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Cial Climber. Hunter, As the Professor Responsible for Wagner's Eventual Downfall, Was Believably Bland but Wasted. How Much
cial climber. Hunter, as the professor what proves to be a sordid suburbia, responsible for Wagner's eventual are Mitchell/Woodward, Hingle/Rush, downfall, was believably bland but and Randall/North. Hunter's wife is wasted. How much better this film attacked by Mitchell; Hunter himself might have been had Hunter and Wag- is cruelly beaten when he tries to ner exchanged roles! avenge her; villain Mitchell goes to 20. GUN FOR A COWARD. (Universal- his death under an auto; his wife Jo- International, 1957.) Directed by Ab- anne Woodward goes off in a taxi; and ner Biberman. Cast: Fred MacMurray, the remaining couples demonstrate Jeffrey Hunter, Janice Rule, Chill their new maturity by going to church. Wills, Dean Stockwell, Josephine Hut- A distasteful mess. chinson, Betty Lynn. In this Western, Hunter appeared When Hunter reported to Universal- as the overprotected second of three International for Appointment with a sons. "Coward" Hunter eventually Shadow (released in 1958), he worked proved to be anything but in a rousing but one day, as an alcoholic ex- climax. Not a great film, but a good reporter on the trail of a supposedly one. slain gangster. Having become ill 21. THE TRUE STORY OF JESSE with hepatitis, he was replaced by JAMES. (20th Century-Fox, 1957.) Di- George Nader. Subsequently, Hunter rected by Nicholas Ray. Cast: Robert told reporters that only the faithful Wagner, Jeffrey Hunter, Hope Lange, Agnes Moorehead, Alan Hale, Alan nursing by his wife, Dusty Bartlett, Baxter, John Carradine. whom he had married in July, 1957, This was not even good. -
Bamcinématek Presents Joe Dante at the Movies, 18 Days of 40 Genre-Busting Films, Aug 5—24
BAMcinématek presents Joe Dante at the Movies, 18 days of 40 genre-busting films, Aug 5—24 “One of the undisputed masters of modern genre cinema.” —Tom Huddleston, Time Out London Dante to appear in person at select screenings Aug 5—Aug 7 The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Jul 18, 2016/Brooklyn, NY—From Friday, August 5, through Wednesday, August 24, BAMcinématek presents Joe Dante at the Movies, a sprawling collection of Dante’s essential film and television work along with offbeat favorites hand-picked by the director. Additionally, Dante will appear in person at the August 5 screening of Gremlins (1984), August 6 screening of Matinee (1990), and the August 7 free screening of rarely seen The Movie Orgy (1968). Original and unapologetically entertaining, the films of Joe Dante both celebrate and skewer American culture. Dante got his start working for Roger Corman, and an appreciation for unpretentious, low-budget ingenuity runs throughout his films. The series kicks off with the essential box-office sensation Gremlins (1984—Aug 5, 8 & 20), with Zach Galligan and Phoebe Cates. Billy (Galligan) finds out the hard way what happens when you feed a Mogwai after midnight and mini terrors take over his all-American town. Continuing the necessary viewing is the “uninhibited and uproarious monster bash,” (Michael Sragow, New Yorker) Gremlins 2: The New Batch (1990—Aug 6 & 20). Dante’s sequel to his commercial hit plays like a spoof of the original, with occasional bursts of horror and celebrity cameos. In The Howling (1981), a news anchor finds herself the target of a shape-shifting serial killer in Dante’s take on the werewolf genre. -
Widescreen Weekend 2014 Brochure
