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National Competency Standards Level-5 for Post Press Operations
National Competency Standards Level-5 for post press operations `National Competency Standards Level-5 for Post Press Printing Operations – Publishing & Post Press Printing Operations – Packaging National Vocational and Technical Training Commission (NAVTTC), Government of Pakistan 1 National Competency Standards Level-5 for post press operations ACKNOWLEDGEMENTS National Vocational and Technical Training Commission (NAVTTC) extends its gratitude and appreciation to many representatives of business, industry, academia, government agencies, Provincial TEVTAs, Sector Skill Councils and trade associations who speared their time and expertise to the development and validation of these National Vocational Qualifications (Competency Standards, Curricula, Assessments Packs and related material). This work would not have been possible without the financial and technical support of the TVET Sector Support Programme co-funded by European Union, Norwegian and German Governments implemented by GIZ Pakistan. NAVTTC is especially indebted to Dr. Muqeem ul Islam, who lead the project from the front. The core team was comprised on: ● Dr. Muqeem ul Islam, Director General (Skills,Standards and Curricula) NAVTTC ● Mr. Muhammad Naeem Akhtar, Senior Technical Advisor TSSP-GIZ, ● Mr. Muhammad Yasir, Deputy Director (SS&C Wing) NAVTTC ● Mr. Muhammad Ishaq, Deputy Director (SS&C Wing) NAVTTC ● Mr. Muhammad Fayaz Soomro, Deputy Director (SS&C Wing) NAVTTC NAVTTC team under the leadership of Dr. Muqeem ul Islam initiated development of CBT & A based qualifications of diploma level-5 as a reform project of TVET sector in November 2018 and completed 27 NVQF diplomas of Level-5 in September, 2019. It seems worth highlighting that during this endeavor apart from developing competency standards/curricula in conventional trades new dimensions containing high-tech trades in TVET sector in the context of generation IR 4.0 trades have also been developed which inter alia includes Robotics, Mechatronics, artificial intelligence, industrial automation, instrumentation and process control. -
The Publishing Plan
NONFICTIONTHE BOOK PUBLISHING PLAN THE PROFESSIONAL GUIDE TO PROFITABLE SELF-PUBLISHING STEPHANIE CHANDLER KARL W. PALACHUK Copyright © 2018 by Stephanie Chandler and Karl W. Palachuk. All rights reserved. No part of this publication may be reproduced, stored in a retrieval sys- tem, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, without the prior written permission of the author. Limit of Liability/Disclaimer of Warranty: While the publisher and author have used their best efforts in preparing this book, they make no representa- tions or warranties with respect to the accuracy or completeness of the con- tents of this book and specifically disclaim any implied warranties of mer- chantability or fitness for a particular purpose. No warranty may be created or extended by sales representatives or written sales materials. The advice and strategies contained herein may not be suitable for your situation. You should consult with a professional when appropriate. Neither the publisher nor the author shall be liable for any loss of profit or any other commer- cial damages, including but not limited to special, incidental, consequential, personal, or other damages. The Nonfiction Book Publishing Plan The Professional Guide to Profitable Self-Publishing By Stephanie Chandler and Karl W. Palachuk 1. LAN027000 2. LAN002000 3. REF026000 Print ISBN: 978-1-949642-00-1 Ebook ISBN: 978-1-949642-01-8 Printed in the United States of America Authority Publishing 11230 Gold Express Dr. #310-413 Gold River, CA 95670 800-877-1097 AuthorityPublishing.com CONTENTS Chapter 1: The Business of Self-Publishing Nonfiction Books . -
June 14, 2018 for Immediate Release Contact: Kent Watson, Executive
