CONSTELLATION by Adrien Bosc
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Perfil Usuarios Colombia
PROCESO DE PRIVATIZACIÓN DE AEROLÍNEAS ARGENTINAS Aportado por: Miriam Vanesa Quintans - [email protected] Autor: Quintans, Miriam Vanesa INTRODUCCIÓN: El presente trabajo refleja los acontecimientos acaecidos en la última parte de la historia de Aerolíneas Argentinas, ya que por su significación, han producido un cambio tan profundo como perjudicial para el estado de la empresa. Para concatenar la cuantiosa sucesión de hechos hemos decidido tomar el eje de tiempo y dar los hechos sobresalientes a modo de diario de una sola historia conjuntamente con el análisis de los mismos. Como podrá apreciarse por la simple lectura la historia está plagada de idas y venidas de todos los actores intervinientes y ha condicionado la empresa a futuro en función de mejoras que aún no se aprecian. Desde la perspectiva de ciudadanos comunes hemos sentido la perdida de algo que nos enorgullecía y que ha sido cambiado en pos de un fin utilitario del que poco se ha cumplido. El análisis de los hechos ha sido hecho tomando como base el estado en que la empresa se encontraba en el momento de ser privatizada y su potencial. De esto se desprende que el camino recorrido hubiera podido ser muy distinto si no se hubiera actuado con la precariedad y mezquindad con la que se lo hizo. 1) RELATO DE LOS ACONTECIMIENTOS 1.1) Antes de la venta • El primer antecedente de Aerolíneas Argentinas se remonta a 1929, cuando se crea Aeroposta, el correo aéreo por el que pasan los franceses Jean Mermoz y Antoine de Saint- Exupéry, autor de "El principito". -
Sports in French Culture
Sporting Frenchness: Nationality, Race, and Gender at Play by Rebecca W. Wines A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Romance Languages and Literatures: French) in the University of Michigan 2010 Doctoral Committee: Associate Professor Jarrod L. Hayes, Chair Professor Frieda Ekotto Professor Andrei S. Markovits Professor Peggy McCracken © Rebecca W. Wines 2010 Acknowledgements I would like to thank Jarrod Hayes, the chair of my committee, for his enthusiasm about my project, his suggestions for writing, and his careful editing; Peggy McCracken, for her ideas and attentive readings; the rest of my committee for their input; and the family, friends, and professors who have cheered me on both to and in this endeavor. Many, many thanks to my father, William A. Wines, for his unfailing belief in me, his support, and his exhortations to write. Yes, Dad, I ran for the roses! Thanks are also due to the Team Completion writing group—Christina Chang, Andrea Dewees, Sebastian Ferarri, and Vera Flaig—without whose assistance and constancy I could not have churned out these pages nor considerably revised them. Go Team! Finally, a thank you to all the coaches and teammates who stuck with me, pushed me physically and mentally, and befriended me over the years, both in soccer and in rugby. Thanks also to my fellow fans; and to the friends who I dragged to watch matches, thanks for your patience and smiles. ii Table of Contents Acknowledgements ii Abstract iv Introduction: Un coup de -
Win, Lose, Or Draw
Robinson to Spot LaMotta Only Six Pounds in Tomorrow s Fight Ray Will Weigh 154, Ohio's Coaching Snarl \vashington, D. C., Tuesday, Feb. 13, 1951— A-17 ** 4 Pounds More Than Due to Stay That Way In Any Previous Bout Until Next Sunday or Draw By th® Associated Press By the Associated Press Win, Lose, CHICAGO, Feb. 13.—Heavily COLUMBUS, Ohio, Feb. 13.— By FRANCIS STANN favored in his five previous fights Ohio State’s football coaching Star Staff Correspondent with Jake LaMotta, Sugar Ray problem—supposed to have been Robinson again is being backed solved still all mixed CHICAGO, FEB. 13.