Joe Mantegna

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TOCCARRA CASH SAG-AFTRA AEA FILM/TELEVISION Blue Bloods Recurring Co-Star CBS John Behring Younger Co-Star TV Land Todd Biermann Royal Pains Co-Star USA Charles McClelland Stand-In Supporting Lead Pilot Joe Collins Gracie’s Keeper Supporting Lead Independent Short Bennett Johnson Faraway Eyes Featured Independent Feature Harry Greenberger First Match Featured Independent Feature Olivia Newman Rosy Featured Independent Feature Jess Manafort ATL Featured Warner Brothers, Inc. Chris Robinson Blue Car Featured Miramax Films Karen Moncrieff OFF-BROADWAY Napoli, Brooklyn Celia u/s (perf) Roundabout Theatre Company Gordon Edelstein The Fabulous Miss Marie Ruth New Federal/Castillo Theatre Woodie King, Jr. Playing With Fire Kerstin Negro Ensemble Company Robert Greer Blacken The Bubble Monique Liberation Theatre Company Jonathan McCrory Bonfire Night Lorna The Cell Theatre Pat Jones THEATRE The Piano Lesson Grace Hartford Stage Jade King Caroll Brothers From The Bottom Malika New Orleans Center for Creative Arts Jackie Alexander Brothers From The Bottom Malika The Billie Holiday Theatre Jackie Alexander Ma Rainey’s Black Bottom Dussie Mae Centerstage/Philadelphia T.C. Irene Lewis The Book Club Play Lily Cincinnati Playhouse in the Park Blake Robison Race Susan Florida Studio Theatre Richard Hopkins A Long and Happy Life Starr New York Stage & Film Festival Pippin Parker A Long and Happy Life Starr Playwrights Horizons (reading) Pippin Parker The Wiz Yellow Brick Road True Colors Theatre Company Kenny Leon The Syringa Tree Moliseng/Iris Kansas City Repertory Theatre Sharon Ott We Are Antigone Chantal Alliance Theatre Company Rosemary Newcott EDUCATION/TRAINING University of Missouri-Kansas City (UMKC), M.F.A. in Acting Spelman College, B.A. in Drama, Cum Laude AWARDS/NOMINATIONS AUDELCO Award Winner: Best Supporting Actress – Brothers From The Bottom AUDELCO Award Nominee: Best Performance by an Ensemble – Playing With Fire Princess Grace Award Winner: George C. Wolfe Theatre Award for Acting SPECIAL SKILLS Dialects: RP British, South African, Jamaican, NY Dominican, Southern American, Midwest Dance: Jazz, Modern, West African, Salsa, Swing, Stepping Choreography: A Long and Happy Life, New York Stage & Film Festival (Stepping) Misc: Roller Skating, Performance Poetry, Puppetry .

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Member Association AFTRA / AEA / SAG Hassan El-Amin Height
Member Association A.F.T.R.A. / A.E.A. / SAG Hassan El-Amin Height: 6’ Weight: 212lb Theatres Roles Directors Resident Ensemble Players August: Osage County Bill Fordham Jackson Gay Murder on the Orient Express Samuel Ratchett Sanford Robbins The Crucible Thomas Putnam Ben Barnes Lettice and Lovage Mr. Bardolph Steve Tague Woman in Mind Andy Jackson Gay Minor Fantastical Kingdom Bernard Mark Lamos Inherit the Wind Rev. Brown Sanford Robbins Fences Troy Maxson Cameron Knight The MountainTop Martin Luther King Jr. Walter Dallas From the Author Of Dax Jade King Carroll A Flea in her Ear Dr. Finache Mark Lamos Twelfth Night Antonio Maria Aitken God of Carnage Michael Novak Kate Buckley Clybourne Park Albert/Kevin Lee E. Ernst The Bells Jim Theresa Rebeck The Elephant Man Dr. Carr Gomm Sanford Robbins Dallas Theatre Center Christmas Carol Jacob Marley Joe Ferrell In the Beginning God / Ensemble Kevin Moriarty It’s a Bird, It’s a Plane, It’s Superman! Perry White Kevin Moriarty Death of a Salesman Uncle Ben Amanda Dehnert Henry IV Northumberland Kevin Moriarty God of Carnage Michael Joe Ferrell King Lear Earl of Kent Kevin Moriarty The Odd Couple Roy Kevin Moriarty Fly (2013) Pirate Jeffery Seller A Raisin in the Sun Bobo Tre Garrett Clybourne Park Albert/Kevin Joel Ferrell Sherlock Holmes King of Bohemia Kevin Moriarty Les Misérables Priest Liesl Tommy Driving Miss Daisy Hoke Colburn Joel Ferrell The Kennedy Center August Wilson 20TH Century Fences Gabriel Kenny Leon Two Trains Running Hambone Isreal Hicks Jitney Booster Gordon Davidson The