June 14, 2018 For Immediate Release Contact: Kent Watson, Executive Director Phone: (503) 901-9865 Email: [email protected] PubWest Announces 2018 Book Design Award Winners Lake Oswego, Oregon—PubWest, the leading association of small and medium-sized book publishers, has announced the winners of the 2018 PubWest Book Design Awards competition. The PubWest Book Design Awards recognize superior design and outstanding production quality of books, e-books and book mobile apps in 25 categories, as well as an overall Judges’ Choice Award selected from among the winners in each category. The Design Awards winners were judged on typography, jacket and cover design, interior design, format, selection of materials used, and printing and binding production quality. PubWest president Bill Fessler congratulates the winners and says “books can and should be fine- ly crafted artifacts. The paper, ink, fonts, layout, design, binding, and other special elements combine to create both pleasure and utility for the reader. The PubWest Design Awards recognize those who have excelled in creating unique publications, in several subcategories of fiction, non- fiction, illustrated, digital, and children's books.” The winner of this year’s Judges’ Choice Award is The Language of Family: Stories of Bonds and Belonging, a beautifully designed book from the Royal BC Museum featuring 20 different contributors who share their vastly different perspectives on what family means. For winning the Judges’ Choice Award, Royal BC Museum will receive one free registration to PubWest 2019. Winners will also be recognized at the 2019 PubWest Conference to be held February 7–9 at the La Fonda on the Plaza, Santa Fe, New Mexico. -
The Materiality of Books and TV House of Leaves and the Sopranos in a World of Formless Content and Media Competition
The Materiality of Books and TV House of Leaves and The Sopranos in a World of Formless Content and Media Competition Alexander Starre* In Western societies, the proliferation of ever new forms of digital media has initiated a fierce competition between various narrative media for the time and attention of readers and viewers. Within the context of the increasingly complex media ecology of the contemporary United States, this paper describes the aes- thetic phenomenon of ‘materiality-based metareference’. Building on theories of mediality and metareference, this specific mode is first described with regard to its general forms and effects. Subsequently, two symptomatic media texts are analyzed in an intermedial comparison between literature and television. The novel House of Leaves (2000) by Mark Z. Danielewski constantly investigates the relationship between its narrative and the printed book, while the serial television drama The Sopranos (1999–2007) ties itself in numerous ways to its apparatus. As these examples show, the increased competition between media fosters narratives which foreground their ultimate adhesion to a fixed material form. Intermedial studies of metareference need to address the mediality of representations, nar- rative and otherwise, in order to fully explain the causes and functions of the increased occurrence of metareference in the digital age. 1. Introduction: from book to content (and back?) On September 17, 2009, Google announced its collaboration with On Demand Books (ODB), a company whose product portfolio consists solely of one item: the Espresso Book Machine (EBM). According to the official press release, this machine “can print, bind and trim a single-copy library-quality paperback book complete with a full-color paperback cover” within minutes (“Google” 2009: online). -
POD for Profit More on the NEW Business of Self Publishing
POD for Profit More on the NEW Business of Self Publishing — Aaron Shepard — CreateSpace uses it. Lulu.com uses it. So do AuthorHouse, iUniverse, Xlibris, and almost every other self publishing company in the U.S., Canada, and the U.K. What is it? Lightning Source, the printer and distributor at the heart of the “print on demand” industry. For the work those companies can’t handle themselves, it’s Lightning they most often depend on. So, why pay a middleman? In this follow-up to his groundbreaking book Aiming at Amazon, Aaron Shepard explores how to double your profit by working directly with Lightning. If you’re serious about making money with POD publishing, this book can show you the way. “Aaron Shepard is the undisputed expert at earning profit from POD. Here are the step-by-step instructions for setting up your own publishing operation and opti- mizing the financial benefits. Following Aaron’s steps, you will earn two or three times as much per book.” Bruce Batchelor, author, Book Marketing DeMystified, and founder and former CEO, Trafford Publishing “A graduate course and definitive guide for advanced POD publishing.” Morris Rosenthal, author, Print-on-Demand Book Publishing “Aaron Shepard is exceptional in his ability to keep up with the ever-changing minutiae of the world of self publishing via POD. I wouldn’t want to publish without this book within reach.” John Culleton, Wexford Press “Remarkably thorough and readable.” Jonathan LeBlanc Roberts, Breton Bay Publishing “Invaluable advice for any small press or independent publishing firm.” Max Scratchmann, Poison Pixie Publishing “Could not be more timely or helpful. -
