Dinosaur Locomotion: Beyond the Bones (PDF)
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KING KONG IS BACK! E D I T E D B Y David Brin with Leah Wilson
Other Titles in the Smart Pop Series Taking the Red Pill Science, Philosophy and Religion in The Matrix Seven Seasons of Buffy Science Fiction and Fantasy Writers Discuss Their Favorite Television Show Five Seasons of Angel Science Fiction and Fantasy Writers Discuss Their Favorite Vampire What Would Sipowicz Do? Race, Rights and Redemption in NYPD Blue Stepping through the Stargate Science, Archaeology and the Military in Stargate SG-1 The Anthology at the End of the Universe Leading Science Fiction Authors on Douglas Adams’ Hitchhiker’s Guide to the Galaxy Finding Serenity Anti-heroes, Lost Shepherds and Space Hookers in Joss Whedon’s Firefly The War of the Worlds Fresh Perspectives on the H. G. Wells Classic Alias Assumed Sex, Lies and SD-6 Navigating the Golden Compass Religion, Science and Dæmonology in Philip Pullman’s His Dark Materials Farscape Forever! Sex, Drugs and Killer Muppets Flirting with Pride and Prejudice Fresh Perspectives on the Original Chick-Lit Masterpiece Revisiting Narnia Fantasy, Myth and Religion in C. S. Lewis’ Chronicles Totally Charmed Demons, Whitelighters and the Power of Three An Unauthorized Look at One Humongous Ape KING KONG IS BACK! E D I T E D B Y David Brin WITH Leah Wilson BENBELLA BOOKS • Dallas, Texas This publication has not been prepared, approved or licensed by any entity that created or produced the well-known movie King Kong. “Over the River and a World Away” © 2005 “King Kong Behind the Scenes” © 2005 by Nick Mamatas by David Gerrold “The Big Ape on the Small Screen” © 2005 “Of Gorillas and Gods” © 2005 by Paul Levinson by Charlie W. -
APS Bulletin December 1998
Palæontological Society Bulletin VOLUMEAAlberta 13 • NUMBER l4 berta DECEMBER 1998 ALBERTA PALÆONTOLOGICAL SOCIETY OFFICERS President Wayne Braunberger 278-5154 Program Coordinator Kris Vasudevan 288-7955 Vice-President Vaclav Marsovsky 547-0182 Curator Ron Fortier 285-8041 Treasurer * (Les Adler 289-9972) Librarian Dr. Gerry Morgan 241-0963 Secretary Don Sabo 278-8045 Events Coordinator Keith Mychaluk 228-3211 Past-President Les Adler 289-9972 Director at Large Dr. David Mundy 281-3668 DIRECTORS Editor Howard Allen 274-1858 Social Director Cory Gross 720-5725 Membership Geoff Barrett 279-1838 †APAC Representative Don Sabo 278-8045 * This position is currently unfilled. Person listed is acting officer on an interim basis only. †APAC is the Alberta Palaeontological Advisory Committee The Society was incorporated in 1986, as a non-profit organization formed to: a. Promote the science of palaeontology through study and education. b. Make contributions to the science by: 1) discovery 4) education of the general public 2) collection 5) preservation of material for study and the future 3) description c. Provide information and expertise to other collectors. d. Work with professionals at museums and universities to add to the palaeontological collections of the province (preserve Alberta’s heritage). MEMBERSHIP: Any person with a sincere interest in palaeontology is eligible to present their application for membership in the Society. (Please enclose membership dues with your request for application.) Single membership $15.00 annually Family or Institution $20.00 annually THE BULLETIN WILL BE PUBLISHED QUARTERLY: March, June, September and December. Deadline for submitting material for publication is the 15th of the month prior to publication. -
