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A Metaphor in "Beowulf"
University of South Carolina Scholar Commons Faculty Publications English Language and Literatures, Department of Fall 1996 A Metaphor in "Beowulf " 2487a: gūðhelm tōglād Scott wG ara University of South Carolina - Columbia, [email protected] Follow this and additional works at: https://scholarcommons.sc.edu/engl_facpub Part of the English Language and Literature Commons Publication Info Published in Studies in Philology, Volume 93, Issue 4, Fall 1996, pages 333-348. Gwara, Scott. (1996). A eM taphor in "Beowulf" 2487a: gūðhelm tōglād. Studies in Philology, 93 (4), 333-348. ©Studies in Philology 1996, University of North Carolina Press This Article is brought to you by the English Language and Literatures, Department of at Scholar Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Volume XCIII Fall, 1996 Number 4 A Metaphor in Beowulf 2487a: gfthelm toglad by ScottGwara IN many respects the Beowulf-poet'sart defies comparison,as few authors from pre-Conquest England match his linguistic sophisti- cation.' Perhaps one failing of readers has therefore been to define words without serious scrutiny where the sense seems obvious. The poet's depiction of Ongenpeow's death serves as an object lesson, for one half-line in the episode has been misconstrued in dictionaries, glos- saries, and translations. Line 2487a, gi0helm toglad,occurs in a scene describing the death of Ongenpeow, king of the Scylfings: Pa ic on morgne gefragn maegoberne billes ecgum on bonan staelan, PaerOngenpeow Eoforesniosao; guOhelmtoglad, gomela Scylfing hreas <heoro>blac; hond gemunde faehbogenoge, feorhswengene ofteah. -
Books for Courses 2010
PENGUIN GROUP (USA) Medieval Studies BOOKS FOR COURSES 2010 Here is a great selection of Penguin Group (USA)’s of Medieval Studies titles. Click on the 13-digit ISBN to get more information on each title. Examination and personal copy forms are available at the back of the catalog. For personal service, adoption assistance, and complimentary exam copies, sign up for our College Faculty Info Service at http://www.penguin.com/facinfo 2 • TABLE OF CONTENTS Cover design by Jaya Miceli. Table of Contents EARLY MEDIEVAL ENGLAND/ ANGLO-SAXON ERA (A.D. 400-1066) .................................. 3 ENGLAND IN THE HIGH MIDDLE AGES (A.D. 1066-1300) ....... 3 THE AGE OF ARTHUR .................................................. 4 ENGLAND IN THE LATE MIDDLE AGES (A.D. 1300-1499) ........ 5 GEOFFrey CHAUCER................................................... 6 IRELAND, SCOTLAND, & WALES ......................................... 6 THE VIKING AGE/SCANDINAVIA ........................................ 7 FRANCE ......................................................................... 9 SPAIN .......................................................................... 10 GERMANY .................................................................... 10 EASTERN EUROPE & RUSSIA ........................................... 10 ITALY ........................................................................... 11 DANTE ALIGHIERI .................................................... 12 EARLY CHRISTIANITY & THE CRUSADES ........................... 12 BYZANTINE & EARLY OTTOMAN -
Closed Spaces: Beckett and Confinement James Little Doctor of Philosophy in English Trinity College Dublin August 2017
Closed Spaces: Beckett and Confinement James Little Doctor of Philosophy in English Trinity College Dublin August 2017 ii Declaration I declare that this thesis has not been submitted as an exercise for a degree at this or any other university and it is entirely my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library conditions of use and acknowledgement. Signature _________________________ iii Summary This thesis is the first sustained study of Samuel Beckett’s career-long engagement with confinement, examining both his use of institutions of coercive confinement as well as the closed spaces of his later prose and drama. Focussing on twenty-two case studies from Beckett’s critical, poetic, dramatic and prose writing, including the seven prose works in which institutions of confinement feature as key locales, it combines a historicist approach to institutional and performance space with the methodologies of genetic criticism (which studies an author’s manuscripts to investigate the geneses of his/her works) and spatial theory. Close readings of Beckett’s texts form the basis for a re-evaluation of his development as a writer and director. Chapter 1 analyses Beckett’s use of images of confinement, which allowed him to formulate key aesthetic problems in his critical monograph Proust, his posthumously published novel Dream of Fair to Middling Women and his short stories ‘Dante and the Lobster’ and ‘Fingal’. Chapters 2 and 3 examine the function of institutional space in Murphy and Watt, two novels in which an asylum setting is central to the narrative development, as well as to the development of Beckett’s own poetics. -
