fulfillment of the requirements for the degree of Master of Arts in Asian Studies Examining Committee: Sharalyn Orbaugh, Professor, Asian Studies, UBC Supervisor Christina Yi, Associate Professor, Asian Studies, UBC Supervisory Committee Member Ayaka Yoshimizu, Assistant Professor of Teaching, Asian Studies, UBC Supervisory Committee Member ii ABstract Known colloquially as “3.11,” the triple disaster that struck Japan’s northeastern region of Tōhoku on March 11, 2011 comprised of both natural (the magnitude 9.0 earthquake and resultant tsunami) and humanmade (the nuclear meltdown at the Tokyo Electric Power Company’s Fukushima Daiichi nuclear power plant incurred due to post-earthquake damage) disasters. In the days, weeks, months, and years that followed, there was an outpouring of media reacting to and reflecting on the great loss of life and resulting nuclear contamination of the nearby land and sea of the region. Thematically, food plays a large role in many post-3.11 narratives, both through the damage and recovery of local food systems after the natural disasters and the radiation contamination that to this day stigmatizes regionally grown food. -
Eduard Tubin
EDUARD TUBIN Requiem for Fallen Soldiers Symphony No.10 Lund’s Student Choral Society Gothenburg Symphony Orchestra NEEME JÄRVI ROTA, Nino (1911–79) 1 Piccola Offerta Musicale for wind quintet (1943) (Leduc) 3'40 Felix Renggli flute · Heinz Holliger oboe · Elmar Schmid clarinet Klaus Thunemann bassoon · Radovan Vlatkovic horn Sarabanda e Toccata for harp (1945) (Ricordi) 7'14 2 Sarabanda 4'59 3 Toccata 2'15 Maria Graf harp Trio for Flute, Violin and Piano (1958) (Ricordi) 12'20 4 I. Allegro ma non troppo 4'06 5 II. Andante sostenuto 5'01 6 III. Allegro vivace con spirito 3'10 Sharon Bezaly flute · Gidon Kremer violin · Oleg Maisenberg piano 7 Ippolito gioca for piano (1930) (Ricordi) 1'22 Marino Formenti piano 8 Il Presepio for soprano and string quartet (1928) (Schott Musik International) 6'35 world première recording Anna Maria Pammer soprano The Hagen Quartet Lukas Hagen & Rainer Schmidt violins · Veronika Hagen viola · Clemens Hagen cello 2 9 Cantilena from ‘Sette pezzi per bambini’ for piano solo (1971) (Ricordi) 1'52 Mascha Smirnov piano 10 Intermezzo for viola and piano (c.1945) (Ricordi) 8'40 Gérard Caussé viola · Alena Chernushenko piano 11 Puccettino nella giungla from ‘Sette pezzi per bambini’ (Ricordi) 2'15 Mascha Smirnov piano Nonet (1959–77) (Ricordi) 26'20 12 I. Allegro 5'00 13 II. Andante 4'54 14 III. Allegro con spirito 4'00 15 IV. Canzone con Variazioni 8'12 16 V. Vivacissimo 3'59 Sharon Bezaly flute · Markus Deuter oboe · Bernhard Zachhuber clarinet Lorelei Dowling bassoon · Volker Altmann horn · Hanna Weinmeister violin Firmiam Lermer viola · Howard Penny cello · Erich Hehenberger double bass TT: 71'52 Recorded live at the 1996 Lockenhaus Festival 3 The Chamber Music of Nino Rota: from Bourgeois salon to Conservatoire teaching At the end of the nineteenth century, one of the land marks of Genoese musical life was the house of Gio vanni Rinaldi. -
ALBUM TOP 50 - Manuscript
Nacht v/d CD-Vreters 2013 - ALBUM TOP 50 - Manuscript 1 ARCTIC MONKEYS 'AM' 2 QUEENS OF THE STONE AGE '... Like Clockwork' 3 THE DELTA SAINTS 'Death Letter Jubilee' 4 NICK CAVE & THE BAD SEEDS 'Push The Sky Away' 5 THE NATIONAL 'Trouble Will Find Me' 6 DAFT PUNK 'Random Access Memories' 7 ARCADE FIRE 'Reflektor' 8 DAVID BOWIE 'The Next Day' 9 TRIXIE WHITLEY 'Fourth Corner' 10 NORTH MISSISSIPPI ALLSTARS 'World Boogie Is Coming' 11 PEARL JAM 'Lightning Bolt' 12 KURT VILE 'Waking On A Pretty Daze' 13 FOALS 'Holy Fire' 14 DAAN 'Le Franc Belge' 15 GARETT LEBEAU 'Rise To The Grind' 16 THE CHILD OF LOV 'The Child Of Lov' 17 JAKE BUGG 'Shangri