Id Title Year Format Cert 20802 Tenet 2020 DVD 12 20796 Bit 2019 DVD
Id Title Year Format Cert 20802 Tenet 2020 DVD 12 20796 Bit 2019 DVD 15 20795 Those Who Wish Me Dead 2021 DVD 15 20794 The Father 2020 DVD 12 20793 A Quiet Place Part 2 2020 DVD 15 20792 Cruella 2021 DVD 12 20791 Luca 2021 DVD U 20790 Five Feet Apart 2019 DVD 12 20789 Sound of Metal 2019 BR 15 20788 Promising Young Woman 2020 DVD 15 20787 The Mountain Between Us 2017 DVD 12 20786 The Bleeder 2016 DVD 15 20785 The United States Vs Billie Holiday 2021 DVD 15 20784 Nomadland 2020 DVD 12 20783 Minari 2020 DVD 12 20782 Judas and the Black Messiah 2021 DVD 15 20781 Ammonite 2020 DVD 15 20780 Godzilla Vs Kong 2021 DVD 12 20779 Imperium 2016 DVD 15 20778 To Olivia 2021 DVD 12 20777 Zack Snyder's Justice League 2021 DVD 15 20776 Raya and the Last Dragon 2021 DVD PG 20775 Barb and Star Go to Vista Del Mar 2021 DVD 15 20774 Chaos Walking 2021 DVD 12 20773 Treacle Jr 2010 DVD 15 20772 The Swordsman 2020 DVD 15 20771 The New Mutants 2020 DVD 15 20770 Come Away 2020 DVD PG 20769 Willy's Wonderland 2021 DVD 15 20768 Stray 2020 DVD 18 20767 County Lines 2019 BR 15 20767 County Lines 2019 DVD 15 20766 Wonder Woman 1984 2020 DVD 12 20765 Blackwood 2014 DVD 15 20764 Synchronic 2019 DVD 15 20763 Soul 2020 DVD PG 20762 Pixie 2020 DVD 15 20761 Zeroville 2019 DVD 15 20760 Bill and Ted Face the Music 2020 DVD PG 20759 Possessor 2020 DVD 18 20758 The Wolf of Snow Hollow 2020 DVD 15 20757 Relic 2020 DVD 15 20756 Collective 2019 DVD 15 20755 Saint Maud 2019 DVD 15 20754 Hitman Redemption 2018 DVD 15 20753 The Aftermath 2019 DVD 15 20752 Rolling Thunder Revue 2019 -
Beam Aboard the Star Trektm Set Tour!
Let’s roll, Kato! Spring 2019 No. 4 $8.95 The Green Hornet in Hollywood Thunderbirds Are GO! Creature Creator RAY HARRYHAUSEN SAM J. JONES Brings The Spirit to Life Saturday Morning’s 8 4 5 TM 3 0 0 8 5 Beam Aboard the Star Trek Set Tour! 6 2 Martin Pasko • Andy Mangels • Scott Saavedra • and the Oddball World of Scott Shaw! 8 1 Shazam! TM & © DC Comics, a division of Warner Bros. Green Hornet © The Green Hornet, Inc. Thunderbirds © ITV Studios. The Spirit © Will Eisner Studios, Inc. All Rights Reserved. The crazy cool culture we grew up with Columns and Special Departments Features 3 2 CONTENTS Martin Pasko’s Retrotorial Issue #4 | Spring 2019 Pesky Perspective The Green Hornet in 11 3 Hollywood RetroFad 49 King Tut 12 Retro Interview 29 Jan and Dean’s Dean Torrence Retro Collectibles Shazam! Seventies 15 Merchandise Andy Mangels’ Retro Saturday Mornings 36 Shazam! Too Much TV Quiz 15 38 65 Retro Interview Retro Travel 41 The Spirit’s Sam Jones Star Trek Set Tour – Ticonderoga, New York 41 Retro Television 71 Thunderbirds Are Still Go! Super Collector The Road to Harveyana, by 49 Jonathan Sternfeld Ernest Farino’s Retro Fantasmagoria 78 Ray Harryhausen: The Man RetroFanmail Behind the Monsters 38 80 59 59 ReJECTED The Oddball World of RetroFan fantasy cover by Scott Shaw! Scott Saavedra Pacific Ocean Park RetroFan™ #4, Spring 2019. Published quarterly by TwoMorrows Publishing, 10407 Bedfordtown Drive, Raleigh, NC 27614. Michael Eury, Editor-in-Chief. John Morrow, Publisher. Editorial Office: RetroFan, c/o Michael Eury, Editor-in-Chief, 112 Fairmount Way, New Bern, NC 28562. -
Fossil Focus: Chelicerata
