LH89(E) Peter Smart
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Come, Holy Ghost
Come, Holy Ghost John Cosin and 17th Century Anglicanism Notes from sabbatical study leave, Summer 2016 Donald Allister Come, Holy Ghost Sabbatical study Copyright © Donald Allister 2017 2 Come, Holy Ghost Sabbatical study Contents Come, Holy Ghost 4 Personal Interest 5 The Legacy of the 16th Century 8 Arminianism and the Durham House Group 10 The Origins of the Civil War 13 Cosin’s Collection of Private Devotions 14 Controversy, Cambridge, Catastrophe 16 Exile, Roman Catholicism, and the Huguenots 18 Breda, Savoy, the Book of Common Prayer, and the Act of Uniformity 22 Cosin’s Other Distinctive Views 25 Reflections 26 Collects written by Cosin and included in the 1662 Prayer Book 29 Cosin’s Last Testament 30 Some key dates 33 Bibliography 35 3 Come, Holy Ghost Sabbatical study Come, Holy Ghost, our souls inspire, and lighten with celestial fire. Thou the anointing Spirit art, who dost thy sevenfold gifts impart. Thy blessed unction from above is comfort, life, and fire of love. Enable with perpetual light the dullness of our blinded sight. Anoint and cheer our soiled face with the abundance of thy grace. Keep far from foes, give peace at home: where thou art guide, no ill can come. Teach us to know the Father, Son, and thee, of both, to be but One, that through the ages all along, this may be our endless song: Praise to thy eternal merit, Father, Son, and Holy Spirit. Amen.1 Original Latin ascribed to Rabanus Maurus (died AD 856), traditionally sung at Pentecost, Confirmations, and Ordinations: Veni, creator Spiritus, / mentes tuorum visita, / imple superna gratia, / quae tu creasti, pectora. -
Friends Acquisitions 1964-2018
Acquired with the Aid of the Friends Manuscripts 1964: Letter from John Dury (1596-1660) to the Evangelical Assembly at Frankfurt-am- Main, 6 August 1633. The letter proposes a general assembly of the evangelical churches. 1966: Two letters from Thomas Arundel, Archbishop of Canterbury, to Nicholas of Lucca, 1413. Letter from Robert Hallum, Bishop of Salisbury concerning Nicholas of Lucca, n.d. 1966: Narrative by Leonardo Frescobaldi of a pilgrimage to the Holy Land in 1384. 1966: Survey of church goods in 33 parishes in the hundreds of Blofield and Walsham, Norfolk, 1549. 1966: Report of a debate in the House of Commons, 27 February 1593. From the Fairhurst Papers. 1967: Petition to the Ecclesiastical Commissioners by Miles Coverdale and others, 1565. From the Fairhurst Papers. 1967: Correspondence and papers of Christopher Wordsworth (1807-1885), Bishop of Lincoln. 1968: Letter from John Whitgift, Archbishop of Canterbury, to John Boys, 1599. 1968: Correspondence and papers of William Howley (1766-1848), Archbishop of Canterbury. 1969: Papers concerning the divorce of Henry VIII and Catherine of Aragon. 1970: Papers of Richard Bertie, Marian exile in Wesel, 1555-56. 1970: Notebook of the Nonjuror John Leake, 1700-35. Including testimony concerning the birth of the Old Pretender. 1971: Papers of Laurence Chaderton (1536?-1640), puritan divine. 1971: Heinrich Bullinger, History of the Reformation. Sixteenth century copy. 1971: Letter from John Davenant, Bishop of Salisbury, to a minister of his diocese [1640]. 1971: Letter from John Dury to Mr. Ball, Preacher of the Gospel, 1639. 1972: ‘The examination of Valentine Symmes and Arthur Tamlin, stationers, … the Xth of December 1589’. -
Introduction
INTRODUCTION JOHN McKINNELL and DIANA WYATT middle of the twentieth century, early English drama was often labelled “pre-Shakespearean,”1 a designation which was unsatisfactory in a number of ways: until About the own right, and to assume a “prophetic” knowledge of what was to come which none of its performersFirst, it tended or audiences to define couldits material possibly as havesecondary shared. rather As Peter than Happé worthy has of memorablystudy in its put it: “often they were so overpowered by Shakespeare, and indeed so ‘literary’, that they condemned the material before them even as they studied it.”2 Secondly, because purpose-built theatres evolved in Elizabethan London, the label “Pre-Shakespearean” imposed a highly centralized view of early performance, dom- inated by what was happening in the capital and at court, with little analysis of per- cycles which were performed in provincial cities such as York and Chester, but recogni- tionformance of these elsewhere. was often Admittedly, tinged with it the became patronising increasingly assumption difficult that to theyignore were the the mystery naive work of uneducated tradesmen. Similarly, the gradual discovery of the effectiveness of 3 was too often ignored by scholars who condemned all plays of this genre as irredeemably4 boring without ever havingsome morality seen them plays performed. in performance, which began in the 1930s, Even more seriously, it assumed a view of what drama is which required any perfor- - performersmance to have and a audience. fictional orThis historical encouraged plot, an appropriate anachronistic scenery view andof drama props, as imperson the prod- uctated of characters a largely wearingmiddle-class costumes culture, suitable and excluded to their roles, many and types a firm of performanceseparation between which were significant in the culture of the time, including liturgy, public ceremonies and 1 See, for instance, Adams, Chief Pre-Shakespearean Dramas. -