La' 18 THE KNIFE 'Shaking The Habitual' 19 FLYING HORSEMAN 'City Same City' 20 POORBOYS AND PILGRIMS 'Aj't Geweten' 21 UNCLE LUCIUS 'And You Are Me' 22 CRYSTAL FIGHTERS 'Cave Rave' 23 CHARLES BRADLEY 'Victim Of Love' 24 STROMAE 'Racine Carrée' 25 PHOSPHORESCENT 'Muchacho' 26 LEE HARVEY OSMOND 'The Folk Sinner' 27 BEN HARPER & CHARLIE MUSSELWHITE 'Get up' 28 FLIP KOWLIER 'Cirque' 29 MILES KANE 'Don't Forget Who You Are' 30 ATOMS FOR PEACE 'Amok' 31 FLAMING LIPS 'Terror' 32 BOMBINO 'Nomad' 33 EELS 'Wonderful, Glorious' 34 GIRLS IN HAWAII 'Everest' 35 FRANZ FERDINAND 'Right Thoughts, Right Words' 36 JAMES HUNTER 'Minute By Minute' 37 UNKNOWN MORTAL ORCHESTRA 'II' 38 VILLAGERS 'Awayland' 39 GOV'T MULE 'Shout' 40 KINGS OF LEON 'Mechanical Bull' 41 BONOBO 'The North Borders' 42 DEERHUNTER 'Monomania' 43 CHVRCHES 'The Bones Of What You Believe' 44 PHOENIX 'Bankrupt' 45 DEVENDRA BANHART 'Mala' 46 NIGHT BEATS 'Sonic Bloom' 47 TEDESCHI TRUCKS BAND 'Made Up Mind' 48 JAMES BLAKE 'Overgrown' 49 MADENSUYU 'Sabat Matter' 50 SAVAGES 'Silence Yourself'. -
Revising the World with Speech in Franz Kafka, Robert Walser and Thomas Bernhard
Monologue Overgrown: Revising the world with speech in Franz Kafka, Robert Walser and Thomas Bernhard by Paul Joseph Buchholz This thesis/dissertation document has been electronically approved by the following individuals: Schwarz,Anette (Chairperson) Gilgen,Peter (Minor Member) McBride,Patrizia C. (Minor Member) MONOLOGUE OVERGROWN: REVISING THE WORLD WITH SPEECH IN FRANZ KAFKA, ROBERT WALSER AND THOMAS BERNHARD A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Paul Joseph Buchholz August 2010 © 2010 Paul Joseph Buchholz MONOLOGUE OVERGROWN: REVISING THE WORLD WITH SPEECH IN FRANZ KAFKA, ROBERT WALSER AND THOMAS BERNHARD Paul Joseph Buchholz, Ph. D. Cornell University 2010 My dissertation focuses on unstable, chronically unpublished prose texts by three key 20th century prose writers, quasi-novelistic texts whose material instability indicates a deep discomfort with the establishment of narrative authority qua narrative violence. I argue that Franz Kafka, Robert Walser and Thomas Bernhard, radically refunctionalized the device of interpolated “character monologue,” turning characters' speech from a narrative function, into a site where a text can be rewritten from within. In the Bildungsroman tradition, extended oral interpolations serve as an engine for the expansion and exposition of the plotted work, deepening the epic narrative world and exhaustively presenting a perspective that will be incorporated into biographical trajectory. I locate an estrangement of this practice: moments when oral monologues of fictional interlocutors “overgrow,” becoming an interventionary force that doubles, disrupts and re-frames the narrative discourse out of which it first sprouted. In showing how the labor of ‘world-making’ is split and spread across different competing layers of these texts, my dissertation contributes to the study of the narrative phenomenon of metalepsis. -
Quartetto Minetti
Prossimi concerti Discografia Programma Teatro Comunale di Monfalcone Mercoledì 29 febbraio 2012 Beethoven: Quartetto n. 11 in fa minore, op. 95, “Serioso” Ludwig van Beethoven (1770 - 1827) ENSEMBLE ZEFIRO Leipzig String Quartet/MDG Quartetto n. 11 in fa minore, op. 95, “Serioso” Musica 2011-2012 Beethoven/Mozart/Rossini Prazak Quartet/Praga Allegro con brio Programma Tokio String Quartet/Harmonia Mundi Allegretto ma non troppo Venerdì 9 marzo 2012/‘900&oltre Auryn Quartet/Tacet Allegro assai vivace ma serioso FVG MITTELEUROPA ORCHESTRA Borodin Quartet/Chandos Larghetto espressivo. Allegretto agitato GIOVANNI SOLLIMA direttore e violoncello Vegh Quartet/Naïve Sollima/Haydn Takács Quartet/Decca