www.palaeontologyonline.com Title: Education and Outreach: Dinosaurs in the movies Author(s): Szymon Górnicki Volume: 6 Article: 9 Page(s): 1-7 Published Date: 01/09/2016 PermaLink: http://www.palaeontologyonline.com/articles/2016/education-outreach-dinosaurs- movies IMPORTANT Your use of the Palaeontology [online] archive indicates your acceptance of Palaeontology [online]'s Terms and Conditions of Use, available at http://www.palaeontologyonline.com/site-information/terms-and- conditions/. COPYRIGHT Palaeontology [online] (www.palaeontologyonline.com) publishes all work, unless otherwise stated, under the Creative Commons Attribution 3.0 Unported (CC BY 3.0) license. This license lets others distribute, remix, tweak, and build upon the published work, even commercially, as long as they credit Palaeontology[online] for the original creation. This is the most accommodating of licenses offered by Creative Commons and is recommended for maximum dissemination of published material. Further details are available at http://www.palaeontologyonline.com/site-information/copyright/. CITATION OF ARTICLE Please cite the following published work as: Górnicki, S. 2016. Education and Outreach: Dinosaurs in the movies. Palaeontology Online, Volume 6, Article 9, 1-7. Published on: 01/06/2016| Published by: Palaeontology [online] www.palaeontologyonline.com |Page 1 Education and Outreach: Dinosaurs in the movies by Szymon Górnicki*1 Introduction: Dinosaurs fit perfectly into the role of movie monsters: many were enormous, or had distinctive characteristics such as spikes, horns, claws and big teeth. The fact that they aren’t found in the modern world (except for birds) excites the imagination, and films represent some of the few opportunities to see them as they may have looked when they were alive. -
2011-09 R&C Newsletter
Research & Collections Newsletter September 2011 re•search (rī-sûrch′, rē′sûrch) n. 1. Scholarly or scientific investigation or inquiry. See synonyms at inquiry. 2. Close, careful study. 3. When performed on collections, the raison d’être of all great natural history museums. Collection News Dinosaur Institute After more than five years in development, the New Di- nosaur Hall opened its doors to the public on July 16th. The 14,000 square foot Hall features nearly 300 speci- mens, including 20 full skeleton mounts, and includes specimens from the Dinosaur Institute, Vertebrate Pa- leontology, Invertebrate Paleontology, Mineralogy, and Ornithology collections. The project was headed by Luis Chiappe and project manager Jennifer Morgan. The staff of the DI worked on prepping specimens for the exhibit beginning in 2008 with “Thomas” the T. rex. Many of the specimens in the Hall have never before been on display, including the growth series of three T. rex specimens, the full mount of Triceratops, and the excep- tional marine specimens of Platecarpus and Polycotylus. All of the specimens that had been mounted in the old hall, such as the skeletons of Mamenchisaurus, Morenosaurus, Plotosaurus, Camptosaurus, Stegosaurus, Allosaurus, and others, have been restored and re-mounted by Phil Fraley Productions in New Jersey and Pittsburgh and Research Casting International in Ontario. The architectural design of the exhibit was developed by Evidence Design out of New York, and the graphic design was created by KBDA out of Santa Monica. The DI’s Stephanie Abramowicz created much of the artwork seen on the 1 graphic panels on the platforms, and various reconstructions including the post cranial skeleton of the 2-year-old T. -