—Those 3-to-l odds favoring Sugar Ray yesterday—is from 3-1 to 4-1 to snare the Bronx and will Robinson to become the middleweight champion tomorrow on up probably stay that Bull’s title tomor- Channel 9 aren’t flattering to Jake LaMotta. Indeed, a case middleweight way until next Sunday, at least. row night. might be made for LaMotta, despite the fact Robinson has Just when the two-month hunt The welterweight champion, ini for a successor to Wes Fesler thrashed him four times in five bouts. the of and La- peak condition, j seemed about over, the univer- With LaMotta a licking doesn’t stick. The Motta battle scales at a.m. the 10 sity’s oBard of Trustees tossed first Jake ever lost was his 16th as a (CST) in the official to- fight pro. weigh-in everything into a turmoil again, Back in 1941 a guy named Jimmy Reeves beat morrow. -
L'envol Des Pionniers
LA PISTE des GÉANTS in MONTAUDRAN L’Envol des Pionniers: A legendary site Press contact: L’Envol des Pionniers Florence Seroussi +33 (0)6 08 96 96 50 [email protected] Toulouse Métropole Aline Degert Maugard +33 (0)5 67 73 88 41/+33 (0)7 86 52 56 53 [email protected] [email protected] www.lenvol-des-pionniers.com PRESS KIT § A FLAGSHIP FACILITY FOR A HISTORIC SITE La Piste des Géants is a cultural site integrated in an ambitious urban project being launched by Toulouse Métropole in Montaudran, historic birthplace of aeronautics. Devised around the runway used for takeoff by the pioneers of civil aviation, La Piste des Géants comprises several facilities: Les Jardins de la Ligne, open in June 2017, a large landscaped itinerary evoking the lands over which the pioneers of La Ligne flew; La Halle de La Machine, a contemporary structure that houses La Machine Street Theatre Company’s ‘Bestiary’ since November and L’Envol des Pionniers, in the site’s rehabilitated historic buildings. In order to do honour to and make known the amazing saga of Toulouse that witnessed the birth of civil aviation with the first flight by Latécoère which took off from Toulouse-Montaudran, then L’Aéropostale and finally Air France, Jean-Luc Moudenc, Mayor of Toulouse, President of Toulouse Métropole, wished to have the historical buildings around the legendary runway rehabilitated. In partnership with the Pioneers’s descendants and many associations, L’Envol des Pioneers, a facility dedicated to the story of aeronautics, was created and was inaugurated on 20 December 2018, 100 years almost to the day after the inaugural flight to Barcelona. -
Bio Antoine Tempe E
(S)ITOR curating differently ANTOINE TEMPÉ 1960 Born in Paris (France) Graduated from HEC Business School, Paris (France) Lives and works in Dakar (Senegal) Solo shows 2016 Addis Foto Fest, Addis Abeba (Ethiopia) | Waa Dakar Cultural Centre Georges Méliès, Ouagadougou (Burkina Faso) | Antoine Tempé Rencontres Internationales de la Photographie d’Arles (France), with Omar Victor Diop | (re-)Mixing Hollywood Dak’Art Biennale, OFF, Hôtel Sokhamon, with MIS Wude, Dakar (Senegal) | Théorie des Règnes Sensibles Dak’Art Biennale, Special Projects, Old Court of Justice, Dakar (Senegal) | Débris de Justice Dak’Art Biennale, Contours, Public Utility Transport AFTU, Dakar (Senegal) | Waa Dakar 2015 French Institute, Malabo (Equatorial Guinea) | Dancers Lagos Photo Festival, Lagos (Nigeria) | (re-)Mixing Hollywood Felix Houphouet Boigny Airport, Abidjan (Ivory Coast), Donwahi Foundation | Face to Face 2014 La Rotonde des Arts Contemporains, Abidjan (Ivory Coast) | Faces (new works) 2013 Hôtel Onomo, Dakar (Senegal), with Omar Victor Diop | (re-)Mixing Hollywood Alliance Française, Harare (Zimbabwe), Zinsou Foundation | Let’s dance Infecting the City Public Arts Festival, Capetown (South Africa), Zinsou Foundation | Let’s dance Garden Route Botanical Garden, George (South Africa), Zinsou Foundation | Let’s dance 2012 International Convention Centre, Durban (South Africa), Zinsou Foundation | Let’s dance IFAS, Johannesburg/Soweto (South Africa), Zinsou Foundation | Let’s dance Dak’Art Biennale OFF, French Institute, Dakar (Senegal) | Studio Antoine -
Phd April 2019 Pp
