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The Emerald City of Oz by L. Frank Baum Author of the Road to Oz
The Emerald City of Oz by L. Frank Baum Author of The Road to Oz, Dorothy and The Wizard in Oz, The Land of Oz, etc. Contents --Author's Note-- 1. How the Nome King Became Angry 2. How Uncle Henry Got Into Trouble 3. How Ozma Granted Dorothy's Request 4. How The Nome King Planned Revenge 5. How Dorothy Became a Princess 6. How Guph Visited the Whimsies 7. How Aunt Em Conquered the Lion 8. How the Grand Gallipoot Joined The Nomes 9. How the Wogglebug Taught Athletics 10. How the Cuttenclips Lived 11. How the General Met the First and Foremost 12. How they Matched the Fuddles 13. How the General Talked to the King 14. How the Wizard Practiced Sorcery 15. How Dorothy Happened to Get Lost 16. How Dorothy Visited Utensia 17. How They Came to Bunbury 18. How Ozma Looked into the Magic Picture 19. How Bunnybury Welcomed the Strangers 20. How Dorothy Lunched With a King 21. How the King Changed His Mind 22. How the Wizard Found Dorothy 23. How They Encountered the Flutterbudgets 24. How the Tin Woodman Told the Sad News 25. How the Scarecrow Displayed His Wisdom 26. How Ozma Refused to Fight for Her Kingdom 27. How the Fierce Warriors Invaded Oz 28. How They Drank at the Forbidden Fountain 29. How Glinda Worked a Magic Spell 30. How the Story of Oz Came to an End Author's Note Perhaps I should admit on the title page that this book is "By L. Frank Baum and his correspondents," for I have used many suggestions conveyed to me in letters from children. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title "Do It Again": Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy's Margins Permalink https://escholarship.org/uc/item/4297q61r Author Baltimore, Samuel Dworkin Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Samuel Dworkin Baltimore 2013 ABSTRACT OF THE DISSERTATION “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins by Samuel Dworkin Baltimore Doctor of Philosophy in Musicology University of California, Los Angeles, 2013 Professor Raymond Knapp, Chair This dissertation examines the ways that various subcultural audiences define themselves through repeated interaction with musical comedy. By foregrounding the role of the audience in creating meaning and by minimizing the “show” as a coherent work, I reconnect musicals to their roots in comedy by way of Mikhail Bakhtin’s theories of carnival and reduced laughter. The audiences I study are kids, queers, and collectors, an alliterative set of people whose gender identities and expressions all depart from or fall outside of the normative binary. Focusing on these audiences, whose musical comedy fandom is widely acknowledged but little studied, I follow Raymond Knapp and Stacy Wolf to demonstrate that musical comedy provides a forum for identity formation especially for these problematically gendered audiences. ii The dissertation of Samuel Dworkin Baltimore is approved. -
Korean Childrens Book : the Wonderful Wizard of Oz Pdf, Epub, Ebook
KOREAN CHILDRENS BOOK : THE WONDERFUL WIZARD OF OZ PDF, EPUB, EBOOK Wai Cheung | 26 pages | 11 May 2017 | Createspace Independent Publishing Platform | 9781546614531 | English | none Korean Childrens Book : The Wonderful Wizard Of Oz PDF Book The Wizard of Oz Filter Applied. Thankfully Dr. Frank Baum books. Best Match. Categories Uncategorized. Sold Items. Some reasons as to why this book might appeal to a child, is because they can relate. Let us know if you have suggestions to improve this article requires login. The Wonderful Wizard of Oz was first published in and met with both commercial and critical success. As well as being a wonderful and exciting adventure for children, the novel shows that each of the travelers already possessed what they had thought they lacked. Table Of Contents. Not Specified. Kabumpo in Oz First Edition L. Frank Baum. Dorothy is actually one of the reasons the book has been banned since its release in Contact details Please read our ' Review Policy ' before requesting a review and to see contact details. The reason as to why this book appeals to adults is because they can relate to some of the characters in the book. Character Family see all. You read and agreed to our Privacy Policy. Stock photo. Frank Baum - review. What happened after they found her you will have to find out for yourself. But there are some stories that really get under people's skin for various reasons. The first edition of the novel was published in May 17th , and was written by L. If so, in what way s? This made Dorothy so cross that she threw water on the witch, which melted her. -
Chapter 24: How the Tin Woodman Told the Sad News
