Bonhams Montpelier Street Knightsbridge London SW7 1HH

+44 (0) 20 7393 3900 20762 +44 (0) 20 7393 3905 fax

24 September 2013, Design Issue 48, 24 September Period Knightsbridge, London Tuesday 24 September 2013 London Issue 48

Including the Anthony Redmile Collection

Period Design Tuesday 24 September 2013 at 12.30pm Knightsbridge

Bonhams Enquiries Please see back of catalogue Montpelier Street Charlie Thomas for important notice to bidders Knightsbridge +44 (0) 20 8963 2814 London SW7 1HH [email protected] Illustration bonhams.com Front cover: Lot 321 Furniture Viewing Thomas Moore Please see page 2 for important Sunday 22 September +44 (0) 20 8963 2816 new information on collection 11am to 3pm [email protected] and after-sale storage. Monday 23 September 9am to 6.30pm Kate Eskdale For enlarged images and detailed Tuesday 24 September +44 (0) 20 8963 2815 shots of all lots, please go to 9am to 10.30am [email protected] www.bonhams.com/perioddesign 10.30am onwards viewing by and view the online catalogue. appointment only Sculpture, Works of Art & Clocks Bids Michael Warwick Lake Please note that all sold +44 (0) 20 7447 7448 +44 (0) 20 8963 2813 lots will be removed to +44 (0) 20 7447 7401 fax [email protected] the Bonhams warehouse To bid via the internet in Park Royal for storage. please visit www.bonhams.com Carpets & Rugs Mark Dance Please see the Sale New bidders must also provide +44 (0) 20 8963 2812 Information page for full proof of identity when submitting [email protected] storage information. bids. Failure to do this may result in your bids not being processed. Customer Services Monday to Friday 8.30am to 6pm Live online bidding is Please note that bids should be +44 (0) 20 7447 7447 available for this sale submitted no later than 4pm on Please email [email protected] the day prior to the auction. with “Live bidding” in the subject line 48 hours before the auction Bidding by telephone will only be to register for this service. accepted on a lot with a lower estimate in excess of £400.

Sale Number: 20762

Catalogue: £15

Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Chairman, Colin Sheaf Deputy Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Antony Bennett, Iain Rushbrook, John Sandon, Tim Schofield, Registered Office: Montpelier Galleries Malcolm Barber Group Managing Director, Matthew Bradbury, Harvey Cammell, Simon Cottle, Veronique Scorer, James Stratton, Roger Tappin, Matthew Girling CEO UK and Europe, Andrew Currie, David Dallas, Paul Davidson, Jean Ghika, Shahin Virani, David Williams, Michael Wynell-Mayow. Montpelier Street, Geoffrey Davies, Jonathan Horwich, James Knight, Charles Graham-Campbell, Miranda Grant, Robin Hereford, London SW7 1HH Patrick Meade, Caroline Oliphant, Hugh Watchorn. Asaph Hyman, Charles Lanning, Camilla Lombardi, +44 (0) 20 7393 3900 Fergus Lyons, Paul Maudsley, Gordon McFarlan, +44 (0) 20 7393 3905 fax Andrew McKenzie, Simon Mitchell, Jeff Muse, Mike Neill, Charlie O’Brien, Giles Peppiatt, Peter Rees, Julian Roup, Central Sale Information Middlesex Hospital Park Royal

Coronation Road W Bonhams,

e d s P t Park Royal a e a rn r o A k R v e R e s A4 o 0 a y Park a h l C

Royal Western Ave A40 R o 0 Station a 0 d Acton 0 4 Cemetery North A

Acton d Station a o R

a i r o t c i V

Bids Important Notice to West Acton Lots may be released from PaymentHorn Lane +44 (0) 20 7447 7448 Buyers Collection & Station Bonhams warehouse on production All charges due to Bonhams must +44 (0) 20 7447 7401 fax Storage After Sale of the collection order obtained be paid by the time of collection [email protected] All sold lots will only be held at from cashier’s office at Bonhams from Bonhams’ warehouse. www.bonhams.com Knightsbridge until 12noon on and a form of photographic ID. If a Wednesday 25 September 2013 third party is collecting on behalf of Payment in advance Payments providing the buyer informs the the client, the client must provide Tel: +44 (0) 20 7447 7447 Buyers furniture department by 5.00pm Bonhams with written authority to ascertain amount due by: +44 (0) 20 7447 7447 on the day of the sale that they prior to collection. The third cash, cheque with banker’s +44 (0) 20 7447 7401 fax shall be collecting their purchases party must present a photographic card, credit card, bank draft by this time. form of ID when collecting. or traveller’s cheque. Sellers Payment of sale proceeds If no instructions are received by Handling & Storage Payment at time of collection +44 (0) 20 7447 7447 the furniture department, lots will Charges By credit card / debit card +44 (0) 20 7447 7401 fax be removed to store from 9.00am All Works of Art will be held at on Wednesday 25 September Park Royal without charge for 14 Important Notice Valuations, taxation 2013. Please note that requests calendar days from the sale date. A surcharge of 2% is applicable to hold items until 12noon on Charge will commence on Tuesday when using Mastercard, Visa and & heritage overseas debit cards. +44 (0) 20 7468 8340 Wednesday 25 September 2013 8 October 2013. +44 (0) 20 7468 5860 fax must only be made to the furniture The following symbol is used to [email protected] department and by 5pm on the For all other sold lots removed to sale day to avoid confusion. Bonhams Park Royal warehouse denote that VAT is due on the there will be no charge for lots hammer price and buyer’s premium Catalogue subscriptions collected within 7 calendar days To obtain any Bonhams catalogue Lots will be available for collection from the sale date. Transfer and † VAT 20% on hammer price or to take out an annual from Bonhams Park Royal storage charges commence on and buyer’s premium subscription: warehouse as from 2.00pm Tuesday 2 October 2013. Subscriptions Department on Thursday 26 September 2013. * VAT on imported items at a +44 (0) 1666 502200 To avoid unnecessary delays, The charges levied by Bonhams preferential rate of 5% on hammer +44 (0) 1666 505107 fax please call in advance to arrange thereafter are as follows: price and the prevailing rate on [email protected] a time for collection. buyer’s premium Bonhams Warehouse address: Furniture, large paintings, Shipping Unit 1, Sovereign Park long-case clocks and large W These lots will be removed to For information and estimates Coronation Road objects marked with a W. Bonhams Park Royal Warehouse on domestic and international Park Royal after the sale. Please read the sale shipping as well as export licenses London NW10 7QP Transfer per lot £30.00 information page for more details. please contact Bonhams Shipping Tel: +44 (0) 87 0811 3867 Daily storage per lot £3.00 Department on: Hours of opening 9.30am to Y These lots are subject to CITES +44 (0) 20 8963 2849 4.30pm Monday to Friday Paintings and Works of Art regulations, please read the +44 (0) 20 8963 2850 information in the back of +44 (0) 20 7629 9673 fax Transfer per lot £10.00 the catalogue. [email protected] Daily storage per lot £1.70

All the above charges are exclusive of VAT

A Guide to Buying Furniture & Works of Art at Auction

There are many ways in which the prospective bidder can take advantage of the pre and post sale service that Bonhams provides.

Pre sale • Absentee bidding • Online bidding If you are unable to attend the Our internet bidding option provides You can browse the sale online, in our sale on the day you can leave an you with the opportunity to catalogue and view it in person on the absentee bid. Simply fill out an participate live in the auction from Sunday, Monday and morning of the absentee bidding form stating the comfort of your own computer. sale. If there is an item that catches what lot you are interested in and The auction will be relayed to you your eye, one of our specialists will be the maximum amount you would lot by lot and bid by bid both on happy to discuss the piece with you and pay to secure it excluding buyers the screen in front of you and also provide condition reports for lots with a premium, and the auctioneer will through audio streamed directly low estimate above £300. The furniture then bid on your behalf. from the saleroom. Please visit department also offers a lot finder service www.bonhams.com to add online helping you find a particular item. Bidding bidding to your Bonhams account for items couldn’t be easier. There are four ways the prospective buyer can bid • Telephone bidding for lots they are interested in: If you don’t wish to leave an absentee bid, you can request to Post sale bid by telephone on items with If you are successful in bidding and buy • estimates above £400. You will be Bidding in person something from us, the service doesn’t called five lots prior to the lot that For the ultimate auction experience stop there. Bonhams will be more than you are interested in by a member you can bid in the room. To do this happy to advise you or arrange transport of staff and when your lot comes you need to register to bid prior to and shipping of the item to you. Please up they will relay the bidding to the auction and you will be given a contact the department following the sale paddle with a number in which to you and bid on your behalf. for more information. We are also happy use whilst bidding. to suggest a choice of specialist restorers should you wish to seek advice on the restoration and conservation of your item. Period Design The Anthony Redmile Collection

Anthony Redmile came to the interior materials. These included stag antlers, design world in the 1960s through his seashells, coral, polished brass and steel, training as a sculptor and creator of tortoiseshell, turtleshell, horn, ivory, ‘objects’. By 1970 he had established ostrich eggs, marble and semi precious himself and his company as the leading stones. His own house in Pimlico was exponent of a rich and flamboyant decorated in this spectacular manner theatrical look via a remarkable range and included in the main reception of pieces of exuberant fancy which room a ceiling entirely clad in sabres owed much to the princely European and swords much to the wonder collectors’ cabinets of the 17th century. of his guests. He also arranged his By the time he opened his Sloane Street fashionable clients’ homes with these shop he was championing a modern quirky and highly exotic pieces in the WunderKammer look with cast marble manner of stages sets. The photograph dust and coloured resin busts and (above left) dating from the early sculpture in the Grand Tour manner 1970’s shows Anthony seated in a shell together with a myriad of furniture, encrusted throne flanked by ivory tusks lighting and furnishings incorporating illustrating a zoomorphic theme so a variety of natural and artificial typical of the Redmile look.