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CAMILLE A. BROWN Choreographer, Performer, Teacher, Cultural Innovator
CAMILLE A. BROWN Choreographer, Performer, Teacher, Cultural Innovator FOUNDER/ARTISTIC DIRECTOR/CHOREOGRAPHER/PERFORMER 2006-present Camille A. Brown & Dancers, contemporary dance company based in New York City www.camilleabrown.org FILM/TELEVISION Ma Rainey’s Black Bottom George C. Wolfe Netflix Jesus Christ Superstar Live David Leveaux NBC BROADWAY Disney’s Aida (Fall 2020) Schele Williams Broadway Theatre TBD Soul Train (2021-22) Kamilah Forbes Broadway Theatre TBD Basquiat (TBD) John Doyle Broadway Theatre TBD Pal Joey (TBD) Tony Goldwyn Broadway Theatre TBD Choir Boy Trip Cullman Samuel Friedman Theatre (MTC) *nominee Tony, Drama Desk Awards Once on This Island Michael Arden Circle in the Square Theatre *nominee Chita Rivera, Outer Critics Circle, Drama Desk Awards A Streetcar Named Desire Emily Mann Broadhurst Theatre OFF-BROADWAY/NEW YORK The Suffragists (October 2020) Leigh Silverman The Public Theater Thoroughly Modern Millie Lear DeBessonet Encores! City Center For Colored Girls Leah Gardiner The Public Theater Porgy and Bess James Robinson The Metropolitan Opera Much Ado About Nothing Kenny Leon Shakespeare in the Park *winner: Audelco Award 2019 Toni Stone Pam McKinnon Roundabout Theatre Company This Ain’t Not Disco Darko Trensjak Atlantic Theatre Company Bella: An American Tall Tale Robert O’Hara Playwrights HoriZons *winner: Lucille Lortel Award 2017 Cabin in the Sky Ruben Santiago-Hudson New York City Center (Encores!) Fortress of Solitude Daniel Aukin The Public Theater *nominee Lucille Lortel Award tick, tick…BOOM! Oliver Butler New York City Center (Encores!) The Box: A Black Comedy Seth Bockley The Irondale Soul Doctor Danny Wise New York Theatre Workshop 450 West 24th Street Suite 1C New York New York 10011 (212) 221-0400 Main (212) 881-9492 Fax www.michaelmooreagency.com Department of Consumer Affairs License #2001545-DCA REGIONAL Treemonisha (May 2022) Camille A.
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Kennesaw State University Welcomes Tony Award-Winner Kenny Leon Broadway, Film and Television Director to Teach Master Classes in Acting
NEWS Kennesaw State University welcomes Tony Award-winner Kenny Leon Broadway, film and television director to teach master classes in acting KENNESAW, Ga. (Aug. 2, 2017) –– Tony Award-winning Broadway, film and television director Kenny Leon will teach two master classes to students in the Department of Theatre and Performance Studies at Kennesaw State University, and will share his extensive professional experience with up-and-coming actors, designers, directors, writers and technicians. “Kenny approached us about how he could work with our students in meaningful and impactful ways,” said Patty Poulter, dean of the College of the Arts. “He is incredibly enthusiastic and eager to work with our students, and it is very exciting to have him at Kennesaw State University.” A sought-after motivational speaker, Leon has conducted acting and theater workshops at universities and corporations in this country and abroad. “I want to bridge that gap between the academic world and the professional world. There should be a healthy synergy between the academic world and the professional/artistic world. So, I am all for that,” said Leon. “When I have a master class with students who are serious about being in this business, it’s better to give than receive. I am rewarded by giving,” Leon said. “I have a chance to do that with some students who call Atlanta home and students who are making a commitment to the profession. You make the profession better by sharing with young folks what you know to be true. So, I am hoping that it can mean something to them.” Leon won a Tony for directing the 2014 revival of “A Raisin in the Sun” on Broadway, starring Denzel Washington.