WIDESCREEN WEEKEND 10-13 APRIL 2014 2OTH BRADFORD INTERNATIONAL FILM FESTIVAL IN PARTNERSHIP WITH NATIONAL MEDIA MUSEUM Bradford BD1 1NQ Box Office 0844 856 3797 www.nationalmediamuseum.org.uk www.bradfordfilmfestival.org.uk 20TH BRADFORD INTERNATIONAL FILM FESTIVAL 27 MARCH - 6 APRIL 2014 WIDESCREEN WEEKEND 1 ................................................................................................................. INTRODUCTION TH TICKETS 2O In 1954 the movie industry was facing fierce competition from television, and investing heavily in offering the best possible experience in the cinema. Quality counted, and that year Tickets for individual screenings and events can be a new widescreen process was launched. The words “Paramount proudly presents the first purchased from the National Media Museum Box picture in VistaVision” appeared on screen and the letter V came flying towards the audience, Office (open 10am-9pm during the festival), on the BRADFORD creating a startling 3D effect. And with this introduction yet another widescreen process was phone 0844 856 3797 (8.30am-8.30pm), or via the presented to the public, the third in as many years. Each was designed to ensure that the only website www.bradfordfilmfestival.org.uk INTERNATIONAL place you could witness vivid, exciting, detailed imagery, was in cinemas. For details of how to book a widescreen FILM FESTIVAL Hollywood had to strive continually in the 1950s to offer something which could not be weekend pass, please see the festival website 27 MARCH - 6 APRIL 2O14 rivalled in the home. Television had started gaining a foothold in American homes from 1948 www.bradfordfilmfestival.org.uk and just like today – with large screen HD TVs, home cinema and uncompressed audio – the battle between the two media was intense. -
Jews and Hollywood
From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life Volume 14 Steven J. Ross, Editor Michael Renov and Vincent Brook, Guest Editors Lisa Ansell, Associate Editor Published by the Purdue University Press for the USC Casden Institute for the Study of the Jewish Role in American Life © 2017 University of Southern California Casden Institute for the Study of the Jewish Role in American Life. All rights reserved. Production Editor, Marilyn Lundberg Cover photo supplied by Thomas Wolf, www.foto.tw.de, as found on Wikimedia Commons. Front cover vector art supplied by aarows/iStock/Thinkstock. Cloth ISBN: 978-1-55753-763-8 ePDF ISBN: 978-1-61249-478-4 ePUB ISBN: 978-1-61249-479-1 KU ISBN: 978-1-55753-788-1 Published by Purdue University Press West Lafayette, Indiana www.thepress.purdue.edu [email protected] Printed in the United States of America. For subscription information, call 1-800-247-6553 Contents FOREWORD vii EDITORIAL INTRODUCTION ix Michael Renov and Vincent Brook, Guest Editors PART 1: HISTORIES CHAPTER 1 3 Vincent Brook Still an Empire of Their Own: How Jews Remain Atop a Reinvented Hollywood CHAPTER 2 23 Lawrence Baron and Joel Rosenberg, with a Coda by Vincent Brook The Ben Urwand Controversy: Exploring the Hollywood-Hitler Relationship PART 2: CASE STUDIES CHAPTER 3 49 Shaina Hammerman Dirty Jews: Amy Schumer and Other Vulgar Jewesses CHAPTER 4 73 Joshua Louis Moss “The Woman Thing and the Jew Thing”: Transsexuality, Transcomedy, and the Legacy of Subversive Jewishness in Transparent CHAPTER 5 99 Howard A. -
"Compulsion": the Fictionalization of the Leopold-Loeb Case and The
Northern Michigan University NMU Commons All NMU Master's Theses Student Works 5-2015 "Compulsion": The icF tionalization of the Leopold- Loeb Case and the Struggle for Creative Control of "The rC ime of the Century" Maria L. Zambrana Northern Michigan University, [email protected] Follow this and additional works at: https://commons.nmu.edu/theses Part of the Literature in English, North America, Ethnic and Cultural Minority Commons Recommended Citation Zambrana, Maria L., ""Compulsion": The ictF ionalization of the Leopold-Loeb Case and the Struggle for Creative Control of "The Crime of the Century"" (2015). All NMU Master's Theses. 41. https://commons.nmu.edu/theses/41 This Open Access is brought to you for free and open access by the Student Works at NMU Commons. It has been accepted for inclusion in All NMU Master's Theses by an authorized administrator of NMU Commons. For more information, please contact [email protected],[email protected]. Compulsion: The Fictionalization of the Leopold-Loeb Case and the Struggle for Creative Control of the “Crime of the Century” By M.L. ZAMBRANA THESIS Submitted to Northern Michigan University In partial fulfillment of the requirements For the degree of MASTER OF ARTS English Department Copyright May 2015 by M.L. Zambrana SIGNATURE APPROVAL FORM Title of Thesis: Compulsion: The Fictionalization of the Leopold-Loeb Case and the Struggle for Creative Control of “The Crime of the Century” This thesis by Maria L. Zambrana is recommended for approval by the student’s Thesis Committee and Department Head in the Department of English and by the Assistant Provost of Graduate Education and Research. -