Party in Downtown Cookeville 24Th Fall Funfest Kicks Off New Season in Upper Cumberland HERALD-CITIZEN STAFF REPORTS P.M., Friday, Sept
IT’S FOOTBALL TIME! Golden Eagles, Vols kick off . D1 Herald-CitizenSUNDAY,Herald-Citizen SEPTEMBER 1, 2019 | COOKEVILLE, TENNESSEE 117TH YEAR | NO. 182 $1.50 Emma Cercone dances in front of CityScape’s big stage during last year’s Fall FunFest around Don and Teri Locke of Shelbyville, who have become regulars at the signature event that kicks off fall in the Upper Cumberland. Party in Downtown Cookeville 24th Fall FunFest kicks off new season in Upper Cumberland HERALD-CITIZEN STAFF REPORTS p.m., Friday, Sept. 6; and from Jimmy Church, along with Imagination with appearanc- lemonade will be among Fun- 10 a.m. to 10 p.m., Saturday, local bands Ratnip, Heart and es from Zoe of Sesame Street Fest food off erings in addition The annual event that kicks Sept. 7, on East Broad Street, Soul, and Smoky Nights. and Cliff ord the Big Red Dog. to arts and crafts booths and off fall in the Upper Cumber- Washington and Jeff erson Diamond Rio will be the Barbecue, ribs, tacos, vendors and businesses. land is coming once again to avenues surrounding the Put- main musical attraction chicken, hamburgers, hot A special eight-page section Cookeville this week. nam County Courthouse. at this year’s event, which dogs, ice cream, snow cones, about Fall FunFest is includ- The 24th annual Fall Fun- Musical guests will include includes regular favorites funnel cakes, popcorn, gour- ed in today’s edition of the Fest will be held from 5 to 10 Nashville bands 12 South and such as WCTE’s Stations of met coff ee and homemade Herald-Citizen. -
O Cinema De Ray Harryhausen: Efeitos Especiais E Maneirismo No Cinema De Hollywood
contemporanea|comunicação e cultura W W W . C O N T E M P O R A N E A . P O S C O M . U F B A . B R O CINEMA DE RAY HARRYHAUSEN: EFEITOS ESPECIAIS E MANEIRISMO NO CINEMA DE HOLLYWOOD THE FILMS OF RAY HARRYHAUSEN: SPECIAL EFFECTS AND MANNERISM IN HOLLYWOOD CINEMA Jorge Manuel Neves Carrega* RESUMO: Através de uma análise histórico-formal, este trabalho propõe uma leitura maneirista da obra de Ray Harryhausen (1920-2013), um dos maiores criadores de efeitos especiais do cinema de Hollywood, verdadeiro autor de uma série de filmes que se distinguem pelo uso virtuoso da técnica, colocada ao serviço de narrativas fantásticas, construídas numa clara referência a grandes clássicos do cinema de Hollywood. PALAVRAS-CHAVE: Ray Harryhausen; Cinema de Hollywood; Maneirismo. ABSTRACT: Through a historical and formal analysis, this paper proposes a Mannerist reading of the work of Ray Harryhausen (1920-2013), one of Hollywood’s most acclaimed creators of special effects, the true author of a series of films that are recognaisable by a virtuoso use of technique in fantastic narratives, developed in clear reference to some great Hollywood classic films. KEYWORDS: Ray Harryhausen; Hollywood cinema; Mannerist cinema. INTRODUÇÃO As décadas de 1950 e 1960 assinalaram a aposta dos estúdios de Hollywood num cinema puramente fantástico, baseado no universo dos mitos e lendas, em filmes como Tom Thumb (G. Pal, 1958), The 7th Voyage of Sinbad (N. Juran, 1958), Jack the Giant Kil- ler (N. Juran, 1962), The Wonderful World of the Brothers Grimm (H. Levin e G. -
Ray Harryhausen a Birthday Celebration