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Contact: Kirstin M. Franko/Julia Suszynski [email protected]; 202-600-4055
Contact: Kirstin M. Franko/Julia Suszynski [email protected]; 202-600-4055 ARENA STAGE AT THE MEAD CENTER FOR AMERICAN THEATER ANNOUNCES THE 2010/11 INAUGURAL SEASON FOR NEW THREE-THEATER CAMPUS With more than 45 projects in homecoming season, Arena Stage returns to campus as a national center for the production, presentation, development and study of American theater (Washington, D.C.) Arena Stage Artistic Director Molly Smith announces the D.C.-based pioneering theater company’s 60th season filled with award-winning artists and projects to celebrate the grand opening of Arena Stage at the Mead Center for American Theater. The 2010/11 inaugural season includes eight full productions, seven presentations from the National Endowment for the Arts New Play Development Program and public readings from all 30 of Edward Albee’s works, totaling at least 45 projects produced and presented by Arena Stage in the inaugural year at the Mead Center. With the opening next fall, Arena Stage will fully become a national center for production, presentation, development and study of American theater. “The moment we have been waiting for has arrived—we are heading home,” shares Artistic Director Molly Smith. “After 11 years of planning and two and a half years of construction, the beautiful new Mead Center for American Theater will be ready to welcome audiences and artists this fall.” The new campus includes the renovation of the two existing performance spaces, the Fichandler Stage and the Kreeger Theater, and the creation of the 200-seat Arlene and Robert Kogod Cradle—a venue dedicated to cradling risk surrounding new or radically re-envisioned productions of American theater.
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The New Yorker-20180326.Pdf
PRICE $8.99 MAR. 26, 2018 MARCH 26, 2018 6 GOINGS ON ABOUT TOWN 17 THE TALK OF THE TOWN Amy Davidson Sorkin on White House mayhem; Allbirds’ moral fibres; Trump’s Twitter blockees; Sheila Hicks looms large; #MeToo and men. ANNALS OF THEATRE Michael Schulman 22 The Ascension Marianne Elliott and “Angels in America.” SHOUTS & MURMURS Ian Frazier 27 The British Museum of Your Stuff ONWARD AND UPWARD WITH THE ARTS Hua Hsu 28 Hip-Hop’s New Frontier 88rising’s Asian imports. PROFILES Connie Bruck 36 California v. Trump Jerry Brown’s last term as governor. PORTFOLIO Sharif Hamza 48 Gun Country with Dana Goodyear Firearms enthusiasts of the Parkland generation. FICTION Tommy Orange 58 “The State” THE CRITICS A CRITIC AT LARGE Jill Lepore 64 Rachel Carson’s writings on the sea. BOOKS Adam Kirsch 73 Two new histories of the Jews. 77 Briefly Noted THE CURRENT CINEMA Anthony Lane 78 “Tomb Raider,” “Isle of Dogs.” POEMS J. Estanislao Lopez 32 “Meditation on Beauty” Lucie Brock-Broido 44 “Giraffe” COVER Barry Blitt “Exposed” DRAWINGS Roz Chast, Zachary Kanin, Seth Fleishman, William Haefeli, Charlie Hankin, P. C. Vey, Bishakh Som, Peter Kuper, Carolita Johnson, Tom Cheney, Emily Flake, Edward Koren SPOTS Miguel Porlan CONTRIBUTORS The real story, in real time. Connie Bruck (“California v. Trump,” Hua Hsu (“Hip-Hop’s New Frontier,” p. 36) has been a staff writer since 1989. p. 28), a staff writer, is the author of “A She has published three books, among Floating Chinaman.” them “The Predators’ Ball.” Jill Lepore (A Critic at Large, p.