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1 2 A large and impressive antler clad lantern A pair of antler and nickel plated single wall lights the wooden frame of square section form with hipped upper section the antler uprights mounted on nickel plated circular backplates further below a tapering body, with inset clear glass panels, the antiqued brass mounted with split antler crescents, wired for electricity, approximately four light candelabra fitting with four scrolling candle arms, with brass 53cm high (2) suspension ring, 135cm drop approximately £150 - 250 £2,000 - 3,000 €180 - 300 €2,400 - 3,500

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3 6 A white resin bust of Aurora A white resin figure of the Venus di Milo on an integral spreading circular scole with square table inscribed typically modelled on square shallow plinth base with AR monogram and AURORA, impressed to the reverse AR, MADE IN ENGLAND and MADE IN ENGLAND, 106cm high SCULPTURED ARTS STUDIO, on a Sienna type marble socle, 23.5cm £500 - 800 wide, 16cm deep, 9.5cm high (9” wide, 6” deep, 3.5” high) the bust and €590 - 940 socle, 64cm high overall (2) £500 - 700 7 €590 - 830 A white resin bust of Napoleon as a Roman Emperor modelled full face wearing a laurel wreath, the front with cast title This depiction of Aurora is taken from Michelangelo’s sculpture for the NAPOLEON impressed to the reverse with AR monogram and MADE IN tomb of Lorenzo de Medici in the church of San Lorenzo, Florence. ENGLAND, 65cm high £500 - 700 4 €590 - 830 A resin bust of a Nubian the male figure modelled full face wearing a tuban, with his cloak 8 pinned at his right shoulder, the rear marked with AR monogram and A pair of shell encrusted obelisks MADE IN ENGLAND, on a circular spreading socle, 80cm high the shafts and plinth bases set with a variety of small shells and quartz £500 - 700 and agate slices, 71.5cm high (2) €590 - 830 £500 - 700 €590 - 830 5 A pair of cream onyx and black marble obelisks on moulded square plinths and stepped square bases 72cm high (2) £300 - 500 €350 - 590

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9Y A near pair of antler and oak writing tables each with a rectangular tooled leather inset top, above an antler mounted frieze, 110.5cm wide x 45.5cm deep x 76cm high, (43.5” wide x 17.5” deep x 29.5” high) (2) £1,200 - 1,800 €1,400 - 2,100

10Y A bleached antler and oak centre table the rectangular moulded top above an antler mounted frieze, 141cm wide x 66cm deep x 80.5cm high, (55.5” wide x 25.5” deep x 31.5” high) £1,000 - 1,500 €1,200 - 1,800

11Y 10 A pair of bleached antler and oak circular low tables each with a glass inset top, the circular base terminating in silvered paw feet, 67cm wide x 67cm deep x 52cm high, (26” wide x 26” deep x 20” high) (2) £600 - 900 €710 - 1,100

12 A pair of cow horn coat hooks the horns mounted above nickel plated circular hooks, on square perspex backplates, lacking fixing plates, 36.5cm high £100 - 150 €120 - 180

13 A marble circular socle and three black and marble square socles the circular socle in Sienna marble, the three square socles in black and Sienna marble, the circular socle, 12cm high, 31cm wide, the square socles 13cm high, 16cm wide (4)

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14Y A set of ten chrome and cow hide upholstered bar stools each on four square legs, the undersides of the seats applied with fire regulation labels, 38cm wide x 38cm deep x 76cm high, (14.5” wide x 14.5” deep x 29.5” high) (10) £1,000 - 1,500 €1,200 - 1,800

15Y A bleached antler and blonde oak writing table the rectangular leather inset top, above an antler mounted frieze, 111cm wide x 45.5cm deep x 76.5cm high, (43.5” wide x 17.5” deep x 30” high) £600 - 900 €710 - 1,100

16 An ebonised and parcel gilt console table 15 in the Egyptian revival taste the rectangular scagliola top above a Vitruvian scolled frieze, on two Pharoah caryatids, 138cm wide x 46cm deep x 82.5cm high, (54” wide x 18” deep x 32” high) £700 - 1,000 €830 - 1,200

17 Two original Anthony Redmile photograph albums and two vintage Anthony Redmile catalogues the albums containing original images of products, the spiral bound catalogues containing the full product range with reference numbers (4)

18 A nickel and antler hat stand the cylindrical column terminating in a circular base, 218cm high, £400 - 600 €470 - 710 16

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19 (two from a set of ten)

19 22 A collection of ten framed groups of resin plaques and ‘gems’ A white resin model of the Temple of Vespasian at Pompeii the frames containing various circular, rectangular and oval Classical on a shaped base with impressed AR and MADE IN ENGLAND, 56cm scenes and figures, mounted in glazed and ebonised frames, comprising high four pairs of frames of varying sizes, the pairs of frames measuring £300 - 500 44.5cm x 41.5cm, 43cm x 23cm, 33.5cm x 28cm and 28cm x 23cm (10) €350 - 590 £400 - 600 €470 - 710 23 A white resin bust of Paris 20 on an integral spreading circular socle, the base impressed with AR A white resin bust of Helen and MADE IN ENGLAND, on a Sienna type circular socle, the bust and he head slightly to sinister with tied chignon coffiure and with bare integral socle 73cm high overall (2) shoulders, the rear marked with AR monogram and MADE IN ENGLAND, £500 - 700 72cm high (2) €590 - 830 £400 - 600 €470 - 710

21 A white resin and white painted antler stags head the head with inset glass eyes mounted with a pair of white painted antlers, on circular waisted socle base, 101cm high, 68cm wide, 42cm deep £400 - 600 €470 - 710

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24 An eight light antler chandelier the arms with polished brass urn shaped candle nozzles and circular drip pans issuing from an intertwined upper section about a ball fitment, wired for electricity, 75cm drop £600 - 800 €710 - 940

25 An impressive six light antler chandelier the arms with nickel plated candle nozzles and drip pans issuing from an intertwined upper section about a central sectional antler clad stem with ball fitment, wired for electricity, 145cm drop approximately £800 - 1,200 €940 - 1,400

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26Y An impressive white painted antler twelve light chandelier of graduated intertwined twin-tier form, with antiqued brass candle sconces, wired for electricity 148cm high, £1,000 - 1,500 €1,200 - 1,800

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27Y 29Y A sheet glass and antler coffee table An oak and antler umbrella stand the circular top on an interlocking antler base, 91.5cm wide x 91.5cm of rectangular form, the base inset with a twin handled brass liner, on deep x 49cm high, (36” wide x 36” deep x 19” high) brass hairy paw feet, 86cm wide x 32cm deep x 64cm high, (33.5” wide £500 - 700 x 12.5” deep x 25” high) €590 - 830 £500 - 700 €590 - 830 28Y A pair of antler, fallow and oak library chairs 30Y each with an antler back and a drop-in seat, on splayed legs, 64cm wide, An oak and antler occasional table (2) the circular top on a spreading antler base, 68cm wide x 68cm deep x £1,000 - 1,500 74cm high, (26.5” wide x 26.5” deep x 29” high) €1,200 - 1,800 £400 - 600 €470 - 710

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31 32 A pair of cream painted fibre glass figural fountain bowls of A large and impressive verdigris green, white painted and shell Neptune encrusted wall mounted fibre glass figural fountain of Neptune the bearded sea gods with entwined tail terminals supporting scallop the bearded sea god with entwined tail terminal supporting a scallop shell basin above their heads, 220cm high (2) shell basin above his head, together with a further shell basin, the figure £500 - 700 of Neptune, 220cm high, 76cm wide, approximately, the shell basin, €590 - 830 40cm high, 66cm wide (2) £500 - 800 €590 - 940

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33 A water buffalo scull and horns with weathered bleached natural finish, as found, 100cm high, 117cm wide approximately £200 - 300 €240 - 350

34Y An antler mounted girandole mirror the oval plate above a brass candle sconce arm, 89.5cm high x 68.5cm wide, £400 - 600 €470 - 710

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35 A dark brown resin and antler mounted stags head the head with inset glass eyes and mounted with a pair of antlers on a moulded oval backplate with integral rope twist border, 108cm wide, 88cm wide, 56cm deep overall approximately £300 - 500 €350 - 590

36 A dark brown resin and antler stags head the head with glass eyes mounted with a pair of white painted antlers, on circular waisted socle base, 107.5cm high,79cm wide, 37cm deep £300 - 500 €350 - 590

37 An antler mounted mirror of oval form, 112cm high x 94cm wide, £500 - 700 €590 - 830

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38Y 42 A metal and glass palm tree centre table An antler and antiqued brass punchbowl on stand by Redmile of London the removable circular punchbowl with drainage hold to the base and the circular top centred with a metal roundel mounted with three moulded rim on antler support and corresponding waisted circular base hardstone ovals and a central sphere, on a palm tree support terminating and ebonised moulded plinth, 73.5cm high, 52cm wide in a spreading base, the metal roundel to the top stamped: ‘REDMILE, £400 - 600 LONDON’, 102.5cm wide x 102.5cm deep x 79cm high, (40” wide x 40” €470 - 710 deep x 31” high) £1,500 - 2,000 43 €1,800 - 2,400 A cowhorn centrepiece the four cow horns mounted on a rectangular perspex base 49cm high, 39 44cm wide, 14cm deep A pair of resin models of the Townley Vases £150 - 250 on square moulded and panelled marble resin bases, 52.5cm high (2) €180 - 300 £500 - 700 €590 - 830 44 A pair of bleached antler and antiqued copper three light 40 candelabra A pair of antler and nickel plated single wall lights the urn shaped nozzles above circular drip pans issuing from antler the antler arms with plated urn and drip pans issuing from shield shape supports on corresponding swept circular bases and moulded light oak backplates further mounted central split antler bosses flanked by pairs of plinths, 69cm high approximately (2) dwarf antlers, wired for electricity, 32cm high (2) £300 - 500 £150 - 250 €350 - 590 €180 - 300

41 A collection of twenty five Ostrich eggs all blown with holes to the bases and unmounted, each 17cm high approximately (25) £200 - 300 €240 - 350

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45 47 An impressive pair of cream onyx and black marble obelisks A twin tier oak and antler mounted hanging coat rack and a on the moulded square plinths on stepped bases, 124.5cm high matching single tier coat rack £500 - 700 the first with four antler hooks, second other with two antler hooks the €590 - 830 larger 32cm high, 61cm wide, the smaller, 15.5cm high, 61cm wide (2) £200 - 300 46 €240 - 350 A pair of polychrome decorated resin lion pedestals the bow-front platform tops above rampant lions with tassel entwined 48 legs supporting spheres on theirs heads, on moulded circular and square A pair of antler and brass single wall lights plinth bases, 100cm high the brass pivoting arms with urn shaped nozzles and circular drip pans £500 - 700 issuing from shield shape backplates further mounted with central split €590 - 830 antler bosses flanked by pairs of dwarf antlers, wired for electricity, 21cm high approximately £100 - 200 €120 - 240

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49Y A pair of antler six light chandeliers each of small proportions, interlocking frame with with nickel plated urn shaped candle nozzles and circular drip pans, with green tartan shades 64cm high (2) £700 - 1,000 €830 - 1,200

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Other Properties

50 53 A late Victorian satinwood and polychrome decorated combined A pair of 19th century polychrome decorated dummy boards bijouterie/display cabinet one board depicting a farmer boy and the other a peasant girl, both in the Sheraton revival style figures dressed in 17th/18th century attire, the taller one: 172cm high, painted with flowers, foliage, bellflower pendants hung from urns and (2) two scenes depicting young pastoral lovers, the pierced fret carved £1,500 - 2,000 cornice centred with a Wedgwood type oval medallion depicting a €1,800 - 2,400 classical scene, above three astragal glazed panelled doors, the triple- section bijouterie base comprising three glazed panels with conforming 54 hinged lids, on six square tapering legs, probably formerly a shop display A walnut and featherbanded bureau cabinet unit, 153cm wide x 51cm deep x 158cm high, (60” wide x 20” deep x of small proportions, the ogee moulded cornice above a shaped 62” high) rectangular bevelled mirror glass inset panelled door with re-entrant £2,000 - 3,000 top angles, enclosing two adjustable shelves, over a candleslide and a €2,400 - 3,500 fall enclosing an arrangement of seven drawers and three pigeon holes, with lopers and four long graduating drawers below, on later bracket 51 feet, 18th century and later, 68cm wide, 48cm deep, 183cm high (26.5” A George II walnut bureau cabinet wide, 18.5” deep, 72” high). the moulded cornice above a pair of fielded panelled doors with a central £2,000 - 3,000 fluted pilaster headed by a carved composite capital enclosing adjustable €2,400 - 3,500 shelves, the sides with chamfered fluted corners above a fall front with an engraved brass escutcheon with hinged keyhole flap, the fall revealing stationery compartments and a sliding well panel, below are two short 55* and two long graduated drawers, now lacking bracket feet,, 109cm A George IV ebonised and white painted two-tier cabinet wide, 57cm deep, 207cm high (42.5” wide, 22” deep, 81” high). the top with a horizontal fluted column and lion mask angles, above £1,000 - 1,500 a pair of panelled doors with re-entrant patera angles, enclosing one €1,200 - 1,800 adjustable shelf, flanked by lotus-leaf wrapped spiral reeded columns, over a palmette and lotus-leaf frieze, with a panelled drawer below, 52 above a pair of conforming doors enclosing one shelf, flanked by A pair of Jaune de Sienne, Rosso Antico and Verde Antico corbels, on paw front feet, probably mostly re-painted, 94cm wide x veneered marble square tapering pedestals 49.5cm deep x 153cm high, (37” wide x 19” deep x 60” high) each with a rectangular top and stepped square base, 29cm wide, 25cm £500 - 700 deep, 120.5cm high (11” wide, 9.5” deep, 47” high). (2) €590 - 830 £2,000 - 4,000 €2,400 - 4,700