György Ligeti (1923 - 2006) Smetana Quartet /Decca Quartetto n. 1, “Métamorphoses nocturnes” Giovedì 15 marzo 2012 Quartetto italiano/Decca Allegro grazioso - Vivace, capriccioso- A tempo - Adagio, mesto - PAOLA ERDAS clavicembalo Emerson String Quartet/Deutsche Grammophon Presto - Molto sostenuto. Andante tranquillo - Più mosso - Tempo ROLF LISLEVAND chitarra e tiorba di Valse, moderato, con eleganza, un poco capriccioso - Subito “Corde pizzicate” Ligeti: Quartetto n. 1, “Métamorphoses nocturnes” prestissimo - Subito: molto sostenuto - Allegretto, un poco gioviale - de Visée/F. Couperin/d’Anglebert/Piccinini/ Cuarteto Casals/Harmonia Mundi Allargando. Poco più mosso - Subito allegro con moto, string. poco Kapsberger/Perrine/Gaultier/L. Couperin/Corbetta Artemis Quartet/Virgin a poco sin al prestissimo - Prestissimo - Allegro comodo, gioviale - Hagen Quartet/Deutsche Grammophon Sostenuto, accelerando - Lento Stravinskij: Tre pezzi *** Alban Berg Quartet/EMI Borodin Quartet/Melodiya Igor Stravinskij (1882 - 1971) Tre pezzi Mendelssohn-Bartholdy: Quartetto n. 6 in fa minore, op. 80 Leipzig String Quartet/MDG Felix Mendelssohn-Bartholdy (1809 - 1847) Emerson String Quartet /Deutsche Grammophon Quartetto n. -
CHAMBER Contents
CHAMBER Contents Page a1 3 a2 31 a3 53 a4 60 a5 80 a6+ 89 Supplementary Performances On Period Instruments 103 Classic & Historic Performances 114 a1 The symbol denotes a signpost navigating the user to related content elsewhere in the Edition. Keys are indicated thus: Symphony in C = C major · Sonata in c = C minor 2 CD 1 73.52 Nannerl Notenbuch (excerpts) 16 Minuet in C K15f 1.02 1 Andante in C (No.53) K1a 0.17 17 Fantasia (Prelude) in G K15g 0.59 2 Allegro in C (No.54) K1b 0.14 18 Contredanse in F K15h 1.00 3 Allegro in F (No.55) K1c 0.48 19 Minuet/Minore in A/a K15i/k 2.04 4 Minuet in F (No.56) K1d 1.14 20 Contredanse in A K15l 1.06 5 Minuet in G (No.62) K1e 21 Minuet in F K15m 1.11 Minuet in C (No.63) K1f 1.57 22 Andante in C K15n 2.34 6 Minuet in F (No.58) K2 0.54 23 Andante in D K15o 2.05 7 Allegro in B (No.59) K3 0.57 24 Movement for a Sonata in g K15p (Movement 1?) 3.05 8 Minuet in F b(No.49) K4 1.16 25 Andante in B K15q (Movement 2?) 3.18 9 Minuet in F (No.61) K5 1.06 26 Andante in g bK15r (Movement 3?) 1.31 10 Allegro in C (No.20) K9a 3.10 27 Rondo in C K15s 0.37 Erik Smith harpsichord 28 Movement for a Sonata in F K15t 2.18 CD 10: alternative versions from Nannerl Notenbuch 29 Sicilianos in c K15u 1.45 CD 174: K9b fragment · CD 177: K9b completion 30 Movement for a Sonata in F K15v 2.30 31 Allemande in B K15w 2.18 London Sketchbook b Chamber a1 32 Movement for a Sonata in F K15x 0.54 11 Allegretto in F K15a 1.38 33 Minuet in G K15y 0.54 12 Andantino in C K15b 1.03 34 Gigue in c K15z 2.08 CD 194: K15b first version 35 Movement -
The Time Is Now Thethe Timetime Isis Nownow Music Has the Power to Inspire, to Change Lives, to Illuminate Perspective, 20/21 SEASON and to Shift Our Vantage Point
20/21 SEASON The Time Is Now TheThe TimeTime IsIs NowNow Music has the power to inspire, to change lives, to illuminate perspective, 20/21 SEASON and to shift our vantage point. featuring FESTIVAL Your seats are waiting. Voices of Hope: Artists in Times of Oppression An exploration of humankind’s capacity for hope, courage, and resistance in the face of the unimaginable PERSPECTIVES Rhiannon Giddens “… an electrifying artist …” —Smithsonian PERSPECTIVES Yannick Nézet-Séguin “… the greatest generator of energy on the international podium …” —Financial Times PERSPECTIVES Jordi Savall “… a performer of genius but also a conductor, a scholar, a teacher, a concert impresario …” —The New Yorker DEBS COMPOSER’S CHAIR Andrew Norman “… the leading American composer of his generation ...” —Los Angeles Times Left: Youssou NDOUR On the cover: Mirga Gražinytė-Tyla carnegiehall.org/subscribe | 212-247-7800 Photos: NDOUR by Jack Vartoogian, Gražinytė-Tyla by Benjamin Ealovega. Box Office at 57th and Seventh Rafael Pulido Some of the most truly inspiring music CONTENTS you’ll hear this season—or any other season—at Carnegie Hall was written in response to oppressive forces that have 3 ORCHESTRAS ORCHESTRAS darkened the human experience throughout history. Perspectives: Voices of Hope: Artists in Times of Oppression takes audiences Yannick Nézet-Séguin on a journey unique among our festivals for the breadth of music 12 these courageous artists employed—from symphonies to jazz to Debs Composer’s popular songs and more. This music raises the question of why, 13 Chair: Andrew Norman no matter how horrific the circumstances, artists are nonetheless compelled to create art; and how, despite those circumstances, 28 Zankel Hall Center Stage the art they create can be so elevating. -
Giacomo Puccini’S Chamber Music Is Perhaps Less Familiar to the Wider Audience
BIOGRAPHY Noûs (nùs) is an ancient greek word whose meaning is mind and therefore rationality, but also inspiration CONWAY and creativity. THE QUARTETTO NOÛS, composed of four young Italian musicians, was founded in 2011 at the Conservatorio della Svizzera Italiana in Lugano. The quartet received its training at HALL the Accademia “Walter Stauffer” in Cremona in the class of the Quartetto di Cremona, at the Musik SUNDAY Akademie in Basel in the class of Professor Reiner Schmidt (Hagen Quartet) and also studied with internationally renowned Professors like Hatto Beyerle (Alban Berg Quartet) and Aldo Campagnari CONCERTS (Quartetto Prometeo). It is currently attending the Musikhochschule Lübeck in the class of Professor Heime Müller (Artemis Quartet) and the Escuela Superior de Música “Reina Sofia” in Madrid in the Günter Pichler’s class (Alban Berg Quartett). The quartet won the first prize at the “Luigi Nono” International Competition in Venaria Reale, Turin, and at the XXI “Anemos International Competition” in Rome. In Patrons 2014 it was awarded an honorable mention at the “Sony Classical Talent Scout” in Madesimo, Italy. - Stephen Hough, Laura Ponsonby AGSM, Prunella Scales CBE, Roderick Swanston, Hiro Takenouchi and Timothy West CBE It received from La Fenice Theatre in Venice the “Arthur Rubinstein - Una Vita nella Musica 2015” Artistic Director - Simon Callaghan Award for revealing itself in a few years as one of the most promising Italian chamber music group and for showing in his still brief career to be able to approach the great literature for string quartet in a mature manner, seeking a reasoned and not ephemeral interpretation in the masterpieces of the classic- romantic period and of the twentieth century, continuing at the same time a serious and not episodic research even within the language of the contemporary music. -
Catalogo Per Autori Ed Esecutori
Abel, Carl Friedrich Quartetti, archi, Op. 8, No. 5, la maggiore The Salomon Quartet The Schein String Quartet Addy, Obo Wawshishijay Kronos Quartet Adorno, Theodor Wiesengrund Zwei Stucke fur Strechquartett op. 2 Buchberger Quartett Albert, Eugene : de Quartetti, archi, Op. 7, la minore Sarastro Quartett Quartetti, archi, Op. 11, mi bemolle maggiore Sarastro Quartett Alvarez, Javier Metro Chabacano Cuarteto Latinoamericano 1 Alwyn, William Quartetti, archi, n. 3 Quartet of London Rhapsody for String Quartet Arditti string quartet Andersson, Per Polska fran Hammarsvall, Delsbo The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom Quartet The Skane Quartet Andriessen, Hendrik Il pensiero Raphael Quartet Aperghis, Georges Triangle Carre Trio Le Cercle