Chapter 24: How the Tin Woodman Told the Sad News The Tin Woodman received Princess Dorothy’s party with much grace and cordiality, yet the little girl decided that something must be worrying with her old friend, because he was not so merry as usual. But at first she said nothing about this, for Uncle Henry and Aunt Em were fairly bubbling over with admiration for the beautiful tin castle and its polished tin owner. So her suspicion that something unpleasant had happened was for a time forgotten. “Where is the Scarecrow?” she asked, when they had all been ushered into the big tin drawing-room of the castle, the Sawhorse being led around to the tin stable in the rear. “Why, our old friend has just moved into his new mansion,” explained the Tin Woodman. “It has been a long time in building, although my Winkies and many other people from all parts of the country have been busily working upon it. At last, however, it is completed, and the Scarecrow took possession of his new home just two days ago.” “I hadn’t heard that he wanted a home of his own,” said Dorothy. “Why doesn’t he live with Ozma in the Emerald City? He used to, you know; and I thought he was happy there.” “It seems,” said the Tin Woodman, “that our dear Scarecrow cannot be contented with city life, however beautiful his surroundings might be. Originally he was a farmer, for he passed his early life in a cornfield, where he was supposed to frighten away the crows.” “I know,” said Dorothy, nodding. -
Ozma of Oz Script Sample
Script Sample For performance rights, please contact: Max Grossman Abrams Artists Agency 275 Seventh Avenue 26th Floor New York, NY 10001 [email protected] Ozma of Oz Book and Lyrics by Rob Melrose Music by Z.O.N.K. © 2010 Rob Melrose & Z.O.N.K. Commissioned by The Cutting Ball Theater Demo Recordings of all songs can be found at: http://vibedeck.com/z-o-n-k/ozma-of-oz-cast-recordings-demo Characters: Dorothy Ozma / Mysterious Passenger Billina (puppet) Tiktok Uncle Henry / Nome King Tin Man Wheeler / Giant / Judas / Queen of Ev / High Society Man Tiger / Security Langwidere 1 / Lion / High Society Lady Langwidere 2 / Nomes / Scarecrow Langwidere 3 / Nomes / Evring [The ideal cast size is eleven but nine will also work with the Nome King doubling with the Tiger and the Wheeler adding the Tin Man to his list of roles.] [The deck of a cruise ship. Black and White.] DOROTHY You know the first thing… UNCLE HENRY Yes, Dorothy? DOROTHY The first thing I want to do when we get to Australia is ride around in a kangaroo’s pouch! UNCLE HENRY Dorothy… DOROTHY Or play a game of croquet with flamingos and wallabies. Wouldn’t that be cool? UNCLE HENRY No, I don’t really think so. DOROTHY Or I could create a futuristic opera about my time in Oz. I could be famous in Australia. UNCLE HENRY How about simply making some friends, normal friends, real friends instead of imaginary ones. Why don’t you try your normal hair color instead of dying it green and purple? Why don’t you lay off drawing all over your hands? Do you really have to always be so eccentric? DOROTHY But Uncle Henry, ever since I experienced Oz, I felt weird and out of place in Kansas. -
THE PATCHWORK GIRL of OZ by L. Frank Baum
THE PATCHWORK GIRL OF OZ by L. Frank Baum Cryptomaoist Editions THE PATCHWORK GIRL OF OZ Affectionately Dedicated to my young friend Sumner Hamilton Britton of Chicago by L. Frank Baum 3 Prologue 5 Ojo and Unc Nunkie 8 The Crooked Magician 15 The Patchwork Girl 21 The Glass Cat 26 A Terrible Accident 35 The Journey 46 The Troublesome Phonograph 53 The Foolish Owl and the Wise Donkey 58 They Meet the Woozy 69 Shaggy Man to the Rescue 75 A Good Friend 87 The Giant Porcupine 95 Scraps and the Scarecrow 106 Ojo Breaks the Law 113 Ozma's Prisoner 120 Princess Dorothy 127 Ozma and Her Friends 131 Ojo is Forgiven 138 Trouble with the Tottenhots 147 The Captive Yoop 154 Hip Hopper the Champion 160 The Joking Horners 168 Peace is Declared 175 Ojo Finds the Dark Well 177 They Bribe the Lazy Quadling 183 The Trick River 190 The Tin Woodman Objects 197 The Wonderful Wizard of Oz Prologue Through the kindness of Dorothy Gale of Kansas, afterward Princess Dorothy of Oz, an humble writer in the United States of America was once appointed Royal Historian of Oz, with the privilege of writing the chronicle of that wonderful fairyland. But after making six books about the adventures of those interesting but queer people who live in the Land of Oz, the Historian learned with sorrow that by an edict of the Supreme Ruler, Ozma of Oz, her country would thereafter be rendered invisible to all who lived outside its bord- ers and that all communication with Oz would, in the future, be cut off. -
14. Tik-Tok and Billina They Had Not Walked Far Across the Flower-Strewn