Bridgeport National Bindery On-Demand Book Production Company Achieves ROI After 11 Months with Challenge Machinery Book Trimmer
CASE STUDY Bridgeport National Bindery On-Demand Book Production Company Achieves ROI After 11 Months with Challenge Machinery Book Trimmer “Since we installed the CMT-330, it has processed one-third of our total plant output, which is up to 350,000 books per month. Pretty good for a five-figure investment.” Bruce Jacobsen, Executive Vice President, Bridgeport National Bindery During its first 100 years in operation, Bridgeport National Bindery (BNB) served traditional library bindery clients. In 2003, the company installed its first digital printers and began serving the complete short-run book production needs of its rapidly growing on-demand customer base. A few years later, complete on-demand book production had become a significant part of BNB’s business. Most of BNB’s on-demand jobs were ultra- small quantities, which led to a new set of operational challenges. The Challenge BNB had to find a way to reliably produce up to 8,000 perfect-bound books per day. Most of BNB’s jobs feature production quantities of 10 or fewer – in other words, 1,000 (or more) different jobs can flow through its perfect binding department each day. Reducing makeready times to a bare minimum was a clear key objective. “Our perfect binding workflow wasn’t optimized for on-demand production,” said Bruce Jacobsen, Executive Vice President. “Most notably, our trimmer did not integrate 231-799-8484 CHALLENGEMACHINERY.COM with our perfect binder for fully-inline production, making quick turnarounds more challenging.” Equipment reliability was also a pressing need at BNB. “Reliability is paramount in on-demand book production,” Jacobsen said. -
STUCK on YOU Perfect Binders for Everyone 14
THE MAGAZINE FOR FORWARD THINKING PRINTING NOVEMBER 2014 REPORTS PACKAGING THE RISE AND RISE OF PUR BINDING BINDING STUCK ON YOU Perfect binders for everyone 14 BOOKS Worrlld--beattiing KBA prressss ttecchnollogy Unlock the potential of your business SSIISS aaddjjuussttmeenntt--ffrreeee nnoo ssiiddeellaayy sshheeeett iinn--ffeeeedd aauuttoomaatteedd ssyynncchhrroonniisseedd ffuunnccttiioonnss aatt maakkeerreeaaddyy FFAAPPCC ffuullllyy aauuttoommaatteedd ppllaattee cchhaannggee FFllyyiinngg JJoobbCChhaannggee PPllaatteeIIddeenntt rreeggiisstteerr pprree--sseettttiinngg && ppllaattee iiddeennttiifificcaattiioonn SSFFCC ssiimmuullttaanneeoouuss ccooaattiinngg ffoorrmmee cchhaannggee ffuullllyy aauuttoommaattiicc ssiimmuullttaanneeoouuss aanniillooxx rroolllleerr eexxcchhaannggee VVaarriiDDrryy ‘ ‘pplluugg&&ppllaayy’’ iinntteerrcchhaannggaabbllee iinn--ddeecckk aanndd sswwaann nneecckk ddrryyiinngg ssyysstteemm hhiigghh ssuubbssttrraattee flfleexxiibbiilliittyy aatt pprroodduuccttiioonn ssppeeeedd iinntteeggrraatteedd iinn--lliinnee ccoolloouurr meeaassuurriinngg aanndd ccoonnttrrooll aauuttoomaattiicc iinn--lliinnee rreeggiisstteerr meeaassuurreemeenntt ffuullll--ffoorrmaatt hhiigghh rreessoolluuttiioonn ssccaannnniinngg aanndd ccoorrrreeccttiioonn MAAXXIIMUM PPRRODUCCTTIION SSPPEEEEDSS ((774400 xx 11,,006600)) RRAAPPIIDDAA 110066 uupp ttoo 2200,,000000 sspphh ((11006600 xx 11445500 mm)) RRAAPPIIDDAA 114455 uupp ttoo 1177,,000000 sspphh ((11,,220055 xx 11,,664400 mm)) RRAAPPIIDDAA 116644 uupp ttoo 1155,,000000 sspphh The game-changers Our next-generation -
Self-Publishing and Collection Development: Opportunities and Challenges for Libraries Robert P