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56 61 According to Yemeni and Ethiopian history the A Karabagh runner, A Tabriz carpet, story is more brutal. King Solomon invited the Azerbaijan, South Caucasus, North West Persia, Queen of Sheba to a banquet, serving spicy 467cm x 106cm 327cm x 261cm food to induce her thirst, and inviting her to £700 - 1,000 £1,400 - 1,800 stay in his palace overnight. The Queen asked €830 - 1,200 €1,700 - 2,100 him to swear that he would not take her by force. He accepted upon the condition that 57 62 she, in turn, would not take anything from his A Tabriz carpet, An Anatolian silk prayer rug, house by force. The Queen assured that she North West Persia, 212cm x 148cm together two other rugs (3) would not, slightly offended by the implication 372cm x 285cm £300 - 500 that she, a rich and powerful monarch, would £700 - 1,000 €350 - 590 engage in stealing. However, as she woke up €830 - 1,200 in the middle of the night, she was very thirsty. Just as she reached for a jar of water placed 63 close to her bed, King Solomon appeared, 58 A Chodor carpet, warning her that she was breaking her oath, A Malayir runner, West Turkestan, water being the most valuable of all material West Persia, 342cm x 221cm possessions. Thus, while quenching her thirst, 489cm x 94cm she set the king free from his promise and they £400 - 600 spent the night together. €470 - 710 64* An 18th century Flemish Biblical tapestry, depicting the Queen of Sheba before King 65 59 Soloman A Hamadan runner, An Anatolian silk prayer rug, woven in wool and silk, West Persia, 154cm x 121cm 628cm x 244cm 513cm x 78cm £1,400 - 1,800 £8,000 - 12,000 £300 - 500 €1,700 - 2,100 €9,400 - 14,000 €350 - 590

60 The Queen of Sheba was the monarch of the 66 An Ardabil carpet, ancient kingdom of Sheba, believed to be in An Afshar rug, North West Persia, either modern day Ethiopia or Yemen. The South West Persia, 346cm x 247cm Queen is referred to in Yemeni and Ethiopian 120cm x 110cm £400 - 600 history, the Bible and the Qur’an. £500 - 700 €470 - 710 €590 - 830 According to the Bible, the queen heard of the great wisdom of King Solomon of Israel and journeyed there with gifts of spices, gold, precious stones and beautiful wood and to test him with questions.

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67 A pair of Tabriz rugs, North West Persia, 193cm x 137cm £700 - 1,000 €830 - 1,200

68 A Bidjar rug, Persian/Kurdistan, 220cm x 160cm £1,200 - 1,800 €1,400 - 2,100

69 A Heriz silk rug, North West Persia, 187cm x 132cm £2,500 - 3,000 €2,900 - 3,500

70 A Tekke ensi, West Turkestan, 201cm x 140cm £400 - 600 €470 - 710

71 A silk Kashan prayer rug, Central Persia, 205cm x 130cm £1,200 - 1,800 71 €1,400 - 2,100

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72Y Albert Heinrich Hussmann, German (1874-1946): A silvered, patinated bronze and ivory model of a jousting knight (fischerstechen ritter) the armour clad knight holding a lance over his right shoulder, the head of his steed clad in a shaffron, on naturalistic rectangular base, signed A. Hufsmann fec, on shallow marble plinth, 50.5cm high, 51cm wide, 23cm deep £4,000 - 6,000 €4,700 - 7,100

73 Hussmann was renowned for his equestrian and racing bronzes, including dynamic figural groups of classical figures with horses and Amazonian horsemen, some cast by the Gladenbeck foundry in Berlin. A collection of such work can be found in the Krupp’sche Villa in Esseu. Hussmann studied in Berlin under W. Friedrich and P. Meyenheim.

73 An early 20th century French golden patinated bronze and Sienna marble figure of a young girl and a frog the young girl seated on a rocky outcrop clutching drapery around her, a frog at her feet, 26cm high £500 - 700 €590 - 830

74 Georges Flamand, French (1895-1925): A bronze bust entitled La Mer circa 1900 her stylised seaweed hair revealed under a crown of shells, her shoulders rising out of a torrent of swirling foaming waves on corresponding waisted plinth base, signed to the left side G.Flamand, 35cm high £500 - 800 €590 - 940 74

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75 After Antonio Canova (Italian, 1757-1852): A late 19th century Italian carved alabaster figure of Pauline Bonaparte as Venus Victrix typically modelled on foliate rectangular base, 35cm high, 58cm wide, 18cm deep approximately £1,000 - 1,500 €1,200 - 1,800

76 After Antonio Canova, Italian (1757-1822): An early 20th century Italian sculpted white bust of Venus Italica on a grey vein alabaster pedestal the bust typical modelled looking to sinister on a veined brown marble circular waisted socle, the alabaster column pedestal of sectional form with square plateau top above a ring turned columar body, on moulded circular foot and canted plinth base, the bust and socle, 59cm high, the pedestal, 102cm high (2) £1,000 - 1,500 €1,200 - 1,800

77 After Giambologna, Italian (1529-1608): A 19th century patintated bronze figure of Mercury raised on a Sienna marble rectangular plinth and foliate cast stepped patinated bronze base, 79cm high £700 - 900 €830 - 1,100

78 A 19th century patinated bronze ewer after Clodion, circa 1880 of classical form with entwined bacchic serpents as the handles and grotesque rams horn dolphin mask Bacchanalian scenes on the body, above stiff leaves and ring turned spreading socle and square base, 48cm high. 77 78 £500 - 700 €590 - 830

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80

82

79 81 A pair of early 20th century Regency style parcel gilt X-frame A late 19th century tortoiseshell and brass ‘Boulle’ marquetry window seats ebonised jardinière stand each on a shaped X-form base, 81cm wide, (2) inlaid with scrolling stylised foliage and rosettes, the rectangular lidded £600 - 1,000 top enclosing a metal liner, on square section cabriole legs, 73cm wide x €710 - 1,200 46cm deep x 79cm high, (28.5” wide x 18” deep x 31” high) £700 - 1,000 Provenance - the above window seats, while they were formerly the €830 - 1,200 property of Esmond Harmsworth, 2nd Viscount Rothermere (1898 - 1978), resided at Daylesford House, the Viscount’s property in 82 Gloucestershire. A French late 19th century tulipwood and parquetry commode in the Louis XV style Y with cube inlay, the later marble top above two drawers, over a shaped 80 apron, on square section cabriole legs, 109cm wide x 54cm deep x A nest of late Victorian mahogany and rosewood crossbanded 87.5cm high, (42.5” wide x 21” deep x 34” high) quartetto tables £2,000 - 3,000 each with a rectangular top inlaid with a central oval, on ring turned €2,400 - 3,500 supports, the largest: 50cm wide x 35cm deep x 69cm high, (19.5” wide x 13.5” deep x 27” high) £500 - 700 €590 - 830

28 | Bonhams Period Design

83 85 (two from a set of six)

84 86

83Y 85 A Regency rosewood, brass inlaid, sycamore marquetry and gilt A set of six early 20th century Regency style mahogany and parcel bronze mounted metal mounted games/work table gilt X-frame ‘curule’ armchairs The square ratcheted top inset with a later panel of green gilt tooled in the manner of Thomas Hope leather within a brass marquetry border flanked by hinged eliptical ends 65cm wide (6) with pierced brass galleries, the square top sliding forward and enclosing £1,200 - 1,800 a morocco leather lined backgammon board, the frieze applied with €1,400 - 2,100 military trophy mounts and rosettes above a sliding pleated silk lined work basket, on scroll supports joining a stepped platform, on outswept Provenance - the above armchairs, while they were formerly the property scroll legs with brass lion’s paw cappings and castors, 69cm wide, of Esmond Harmsworth, 2nd Viscount Rothermere (1898 - 1978), 40.5cm deep, 74cm high (27” wide, 15.5” deep, 29” high). resided at Daylesford House, the Viscount’s property in Gloucestershire. £1,500 - 2,000 €1,800 - 2,400 The overall form of these ‘curule’ chairs is based upon a renowned design originally illustrated in Thomas Hope’s 1807 publication, 84 “Household Furniture”, pl. XX, Nos. 3 and 4. A French 18th century Transitional kingwood, tulipwood and marquetry breakfront commode 86 the rectangular Incarnat Turquin marble top above three long drawers A Regency mahogany side table centred by floral branches, on cabriole legs and foliate cast sabots, 78cm in the manner of Gillows wide, 39.5cm deep, 76cm high (30.5” wide, 15.5” deep, 29.5” high). the rectangular top with gadrooned edge, above one drawer with a £1,500 - 2,500 baize lined sliding top, enclosing a pen and ink drawer, on turned and €1,800 - 2,900 reeded tapering legs, the top possibly replaced, 53cm wide x 45cm deep x 75cm high, (20.5” wide x 17.5” deep x 29.5” high) £600 - 800 €710 - 940