14. Tik-Tok and Billina They had not walked far across the flower-strewn meadows when they came upon a fine road leading toward the northwest and winding gracefully among the pretty yellow hills. "That way," said Dorothy, "must be the direction of the Emerald City. We'd better follow the road until we meet some one or come to a house." The sun soon dried Button-Bright's sailor suit and the shaggy man's shaggy clothes, and so pleased were they at regaining their own heads that they did not mind at all the brief discomfort of getting wet. "It's good to be able to whistle again," remarked the shaggy man, "for those donkey lips were so thick I could not whistle a note with them." He warbled a tune as merrily as any bird. "You'll look more natural at the birthday celebration, too," said Dorothy, happy in seeing her friends so happy. Polychrome was dancing ahead in her usual sprightly manner, whirling gaily along the smooth, level road, until she passed from sight around the curve of one of the mounds. Suddenly they heard her exclaim "Oh!" and she appeared again, running toward them at full speed. "What's the matter, Polly?" asked Dorothy, perplexed. There was no need for the Rainbow's Daughter to answer, for turning the bend in the road there came advancing slowly toward them a funny round man made of burnished copper, gleaming brightly in the sun. Perched on the copper man's shoulder sat a yellow hen, with fluffy feathers and a pearl necklace around her throat. -
DAMMIT, TOTO, WE're STILL in KANSAS: the FALLACY of FEMINIST EVOLUTION in a MODERN AMERICAN FAIRY TALE by Beth Boswell a Diss
DAMMIT, TOTO, WE’RE STILL IN KANSAS: THE FALLACY OF FEMINIST EVOLUTION IN A MODERN AMERICAN FAIRY TALE by Beth Boswell A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English Middle Tennessee State University May 2018 Dissertation Committee: Dr. Martha Hixon, Director Dr. Will Brantley Dr. Jane Marcellus This dissertation is dedicated, in loving memory, to two dearly departed souls: to Dr. David L. Lavery, the first director of this project and a constant voice of encouragement in my studies, whose absence will never be wholly realized because of the thousands of lives he touched with his spirit, enthusiasm, and scholarship. I am eternally grateful for our time together. And to my beautiful grandmother, Fay M. Rhodes, who first introduced me to the yellow brick road and took me on her back to a pear-tree Emerald City one hundred times or more. I miss you more than Dorothy missed Kansas. ii ACKNOWLEDGMENTS This dissertation would not have been possible without the educators who have pushed me to challenge myself, to question everything in the world around me, and to be unashamed to explore what I “thought” I already knew, over and over again. Though there are too many to list by name, know that I am forever grateful for your encouragement and dedication to learning, whether in the classroom or the world. I would like to thank my phenomenal committee for their tireless support and assistance in this project. I am especially grateful for Dr. Martha Hixon, who stepped in as my director after the passing of Dr. -
Food Paradoxical Role in Society: a Study on Baum's Utopia Through
Notions Vol. 7 No. 4, 2016 ISSN: (P) 0976-5247, (e) 2395-7239 ICRJIFR IMPACT FACTOR 3.9531 Food Paradoxical Role in Society: A Study on Baum’s Utopia through Food Habit D. Punitham* Ph.D Research Scholar Department of English Annamalai University, Annamalai Nagar & Dr. C. Santhosh Kumar** Associate Professor Department of English Wing, DDE Annamalai University, Annamalai Nagar The Wonderful Wizard of Oz series, being a modernized fairy tale, often surfaces cannibalism throughout the series. The constant importance given to skills of cooking, eating and other food habits along with the actions that undermine civilization constitute food habit in Oz, and subvert it as Utopian wonderland. Commenting on the Oz series, Osmond Beckwith observes that the series “contradict the sentimental idea that Oz was extended as a planned Utopia” (91). Eating is not just the daily process to fill the stomach; it has a main role to play to highlight cultural tensions. In Oz, Baum unknowingly incorporated the threat of cannibalism, which creates a situation that no one will ever know who will be the diner or who will be the dined. Food and cooking plays a central role in creating and maintaining a social structure. Food habit defines the behavior and civilization of a society. In Oz food habit is the yardstick to evaluate the quality and mentality with the kingdom of the fairies. In fact, the ingredients of the food are part of nature, and cooking techniques belong to the civilization. In cooking, however, both the realm gets intermingled, though it is culture which attributes the style or the process of cooking and consuming, like storing, gathering, hunting and preparing varieties of ingredients and recipes of a meal. -