Purdue University Purdue e-Pubs Purdue University Press Books Purdue University Press Fall 9-15-2015 Self-Publishing and Collection Development: Opportunities and Challenges for Libraries Robert P. Holley Wayne State University Follow this and additional works at: https://docs.lib.purdue.edu/purduepress_ebooks Part of the Cataloging and Metadata Commons, and the Collection Development and Management Commons Recommended Citation Holley, Robert P., Self-Publishing and Collection Development: Opportunities and Challenges for Libraries. (2015). Purdue University Press. (Knowledge Unlatched Open Access Edition.) This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Self-Publishing and Collection Development Opportunities and Challenges for Libraries Charleston Insights in Library, Archival, and Information Sciences Editorial Board Shin Freedman Tom Gilson Matthew Ismail Jack Montgomery Ann Okerson Joyce M. Ray Katina Strauch Carol Tenopir Anthony Watkinson Self-Publishing and Collection Development Opportunities and Challenges for Libraries Edited by Robert P. Holley Charleston Insights in Library, Archival, and Information Sciences Purdue University Press West Lafayette, Indiana Copyright 2015 by Purdue University. All rights reserved. Cataloging-in-Publication data on file at the Library of Congress. Contents Foreword i Mitchell Davis (BiblioLabs) Introduction 1 Robert P. Holley (Wayne State University) 1 E-Book Self-Publishing and the Los Gatos Library: A Case Study 5 Henry Bankhead (Los Gatos Library) 2 Supporting Self-Publishing and Local Authors: From Challenge to Opportunity 21 Melissa DeWild and Morgan Jarema (Kent District Library) 3 Do Large Academic Libraries Purchase Self-Published Books to Add to Their Collections? 27 Kay Ann Cassell (Rutgers University) 4 Why Academic Libraries Should Consider Acquiring Self-Published Books 37 Robert P. -
Diversifying Book Production for the Long Tail Age John Mcwilliams Pace University
Pace University DigitalCommons@Pace Master of Science in Publishing Dyson College of Arts & Sciences 5-1-2009 Diversifying Book Production for the Long Tail Age John McWilliams Pace University Follow this and additional works at: http://digitalcommons.pace.edu/dyson_mspublishing Part of the Communication Technology and New Media Commons, Journalism Studies Commons, Mass Communication Commons, and the Public Relations and Advertising Commons Recommended Citation McWilliams, John, "Diversifying Book Production for the Long Tail Age" (2009). Master of Science in Publishing. Paper 6. http://digitalcommons.pace.edu/dyson_mspublishing/6 This Thesis is brought to you for free and open access by the Dyson College of Arts & Sciences at DigitalCommons@Pace. It has been accepted for inclusion in Master of Science in Publishing by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. Diversifying Book Production and Delivery for the Long Tail Age John McWilliams Submitted in partial fulfillment of the requirements for the Master of Science in Publishing degree at Pace University Submitted May 6, 2009 For Jane Denning The modes of delivery for the book publishing industry are splintering. While brick-and-mortar bookstore sales still comprise the greatest share of sales nationwide, new lines of distribution are coming online quickly: Internet book sales in the past ten years have skyrocketed. Electronic book sales are also growing quickly: Amazon now has 130,000 titles available electronically, and 12 percent of those represent e-book sales. Jason Epstein’s Espresso Book Machine is already making appearances in venues around the country. This diversification of distribution, coupled with the Internet’s capability of identifying products of special interest for readers, constitutes what Chris Anderson calls The Long Tail: a new market model in which erstwhile physical barriers for customers to obtain niche products have been removed. -
CQR Future of Books
Researcher Published by CQ Press, A Division of SAGE CQ www.cqresearcher.com Future of Books Will traditional print books disappear? he migration of books to electronic screens has been accelerating with the introduction of mobile reading on Kindles, iPhones and Sony Readers and the growing power of Google’s Book Search Tengine. Even the book’s form is mutating as innovators experiment with adding video, sound and computer graphics to text. Some fear a loss of literary writing and reading, others of the world’s storehouse of knowledge if it all goes digital. A recent settlement among Google, authors and publishers would make more out-of- Amazon’s Kindle 2 digital book reader can store print books accessible online, but some worry about putting such hundreds of books and read text aloud. Like the