Period Design | 29 Period Design

87 88 90

87 91Y A mid 19th century French ebonised, gilt brass A 19th century simulated rosewood single fusee scarlet tortoiseshell ‘boulle’ mantel clock mantel timepiece the dial and movement signed Leroy A Paris in the Gothic style, the pointed arch case with the shaped arched rectangular case with glazed pierced side grilles and flanked by spiral columns, aperture within foliate inlaid borders, on moulded the engraved face with Roman numerals and signed plinth base and scrolling feet, the 4” enamel dial with Carter Cornhill London, with pendulum and winder, Roman numerals, the brass twin train movement with 29cm high outside countwhell stiking on bell, with novelty putto £700 - 1,000 in a swing pendulum and key, 45.5cm high €830 - 1,200 £700 - 900 €830 - 1,100 92 A late 19th century American mahogany mantel 88 timepiece An early 19th century rosewood mantel the rectangular case with pediment and onion spire timepiece finials, the painted metal dial with Roman numerals, the stepped rectangular case with bevelled glass top the brass movement striking on a bell, with pendulum and sides, the painted dial with Roman numerals, the and key, as found, 56cm high 91 four pillar single fusee movement with a pendulum, £200 - 300 22.5cm high €240 - 350 £600 - 800 €710 - 940 93* A late 19th century French ebonised and brass and Provenance: By repute the property of Dan Leno, the mother of pearl inlaid calendar clock famous Victorian music hall entertainer. At the end of the clock movement stamped Glyenot A Paris his career Leno was admitted to Camberwell Asylum. the drum and swept moulded stepped rectangular As the vendor’s family lived in Camberwell it has always plinth case surmounted by a shaped pediment, been assumed that this is how they accquired the clock. on half roundel feet, the dial with 4” silvered Roman chapter ring, the recessed centre with 89 visible escapement, the plinth with twin subsidiary A late 19th century mahogany stained Webber month and day dials with date aperture above and type patent digital desk timepiece moon phase dial below, the brass twin train clock the rectangular case with arched pediment with movement with outside countwheel striking on a bell, turned finials, the circular printed paper dial marked with pendulum, 47cm high PATENT with apertures marked Hours and Minutes £500 - 800 above a subsidiary seconds dial, the brass movement €590 - 940 with patent single train movement striking on a Y 93 gong, with pendulum, as found, 38cm high 94 A late 19th century rosewood mantel timepiece 90 the rectangular case with bevelled glazed top and A Regency brass mounted and inlaid mahogany sides, the painted dial with Roman numerals signed chiming bracket clock C.BECK 65 St Johns Rd HOXTON, the four pillar single the movement signed J. & A McNab, Perth fusee movement with pendulum, the back of the dial the rectangular case with stepped hipped top with with handwritten date Feb 11 1898, 27cm high pineapple finial, the sides with fishscale grilles and £600 - 800 lions mask handles, on plinth base and ball feet, the €710 - 940 8” painted dial with Roman numerals, and pieced gilt hands, the brass four pillar triple fusee movement 95 with anchor escapement chiming on a peal of eight A brass lantern clock with later movement bells and striking a on larger bell,with pendulum, the dial signed Edward Webb, Chewstoke winder and two keys, 52cm high the case of typical rectangular form with turned £800 - 1,200 slender columns to the corners and foliate pierced €940 - 1,400 crestings, the bell top with turned urn finial, the engraved signed dial with 6.5 inch Roman chapter ring and floriate engraved centre, the brass movement striking on two bells, with key, 40.5cm high 94 £500 - 700 €590 - 830

30 | Bonhams Period Design

96 98 100

97 99 101

96 98 100 A late 19th century French gilt bronze and A late 19th / early 20th century century A late 19th century French gilt bronze and porcelain mounted mantel clock French gilt brass mantel timepiece porcelain mounted clock the movement stamped Boxell, Brighton, the elaborate pierced and foliate relief the movement with Cheapside retailers mark, the architectural case with inset Japanesque cast arched bow-fronted rectangular case the swept rectangular case surmounted by painted turquoise porcelain painted panels, the surmounted by an urn with applied maskheads a twin handled urn enamelled with a 18th pediment centred by an urn, the arched sides united by a fruiting laurel swag and floriate century style courting couple, the case with with turned baluster columns, the inverted finial, on toupie and moulded square feet, the foliate acanthus scroll cresting, the sides breakfront plinth base on toupie feet, the 3.5” 4.75” enamel with Arabic numerals with brass cast with female mask heads and inverted Roman dial painted with a figure of geisha, the single drum movement, with pendulum and cornucopia, on scrolling square platform feet, signed brass movement striking on a bell, with key, 69cm high the porcelain face with a fete galante scene pendulum and key, 38cm high £500 - 700 below a 4” Roman chapter ring, the brass twin £500 - 700 €590 - 830 drum movement marked John Bennet, London, €590 - 830 Cheapside, B. C. striking on a bell, 47.5 high 99 £1,200 - 1,500 97 A Victorian four-glass gilt bronze and €1,400 - 1,800 A Victorian strut type timepiece, porcelain mantel clock the dial signed M. F. Dent, 13 Cockspur St, the movement stamped R. Marti & Co 101 gothic arched moulded edge case flanked by the architectural case with galleried top and A late 19th century French gilt brass four turquoise glass columns on inverted breakfront acanthus and berry finials, the composite glass clock moulded base and ball feet, the silvered dial columns above a panel painted with a Venetian in the Louis XV style, the movement stamped with Roman chapter ring and scroll engraved scene, the 5 1/4” enamel dial signed Tree, Japy Freres centre, the top and base with overlaid scroll 120, 121 & 122 Great Dover St. London, the cartouche shaped case with acanthus cast pierced decoration to the top and base, with with Roman chapter ring, the inset centre decoration, the floral enamel dial with blue Arabic winding key, 17cm high overall with Brocot escapement, the brass twin train numerals and outer five minute divisions, the twin £500 - 600 movement striking on a gong, on giltwood drum movement with brocot escapement, striking €590 - 710 base, with mercury pendulum, 49cm high on a gong, with Japy Freres pastille and stamped G £700 - 1,000 & B, the pendulum inset with a glazed and painted €830 - 1,200 ivory portrait panel depicting Marie Antoinette, with winder, 36cm high £500 - 700 €590 - 830

Period Design | 31 Period Design

102 A near pair of Victorian walnut, inlaid and gilt-brass mounted pier cabinets the tops with ebonised mouldings, each with a single glazed door enclosing shelves, on rectangular plinths, minor variations to dimensions and inlay, 73cm wide x 30cm deep x 94cm high, (28.5” wide x 11.5” deep x 37” high) £800 - 1,200 €940 - 1,400

103 102 An oak haberdashery unit comprising fifteen hinged fall-front panels of various proportions, probably originally forming the upper section of a larger haberdashery unit, 154cm wide x 40.5cm deep x 137.5cm high, (60.5” wide x 15.5” deep x 54” high) £700 - 1,000 €830 - 1,200

104 A suite of two Dutch early 19th century mahogany corner cabinets the first a commode, having three cockbeaded drawers between fluted end panels, raised on shaped bracket feet, the second having a cockbeaded drawer above a cupboard door enclosing a shelf, raised on shaped bracket feet, the commode 102.5cm wide, 62.5cm deep, 81cm high (40” wide, 24.5” deep, 31.5” high); the cabinet 77cm wide, 48.5cm deep, 81cm high (30” wide, 19” deep, 31.5” high). (2) £1,000 - 2,000 €1,200 - 2,400

105 A French late 19th/early 20th century serpentine brass fender 103 in the Rococo revival style with pierced scrolling foliate fretwork below rocaille, scrolls and acanthus, 143cm wide x 22.5cm high, £300 - 400 €350 - 470

106 A Regency mahogany and ebonised line- inlaid night table the hinged top above four dummy drawers, on splayed feet, 59.5cm wide x 49cm deep x 78cm high, (23” wide x 19” deep x 30.5” high) £400 - 600 €470 - 710

104

32 | Bonhams Period Design

107Y A pair of late Victorian gilt metal mounted ivory line-inlaid ebony and ebonised display cabinets each of inverted breakfront form, with ivory stringing, the pair of glazed panel mounted doors enclosing three adjustable shelves, flanked by flute inlaid columns, terminating in an acanthus mounted plinth base, 152.5cm wide x 41cm deep x 130.5cm high, (60” wide x 16” deep x 51” high) (2) £1,500 - 2,000 €1,800 - 2,400 107

108 An oak haberdashery unit comprising nine hinged fall-front panels, on a plinth base, probably originally forming the lower section of a larger haberdashery unit, 154cm wide x 46cm deep x 101.5cm high, (60.5” wide x 18” deep x 39.5” high) £700 - 1,000 €830 - 1,200

109Y A pair of Dutch late 18th century rosewood and satinwood, serpentine fronted marble top encoignures each with a serpentine red breccia marble slab above a pair of conforming cupboard doors, veneered with shaped panels à quatre face within rosewood bandings, on bracket feet, 67cm wide, 86cm high (26” wide, 33.5” high). (2) £1,500 - 2,500 €1,800 - 2,900 108 110Y A late George III satinwood, rosewood crossbanded and fruitwood tripod table the octagonal top on a ring turned baluster support terminating in downswept legs and spade feet, 39cm wide x 39cm deep x 74.5cm high, (15” wide x 15” deep x 29” high) £300 - 500 €350 - 590

111 A 19th century green painted and parcel gilt bed in the late 18th century style possibly Italian, the shaped headboard surmounted by floral, pomegranate and bird adorned foliate swags issuing from a central urn, with ribbon tied oak leaf pendant angles, 162cm high, £500 - 700 €590 - 830

109

Period Design | 33 Period Design

112

112 115 A Portuguese 18th century mahogany serpentine commode An 18th century French Provincial stained beech armoire the moulded top above a shallow frieze drawer retained by a pair of with slender stylised floral sprig decoration, the arched pediment above a moulded panelled doors enclosing a shelf, the projecting front corners pair of twin shaped panelled doors, enclosing two shelves, over a shaped of shaped scrolling form, with conforming moulded-panelled sides, on apron, on scroll front feet and stile back feet,, 135cm wide, 60cm deep, scroll feet, 150cm wide, 70cm deep, 95cm high (59” wide, 27.5” deep, 255cm high (53” wide, 23.5” deep, 100” high). 37” high). £800 - 1,200 £5,000 - 7,000 €940 - 1,400 €5,900 - 8,300 116 113Y A pair of mahogany and ebonised line inlaid bookcases Two similar early 20th century gilt brass mounted rosewood and in the Regency style marquetry bombé vitrines of narrow proportions, each with a raised cavetto top above a geometric in the Louis XV style astragal glazed panelled door, enclosing three adjustable shelves, each with a cavetto top above a glazed panelled door with a waved over one panelled door, enclosing one shelf, on bracket feet, possibly front, enclosing two shelves, over a floral and foliate inlaid panel and incorporating 19th century elements, 50cm wide x 32cm deep x 165cm shaped apron, on cabriole supports, 80cm wide x 49cm deep x 170cm high, (19.5” wide x 12.5” deep x 64.5” high) (2) high, (31” wide x 19” deep x 66.5” high) (2) £800 - 1,200 £1,200 - 1,800 €940 - 1,400 €1,400 - 2,100 117 114 A Regency brass inlaid mahogany campaign washbasin/cabinet A French 19th century oak armoire with brass stringing, the hinged box top with a hinged front panel, in the Regence style enclosing a velvet lined interior within octagonal recess, above a pair of the acanthus wrapped cornice above a pair of panelled doors profusely doors, on squat bracket feet, with handles to both sides, 41.5cm wide x carved with flowers, scallop shells, C-scrolls, acanthus and flowerhead 32cm deep x 73cm high, (16” wide x 12.5” deep x 28.5” high) embedded trellis fields, enclosing three shelves, terminating in husk and £500 - 700 gadrooned bulbous feet, 170.5cm wide x 64cm deep x 214cm high, €590 - 830 (67” wide x 25” deep x 84” high) £2,000 - 3,000 €2,400 - 3,500