The Road to Oz; in Which Is Related How Dorothy Gale of Kansas, The
L. FRANK.BAUM t-r\ NY PUBL C LIBRARY THE BRANCH LIBRARIES 3 3333 08102 0063 HEFERENCE (/ / Tke Famous Oz Books Since 1900, when L. Frank Baum introduced to the children of America THE WONDERFUL WIZARD OF OZ and all the other exciting characters who inhabit the land of Oz, these delightful fairy tales have stimulated the imagination of millions of young readers. These are stories which are genuine fantasy creative, funny, tender, exciting and surprising. Filled with the rarest and most absurd creatures, each of the 14 volumes which now comprise the series, has been eagerly sought out by generation after generation until today they are known to all except the very young or those who were never young at all. of When, in a recent survey, The New York Times polled a group the teen agers on the books they liked best when they were young, Oz books topped the list. THE FAMOUS OZ BOOKS By L. Frank Baum: THE WIZARD OF OZ THE LAND OF OZ OZMA OF OZ DOROTHY AND THE WIZARD IN OZ THE ROAD TO OZ THE EMERALD CITY OF OZ THE PATCHWORK GIRL OF OZ TIK-TOK OF OZ THE SCARECROW OF OZ RINKITINK IN OZ THE LOST PRINCESS OF OZ THE TIN WOODMAN OF OZ THE MAGIC OF OZ GLINDA OF OZ CHICAGO THE REILLY & LEE CO. Publishers THIS fiGDK, BELONGS TO THL ROAD TO OZ CALLING ON JACK PUMPKINHEAD THE HOAD TO Oz, In which is related how Dorothy Gale of Kansas, the Shaggy Man, Button Bright, and Polychrome the Rainbow's Daughter met on an Enchanted Road and followed it all the way to the Marvelous Land of Oz. -
OZMA of OZ by L
OZMA of OZ by L. Frank Baum Cryptomaoist Editions OZMA of OZ A Record of Her Adventures with Dorothy Gale of Kansas, the Yellow Hen, the Scarecrow, the Tin Woodman, Tiktok, the Cowardly Lion and the Hungry Tiger; Besides Other Good People too Numerous to Mention Faithfully Recorded Herein by L. Frank Baum 3 Author's Note 4 The Girl in the Chicken Coop 9 The Yellow Hen 17 Letters in the Sand 23 Tiktok, the Machine Man 30 Dorothy Opens the Dinner Pail 37 The Heads of Langwidere 50 Ozma of Oz to the Rescue 58 The Hungry Tiger 64 The Royal Family of Ev 71 The Giant with the Hammer 78 The Nome King 88 The Eleven Guesses 92 The Nome King Laughs 97 Dorothy Tries to be Brave 104 Billina Frightens the Nome King 110 Purple, Green and Gold 115 The Scarecrow Wins the Fight 120 The Fate of the Tin Woodman 126 The King of Ev 130 The Emerald City 135 Dorothy's Magic Belt Author's Note My friends the children are responsible for this new "Oz Book," as they were for the last one, which was called The Land of Oz. Their sweet little let- ters plead to know "more about Dorothy"; and they ask: "What became of the Cowardly Lion?" and "What did Ozma do afterward?"--meaning, of course, af- ter she became the Ruler of Oz. And some of them suggest plots to me, saying: "Please have Dorothy go to the Land of Oz again"; or, "Why don't you make Ozma and Dorothy meet, and have a good time together?" Indeed, could I do all that my little friends ask, I would be obliged to write dozens of books to satisfy their demands. -
Chapter 22: How the Wizard Found Dorothy
Chapter 22: How the Wizard Found Dorothy When they came to the signpost, there, to their joy, were the tents of the Wizard pitched beside the path and the kettle bubbling merrily over the fire. The Shaggy Man and Omby Amby were gathering firewood while Uncle Henry and Aunt Em sat in their camp chairs talking with the Wizard. They all ran forward to greet Dorothy, as she approached, and Aunt Em exclaimed: “Goodness gracious, child! Where have you been?” “You’ve played hooky the whole day,” added the Shaggy Man, reproachfully. “Well, you see, I’ve been lost,” explained the little girl, “and I’ve tried awful hard to find the way back to you, but just couldn’t do it.” “Did you wander in the forest all day?” asked Uncle Henry. “You must be a’most starved!” said Aunt Em. “No,” said Dorothy, “I’m not hungry. I had a wheelbarrow and a piano for breakfast, and lunched with a King.” “Ah!” exclaimed the Wizard, nodding with a bright smile. “So you’ve been having adventures again.” “She’s stark crazy!” cried Aunt Em. “Whoever heard of eating a wheelbarrow?” “It wasn’t very big,” said Dorothy; “and it had a zuzu wheel.” “And I ate the crumbs,” said Billina, soberly. “Sit down and tell us about it,” begged the Wizard. “We’ve hunted for you all day, and at last I noticed your footsteps in this path—and the tracks of Billina. We found the path by accident, and seeing it only led to two places I decided you were at either one or the other of those places.