The University of Adelaide Elder Conservatorium of Music Faculty of Arts Revisiting George Enescu’s 1921 Bucharest Recital Series: a performance-based investigation with recordings and exegesis. by Elizabeth Layton submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) Adelaide, April 2019 Table of Contents Abstract 5 Declaration 6 Acknowledgements 7 List of Musical Examples 8 List of Tables 11 Introduction 12 PART A: Sound recordings 22 A.1 CD 1 Tracks 1-4 Pierre de Bréville, Sonata no. 1 in C # minor 39:17 Tracks 5-8 Gabriel Fauré, Sonata no. 1 in A major, Op. 13 26:14 A.2 CD 2 Tracks 1-4 André Gédalge, Sonata no. 1 in G major, Op. 12 23:39 Tracks 5-7 Claude Debussy, Sonata in G minor (performance 1) 13:44 Tracks 8-10 Claude Debussy, Sonata in G minor (performance 2) 13:36 A.3 CD 3 Tracks 1-3 Ferruccio Busoni, Sonata no. 2 in E minor, Op. 36a 34:25 Tracks 4-7 Zygmunt Stojowski, Sonata no. 2 in E minor, Op. 37 29:30 A.4 CD 4 Tracks 1-4 Louis Vierne, Sonata in G minor, Op. 23 32:44 Tracks 5-7 Stan Golestan, Sonata in E flat major 26:56 Tracks 8-10 George Enescu, Sonata in F minor, Op. 6 22:34 PART B: Exegesis Chapter 1 George Enescu: Musician, and his path to the 1921 Bucharest Recital Series 27 1.1 Understanding the context and motivation behind the series 35 2 Chapter 2 The 1921 Bucharest Recital Series 38 2.1 Recital 1: Haydn, d’Indy, Bertelin 38 2.2 Recital 2: Mozart, Busoni, Vierne 39 2.3 Recital 3: Sjögren, Schubert, Lauweryns 41 2.4 Recital 4: Weingartner, Stojowski, Beethoven 42 2.5 Recital 5: Bargiel, Haydn, Golestan 42 2.6 Recital 6: Le Boucher, Mozart, Saint-Saëns 43 2.7 Recital 7: Gédalge, Dvorák, Debussy, Schumann 44 2.8 Recital 8: Huré, Bach, Lekeu 45 2.9 Recital 9: Beethoven, Fauré, Franck 46 2.10 Recital 10: Gallon, de Bréville, Beethoven 48 2.11 Recital 11: Magnard, Le Flem, Brahms 49 2.12 Recital 12: Franck, Enescu, Beethoven 49 Chapter 3 Performance notes on nine sonatas selected from the 1921 Bucharest Recital Series 3.1 Pierre de Bréville, Sonata no. -
Descargar En
Uniformes corporativos y tradiciones Una propuesta de indumentaria laboral para Aerolíneas Argentinas Valentina Pejacsevich 89745 Diseño textil y de indumentaria Proyecto profesional Diseño y producción de objetos, espacios e imágenes 21/02/2020 Agradecimientos Agradezco a Mercedes Pombo y Marisa Cuervo, mis docentes en Seminario de Integración I y II, por acompañarme y guiarme a lo largo del proceso anual. También le doy las gracias a todos aquellos profesores que fueron parte de mi carrera por brindarme el contenido y las herramientas necesarias para poder elaborar el siguiente Proyecto de Graduación. A su vez, quiero agradecerle principalmente a mi papá, por haberme regalado la oportunidad de estudiar lo que quería y a mi mamá por tener siempre la intención de ayudarme en lo que le sea posible, aguardando mis indicaciones y aguantando mis pésimos humores. Para finalizar, le doy las gracias a la Universidad de Palermo por permitirme conocer compañeras que con el transcurso de la carrera, no solo se transformaron en testigos y cómplices de esta gran aventura, sino también en mis amigas. 2 Índice Introducción .................................................................................................................... 4 Capítulo 1. Identidad corporativa e indumentaria de trabajo .................................... 13 1.1. Simbología del vestir ......................................................................................... 13 1.2. Identidad e imagen corporativa ........................................................................ -
Fight Record Dick Turpin (Leamington)