34 | Bonhams Period Design

113

114

115 116

Period Design | 35 Period Design

118

119

118 A Sultanbad carpet, West Persia, 385cm x 290cm £1,800 - 2,500 €2,100 - 2,900

119 A Tabriz carpet, North West Persia, 416cm x 283cm £800 - 1,200 €940 - 1,400

120 A Chinoiserie design tapestry, 238cm x 198cm £300 - 500 €350 - 590

121 A Kashan carpet, Central Persia, 449cm x 318cm £1,200 - 1,800 121 €1,400 - 2,100

36 | Bonhams Period Design

123

122

122 A Kirman carpet, South East Persia, 335cm x 248cm £1,200 - 1,800 €1,400 - 2,100

123 A 19th century Aubusson carpet, France, 402cm x 350cm £1,500 - 2,000 €1,800 - 2,400

124 A Chinoiserie design tapestry, 250cm x 244cm £500 - 700 €590 - 830

125 A Tabriz carpet, North West Persia, 348cm x 277cm £2,000 - 3,000 €2,400 - 3,500

125

Period Design | 37 Period Design

126 127

126 A pair of 19th century gilt bronze chenet in the Empire style each cast as a floral garlanded oval brazier with flambe finial on goats feet curving supports, above, the oval guilloche pierced platform bases with rectangular surmounted by floriate artichoke finials stiff leaf toupie feet, the bases indistinctly stamped, 33cm high, 25cm wide, 12cm deep (2) £1,200 - 1,500 €1,400 - 1,800

127 A late 19th century French gilt and patinated bronze fender 128 of inverted breakfront form, the plinth ends surmounted by draped putti seated beside flambeau urn braziers, united by a baluster gallery 29.5cm high, 139cm wide, 29.5cm deep £500 - 700 €590 - 830

128 A late 19th century gilt bronze sectional fender in the Louis XVI style the chenet ends with graduated flambeaux urn finials, the larger urn with applied laurel oval portrait drop and swag decoration raised on a fluted swept plinth with draped lions mask decoration, the smaller on a fluted pilaster support united by a draped foliate baluster section, the separate central with conforming foliate baluster galleried decoration, 39.5cm high, 135cm wide overall approximately £400 - 600 €470 - 710

Property of a lady 129 129 A large tin glazed earthenware floorstanding fish vase or stick stand in the Japanese taste, the body moulded as large open mouthed carp with a smaller carp and foaming scrolling waves beneath, glazed in ochre and green, 87cm high £400 - 600 €470 - 710

130 An Edwardian brass and cast iron serpentine grate in the George III style the arched backplate with shell and foliate cast decoration, the railed bowed front with urn finials flanked by fan shaped ears, the beaded and pierced serpentine frieze on tapering pilaster supports with corresponding urn finials, 63high, 60cm wide, 31cm deep approximately £500 - 700 130 €590 - 830

38 | Bonhams Period Design

131

131 A collection of twenty nine framed and decoratively mounted 18th century and later hand coloured ornothalodgical engravings including examples after George Edwards, comprising a set of seventeen similarly framed, a set of five similarly framed, three pairs similarly framed, and a single print, various sizes, the largest, 48cm x 38cm overall, the smallest 40cm x 35cm overall (29) £800 - 1,200 €940 - 1,400

132 An early 20th century carved Venetian carved and painted blackamoor torchiere stand the barbed oval plateau top with marblised decoration supported by blackamoor term support, on scrolling acanthus stem and corresponding acanthus tripartide base, 94.5cm high £500 - 800 €590 - 940

133 A late 19th century Venetian carved wood and gilt and polychrome gesso blackamoor figural torchiere on stand formed as a semi-clad young man wearing an elaborate foliate tooled 132 turban and fringed sash with similarly decorated tied drapery to his waist, holding a torch fitment and standing on a square cushion, the faux porphry plinth base with trompe l’oeil fringed drapery, on canted ebonised base with banded floriate decoration, later fitted for electricity and with some typical losses to decoration, 187cm high overall £600 - 1,000 €710 - 1,200

134 A 20th century gilt and verdigris patinated bronze figure of an Asian dancing girl wearing a pagoda headdress on circular base, 184cm high £500 - 800 €590 - 940

135 A set of twelve late 19th century coloured prints of historic ornamental architectural and decorative interior designs and motifs after designs by Cesar Daly, published by Lemercier & Co. Paris, mounted within decorative silver and black finished glazed frames the prints, 35cm x 27cm, the frames 43.5cm x 35.5cm overall (12) £500 - 800 €590 - 940

133

Period Design | 39 Period Design

136 138

139 137 (two from a set of ten)

136 138 A French 19th century burr yew, ebonised, stained sycamore and A George I walnut and banded chest marquetry bonheur du jour the rounded rectangular top above a brushing slide and four long inlaid with flowers, foliage, birds, a flower-filled urn and tree branch graduating drawers, on ogee bracket feet, 88cm wide x 46cm deep x borders, the shaped superstructure comprising one shelf and two short 77cm high, (34.5” wide x 18” deep x 30” high) drawers, above a hinged foldover top enclosing a velour lined surface, £1,200 - 1,800 over a frieze drawer, on stop-fluted tapering legs, with a shaped €1,400 - 2,100 X-stretcher, 70.5cm wide x 48.5cm deep x 136cm high, (27.5” wide x 19” deep x 53.5” high) † £1,500 - 2,000 139 €1,800 - 2,400 A George III Irish carved mahogany tea table The rectangular hinged top with riband and paterae carved moulded edge above an anthemion and scrolling acanthus carved frieze, on 137 reeded square chamfered legs, 87cm wide, 43cm deep, 73cm high (34” A set of ten second quarter 20th century stained beech caned side wide, 16.5” deep, 28.5” high). chairs £2,000 - 3,000 in the early Louis XV style €2,400 - 3,500 each with floral, scroll, rocaille and acanthus carved frames, on cabriole legs joined with a shaped X-stretcher, 53cm wide x 52cm deep x 97cm high, (20.5” wide x 20” deep x 38” high) (10) £800 - 1,200 €940 - 1,400

40 | Bonhams Period Design

142 140

141 143 (two from a set of ten)

140 142 A George II mahogany commode A French 19th century gilt bronze mounted bois satine, amaranth the caddy top above two short and four long graduating drawers, on and sycamore marquetry bonheur du jour shaped bracket feet, the top of one drawer applied with the remnants of in the manner of C. Topino, in the Transitional style a paper label bearing the pen inscription: ‘THEODORE POWELL’, another inlaid with urns of flowers, ink quills and inkpots, ewers and leather drawer with a label bearing the inscription: ‘SHELF No. 2..?’ 91.5cm bound books, the galleried superstructure comprising a pair of doors wide x 53cm deep x 93.5cm high, (36” wide x 20.5” deep x 36.5” high) flanking two drawers, above a berried guilloche mounted frieze drawer, £2,000 - 3,000 on square cabriole legs headed with ram’s mask and foliate clasped €2,400 - 3,500 angle mounts, 88cm wide x 53.5cm deep x 98cm high, (34.5” wide x 21” deep x 38.5” high) 141 £2,500 - 3,000 A French late 19th century gilt metal mounted kingwood and bois €2,900 - 3,500 satine parquetry card table in the Louis XV style 143 of serpentine form, with lozenge inlay, the swivel hinged top enclosing A set of ten late 19th/early 20th century mahogany dining chairs a baize playing surface, on square section cabriole legs, 101cm wide x in the George III style 52.5cm deep x 79cm high, (39.5” wide x 20.5” deep x 31” high) including two armchairs, each with an acanthus clasped pierced £1,500 - 2,000 baluster splat, on volute scrolled acanthus wrapped cabriole front legs €1,800 - 2,400 terminating in claw and ball feet, most of the chairs stamped to the underside: ‘33 . 39 . 14’ and ‘C.K.’ the armchairs: 65cm wide, the remaining chairs: 57.5cm wide, £1,000 - 1,500 €1,200 - 1,800

Period Design | 41 Period Design

144* 146 A 19th century giltwood A late 19th century giltwood convex mirror pier mirror the later circular plate within an in the Regency style ebonised reeded slip, within a the rectangular plate ball mounted frame, surmounted surmounted by a stylised Greek by an eagle and foliate cresting, key frieze centred with a classical 106cm high x 64cm wide, figure holding a lyre, 124cm £700 - 900 high x 72cm wide, €830 - 1,100 £500 - 700 €590 - 830

145 A George II giltwood mirror the later arched bevelled plate within a scrolled foliate moulded surround, surmounted by a lambrequin and scrolling acanthus cresting, 147 restorations, re-gilt, 85cm high x A 19th Century Rococo revival 53cm wide, giltwood landscape mirror £500 - 700 probably German, of small proportions, €590 - 830 the later plate within a pierced scrolling acanthus, rocaille and stalagtite surround, 64.5cm high x 70cm wide, £400 - 600 €470 - 710

42 | Bonhams Period Design

150 148 A Regency giltwood A Swedish mid 19th convex mirror century giltwood the circular plate within mirror an ebonised reeded the later rectangular slip, surmounted by an plate flanked by stiff- anthemion and scrolled leaf capped engaged acanthus cresting, 102cm columns, below a demi- high x 57cm wide, £600 - 1,000 lune cresting centred €710 - 1,200 with a bacchic trophy, 100cm high x 50cm wide, £500 - 700 €590 - 830

149 A late 19th/early 20th century 151 giltwood and composition A Regence giltwood marginal mirror with a marginal mirror later associated cresting the rectangular bevelled plate the acanthus, scallop shell, encompassed by smaller plates husk and trellis strapwork interspersed with rosettes, 113cm surround surmounted by a high x 102cm wide, pierced rocaille and floral £700 - 1,000 bouquet cresting, the mirror €830 - 1,200 frame probably second quarter 18th century, the cresting probably 18th century and possibly Italian, 97.5cm high x 53.5cm wide, £600 - 800 €710 - 940

Period Design | 43 Period Design

152 153 154

152 An electroplated Corinthian column table lamp base with shade in the neo-classical revivalist style the tapering column stem cast with spiral garlands, the swept square base with urns and acanthus leaves above a gadrooned border, with square tapering red slubbed silk shade, 60cm high including fitment, 76.5cm high overall including shade (2) £400 - 600 €470 - 710

153 A late 19th century French gilt bronze and porcelain encrier of rectangular form with arc-en-abalette ends, with two inkwells (lacking liners) centred by a pounce pot and a pen tray, the inset front plaque depicting a gentleman in 18th century dress, the panel to the reverse with a bouquet of garden flowers, 24cm wide, 10cm deep, 11cm high (9” wide, 3.5” deep, 4” high) £300 - 400 155 €350 - 470

154 A early 20th century Italian carved and polychrome stained wood figure of a blackamoor the base with Scottish retailers mark, John Taylor & Son, Manufacturers, Edinburgh the figure clad in a flowing tunic and cape wearing a feathered turban and holding an oil lamp, on an oval naturalistic base, raised on a fluted half column plinth with wide platform top and foliate and gadrooned spreading base, 34cm high £500 - 600 €590 - 710

155 A pair of early 20th century gilt bronze and moulded and cut glass three light candelabra, adapted as lamp bases in the Louis XV style the open scrolling cage frames mounted with three cylindrical candle nozzles with shaped drip pans interspaced by moulded and cut facetted knopped finials about 156 a composite moulded reeded baluster stem with corresponding spire finials, on gadrooned domed dwarf candlestick bases, all hung with pear shaped small and large lustre drops and floral rosette buttons, with silk candle shades 59cm high (2) £400 - 600 €470 - 710

156 A pair of late 19th century French gilt bronze candelabra seven light candelabra in the Régence style, later converted to lamp bases the six scrolling arms with beaded candle nozzles and lambrequin collars issuing from a central stem surmounted by a further candle nozzle, on tapering pilaster supports with applied putto caryatid mounts, the acanthus scrolling bases raised on breakfront sided square bases and toupie feet, the later twin light electric fittings with cast gilt brass fruiting finials and pleated cream silk shades, one candle nozzle and collar detached but present, 98cm high approximately (4) £500 - 700 €590 - 830 157