MOVIES! TV Network
Schedule for 10/5/21 to 10/11/21 (Central Time) TUESDAY 10/5/21 TIME TITLE GENRE 5:00am Soup to Nuts (1930) Comedy Featuring: Shemp Howard, Harry Howard 6:35am Macabre (1958) Thriller Featuring: William Prince, Jim Backus 8:10am Bedlam (1946) Thriller Featuring: Boris Karloff, Anna Lee 10:00am House of Dark Shadows (1970) Thriller Featuring: Jonathan Frid, Grayson Hall 12:05pm Horror of Dracula (1958) Thriller Featuring: Peter Cushing, Christopher Lee 1:50pm Dracula Has Risen from the Grave (1969) Thriller Featuring: Christopher Lee, Veronica Carlson 3:55pm Blood of Dracula (1957) Thriller Featuring: Sandra Harrison, Louise Lewis 5:25pm Billy the Kid Vs. Dracula (1966) Thriller Featuring: John Carradine, Chuck Courtney 7:00pm Children of the Night (1991) Thriller Featuring: Karen Black, Peter DeLuise 9:00pm Village of the Damned (1960) Thriller Featuring: George Sanders, Barbara Shelley 10:40pm The Man They Could Not Hang (1939) Thriller Featuring: Boris Karloff, Lorna Gray 12:05am The Lovely Bones (2009) Drama Featuring: Mark Wahlberg, Rachel Weisz 3:25am Let Us Live (1939) Crime Featuring: Henry Fonda, Maureen O'Sullivan WEDNESDAY 10/6/21 TIME TITLE GENRE 5:00am Untamed (1955) Drama Featuring: Tyrone Power, Susan Hayward 7:25am 7:35am Dr. Jekyll and Mr. Hyde (1931) Thriller Featuring: Fredric March, Miriam Hopkins 9:40am Cry of the Werewolf (1944) Thriller Featuring: Nina Foch, Stephen Crane 11:00am The Beast Must Die (1974) Thriller Featuring: Calvin Lockhart, Peter Cushing 1:00pm The Howling (1981) Thriller Featuring: Dee Wallace Stone, Patrick MacNee, Dennis Dugan 3:05pm Teen Wolf (1985) Comedy Featuring: Michael J. -
WEEKSWORTH, DAILY COURIER, Grants Pass, Oregon • FRIDAY, SEPTEMBER 24, 2021 THIS WEEK’S HIGHLIGHTS Saturday Wednesday the Goldbergs 90 Day: the Single Life ABC 8 P.M
Daily Courier We e k’sWor th THE TV MAGAZINE SEPTEMBER 25-OCTOBER 1, 2021 Nathan Fillion returns as THE ROOKIE for a fourth season on CBS ‘The Rookie’ returns after cliffhanger drama By Kyla Brewer TV Media Cop shows have been around practically since the dawn of television, and there’s still nothing quite like a good police drama, especially one with a nail-biting cliffhanger season finale. After months of waiting, anxious fans will finally find out what happens when a prime-time hit returns to the airwaves. Nathan Fillion reprises his role as John Nolan, a cop who sets out to find a col- league after she goes missing in the sea- son premiere of “The Rookie,” airing Sun- day on ABC. The debut marks the fourth season of the hour-long drama centered on Nolan, a 40-something cop — and oldest rookie in the history of the LAPD — who works at the Mid-Wilshire Division of the Los Ange- les Police Department. The police drama is the latest in a string of hits for Canadian-American actor Fillion, who rose to fame as Capt. Mal- colm Reynolds in the cult favorite TV series “Firefly” and its subsequent spinoff film, “Serenity” (2005), and as sleuthing mystery writer Richard Castle in the ABC crime drama “Castle.” Born and raised in Edmonton, Fillion moved south to pursue a career in acting, landing roles in TV shows “One Life to Live” and “Two Guys, a Girl and a Pizza Place” and in the movie “Saving Private Ryan” (1998). Now, he’s leading the cast of one of prime time’s highest-rated network series: “The Rookie.” At the end of last season, pregnant Det. -
E6370 ENFORCER (USA, 1976) (Other Titles: Cielo Di Piombo Ispettore Callaghan; L’Inspecteur Ne Renonce Jamais)