© www.boxinghistory.org.uk - all rights reserved This page has been brought to you by www.boxinghistory.org.uk Click on the image above to visit our site Dick Turpin (Leamington) Active: 1937-1950 Weight classes fought in: Recorded fights: 105 contests (won: 79 lost: 20 drew: 6) Fight Record 1937 Sep 27 Eric Lloyd (Rugby) WRSF4(6) Co-op Hall, Rugby Source: Boxing Weekly Record 06/10/1937 page 19 Oct 4 Trevor Burt (Ogmore Vale) LKO3(6) Coventry Source: Vic Hardwicke (Boxing Historian) Oct 16 Eddie Harris (Worcester) WRSF6(6) Public Hall, Evesham Source: Boxing 20/10/1937 page 17 Nov 1 Frank Guest (Birmingham) WPTS(4) Embassy Rink, Sparkbrook Source: Boxing Weekly Record 10/11/1937 page 20 Promoter: Ted Salmon Nov 15 Trevor Burt (Ogmore Vale) WPTS(6) Drill Hall, Coventry Source: Boxing 17/11/1937 page 12 Nov 20 Phil Proctor (Broadway) WRSF2(6) Public Hall, Evesham Source: Boxing 24/11/1937 page 19 Dec 13 Frank Guest (Birmingham) WKO6(6) Embassy Rink, Sparkbrook Source: Boxing 15/12/1937 page 12 Promoter: Ted Salmon Dec 18 Ray Chadwick (Leicester) WKO4(6) Public Hall, Evesham Source: Boxing 22/12/1937 page 20 1938 Feb 19 Bill Blything (Wolverhampton) WRTD4(10) Public Hall, Evesham Source: Boxing 23/02/1938 page 19 Feb 21 Walter Rankin (Glasgow) WPTS(8) Nuneaton Source: Graham Grant (Boxing Historian) Mar 7 Bob Hartley (Billingborough) DRAW(8) Co-op Hall, Rugby Source: Vic Hardwicke (Boxing Historian) Mar 19 Frankie Smith (Belfast) WKO4(8) Public Hall, Evesham Source: Boxing 23/03/1938 page 18 Mar 28 Trevor Burt (Ogmore Vale) WPTS(8) Drill Hall, Coventry Source: Boxing 30/03/1938 pages 11 and 12 May 23 Sid Fitzhugh (Northampton) WPTS(8) Northampton Source: Boxing 25/05/1938 page 11 Jun 11 Rex Whitney (Wellingborough) LPTS(10) West Haddon Source: Vic Hardwicke (Boxing Historian) Aug 15 Johnny Clarke (Highgate) WPTS(10) Kingsholm Rugby Ground, Gloucester Source: Boxing 17/08/1938 page 11 Promoter: Capt. -
Meet the Aéropostale Pioneers Who Lived and Died Carrying France's First
28 History connexionfrance.com The Connexion November 2016 The Connexion November 2016 connexionfrance.com History 29 Meet the Aéropostale pioneers who lived and died carrying France’s first airmails by JANE HANKS A dromedary WE TAKE air transport and flights gives Latécoère Carrier pigeons for granted nowadays but the early mechanic Louis days were fraught with danger. In ETH-Bibliothek Photo: Vidalon a helping hand France the first international service Latécoère Fondation Photo: was established in Toulouse as a post- to repair the were link to safety engine on this al service between Africa and South ONE of the first pilots to join Lignes Paul Vachet was Laté 25 in the America and became known as the Aériennes Latécoère in 1921 was Paul one of pioneers Moroccan Compagnie Générale Aéropostale, Vachet and a book on his life was of routes over desert the forerunner to Air France. written by Jack Mary, of Mémoire the Andes to Its existence was made possible by d’Aéropostale. Vachet was just 24 open up Chile the foresight of industrialist Pierre- when he joined but already had an and Venezuela Georges Latécoère and the bravery of exceptional war record, having been to the north its pilots, three of whom have become awarded the Croix de Guerre. – flying at French heroes and who all died in the Mr Mary quotes Vachet who told of height but cockpit: Antoine de Saint-Exupéry, the difficult conditions they flew in: getting little Henri Guillaumet and Jean Mermoz. “There was no closed cabin, but sim- rest as pilots Now enthusiasts in the Mémoire ply two open holes, one which was had to be fully d’Aéropostale Association are deter- narrow for the pilot and another a lit- alert throughout mined to keep the memories of this tle longer for the two period of aviation history alive and passengers; these plan a museum to the birth of the two holes were pro- inter national air post and its heroes. -
(Iowa City, Iowa), 1949-10-29