44 | Bonhams 157 Period Design Two Chinese blue and white porcelain vase lampbases the first vase of shouldered squat baluster form, the flared neck with kylin handles, the body decorated with twin oval panels of birds and flowers on a dense floriate scrolling ground, the neck with a key and palmette border, the second vase of squat shouldered form with short flared neck and pierced scrolling handles, the body decorated with panels of birds on a floriate scrolling ground within palmette borders, with cream silk shades, 97cm and 90cm high overall including fitments (4) £500 - 700 €590 - 830

158 A pair of late 19th / early 20th century Chinese export hardstone flowering trees set within cloisonne pots the paper and floss covered branches mounted with various semi-precious and hardstone flowers and leaves, the gilt metal mounted canted rectangular 158 cloisonne pots with polychrome floriate scroll panelled decoration within tooled scrolling borders with blue lapis coloured dusted ‘soil’ tops, 39cm high, 36cm wide approximately overall £1,000 - 1,500 €1,200 - 1,800

159 A pair of early 20th century gilt bronze and cut glass four light candelabra, adapted as lamp bases in the Louis XV style the four scrolling arms with hexagonal panelled baluster nozzles and gadrooned drip pans issuing from composite hexagonal baluster stems with corresponding spire finals, the tri-form candlestick supports on domed moulded shaped circular bases, all hung with pear shaped small and large lustre drops and floral rosette buttons, 60cm high (2) £400 - 600 €470 - 710 159 160 A pair of patinated and gilt bronze ‘engine turned’ candlestick lamp bases with shades in the Empire taste the tapering reeded column stems below foliate and diaper cast banded capitals and raised on cell and diagonal banded rounded pedestals and similarly decorated diaper banded circular bases, with pleated cream silk tapering circular shades, 36cm high including fitments, 46cm high overall including shades (4) £400 - 600 €470 - 710

161 A pair of gilt bronze and rouge marble vase lampbases in the Louis XVI style, the pear shaped bodies with pierced flared collars and twin swans head handles united by floral festoon garlands, on stiff leaf and foliate circular pedestal bases, and re-entrant cut corner square plinth bases, fitted for 160 electricity, 45cm high £1,000 - 1,500 €1,200 - 1,800

162 A pair of gilt brass twin light wall appliques in the Louis XV style the acanthus urn cast nozzles and drip pans above asymmetric spiralling arms, all issuing from corresponding acanthus upright backplates, 52cm high approximately (2) £300 - 400 €350 - 470

163 Two pairs of similar twin light brass wall lights in the Neo-Classical taste the foliate and beaded scrolling arms with acanthus cast nozzles and similar acanthus and beaded drip pans issuing from urn and tapering pilaster backplates with floriate terminals, 41cm high and 33cm high approximately (4) 161

Period Design | 45 Period Design

164 A near pair of 19th century mahogany tea tables in the Chippendale revival style each with a rectangular hinged top and flowerhead carved edges, above a blind fretwork frieze drawer, on four square section blind fretwork legs, 85.5cm wide x 42cm deep x 72cm high, (33.5” wide x 16.5” deep x 28” high) (2) £1,200 - 1,800 €1,400 - 2,100

165 A French late 19th century mahogany 164 extending dining table the rounded rectangular top above a panelled frieze, on four ring turned fluted tapering legs, with a shaped H-stretcher, terminating in turned feet and sunken castors, with three additional leaves and a leaf carrier, 339cm wide x 127cm deep x 74cm high, (133” wide x 50” deep x 29” high) £1,000 - 1,500 €1,200 - 1,800

166 A George III mahogany bowfront sideboard the overhanging top above one long frieze drawer flanked by two deep drawers, interspersed with patera carved angles, with a shaped apron and fan carved spandrels, on six panelled square tapering legs terminating in spade feet, 183cm wide x 77.5cm deep x 93cm high, (72” wide x 30.5” deep x 36.5” high) 165 £600 - 800 €710 - 940

167 A George III mahogany tabletop cellaret of box form, the hinged top enclosing four bottle divisions, on later bracket feet,, 33cm wide, 33cm deep, 42.5cm high (12.5” wide, 12.5” deep, 16.5” high). £400 - 600 €470 - 710

168 A French late 19th century giltwood bergère in the Louis XVI style the oak leaf carved toprail above acanthus clasped arm supports, on spiral fluted tapering legs, 71cm wide, £500 - 700 €590 - 830

166

46 | Bonhams Period Design

169 A pair of William IV mahogany tea tables possibly Irish, of unusually large proportions, each with a rounded rectangular and swivel- hinged top, on a stepped square section column, terminating in a concave quadripartite base with bun feet and sunken castors, 101.5cm wide x 50.5cm deep x 75.5cm high, (39.5” wide x 19.5” deep x 29.5” high) (2) £2,500 - 3,500 €2,900 - 4,100

170 An early Victorian mahogany extending dining table on five large baluster turned and reeded 169 tapering legs, terminating in brass cappings and ceramic castors, with three additional leaves, the central leg/support later, 335cm wide x 143cm deep x 73cm high, (131.5” wide x 56” deep x 28.5” high) £1,200 - 1,800 €1,400 - 2,100

171Y A Regency brass inlaid rosewood and mahogany square piano by Clementi & Company on six detachable ring turned and reeded tapering legs, terminating in brass cappings and castors, the keyboard range: five and a half octaves, with a label bearing: ‘New Patent, Clementi & Co., 26 Cheapside, London’, as seen, 174cm wide x 64cm deep x 89cm high, (68.5” wide x 25” deep x 35” high) £800 - 1,200 €940 - 1,400 170 172 A pair of red painted, parcel gilt and composition torchères in the Louis XV style each comprising an acanthus wrapped, scroll carved and cabochon encrusted baluster form column, terminating in a triform base with scroll feet, 40cm wide x 40cm deep x 153.5cm high, (15.5” wide x 15.5” deep x 60” high) (2) £500 - 700 €590 - 830

173Y A late Victorian satinwood and rosewood crossbanded kidney shaped kneehole desk with ebonised and boxwood stringing, the gilt tooled leather inset top above one long and two short frieze drawers, over six short graduating drawers flanking the recess, on eight square tapering supports terminating in brass castors, 134cm wide x 69cm deep x 77.5cm high, (52.5” wide x 27” deep x 30.5” high) 171 £400 - 600 €470 - 710

Period Design | 47 Period Design

174 175

174 A Bidjar rug, Persian/Kurdistan, 264cm x 157cm £400 - 600 €470 - 710

175 A Shirvan rug, Azerbaijan, East Caucasus, 235cm x 147cm £1,200 - 1,800 €1,400 - 2,100

176 A Kashan rug, Central Persia, 217cm x 133cm £300 - 500 €350 - 590

177 A Bidjar rug, Persian/Kurdistan, 214cm x 146cm £1,000 - 1,500 €1,200 - 1,800

177

48 | Bonhams Period Design

178 180

178 A Tehran rug, Central Persia, 210cm x 144cm £1,800 - 2,500 €2,100 - 2,900

179 A Tekke rug, West Turkestan, 180cm x 129cm £500 - 700 €590 - 830

180 A Kashgai rug, South West Persia, 248cm x 152cm £500 - 700 €590 - 830

181 A Shirvan rug, Azerbaijan, East Caucasus, 195cm x 150cm £1,000 - 1,500 €1,200 - 1,800

181

Period Design | 49 Period Design

182 185 188 A George III crossbanded, boxwood strung A walnut eight-day longcase clock A George III mahogany longcase clock and inlaid longcase clock parts 18th century and later the dial signed Edward Webb, Duke Street, the dial signed Thomas Watson, Blackburn, the blind-fret arched hood with shallow caddy Manchester Square the arched swans neck hood applied with top surmounted by a figure of Chronos and the ogee arched hood with foliate pierced carved lobed rosette terminals above a flanked to the front by twin winged female panel surmounted by an eagle ball finial and corresponding arched door flanked by reeded figures, the trunk with canted corners, the door flanked by ball and spire finials, above reeded Doric columns, the trunk with Greek carved with foliate banded decoration centred by a columns, the trunk with arched door, on carved border above an inlaid interlaced cast brass lenticle formed as a figure of Europa moulded plinth panelled base and bracket feet, guilloche frieze and shaped rectangular door and the bull, on corresponding plinth base and the signed brass dial with engraved moonphase flanked by faux reeded quarter columns, the claw and ball feet, the brass dial with engraved to the arch and floriate pierced spandrels, the reduced moulded rectangular base on later moonphase to the arch and maskhead 11” silvered Roman chapter ring, with outer 5 plinth foot, the brass and painted arched dial spandrels, the 9.5” silvered Roman chapter minute divisions, sanded centre with subsidiary with foliate spandrels, the 13” silvered Roman ring with outer 5 minute divisions, the sanded seconds below 12 and date aperture above chapter ring with Arabic five minute divisions, centre with subsidiary seconds below 12 and 6, the brass four pillar twin train movement the foliate engraved silvered centre with date aperture above 6, the brass four pillar with anchor escapement striking on a bell, bird and motto decoration marked Mind My twin train movement with anchor escapement with pendulum, weights, winder and case key, Movements above VI, the arch painted with a striking on two bells, with pendulum, two approximately 254cm high scenic lake landscape moon-phase and with weights, winder and case key, 257cm high £2,000 - 3,000 fixed twin engraved brass half suns, the brass £1,500 - 2,000 €2,400 - 3,500 four pillar movement with anchor escapement €1,800 - 2,400 striking on bell, with pendulum, twin weights, Provenance: Property of a Lady winder and key, 227cm high overall 186W £1,500 - 2,000 A George III mahogany eight day musical 189W €1,800 - 2,400 longcase clock A George III feather banded and and the dial signed Joshua Moore, Cranley strung figured walnut longcase clock 183 the pagoda topped case with three ball and the dial signed and numbered Moses Fontaine A George III oak and mahogany spire finials and long door flanked by stop- & Dan Torin, London and numberedJ29J’ crossbanded longcase clock fluted columns over a panelled base on double the arched hood below a rectangular cornice the dial signed John Lees, Middleton apron, the 12” arched brass dial with twin with applied foliate and floriate trellis pierced the hood with swans neck pediment with subsidiary dials in the upper corners for strike/ panels,the glazed door flanked by a pair applied brass rosettes surmounted by three silent and tune selection, to include ‘A Minuet’, of plain columns, the trunk with arched brass onion spire finials below a painted ‘The 3 Generals Healths’, ‘The Happy Clown’, moulded door on corresponding moulded foliate scroll and musical putti frieze and a and ‘Britons Strike Home’, each with a painted plinth base, the brass dial with signed silver pair of Corinthian columns, the trunk with centre, the silvered Roman and Arabic arcaded strike / silent subsidiary dial to the arch, the ogee arched door flanked by reeded quarter chapter ring enclosing the engraved silvered 11” silvered Roman chapter ring with outer columns, on panelled plinth base and ogee centre, the substantial seven pillar movement 5 minute divisions with sanded centre and bracket feet, the signed brass dial with painted with anchor escapement striking the hours on subsidiary seconds below 12 and date aperture moon phase to the arch and 13” silvered a bell and playing one of the four tunes on a above 6, the brass four pillar movement with Roman dial with outer 5 minute divisions, run of eight bells and sixteen hammers, 299cm anchor escapement striking on a bell, with the centre profusely engraved with figures high pendulum, key and two weights, 236cm high and Masonic devices with subsidiary seconds £3,500 - 4,500 approximately below 12 and date aperture above 6, the brass €4,100 - 5,300 £2,000 - 3,000 four pillar twin train movement and anchor €2,400 - 3,500 escapement striking on a bell, with pendulum, 187 twin weights, winder and case key, 227cm high A mid 18th century and later French long 190 overall duration quarter striking floorstanding An early 20th century inlaid mahogany £1,000 - 1,500 regulator quarter chiming longcase clock €1,200 - 1,800 the dial signed Gosselin, Paris the hood with swan-necked pediment the foliate carved oak case with cartouche moulded cornice over reeded quarter columns 184 shaped hood over the gadrooned throat and fretted side apertures, the trunk with brass A George III oak longcase clock moulding and straight trunk, over the plinth capped reeded quarter columns, break-arched the dial signed Henry Baker, Westminster base on foliate cabriole feet, the signed 10” door with bevelled glass on a square base with the arched caddy topped hood above a twelve piece break arch dial, mounted on a urn and foliate inlay and moulded plinth, the moulded cornice, the corresponding arched falseplate, with subsidiary seconds below XII 13” brass dial with spandrels, silvered chapter door flanked by gilt brass mounted reeded and silvered calendar dial beneath VI, between ring and half-hour markers with Arabic and Doric columns, the trunk with plain moulded two allegorical figures bordering the enamel Roman numerals, the matted centre with rectangular door, on reduced moulded signature plate, the 26 day duration movement subsidiary seconds dial, the sides with opposite rectangular base and later plinth foot, the with weight driven going train on a Huygens strike / silent lever and Westminster and brass arched dial with foliate spandrels, the loop, the hour and quarter strike powered by Whittington lever, the substantial movement 11” silvered Roman chapter ring with Arabic two seperate barrels, the rectangular plates playing on nine tubular bells, 264cm high. five minute divisions, the silvered centre with united by eight tapered baluster pillars, with £3,000 - 5,000 subsidiary seconds below XII and pierced outside countwheels for hours and quarters €3,500 - 5,900 steel hands, the arch with a silvered strike mounted on the backplate. 260cm high / silent dial, the brass four pillar movement £3,000 - 4,000 with anchor escapement striking on bell, with €3,500 - 4,700 pendulum, twin weights, winder and key, 230cm high overall £1,500 - 2,000 €1,800 - 2,400