E6370 ENFORCER (USA, 1976) (Other titles: Cielo di piombo ispettore Callaghan; L’inspecteur ne renonce jamais) Credits: director, James Fargo ; writers, Stirling Silliphant, Dean Reisner. Cast: Clint Eastwood, Harry Guardino, Bradford Dillman, John Mitchum. Summary: Police drama set in contemporary San Francisco. “Dirty Harry” Callahan (Eastwood) is a San Francisco cop who enjoys taking the law into his own hands. He and his new partner Kate Moore (Daly) uncover a terrorist organization (which has recruited Vietnam veterans) with plans to extort millions from the city. The terrorists kidnap the mayor of San Francisco but Callahan and Moore track them to deserted Alcatraz Island where the final confrontation takes place. “Albert Popwell on 11-city tour plugging ‘Enforcer’“ Boxoffice 110 (Dec 20, 1976), p. 4. Arnold, Gary. “Hrry no. 3: his gun is tired” Washington post (Dec. 23, 1976), p. C9. Avermaet, Daniel van. “The Enforcer” Film en televisie 240-241 (May/Jun 1977), p. 37. Bingham, Dennis. Acting male: masculinities in the films of James Stewart, Jack Nicholson, and Clint Eastwood New Brunswick, N.J. : Rutgers Univ. Press, 1994. (p. 180-95) Bodeen, Dewitt. “The Enforcer” Films in review 28/2 (Feb 1977), p. 118. Boyum, Joy Gould. “On film: Tried and true genre movies” Wall Street journal (Dec 27, 1976), p. 9. Cereja, Pierre-Louis. “L’inspecteur ne renonce jamais” Cinema 77 226 (Oct 1977), p. 101. Cheatham, Richard Beau. Clint Eastwood : an ideological study of his films, star image, and popularity. Thesis (Ph.D.)--University of Southern California, 1992. Cole, Gerald and Williams, Peter. Clint Eastwood London : W.H. -
JOHN SCHLESINGER [Extent 140 Archive Boxes]
JOHN SCHLESINGER [Extent 140 Archive Boxes] INTRODUCTION JOHN RICHARD SCHLESINGER Born: London, 16 February 1926. Died: Palm Springs, California, 25 July 2003 Education: Uppingham School; Balliol College, Oxford Early Career: As an actor playing small parts in films including SINGLE- HANDED (GB,1953), The DIVIDED HEART (GB,1954), OH... ROSALINDA! (GB,1955), BATTLE OF THE RIVER PLATE (GB,1956), BROTHERS IN LAW! (GB,1956) and in television The ADVENTURES OF ROBIN HOOD (tx 1956-1957), WOMAN OF PROPERTY (tx 2/5/1957). As Director: Schlesinger's career behind the camera began with a short film BLACK LEGEND (GB,1948) and work for BBC Television writing and directing documentaries for the TONIGHT and MONITOR Series 1956-1961. A British Transport Film TERMINUS (GB,1961) written and directed by Schlesinger, launched his film career proper. Schlesinger’s feature films: A KIND OF LOVING (GB,1962), BILLY LIAR (GB,1963), DARLING (GB,1965), FAR FROM THE MADDING CROWD (GB,1967), MIDNIGHT COWBOY (US,1969), SUNDAY BLOODY SUNDAY (GB,1971), DAY OF THE LOCUST (US,1974), MARATHON MAN (US,1976), YANKS (GB,1979), HONKY TONK FREEWAY (US,1981), FALCON AND THE SNOWMAN (US,1985), BELIEVERS (US,1987), MADAME SOUSATZKA (GB,1988), PACIFIC HEIGHTS (US,1990), INNOCENT (GB,1993), EYE FOR AN EYE (US,1995), The NEXT BEST THING (US,2000). Schlesinger's television credits include: SEPARATE TABLES (tx 1983) AN ENGLISHMAN ABROAD (tx 29/11/1983), A QUESTION OF ATTRIBUTION (tx 20/10/1991) and COLD COMFORT FARM (tx 1/1/1995). Schlesinger also directed the following: OPERA LES -
Clarence Darrow
Attacking the Death Penalty - Clarence Darrow This scene from the film Compulsion - in which Orson Welles plays a lawyer based on Clarence Darrow - recreates Darrow's actual argument in the Leopold and Loeb case. On the 22nd of August, 1924, Darrow talked to the Court for hours in that famous argument. Throughout, he railed against the death penalty. The following roughly tracks the excerpted segment featured in this clip: It has been argued to this court that you can do no such thing as to grant the almost divine favor of saving the lives of two boys, that it is against the law, that the penalty for murder is death; and this court, who, in the fiction of the lawyers and the judges, forgets that he is a human being and becomes a court, pulseless, emotionless, devoid of those common feelings which alone make men; that this court as a human machine must hang them because they killed. Now, let us see. I do not need to ask mercy from this court for these clients, nor for anybody else, nor for myself; though I have never yet found a person who did not need it. But I do not ask mercy for these boys. Your Honor may be as strict in the enforcement of the law as you please and you cannot hang these boys. You can only hang them because back of the law and back of justice and back of the common instincts of man, and back of the human feeling for the young, is the hoarse voice of the mob which says, "Kill." I need ask nothing. -