Durham Cathedral an Address
DURHAM CATHEDRAL AN ADDRESS DELIVERED SEPTEMBER 24, I879. BY W I L L I A M G R E E NWELL, M.A.. D.C.L.. F.R.S.. F.S.A. THIRD EDITION. WITH PLAN AND ILLUSTRATIONS. Durham : ANDREWS & CO.. 64. SADDLER STREET. 1889. D U R H A M : THOS. CALDCLEUGH, PRINTER. 70. SADDLER STREET. TO THE MEMORY OF William of Saint Carilef THIS ATTEMPT TO ILLUSTRATE THE NOBLE CHURCH WHICH HIS GENIUS AND PIETY HAVE BEQUEATHED TO US IS DEDICATED. 53494 PREFACE. THE following account of the Cathedral Church of Durham was addressed to the members of the Berwickshire Naturalists' Club and the Durham and Northumberland Archaeological and Architectural Society, at a joint meeting of the Societies, held in the Cathedral, on September 24, 1879. This will explain the form under which it appears, and, it is to be hoped, excuse the colloquial and somewhat desultory way in which the subject is treated. It was not the intention of the author of the address, when it was given, that it should appear in any other form than that of an abstract in the Transactions of the Societies to which it was delivered. Several of his friends, however, have thought that printed in externa it might be of service as a Guide Book to the Cathedral, and supply what has been too long wanting in illustration of the Church of Durham. To this wish he has assented, but with some reluctance, feeling how inadequate is such a treatment of a subject so important. Some additional matter has been supplied in the notes which will help to make it more useful than it was in its original form. -
Cathedrals and the Church of England, C.1660-1714
Cathedrals and the Church of England, c.1660-1714 Alice Jeanne Soulieux-Evans Wolfson College March 2019 This dissertation is submitted for the degree of Doctor of Philosophy This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. This dissertation is 76,245 words long, excluding footnotes and bibliography. It does not, therefore, exceed the prescribed word limit, of 80,000 words, for the Degree Committee of the Faculty of History. ………………………….….………………… Mrs Alice Soulieux-Evans Tuesday 19th March, 2019 i ii CATHEDRALS AND THE CHURCH OF ENGLAND, C.1660-1714 ALICE SOULIEUX-EVANS Early modern cathedrals have often found themselves falling between the historiographical cracks. While antiquarians and art historians have seen their early modern pasts as nothing more than periods of ‘desecration and pillage’, early modern historians have dismissed cathedrals as medieval ‘fossils’, irrelevant and impermeable to the religious upheavals of the English Reformation. -
The Eucharistic Understanding of John Cosin and His Contribution to the 1662 Book of Common Prayer
1 THE EUCHARISTIC UNDERSTANDING OF JOHN COSIN AND HIS CONTRIBUTION TO THE 1662 BOOK OF COMMON PRAYER Thesis in the Faculty of Theology and Religious Studies, University of Leeds, March, 2002 By the Reverend Ivan D. Aquilina [email protected] Reproduced on Project Canterbury in September, 2005. The author retains full copyright. Introduction A hundred years after the inception of the English Reformation, the English Church was experiencing the establishment achieved during the reign of Elizabeth I. At this time a group of people called the Caroline Divines were contributing to the furtherance of the Church’s doctrinal and liturgical life. One of the early of these divines is John Cosin. In reading John Cosin I could see that he was very much in agreement with the Angelic Doctor and even with other modern theologians, such as Schillebeeckx, who have written about the Eucharist. This started to give shape to the present research. In the last five hundred years or so it seems that a debate about the Eucharist has always preceded the promulgation of new liturgies. One is not mistaken to say that liturgies written by Reformed Churches and by the Council of Trent were done so in order to reflect the Eucharistic doctrine. The same happens in our own days. It seems that Eucharistic debate originated in France immediately after the Second World 1 War and percolated to the realm of general discussion between the 1950s and 60s. In the late 60s Vatican II promulgated its new liturgy, as did the Anglican Church with its Series I, II and III etc., the Eucharist being debated in the background.2 In the first chapter of this work I will outline the life of Cosin in order to present an idea of the context in which he lived and the events to which he reacted. -
Prior Castell's Clock, South Transept of Durham Cathedral