50 | Bonhams Period Design

182 183 184 185 186

187 188 189 190

Period Design | 51 Period Design

193 191

192 194 (two from a set of eight)

191 193† A George III mahogany secretaire serpentine chest A small George II carved mahogany console table the secretaire drawer enclosing four short drawers, above three long The later rectangular moulded top with cavetto moulded frieze on graduating drawers, on shaped bracket feet, top drawer probably later cabriole leaf, shell and trailing bellflower carved legs on pointed pad converted to a secretaire, 105cm wide x 53.5cm deep x 88cm high, (41” feet, with paper labels to the underside of the top for Thos. Agnew and wide x 21” deep x 34.5” high) Sons and numbered F32, 68cm wide, 38cm deep, 75cm high (26.5” £1,800 - 2,200 wide, 14.5” deep, 29.5” high). €2,100 - 2,600 £1,500 - 2,000 €1,800 - 2,400 192Y A Regency brass inlaid rosewood and simulated rosewood 194 occasional table A set of eight Regency later decorated simulated rosewood and the circular galleried top inlaid with a foliate palmette encompassed parcel gilt dining chairs octagon, on a ring turned reeded column, terminating in brass bun feet, including two armchairs, each with a spiral reeded toprail, above a 48.5cm wide x 48cm deep x 74.5cm high, (19” wide x 18.5” deep x 29” horizontal tablet splat mounted with a brass budding flowerhead high) flanked by acorn leaves, with a caned seat, on sabre legs, re-gilt, the £400 - 600 armchairs: 55.5cm wide, the remaining chairs: 48cm wide, (8) €470 - 710 £800 - 1,200 €940 - 1,400

Provenance - The Fasque House Sale, Taylor’s Auction Rooms, 17th May 2008, Montrose, Scotland.

52 | Bonhams Period Design

195 197

198 196 (two from a matched set of seven)

195 197 A French 19th century brass mounted mahogany console desserte A George III mahogany demi-lune commode in the Louis XVI style with a brushing slide above three long graduating drawers, flanked by of typical D-shaped form, the pierced galleried Carrara marble top above two doors enclosing four shelves, on square tapering feet, 115cm wide x one frieze drawer, on four fluted columnar legs, joined with a marble 59cm deep x 83.5cm high, (45” wide x 23” deep x 32.5” high) inset undertier, terminating in toupie feet, 76.5cm wide x 31cm deep x £1,000 - 1,500 88cm high, (30” wide x 12” deep x 34.5” high) €1,200 - 1,800 £700 - 1,000 €830 - 1,200 198 A 19th century provincial walnut wine table Provenance: Property of a Lady the hexagonal top on a conforming column, terminating in a tripod base, 36cm wide x 35cm deep x 72.5cm high, (14” wide x 13.5” deep x 196 28.5” high) A matched set of seven Singhalese first half 19th century ebony £600 - 800 and ebonised dining chairs €710 - 940 including three armchairs, each with a horizontal scrolled foliate splat, on sabre legs, all the chairs appear to be first half 19th century, three appear to be matched, 51.5cm wide, (7) £1,200 - 1,800 €1,400 - 2,100

Period Design | 53 Period Design

199Y A late 17th century and later gilt bronze-mounted Italian tortoiseshell-veneered, ebony, ebonised and rosewood cabinet of rectangular form centred by a drawer faced as an architectural balustrade above a cupboard door fronted by a niche mounted with a classical female gilt bronze statue, flanked to either side by a pair of Doric columns, enclosing six short drawers, another long drawer below, flanked by either side by eights short drawers, all tortoiseshell- veneered and with ebonised ripple-carved edge mouldings, in a rosewood surround and raised on four bun feet, fitted to the ends with iron bale handles, restored with alterations56cm high, 95cm wide, 33cm deep. £2,000 - 3,000 €2,400 - 3,500

200Y A pair of German late 19th century Renaissance-style gilded galvanoplastie metal, ivory, mother of pearl and 199 tortoiseshell-inlaid decorative plates by Jean Kayser Sohn, Crefeld each having a rim decorated with a border of scrolling foliage, one centred by an inlaid portrait of a gentleman, the other of a lady, both wearing feathered caps and slashed, puffed sleeves, both signed J. F. Kayser Sohn, Crefeld to a reserve to rim; the back of one stamped CORVINIELLO PATENT 85, 29cm diameter. (2) £1,000 - 2,000 €1,200 - 2,400

In 1862, the Dusseldorf based Kayser family, active in the tin industry, opened a new foundry in the Bockum district of Krefeld, which produced designs originating from the Cologne studio of Englebert Kayser. They participated in several world exhibitions in Paris, Turin, Dusseldorf and St. Louis.

201 200 A Medieval carved limestone figural corbel of a mans head the tapering shoulders, weathered, 30.5cm high £500 - 700 €590 - 830

202 A Medieval carved limestone figural corbel of a bearded mans head of tapering form, weathered, 32cm high £500 - 700 €590 - 830

203 A pair of late 17th century Malines carved alabaster plaques depicting scenes from the Passions of Christ comprising The Scourging at the Pillar or The Flagellation and The Judgement of Christ by Pontius Pilate, both mounted within later 19th century sanded gilt rectangular frames with old ink collection labels and numbered 35, with old cracks, wear and damage commensurate with age, the second panel with a loss to the top right hand corner, each plaque 12cm x 9cm, the frames 17cm x 14.5cm overall £400 - 600 €470 - 710

201 202

54 | Bonhams Period Design

204

204 A late 19th century Viennese enamel mounted, gilt bronze and ebonised 205 miniature table cabinet in the Renaissance style the hipped hinged cover surmounted by a model of a standing elephant, above a pair of doors opening to reveal three small drawers mounted with panels depicting landscapes, the cover, doors sides and back with plaques depicting mythological figural scenes, the corners with caryatid columns, mermaid finials and eagle scroll feet, one foot detached but present, 19cm high, 14cm wide, 11cm deep £500 - 800 €590 - 940

205Y A 19th century German figural relief carved ivory tankard and cover the oval body carved with a continuous figural frieze of dancing and musical Bacchcantes before a wooded background, the base with an acanthus border foot, the cover surmounted by figural finial of a putto seated on a goat within a laurel wreath and lappet border, the figural handle formed as a semi-clad classical male youth with rusticated terminal, 20cm high, 21cm wide, 13.5cm £800 - 1,200 €940 - 1,400

206 A 19th century German relief carved ivory profile plaque of a Renaissance style woman holding a female nude figure the woman clad in a flowing headdress and draped gown holding a vase on her lap 206 and nude female figurine in her right hand, mounted within an ebonised frame, the plaque with old allover vertical crazing, the plaque 15cm x 12cm, the frame, 25cm x 19.5cm £600 - 800 €710 - 940

207 An Italian marble pen-stand inkwell the shaped back with double pen holder above a rounded cask, the shaped base surmounted by flower-heads, raised on circular feet, 23cm high, 30cm wide, 19cm deep £600 - 900 €710 - 1,100

208Y A late 19th / early 20th century carved ivory erotic figure of Pan probably French, the bearded nude figure standing on a small oval naturalistic base with traces of polychrome, lacking left arms, 21cm high £400 - 600 €470 - 710 207

Period Design | 55 Period Design 209 A pair of French late 19th/early 20th century marquetry serpentine commodes in the Louis XV style each with a later Rouge Griotte marble top above two scrolling floral inlaid drawers, on slender square splayed legs, with inlaid sides, 68cm wide x 35cm deep x 81cm high, (26.5” wide x 13.5” deep x 31.5” high) (2) £1,200 - 1,800 €1,400 - 2,100

210 A 19th century ebonised side table the later rectangular top on four S-scroll supports, with a concave undertier, on squat bun feet, 108cm wide x 56cm deep x 76cm 209 high, (42.5” wide x 22” deep x 29.5” high) £700 - 1,000 €830 - 1,200

211 A set of four carved walnut bergères circa 1830 each with arched backrail carved with stylised anthemia and palmettes, the padded brown leather seat on turned tapering legs to the front and sabre legs to the back, numbered to the underside with various Roman numerals, (4) £1,500 - 2,500 €1,800 - 2,900

212 A mid Victorian Gothic revival carved oak octagonal centre table in the manner of J.G. Crace and A.W.N. Pugin the tilt-top with an acanthus, scroll and rocaille edge, on a vine leaf entwined Solomonic 210 column, terminating in a quatreform base with recmubent lion and claw carved terminals and sunken castors, 160.5cm wide x 160cm deep x 72cm high, (63” wide x 62.5” deep x 28” high) £500 - 700 €590 - 830

An early Victorian oak octagonal centre table, alledgedly supplied by John Gregory Crace under the direction of Augustus Welles Newby Pugin, with similar lion carved terminals and quadripartite base sold Christie’s, 21 June 2004, Chirk Castle auction, lot 150.