2007-2008 Bulletin
2007-2008 bulletin University Accreditation and Memberships The University of Puget Sound is accredited by the Northwest Commission on Colleges and Universities, an institutional accrediting body recognized by the United States Department of Education and by the Council for Higher Education Accreditation. In addition to institutional accreditation from the Northwest Commission on Colleges and Universities, the following programs have specialized accreditation or status. A complete state- ment of each program’s accreditation or special status is presented with the program listing. Chemistry by the American Chemical Society Education by the National Council for Accreditation of Teacher Education Music by the National Association of Schools of Music Occupational Therapy by the Accreditation Council for Occupational Therapy Education Physical Therapy by the Commission on Accreditation for Physical Therapy Education Enrolled or prospective students wishing to review documents describing the University’s accreditation may do so in the Associate Deans’ Office, Jones 212. University of Puget Sound Bulletin (USPS 121-880) Periodicals Postage Paid at Tacoma, WA Volume LXXXXIX, Number 3, Third Quarter 2007 (July, August, September 2007) Issued Quarterly by the University of Puget Sound, Office of Admission, 1500 N. Warner St., Tacoma, WA 98416-1062 Cover photo: Ross Mulhausen Postmaster send address changes to University of Puget Sound Bulletin Office of Admission, 1500 N. Warner St. Tacoma, WA 98416-1062 University of Puget Sound 2007-2008 Bulletin The information contained in this Bulletin is current as of May, 2007. Changes may be made at any time. Consult the university Web site for the most up-to-date information. Contents Page The University ......................................................................................................................................... -
April Programme
BFI & RADIO TIMES TELEVISION FESTIVAL CLINT EASTWOOD THIRST: FEMALE DESIRE ON SCREEN COUNTY LINES ROCKS BFI SOUTHBANK BFI APR 2020 THIS MONTH AT BFI SOUTHBANK Welcome to the home of great film and TV, with a world-class library, free exhibitions and Mediatheque and plenty of food and drink IN PERSON & PREVIEWS NEW RELEASES SEASONS Talent Q&As and rare appearances, plus a chance The best new cinema for you to enjoy, with plenty of screening Carefully curated collections of film for you to catch the latest film and TV before dates to choose from and TV, which showcase an influential anyone else genre, theme or talent (p27) (p13) (p5) Quiz Misérables Les Mädchen in Uniform BOOKING DATES IN PERSON & PREVIEWS 4 REGULAR PROGRAMME RELAXED SCREENINGS 43 SONIC CINEMA 42 PATRONS AND CHAMPIONS bfi.org.uk/whatson MEMBER EXCLUSIVES 9 EXPERIMENTA 43 Mon 2 Mar (from 11:30) 020 7928 3232 MEMBERS NEW RELEASES 10 FILMS TO BE BURIED WITH, 44 11:30 – 20:30 daily Tue 3 Mar (from 11:30) TERROR VISION In person RE-RELEASE 14 PUBLIC SILENT CINEMA, 46 11:00 – 20:30 daily Tue 10 Mar (from 11:30) SEASONS PROJECTING THE ARCHIVE BFI & RADIO TIMES TV 16 SENIORS, NETWORK NIGHTS, 48 FESTIVAL BFI LABS BECOME A BFI MEMBER FOR PRIORITY BOOKING & DISCOUNTS: BFI.ORG.UK/JOIN THIRST 24 FAMILIES 50 CLINT EASTWOOD 30 BFI PLAYER 52 The BFI is proud to screen on film where possible, showcasing restorations BIG SCREEN CLASSICS 36 and sourcing archive prints from our partners. LIBRARY, MEDIATHEQUE, 54 MEZZANINE GALLERY Look out for 16mm, 35mm or 70mm in the film credits.