electronic Sony Reader, the Kindle features glare-free a vast trove of literature into the hands of a private company. text easier on the eyes than a computer screen. So far, barely 1 percent of books sold in the United States are electronic. Still, the economically strapped publishing industry is I under pressure to do more marketing and publishing online as N THIS REPORT S younger, screen-oriented readers replace today’s core buyers — THE ISSUES ......................475 I middle-aged women. BACKGROUND ..................484 D CHRONOLOGY ..................485 E CURRENT SITUATION ..........488 CQ Researcher • May 29, 2009 • www.cqresearcher.com AT ISSUE ..........................493 Volume 19, Number 20 • Pages 473-500 OUTLOOK ........................495 RECIPIENT OF SOCIETY OF PROFESSIONAL JOURNALISTS AWARD FOR EXCELLENCE ◆ AMERICAN BAR ASSOCIATION SILVER GAVEL AWARD BIBLIOGRAPHY ..................498 THE NEXT STEP ................499 FUTURE OF BOOKS CQ Researcher May 29, 2009 THE ISSUES OUTLOOK Volume 19, Number 20 MANAGING EDITOR: Thomas J. -
Alessandro Ludovico
POSt- DIGITAL PRINT The Mutation of Publishing since 1894 Alessandro Ludovico ONOMATOPEE 77 In this post-digital age, digital technology is no longer a revolutionary phenomenon but a normal part of every- day life. The mutation of music and film into bits and bytes, downloads and streams is now taken for granted. For the world of book and magazine publishing however, this transformation has only just begun. Still, the vision of this transformation is far from new. For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of publishing? How will they transition, mix and cross over? In this book, Alessandro Ludovico re-reads the history of media technology, cultural activism and the avant- garde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics. Ludovico is the editor and publisher of Neural, a magazine for critical digital culture and media arts. For more than twenty years now, he has been working at the cutting edge (and the outer fringes) of both print publishing and politically engaged digital art. ISBN 9789078454878 90000 > 9 789078 454878 POSt- DIGITAL PRINT The Mutation of Publishing since 1894 Alessandro Ludovico ONOMATOPEE 77 1 2 contents Introduction. 7 Chapter 1 – The death of paper (which never happened). 15 1.1 Early threats to the printed medium. -
The Seventh Major Group: Craft and Related Trades Workers
Saudi Standard Classification of Occupations The seventh Major group: Craft and related trades workers 1 Saudi Standard Classification of Occupations Occupation data Code Title Major 7 Craft and related trades workers Sub-major group 71 Building and related trades workers, excluding electricians Minor group 711 Building frame and related trades workers Unit group 7111 House builders Occupation 711101 Builder Active participation in the construction processes based on the developed Occupation summary diagrams and technical drawings. Main accountabilities Participate in the preparation of the site for the construction of buildings, removal of obstacles and 1 leveling of land. 2 Assistance with craftsmen tasks including bricklaying, floor covering, painting and coating. 3 Implement and interpret construction instructions, blueprints, drawings and diagrams. 4 Organize and supervise the activities performed by workers, subcontractors and other workers. 5 Compliance with HSE policies and procedures. Educational requirements Personal skills and Minimum education Education field (1) Lower secondary education development level Education field (2) Education field (3) Technical and behavioral skills # Behavioral skills # Technical skills 1 Team Work 1 Handicrafts 2 Organization 2 Heavy work/construction 3 Perseverance 3 Construction materials 4 Self Development 4 Scaffolding 5 5 Reading of technical drawings 2 Saudi Standard Classification of Occupations Occupation data Code Title Major 7 Craft and related trades workers Sub-major group 71 Building and related trades workers, excluding electricians Minor group 711 Building frame and related trades workers Unit group 7111 House builders Occupation 711102 Clay mason Active participation in the construction processes based on the developed Occupation summary diagrams and technical drawings. Main accountabilities 1 Lay strings to set the foundations, for the ground to be drilled to the specified depth.