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About the Cast
ABOUT THE CAST BURTON CURTIS (Watchman) has performed as Pierrot in Stephen Wadsworth’s productions of Molière’s Don Juan (McCarter Theatre, Shakespeare Theatre Company, The Old Globe, and Seattle Rep). He also portrayed Dumas in Wadsworth’s productions of Marivaux’s Triumph of Love (Long Wharf Theatre, Missouri Rep, and Seattle Rep). Burton originated the role of Eddie Wicket in the west coast premiere of Louis Broom’s Texarkana Waltz (Circle X Theatre Co., L.A. and the Empty Space Theatre, Seattle). He also created the dual roles of Brother Mills and Heathcliff in Wuthering! Heights! The! Musical! and performed in The Complete History of America (Abridged) (Empty Space and Actors Theatre of Louisville). Other roles include Tom in The Glass Menagerie (Tacoma Actors Guild) and Freddy in Noises Off (Village Theatre, Issaquah). He played the title role in Jillian Armenante’s production of Camille and Little Mary in a “gender blind” production of The Women (Annex Theatre, Seattle). Film credits include Crocodile Tears, Money Buys Happiness, and Great Uncle Jimmy as well as Gus Van Sant’s Even Cowgirls Get the Blues. Burton is also a director and choreographer and has received awards for his work on the stage from the Seattle Post Intelligencer and Seattle Weekly. He was listed by Backstage West among “100 Actors We Love.” He received his BFA in theater from Baylor University and now resides in Seattle. Burton is delighted to be making his Getty debut and is thrilled to be joining Mr. Wadsworth in yet another exciting project. NICHOLAS HORMANN (Chorus Leader) has worked in the American theater for thirty-five years, beginning on Broadway with the New Phoenix Repertory Company.
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DAVID CAPARELLIOTIS Caparelliotis Casting /212-575-1987 [email protected]
DAVID CAPARELLIOTIS Caparelliotis Casting /212-575-1987 [email protected] CASTING DIRECTOR (selected) Holler If Ya Hear Me (Todd Kreidler) Palace Theatre/Broadway dir. Kenny Leon (upcoming) Casa Valentina (Harvey Fierstein) Freidman Theatre/ Broadway dir. Joe Mantello (upcoming) Commons of Pensacola (Amanda Peet) Manhattan Theater Club dir. Lynne Meadow The Snow Geese (Sharr White) Freidman Theatre/ Broadway dir. Daniel Sullivan All New People (Zach Braff) Second Stage Theatre dir. Peter DuBois Water By The Spoonful (Quiara Hudes) Second Stage Theatre dir. Davis McCallum My Name Is Rachel Corrie Minetta Lane/Off-Broadway dir. Alan Rickman Complicit (Joe Sutton) Old Vic/London dir. Kevin Spacey Orphans (Lyle Kessler) Schoenfeld Theatre/ Broadway dir. Daniel Sullivan Lonely I’m Not (Paul Weitz) Second Stage Theatre dir. Trip Cullman Tales of the City: the musical American Conservatory Theatre dir: Jason Moore Romantic Poetry (John P. Shanley) MTC/Off-Broadway dir: John P. Shanley Trip to Bountiful (Horton Foote) Sondheim Theatre/ Broadway dir. Michael Wilson Dead Accounts (Theresa Rebeck) Music Box Theatre/ Broadway dir. Jack O’Brien Fences (August Wilson) Cort Theatre/Broadway dir. Kenny Leon Sweet Bird of Youth (T. Williams) Goodman Theatre/ Chicago dir. David Cromer The Other Place (Sharr White) Freidman Theatre/ Broadway dir. Joe Mantello Seminar (Theresa Rebeck) Golden Theatre/ Broadway dir. Sam Gold Grace (Craig Wright) Court Theatre/ Broadway dir. Dexter Bullard Bengal Tiger … (Rajiv Josef) Richard Rodgers/ Broadway dir. Moises Kaufman Stick Fly (Lydia Diamond) Cort Theatre/ Broadway dir. Kenny Leon The Columnist (David Auburn) Freidman Theatre/Broadway dir. Daniel Sullivan The Royal Family (Ferber) Freidman Theatre/ Broadway dir.