Ray Harryhausen A Birthday Celebration 1 Introduction by George Lucas Without Ray Harryhausen, there would likely have been no Star Wars. Ray didn’t work on the films, but his influence is felt in every frame – and the worlds of my own movies could not have been possible without the precedent he had set with his imaginative effects and the fantasies they conjured. I myself remember seeing his films growing up in Modesto, years before I would ever think to explore a fantasy of my own. There wasn’t much to do in my hometown, so when we weren’t cruising and racing, we clung to these images of faraway lands and storybook adventures. Along with comic books and adventure serials, it was Ray’s filmography which helped me to develop my own love of the fantastic. The Cyclops, the Hydra, the skeleton warriors, the It which came from beneath the sea: those were iconic images. And they are just as powerful today, just as influential. In the history of cinema, credit is often given to the artistic auteurs – the directors, the producers, the screenwriters. But, though he’s too humble to claim his rightful due, it’s Ray Left: Harryhausen (left) with who gave us the visual language to truly experience things Charles H. Schneer, co-producer beyond our empirical knowing, to pull back the curtain on of Sinbad And The Eye Of imagination itself and make real the stuff of dreams. His The Tiger (1977), and a range was the spirit of innovation and imagination, coupled with of models in all shapes and sizes a technical dedication so intense that it must have initially from that and other films. -
1 H – and I Think the Cover Is Grea
H – and I think the cover is grea 1 CONTENTS Cover by Heather Harris © 2011 ‘Hotel From Hell’ by Sue Fox p205 Frontispiece by Dolorosa De La Cruz ‘The Wellness Of Mister Sic’ by Chris Madoch ‘Tribute To Ron Asheton With Iggy And The p207 Stooges, Ann Arbor Mi 4.19.11’ text and photos ‘Attack Of The Giant Reptiles’ by Hank Kirton by Heather Harris p4 p229 ‘Interesting Times: Summer of Love’ by Andrew ‘Rubric’ artwork by Richard Reynolds p238 Maben p20 ‘Thomas Roi’, David Thomas interviewed by Artwork by F.X. Tobin p28, p40 Kate MacDonald p239 ‘Something Bad Inside’ by Nick Tosches p29 ‘Brains’ by Bob Pfeifer p246 ‘Why The Bird Cage Sings’ by Matt Leyshon, ‘Enter The Dream’ Pam Wilson interviewed by images by Aurora Loveday p41 Lana Gentry, artwork by Pam Wilson p252 ‘Kagayaku Mahoutsukai’ Tony Visconti ‘Inevitable’ by Claudia Bellocq, artwork by interviewed by Díre McCain p50 Ricardo Acevedo p258 Sharron Kraus ‘Words In The Key Of Sadness’ by Kim ‘Beautiful Twisted’ interviewed Dallesandro p70 by D M Mitchell p264 ‘What Did You Do In The Eco Wars Daddy?’ by ‘Venus in Rags’ by David Gionfriddo p269 Feral Kelly p78 Contributors’ Links p292 ‘Junkie Funeral’ by dixe.flatlin3 p83 Paraphilia Books – Advert ‘Day Of The Piss Cat’ text and image by Stagger End Piece by Dolorosa De La Cruz Lloyd p94 ‘The Dogs Rock Forever’ text and images by Heather Harris p98 Editors Artwork by Susan Te Kahurangi King p113, Díre McCain p122, p127, p125, p157, p172, p197, p245, p251, D M Mitchell p268 ‘The White Typewriter’ by Charles Christian, Contact Paraphilia images by D M Mitchell p114 [email protected] ‘The Sinking of Venice’ by Chris Nosnibor, images by Guttersaint p123 Website ‘Gods & Gamblers’ Blackfire Revelation interviewed by D M Mitchell p128 www.paraphiliamagazine.com ‘Death Wish Chameleon XII’ by Cricket Corleone, photos by Richard A. -
CHALLENGER No