Illuminating the Form and Function of the Valkyrie-Figure in the Literature, Mythology, and Social Consciousness of Anglo-Saxon England
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Spring 5-10-2013 Her Syndan Wælcyrian: Illuminating the Form and Function of the Valkyrie-Figure in the Literature, Mythology, and Social Consciousness of Anglo-Saxon England Philip A. Purser Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Purser, Philip A., "Her Syndan Wælcyrian: Illuminating the Form and Function of the Valkyrie-Figure in the Literature, Mythology, and Social Consciousness of Anglo-Saxon England." Dissertation, Georgia State University, 2013. https://scholarworks.gsu.edu/english_diss/104 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. HER SYNDAN WÆLCYRIAN: ILLUMINATING THE FORM AND FUNCTION OF THE VALKYRIE-FIGURE IN THE LITERATURE, MYTHOLOGY, AND SOCIAL CONSCIOUSNESS OF ANGLO-SAXON ENGLAND by PHILIP A. PURSER Under the Direction of Edward John Christie ABSTRACT The image of the warrior-woman, or Valkyrie, occurs, in a number of forms, throughout the Anglo-Saxon corpus. Her appearance and function in these writings may be subdivided into three primary registers: the named-appearances of the wælcyrge, unnamed appearances of the wælcyrge in the charms and riddles, and unnamed appearances of the wælcyrge in heroic verse. Since the mid-1800’s scholars have defined the wælcyrge in terms of the valkyrja, or Scandinavian Valkyrie figure, which is reductive and misleading and has caused an eclipse-effect in which the native elements of the wælcyrge have gone underestimated and undervalued. -
I from WULDRES HYRDE to FOLCES HYRDE
FROM WULDRES HYRDE TO FOLCES HYRDE: THE MERITS OF A METAPHORICAL TRANSLATION OF HIRD- SUBSTANTIVES IN BEOWULF by Nicole M. Guertin A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in English Middle Tennessee State University August 2016 Thesis Committee: Dr. Ted Sherman, Chair Dr. Rhonda McDaniel i ACKNOWLEDGEMENTS I would like to thank my director, Dr. Ted Sherman, for his patience and generosity in this lengthy process and Dr. Rhonda McDaniel, my second reader, for her insightful comments. To Roy Liuzza special thanks for granting me permission to include my search results from the Dictionary of Old English. To the library and interlibrary loan staff at MTSU, many thanks for your gracious responses to my plentiful requests and repeatedly overdue books. To my friends, my deep gratitude for your constant prayers and encouragement. To my fellow faculty members at PHS, thank you for listening to much more detail than you surely desired when you asked me how it was going. To my sister, Christy Smith, thank you for leading the way and for always being my biggest cheerleader. To my daughter, Lydia, special thanks for your patience when I had to work during school breaks and holidays, for humoring me by feigning interest in manuscript facsimiles, and for baking plentiful chocolate chip cookies for writing breaks. To my husband, Frank, you have been an invaluable support and resource during this process. You have listened to me think out loud about structure and argument and have been a thoughtful dialogue partner during each of the roadblocks. -
“Dyrne Langað”: Secret Longing and Homo-Amory in Beowulf and J.R.R. Tolkien’S the Lord of the Rings Christopher Vaccaro University of Vermont, [email protected]
Journal of Tolkien Research Volume 6 | Issue 1 Article 6 2018 “Dyrne Langað”: Secret Longing and Homo-amory in Beowulf and J.R.R. Tolkien’s The Lord of the Rings Christopher Vaccaro University of Vermont, [email protected] Follow this and additional works at: https://scholar.valpo.edu/journaloftolkienresearch Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons, Literature in English, British Isles Commons, and the Medieval Studies Commons Recommended Citation Vaccaro, Christopher (2018) "“Dyrne Langað”: Secret Longing and Homo-amory in Beowulf and J.R.R. Tolkien’s The Lord of the Rings," Journal of Tolkien Research: Vol. 6 : Iss. 1 , Article 6. Available at: https://scholar.valpo.edu/journaloftolkienresearch/vol6/iss1/6 This Peer-Reviewed Article is brought to you for free and open access by the Library Services at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Vaccaro: “Dyrne Langað” “Dyrne Langað”: Secret Longing and Homo-amory in Beowulf and J.R.R. Tolkien’s The Lord of the Rings The literary hero, whether s/he be of an epic, romance, or fairy story, serves as an exemplar and participates in a mythic story that both instructs and inspires. In her essay “Frodo and Aragorn: The Concept of the Hero,” Verlyn Flieger cogently speaks to the presence of Beowulfian and Arthurian resonances in Tolkien’s The Lord of the Rings. In her lucid reading of Frodo Baggins’ character, she maps out the similar patterns of movement, the rising and setting, of a fairy tale character’s life placed within an epic narrative.1 Like Beowulf (and Scyld Scefing, the king addressed at the poem’s prologue), Frodo Baggins helps bring peace and prosperity to a world beset by sorrows.