Apostel, Hans Erich Quartetti, archi, Op. 7 LaSalle Quartet Arenskij, Anton Stepanovic Quartetti, archi, op. 35 Paul Rosenthal, Vl Matthias Maurer, Vla Godfried Hoogeveen, Vlc Nathaniel Rosen, Vlc Arriaga y Balzola, Juan Crisostomo Jacobo Antonio : de Quartetti, archi, No. 1, re minore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Quartetti, archi, No. 2, la maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet 2 Quartetti, archi, Nr. 3, mi bemolle maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Atterberg, Kurt Quartetti, archi, Op. 11 The Garaguly Quartet Aulin, Tor Vaggvisa The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom -
Download 1 File
Starship Troopers by Robert Heinlein Table of Contents Starship Troopers Chapter 8 Chapter 1 Chapter 9 Chapter 2 Chapter 10 Chapter 3 Chapter 11 Chapter 4 Chapter 12 Chapter 5 Chapter 13 Chapter 6 Chapter 14 Chapter 7 Chapter 1 Come on, you apes! You wanta live forever? — Unknown platoon sergeant, 1918 I always get the shakes before a drop. I’ve had the injections, of course, and hypnotic preparation, and it stands to reason that I can’t really be afraid. The ship’s psychiatrist has checked my brain waves and asked me silly questions while I was asleep and he tells me that it isn’t fear, it isn’t anything important — it’s just like the trembling of an eager race horse in the starting gate. I couldn’t say about that; I’ve never been a race horse. But the fact is: I’m scared silly, every time. At D-minus-thirty, after we had mustered in the drop room of theRodger Young , our platoon leader inspected us. He wasn’t our regular platoon leader, because Lieutenant Rasczak had bought it on our last drop; he was really the platoon sergeant, Career Ship’s Sergeant Jelal. Jelly was a Finno-Turk from Iskander around Proxima — a swarthy little man who looked like a clerk, but I’ve seen him tackle two berserk privates so big he had to reach up to grab them, crack their heads together like coconuts, step back out of the way while they fell. Off duty he wasn’t bad — for a sergeant. -
2016/17 Season Preview and Appeal
2016/17 SEASON PREVIEW AND APPEAL The Wigmore Hall Trust would like to acknowledge and thank the following individuals and organisations for their generous support throughout the THANK YOU 2015/16 Season. HONORARY PATRONS David and Frances Waters* Kate Dugdale A bequest from the late John Lunn Aubrey Adams David Evan Williams In memory of Robert Easton David Lyons* André and Rosalie Hoffmann Douglas and Janette Eden Sir Jack Lyons Charitable Trust Simon Majaro MBE and Pamela Majaro MBE Sir Ralph Kohn FRS and Lady Kohn CORPORATE SUPPORTERS Mr Martin R Edwards Mr and Mrs Paul Morgan Capital Group The Eldering/Goecke Family Mayfield Valley Arts Trust Annette Ellis* Michael and Lynne McGowan* (corporate matched giving) L SEASON PATRONS Clifford Chance LLP The Elton Family George Meyer Dr C A Endersby and Prof D Cowan Alison and Antony Milford L Aubrey Adams* Complete Coffee Ltd L American Friends of Wigmore Hall Duncan Lawrie Private Banking The Ernest Cook Trust Milton Damerel Trust Art Mentor Foundation Lucerne‡ Martin Randall Travel Ltd Caroline Erskine The Monument Trust Karl Otto Bonnier* Rosenblatt Solicitors Felicity Fairbairn L Amyas and Louise Morse* Henry and Suzanne Davis Rothschild Mrs Susan Feakin Mr and Mrs M J Munz-Jones Peter and Sonia Field L A C and F A Myer Dunard Fund† L The Hargreaves and Ball Trust BACK OF HOUSE Deborah Finkler and Allan Murray-Jones Valerie O’Connor Pauline and Ian Howat REFURBISHMENT SUMMER 2015 Neil and Deborah Franks* The Nicholas Boas Charitable Trust The Monument Trust Arts Council England John and Amy Ford P Parkinson Valerie O’Connor The Foyle Foundation S E Franklin Charitable Trust No.