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2010 Tony Award Nominee Reactions! Printer-Friendly (Broadwayworld.Com) Page 1 of 8
Print 2010 Tony Award Nominee Reactions! Printer-Friendly (BroadwayWorld.com) Page 1 of 8 2010 Tony Award Nominee Reactions! Back to the Article by BWW News Desk The Tony Awards Nominations were announced this morning on Tuesday, May 4th. The Tony Awards will be broadcast in a live three-hour ceremony from Radio City Music Hall on the CBS television network on Sunday, June 13, 2010. Click here for the full list of nominations! BroadwayWorld.com will be talking to nominees throughout the day so keep checking back! "Well I woke up to phone ringing and a friend leaving me a message singing into my machine. And then I went to breakfast with my daughter and told her about the nomination and she started screaming. This is a special show. It is not like any other show that has been on Broadway from what I know and different from any show I have been a part of in the past. I was hopeful people would "get it" and I think they did. We're a hard working cast and it's amazing to me that we can do as many shows as we do each week. Everyone pulls their weight and I expected us be noticed for the excellence. The highlight of this show for me is being in a cast people who are so dedicated. The music is great to listen to every night and we have a crew that is great to us. It's nice to be back on Broadway." Lillias White, nominee for Best Featured Actress in a Musical for Fela! "My wife called me this morning with the news.
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Barreca Resume 2011
CHRISTOPHER H. BARRECA SCENIC DESIGNER HEAD OF SCENIC DESIGN - CALARTS The * symbol indicates a world or American premiere The ** symbol indicates musical DATE TITLE DIRECTOR THEATER Current RACE Irene Lewis ACT San Fransicso SUMMER PEOPLE Barreca/Korogodsky/Koller Theater Pokolenliy, St. Petersburg, Russia 2011 COMPLETENESS* Pam MacKinnon South Coast Repertory 2010 SIGMARINGEN* (New Opera) Janie Geiser Workshop for Musikprotokoll Graz, Austria JAMES AND THE GIANT PEACH * ** (Workshop) Graciela Daniele The Norma Terris Theatre, Chester, CT THE WIZ** Irene Lewis Baltimore Center Stage HEDDA GABLER Barreca/Rubin site specific work in a NYC brownstone ELEKTRA Carey Perloff Getty Villa, LA IN A GARDEN* David Warren South Coast Repertory PITERSBURG* Barreca/Korogodsky/Kolun/ Theater Pokoleniy Simpson/Geiser 2009 CRIME AND PUNISHMENT Sharon Ott Berkeley Rep. PITERSBURG* Barreca/Korogodsky/Kolun/ Theater Pokoleniy Simpson/Geiser RED HAND GUITAR* ** (Workshop) Evan Yionoulis Arena Stage, Wash, D.D. AH* Travis Preston REDCAT (CNP) IN THE DAYLIGHT* John Rubin Vital PHILIP ROTH IN KHARTOUM* John Rubin NY Public Theater/Labyrinth Theater 2008 PENALTIES AND INTEREST* John Rubin NY Public Theater/Labyrinth Theater THE SOUND OF MUSIC (Salzburg Marionettes)** Richard Hamburger Salzburg, Austria WHAT THEY HAVE* Chris Fields South Coast Repertory 2007 THE SOUND OF MUSIC (Salzburg Marionettes) Richard Hamburger Metropolitan Museum of Art International tour THE STUDIO* Christopher DʼAmboise South Coast Repertory Signature Theater Wash, DC CAT ON A HOT TIN ROOF Richard Hamburger Dallas Theater Center HIPPOLYTOS Stephen Sachs Getty Villa, LA THE MURDER OF ISAAC* Irene Lewis Center Stage 2006 HOUSE OF BERNALDA ALBA** * Graciela Daniele Lincoln Center Theater CARNIVAL** Erica Schmidt Papermill Playhouse BELL SOLARIS* Travis Preston REDCAT (CNP) MACBETH (A Modern Ecstasy) Travis Preston Almeida Theater London, England Adelaide Festival Australia REDCAT (CNP), Los Angeles MACBETH Eve Shapiro The Acting Co.