. , On the Inside , Weather w.. t Waterloo Beata City Hlqh. 32-18 ... Paqe C Partly cloudy, mild and Hydraulics Enrollment Unique Ninety today. Sunday fair ... Paqe S owan IDd cooler. High today 72; COilvicts Give Up After 'Conference' al L-=~~~~~ .ow 38. Friday's hi' h 69 ; ... Paqe 6 fAt. 1868 - AP Leased Wire, AP Wu.pboto. UP Leaaed Wlfe - Five Cenla Iowa City. Iowa, Saturday, October 29, 1949 - Vol. 84. No. 25 low 37 • Boxer Ma'rcel Cerdan, Iowa Light Company Iowa Fayored to Break (oasl J47 Others Die· in Crash Seeks Federal Okay Jinx Before Dad's Day Throng Clt't r Boxln, World Readlpll, 8ee Pare t) To Borrow S4·Mi~lion By ALAN MOYER Dally Iowan Sports Edit-r PONTA. D])LGADA, ~AO MIHUEL, 'I'HE AZOHE8, (AP) -t)ah'lIge squllds groped theil' way li'l.'iday night libout the charred The Iowa Electric Light and Allxiou 10 show, aftr r five unsuccessful ventures, that Power company. owners of the tlle,\' can wll ip II Pll cifir COil S! con ferenee football t eRm , ro wa 's lIreckage of all Ail' J<' l'Ii11ce cun ~ lellalioll on a , 'Oil Miguel mouu· Cedar Rapid.; and Iowa City "ail t.in, seekjng bodie!> of the d(.'tims antl clues to the caue of the I:lawkey('s wiud up th e hom 1;('118011 this IIftr rnOol1 wjib an in· road (Crandic) , Friday aske-J the tl' l'St'l, t iO llal lJattl lIg'uin.t t hI' Cniv 1 'ity of Or gon. erll8h. lnterstale commerce commission 'rhey Il l' Se\'(' 11 p oinl favorit . -
Symposium Records Cd 1156
SYMPOSIUM RECORDS CD 1156 The GREAT VIOLINISTS – Volume VII SHIN-ICHI SUZUKI GEORGE ENESCO JAQUES THIBAUD ZINO FRANCESCATTI At first glance there may appear to be little connection between the four composers on this disc other than their Gallicism, and even that may be disputed in the case of César Franck who was French only by adoption. Certainly there could hardly be a wider contrast of aims and ideals than between Franck, the priest of High Seriousness, and Ravel, the advocate of "le plaisir...d'une occupation inutile". Yet there are important, if unobvious, links. Franck and Fauré were the architects of the revival of French chamber music, and between them inspired what were to become the two main traditions of the late 19th/early 20th century. Chausson was a pupil of Franck, Ravel of Fauré. There is a link, too, in the dedications of two of the works. César Franck dedicated his Sonata to Eugène Ysaÿe as a wedding gift and, we are told, when it was presented to him at a banquet, so moved was he that he performed it, then and there. Chausson's Poème, too, is dedicated to Ysaÿe. After one run-through with piano and one rehearsal with orchestra he gave this piece too, its first performance. (One might add, on a more gruesome note, that both Franck and Chausson died as a result of vehicular accidents: Franck struck by the pole of a horse-omnibus, Chausson thrown over the handlebars of his bicycle.) The distinguished violinists on this disc between them have provided us with a recital of four masterworks from the French violin repertoire. -
Bienvenue Dans Ton École Primaire
Bienvenue dans ton école primaire Lycée Français Jean Mermoz de Dakar 2014-2015 CONTACTS UTILES SOmmAIrE Lycée Jean Mermoz : 33 860 45 33 www.lyceemermozdakar.org INTrOdUCTION page 4 DIRECTION : Proviseur : Marc DEMEULEMEESTER PLAN dE L’ECOLE PrImAIrE page 5 Directeur du Primaire : Bernard CHOVELON QUI EST QUI ? Secrétariat du Directeur : Henriette FALL 1. Le proviseur page 7 [email protected] 2. Le directeur du primaire page 7 3. La secrétaire du primaire page 7 SANTE : 4. Les maîtres et maîtresses page 8 Infirmières et médecin scolaire : 5. Les bibliothécaires page 8 Elisabeth AVON MASSI (médecin) 6. L’équipe de l’infirmerie page 8 Nathalie GUEYE (infirmière) 7. L’équipe de surveillants page 8 Elodie MBAYE (infirmière) 8. L’équipe des travaux page 8 [email protected] COmmENT TON ECOLE fONCTIONNE-T-ELLE ? Psychologue scolaire : 1. Les classes page 9 Laurence LIMANDAS 2. Les horaires de classe page 9 [email protected] 3. Les sonneries page 10 4. Les retards ou absences page 10 BIBLIOTHEQUE : 5. Le bus page 11 6. Le cahier de liaison page 12 Bibliothèque : 7. Les représentants de classe page 12 Nathalie AUDIBERT 8. La récréation page 13 XXXX 9. Le sport page 13 [email protected] 10. Les activités scolaires page 14 11. La BCD page 15 ASSOCIATION PARENTS D’ÉLÈVES : 12. Le déjeuner page 16 APE PETRA : [email protected] 13. L’infirmerie page 17 Site internet : petramermozdkr.over-blog.com 14. Les oublis page 18 15. Les objets perdus page 18 APE MERMOZ : [email protected] 16. Les activités sportives et artistiques page 19 17.