TOURIST GUIDE C.H.L.GEORGE The history of Prior Castell’s Clock, Durham Cathedral Prior Castell’s clock dominates the south transept of Durham cathedral like a giant golden carriage clock. It is crowned by a set of pinnacles similar to the spires of Newcastle and Edinburgh cathedrals. Beneath the pinnacles are three astronomical dials topped by a carved thistle. At eye level, on the door panels, is a painting of a seventeenth-century church interior. The clock as it stands today is the result of a long and eventful history. The first version of the clock was set up on the east side of the Rood screen during the time of Thomas Castell (1494-1519), the penultimate prior of the Catholic monastery. It was dismantled during the Reformation but erected in its present position in 1593. The clock was renovated in the 1630s under Dean Richard Hunt and consequently it is sometimes known as the Hunt clock. In the autumn of 1650 three thousand Scottish soldiers were imprisoned in the cathedral after the battle of Dunbar. Unsurprisingly they broke up the cathedral’s woodwork to fuel their fires. The clock is thought to have survived the destruction because it was stored away until 1655. It is popularly suggested that it was spared because the soldiers liked the carved thistle. In 1809 the clock was painted chocolate brown. In 1845, during architect Anthony Salvin’s work on the cathedral, the clock was judged to be unNorman and taken down yet again. The clock face and mechanism were let into the wall and parts of the case were stored in the cathedral library and crypt. -
Uni) Rums International 300 N
INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)” . If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again-beginning below the first row and continuing on until complete. -
A SHORT HISTORY of LIGHTHORNE by PETER HINMAN
A SHORT HISTORY OF LIGHTHORNE By PETER HINMAN As a settlement, Lighthorne has existed for about four thousand years. Successive occupiers have left traces of their time here; burials and other remains from the Neolithic, Iron age, Roman, Anglian and early Christian period have been found within the parish. Major events in Britain's history, such as the Black Death, the Wars of the Roses, Reformation, Civil War and Enclosure acts have all had their impacts on the village story. Although Lighthorne lies close to the centre of modern England, for most of its long history it has been a frontier town, lying between conflicting tribal, political, religious and social boundaries. Located at the geological change from the limestones of the Cotswolds to the red earth of the Midlands plain, this natural frontier has shaped our early history. The Etymology of the Village Name. Modern etymology Midland Place Names (1992) indicates that the name “Lighthorne” was given to the village by the Middle Angles, the most recent wave of settlers to occupy the area. The name is of the type which would describe the land in a way which would mean something to newcomers, without the benefit of the written word. The first written reference to Lighthorne is the Domesday Book, giving the name as “Listecorne”. Later documents give spellings such as Lychtehurne (1252), Lytehurn (1301) Lyghteherne (1331). “Lighthorne” first appears in 1545. The earliest explanation of the name is in The Antiquities of Warwickshire by Sir William Dugdale (1656). “I am confident that the last Syllable should be ‘hirne’, which in our old English signifies a corner; and by which I guess at the former Syllable, Viz. -
Durham Cathedral Report and Findings March 2017 Pilgrimage & England's Cathedrals Past & Present
Pilgrimage & England’s Cathedrals past & present Image: dun_deagh, CC BY-SA 2.0 Durham Cathedral Report and findings March 2017 Pilgrimage & England’s Cathedrals Durham Cathedral – Report and findings Contents Contents ............................................................................................................ i Project summary, team and acknowledgements ............................................... ii Introduction ....................................................................................................... 1 1. Cathedrals as multi-purpose spaces ............................................................. 3 2. Experiencing worship .................................................................................... 5 3. Enhancing spiritual engagement ................................................................... 7 4. Experiencing the building .............................................................................. 9 5. Festivals and special events ....................................................................... 11 6. Saints, beliefs and traditions ....................................................................... 13 7. Pilgrimage and the Cathedral ...................................................................... 15 8. Leaving and taking away ............................................................................. 17 9. Belonging, identity and ownership ............................................................... 19 10. Building wider relationships ......................................................................