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Bio and Resume
BOROVAY DESIGN, INC. 7981 Eastern Ave., #119 Silver Spring, MD 20910 ZACHARY BOROVAY TEL: (347) 451-1110 PROJECTION DESIGNER FAX: (347) 402-1114 [email protected] www.borovaydesign.com Two-time Drama Desk award nominee Zachary Borovay is a visual storyteller whose work has been seen all over the globe. He has designed projections for Broadway, Las Vegas spectaculars, circuses, concerts, theme parks, operas, museums, corporate events and art installations. Zak is also a classically trained bassist, having attended the New England Conservatory and Berklee College of Music. Zak’s recent Broadway credits include the long-running hit musical ROCK OF AGES (also West End, National Tour, Las Vegas, Toronto, Australia and Norwegian Cruise Line), HOLLER IF YA HEAR ME, WAITING FOR GODOT & NO MAN’S LAND with Patrick Stewart and Ian McKellen (also Berkeley Rep), ANN (also Kennedy Center DC, Chicago), EVITA (also National Tour), ELF, LOMBARDI (Drama Desk nomination), A CATERED AFFAIR (Drama Desk nomination) and XANADU (also National Tour and Japan). Selected Off Broadway and Regional credits include LET ME DOWN EASY (Off Broadway, Arena Stage, National Tour, PBS Television), CHAPLIN (La Jolla Playhouse), NERDS (Philadelphia Theater Co.) and the world premiere of 13 (Center Theater Group, LA). Other projects of note include projections and special effects for the multimedia circus spectacular VOYAGE DE LA VIE at RWS Resorts in Sentosa, Singapore, PEEPSHOW at the Planet Hollywood Resort and Casino in Las Vegas, Nickelodeon’s STORYTIME LIVE National Tour and the RADIO CITY MUSIC HALL CHRISTMAS SPECTACULAR. He also designed projections for THE CREATURE FROM THE BLACK LAGOON attraction at Universal Studios Hollywood.
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New York City Center Announces Upcoming Encores! Productions
FOR IMMEDIATE RELEASE: New York City Center announces upcoming Encores! productions: The Life, Adapted and Directed by Tony Award winner Billy Porter; The Tap Dance Kid, Directed by Tony Award winner Kenny Leon, Adapted by Lydia Diamond; and An Annual Celebration of Iconic American Musicals: a new tradition at City Center exploring the ways musical theater connects us across generations In-development productions and spring 2020 cancelled shows explored in new behind-the-scenes digital series Encores! Inside the Revival launching October 14 Encores! team adds new leadership and artistic voices: Tony Award winner Clint Ramos joins as Encores! Producing Creative Director Camille A. Brown, Eisa Davis, and Robert O’Hara join as Encores! Creative Advisors Jenny Gersten to serve as Producer of Musical Theater for New York City Center New York, NY/September 18, 2020 – New York City Center President & CEO Arlene Shuler today announced the musical productions in development as part of the next chapter of the longstanding Tony-honored Encores! series, all of which will be explored in-depth as part of the 2020-2021 season in a new digital series Encores! Inside the Revival. The five-part mini documentary series, which launches Lear deBessonet’s first season as Encores! Artistic Director, will explore the behind-the-scenes process—through conversations and performances—for the productions being developed and ultimately produced at City Center upon reopening. “Last fall, when I began to program my first Encores! season I never could have imagined the world in which we find ourselves today. As we look ahead, it is essential that we preserve the Encores! mission and weave an ever- deepening portrait of the history of American musicals.
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Download the AWMC Finals Program
I believe that August Wilson is the greatest playwright of our generation because he writes the truth, because he gives voices to those folks that have no voice, because he has an artistry to the honesty and I am humbled to have ever been in his company. August shared insights about life; his wisdom almost flows from life directly to the plays. August Wilson wrote 10 plays about every decade that African Americans have been in America. And his plays are not just for African-Americans. He wrote specifically about that culture, but with that specificity comes an understanding about the universal man, about all of our families, all of our loves. With his words on the page, August humanized our history. He honored our mothers and our grandmothers and our great grandmothers by putting their rituals, their songs, their myths on stage so that we could hear them. I believe that August’s work is worthy of the Nobel Prize just in terms of his personal sacrifice. For 23 years he wrote and produced plays to talk about our history and our connection to each other. That’s a long and great sacrifice for any man. But you know, he walked the walk and he talked the talk, and he dealt with truth as he knew it. And because of this, all of America heard August’s voice. His work is much more than a play. His work is life. And August’s life was about change and impact and there is none greater. There is not a tree that stands taller than August Wilson.
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