SUMMER 2016 CHALLENGER no. FORTY CHALLENGER #40 SUMMER 2016 Guy & Rose-Marie Lillian 1390 Holly Avenue, Merritt Island FL 32529 318/218-2345 * [email protected] COVER BY … ? CONTENTS Editorial: A Paean to a Press GHLIII 2 SF and Family John Purcell 4 Living on the Lesser Light … Gregory Benford 6 A Chorus Line Joseph Major 10 Attack of the Amazing Colossal Monsters 2 Jim Ivers 11 OctoJoker Joe Major 21 The Challenger Tribute Guy Lillian 25 How to Kill a DeepSouthCon M. Lee Rogers 26 The 16th Collie Mike Resnick 33 Another Chorus Line Rich Dengrove 35 Phobias Mike Estabrook 37 Citadel GHLIII 42 Pluto Now, Then On … Gregory Benford 48 The 2nd Rock from the Sun Tom Rasely 50 Not All Corvettes Are Red Taral Wayne 54 Another Asimov Story Gregory Benford 59 Richard Lupoff: A Life in the Zines Gregory Benford 60 Robin Goodfellow Rose-Marie & Guy Lillian 62 Challenger #40 is GHLIII Press Publication #1200. © 2016 by Guy H. Lillian III. All individual copyrights return to contributors upon first print/web publication. 1 The Challenger editorial … A PAEAN TO A PRESS GHLIII Press Publication #1200. That’s the mark established by this issue of Challenger. 1200 fanzines … And it only took me a sliver shy of 47 years to do it. Actually, not all of my 1200 publications were fanzines, per se. Maybe 30 were newsletters or such for the co-op dorms where I lived at the University of California. One I recall was an attempt to sell a couch. A couple were flyers for wandered cats. -
Conference Proceedings Volume One
NEW VOICES IN CLASSICAL RECEPTION STUDIES Conference Proceedings Volume One GREEK ELEMENTS IN THE SINBAD MOVIES OF RAY HARRYHAUSEN: A LESSON IN CLASSICAL 1 RECEPTION © Antony Keen, Open University Over the three decades of his working life, Ray Harryhausen was involved in a great number of different genres, such as the ‘straight’ monster movie (for example, The Beast from 20,000 Fathoms, 1953), the prehistoric adventure (One Million Years B.C., 1966), or the science fiction movie (First Men in the Moon, 1964), to name but three.2 The genre that I wish to address here is the mythological adventure movie. Harryhausen made five contributions to this genre (though clearly wished to make more – a number of the projects that he could not get funding for fall into this genre,3 and at least one of the ones he did make, Jason and the Argonauts, appears to have been constructed to leave space for a sequel that never was).4 Those five are The 7th Voyage of Sinbad (1958), Jason and the Argonauts (1963), The Golden Voyage of Sinbad (1974), Sinbad and the Eye of the Tiger (1977) and Clash of the Titans (1981). The titles alone would suggest that these movies can be further subdivided into two groups, one containing the three Sinbad movies, and the other comprising the remaining two, which are based upon Greek mythology. It is then easy for us as Classical Reception scholars to concentrate on Jason and Clash, and forget about the Sinbad movies.5 And it is not just Classical Reception people that do this – film scholar Jeffrey Richards overlooks the Sinbad movies when discussing Harryhausen in Hollywood’s Ancient Worlds.6 Martin Winkler in Cinema and Classical Texts does mention the 1970s Sinbad movies, but in an entirely separate context to his discussion of Jason and Clash.7 Jon Solomon does take all the films as a group (Solomon 2001: 18, 112-17), but also rather gives the impression that he thinks that the 1970s Sinbad movies were Harryhausen slumming it while conditions were not right for a ‘proper’ Greek mythological work.