213 A French late 19th century mahogany and gilt metal mounted side table in the manner of Adam Weisweiler the pierced galleried Onyx top above an interlacing olive leaf garland mounted frieze, on four ring turned stop-fluted legs, with a pierced quatreform cross stretcher, surmounted by an urn finial, terminating in splayed tapering feet, 61cm wide x 30.5cm deep x 75.5cm high, (24” wide x 12” deep x 29.5” high) £300 - 500 €350 - 590

211 Provenance: Property of a lady

56 | Bonhams Period Design 214 A pair of ‘bantamwork’ and simulated bamboo coffee tables each tabletop inset with a panel depicting figures within a pagoda building amidst a forest landscape, the panels possibly 18th century and removed from larger pieces of furniture, 72cm wide x 55cm deep x 45.5cm high, (28” wide x 21.5” deep x 17.5” high) (2) £700 - 1,000 €830 - 1,200

215 A Regency mahogany and ebonised line- inlaid sofa table with one frieze drawer and one dummy 214 drawer, and conforming opposing arrangement, on a reeded baluster column, terminating in reeded outswept legs with brass claw feet and castors, 104cm wide x 66cm deep x 74cm high, (40.5” wide x 25.5” deep x 29” high) £600 - 800 €710 - 940

216 A set of four French late 19th/early 20th century giltwood salon chairs in the Louis XV style each with a cartouche shaped back and scrolled acanthus, floral, scallop shell and foliate clasped frames, on cabriole legs, 58cm wide, (4) £800 - 1,200 €940 - 1,400

217 A French late 19th century mahogany and gilt brass mounted gueridon the circular pierced galleried marble inset top, on three fluted columns terminating in downswept legs, 36cm wide x 35.5cm deep x 73.5cm high, (14” wide x 13.5” deep x 28.5” high) £200 - 300 215 €240 - 350

Provenance: Property of a lady

218 A North European second quarter 19th century plum pudding mahogany cellaret probably of Baltic origin, of sarcophagus form, the hinged lid enclosing a metal lined interior with eight bottle divisions, on moulded feet and wheel castors, 60.5cm wide x 36.5cm deep x 48.5cm high, (23.5” wide x 14” deep x 19” high) £400 - 600 €470 - 710

Provenance - Sotheby’s Olympia, 25th October 2001, lot 362. 216

Period Design | 57 Period Design

219 222 A French early 20th century Louis XV style gilt and white painted An early 18th century walnut and featherbanded chest on a later four-piece salon suite stand comprising a canapé and three fauteuils à la reine, each with arched with two short drawers above three long graduating drawers, on a later backrail centred to the top by a foliate cartouche, the padded armrests associated stand comprising three short and two deep drawers, over a on scrolling supports, the serpentine seat on cabriole legs and scrolling shaped apron, on baluster turned legs, on bun feet, the upper section of acanthus carved sabots, each with gold-ground upholstery decorated the stand possibly 18th century, the legs probably later, 100.5cm wide x with foliage and crowns, redecorated, the canapé cracked and unstable, 60.5cm deep x 153.5cm high, (39.5” wide x 23.5” deep x 60” high) the canapé: 181.5cm long, (71” long). (4) £600 - 800 £1,000 - 1,500 €710 - 940 €1,200 - 1,800 223* 220 A Dutch 19th century mahogany and fruitwood marquetry bombé A late 19th/early 20th century mahogany bookcase bookcase in the George III style inlaid with stylised flowers, ribbon tied floral bouquets and foliage, the the pair of pointed arched astragal glazed panelled doors enclosing shaped and arched pediment above a pair of arched glazed panelled four adjustable shelves, over a pair of panelled doors, 127.5cm wide x doors, over three long graduating drawers, on claw front feet, the top 49.5cm deep x 222cm high, (50” wide x 19” deep x 87” high) section can be dismantled into different parts, 148cm wide x 48cm deep £600 - 800 £2,000 - 3,000 €710 - 940 €2,400 - 3,500

221 224 A small Flemish late 19th century ebonised and oak cabinet-on- A Dutch 19th century mahogany and fruitwood marquetry stand triangular games table in the 17th century style inlaid with an urn, flowers and a bird, the hinged top enclosing an inlaid the pair of twin panelled doors carved with allegorical figures chess board encompassed by inlaid dominoes, on square fluted tapering representing the four Christian virtues, enclosing seven ripple moulded legs and block feet, 94cm wide x 46.5cm deep x 78cm high, (37” wide x drawers and one conforming door, each carved with Flemish soldiers 18” deep x 30.5” high) and military scenes, on four spiral fluted legs, with a carved undertier £500 - 700 depicting sea creatures, Nereids and tritons, the stand probably €590 - 830 associated, 57.5cm wide x 52.5cm deep x 124.5cm high, (22.5” wide x 20.5” deep x 49” high) £1,200 - 1,800 €1,400 - 2,100

219

58 | Bonhams Period Design

221

220

222 223

Period Design | 59 Period Design

225 226

225 228 After Louis Hottot, French (1829-1905): A An interesting late 19th century English late 19th century bronzed and cold painted terracotta miniature portrait bust study of spelter figure of an African Moor Lord Revelstoke, dated 1887 the male figure leaning forward, his back the bust modelled from life, mounted on an against a curved balustrade, clad in a short ebonised cylindrical plinth with a plaquettte draped robe and coin hung headdress holding inscribed ‘sketch study in Terra Cota LORD a sword hilt in his right hand, on formalised REVELSTOKE modelled at breakfast at 37 foliate cast square plinth base, signed L. Hottot Charles Street, Berkeley Square, W, London, to the rear of the base, blade of sword now 16th, 17th February 1887’, 30cm high overall lacking and with typical minor losses to paint, £250 - 350 49cm high €300 - 410 £800 - 1,200 €940 - 1,400 229 An early Victorian patinated bronze crane 226 candlestick in the manner of Abbot & Co. A pair of late 19th century French the acanthus urn nozzle by a standing cranes patinated bronze figures of native with a crown about its neck, standing on a 227 American hunters rock-work bases, the cast iron loaded inner the first clad in a feathered arm band, base indistinctly marked to the underside, necklace, cape and loin cloth, holding a bow 39cm high and a dead goat, his companion similarly clad, holding a large knife and two dead fish, both standing on naturalistic circular bases, on circular black moulded plinths, 46cm high overall (2) £500 - 800 €590 - 940

227Y A late 19th century French carved ivory figural group of a courting couple on a Continental silver base the couple wearing elaborate 18th century style costume standing on a naturalistic base, the circular bombé base with acanthus ‘C’ and ‘S’ scroll repousse panelled decoration on scrolling feet, the underside with control marks stamped 800, the ivory figure 13.5cm high, with base 21cm high overall £300 - 500 228 €350 - 590

60 | Bonhams Period Design

231 230

230 Pierre Hugonnet, French (fl. early 20th century): An Art Deco patinated bronze model of a fallen stag circa 1930 the leaping animal falling on its front legs, on stepped porto and part reeded black marble plinth base, signed P.Hugonnet to one corner, 33cm high, 72cm wide £1,200 - 1,800 €1,400 - 2,100

231 Roger Godchaux (French, 1878 - 1958): A bronze model of a dog playing with a ball the dog springing up to catch the ball in his mouth, on a rectangular naturalistic base, dark brown and verdegris patination, 19cm high, 16cm wide 232 £1,000 - 1,500 €1,200 - 1,800

232 Emmanuel Fremiet (French, 1824-1910): A patinated bronze figural group of Pan et oursons the reclining figure of the young pan observing two snarling cubs on naturalistic base, signed to one side E. Fremiet, the opposing side marked F. BARBEDIENNE, fondeur Paris,33cm wide £400 - 600 €470 - 710

233 Kate Denton, British (b. 1954): A pair of bronze figures of hares one seated on his haunches, the other on all fours, signed K. Denton, green verdigris patination, 54cm high and 27cm high (2) £1,000 - 1,500 €1,200 - 1,800

234 After Guillaume Coustou, French (1677-1746): A pair of late 19th century French patinated bronze models of the Marley horses the rearing horses restrained by classical male figures, on naturalistic bases, dark brown patination, 41cm high £800 - 1,000 233 €940 - 1,200

Period Design | 61 Period Design

237 235 (two from a set of eight)

236

238

235 237Y A set of eight George III mahogany dining chairs A French second half 19th century gilt bronze mounted rosewood including two armchairs, each with a vertical stiff leaf, husk and drapery table de nuit swagged splat, on square tapering legs, restorations, the armchairs: in the Louis XV style 58.5cm wide, the other chairs: 51cm wide, (8) the shaped galleried Carrara marble top above one drawer and one £1,000 - 1,500 door disguised as two drawers, enclosing a void metal lined and marble €1,200 - 1,800 interior, on square section cabriole legs, 40cm wide x 34cm deep x 77cm high, (15.5” wide x 13” deep x 30” high) 236Y £400 - 600 A pair of Italian 19th century ebonised and ivory-inlaid wall €470 - 710 mirrors each having a broken moulded pediment above an ivory line-inlaid Provenance: Property of a lady frieze centred by a moulded spire finial, all above a bevelled mirror plate within a moulded slip and a surround inlaid with an engraved ivory 238 plaque of either a portrait medallion or a figure at each cardinal point, A pair of white painted library armchairs the corners inlaid with strapwork reserves filled with scrolling foliage and in the Empire style arabesques, 47cm wide, 72cm high (18.5” wide, 28” high) (2) probably Swedish, each with stylised scrolling foliate arm terminals and £1,000 - 2,000 seat frame, on roundel capped reeded tapering front legs and splayed €1,200 - 2,400 back legs, 84cm wide, (2) £600 - 800 €710 - 940

62 | Bonhams Period Design

239 241 (two from a set of eight)

240 242

239Y 241 A French 19th century burr walnut, rosewood, thuyawood and A set of eight Victorian mahogany dining chairs stained fruitwood marquetry occasional table in the George III style the square top inlaid with a floral embellished musical trophy, each with a shield shaped back and rosette and drapery swag carved encompassed by four hinged shaped leaves, on four ebonised incurved interlacing splat, on square tapering legs, 52cm wide, and splayed legs, joined with an X-stretcher, unextended: 45cm wide x £500 - 700 45cm deep x 72cm high, (17.5” wide x 17.5” deep x 28” high) €590 - 830 £400 - 600 €470 - 710 242 This lot has been withdrawn A pair of late 19th/early 20th century satinwood and polychrome 240 decorated caned armchairs A pair of late 19th/early 20th century later painted fauteuils in the Sheraton style in the Louis XVI style each painted with a grisaille tablet depicting cherubs, above a splat each with ribbon-and-reel carved back, arm terminals and seat frames, decorated with a floral swagged pearled oval depicting a maiden and on stop fluted tapering legs, re-decorated, 60.5cm wide, (2) cherub, over pierced interlacing arches, on ring turned tapering front £400 - 600 legs and splayed back legs, 54cm wide x 50cm deep x 92cm high, (21” €470 - 710 wide x 19.5” deep x 36” high) (2) £600 - 800 €710 - 940 Provenance: Property of a lady

Period Design | 63 Period Design

244 245

243 A Shirvan rug, Azerbaijan, East Caucasus, 202cm x 143cm together with another rug (2) £250 - 350 €300 - 410

244 A Kayseri rug, West Anatolia, 177cm x 120cm £1,000 - 1,500 €1,200 - 1,800

245 A silk Kashan rug, Central Persia, 210cm x 120cm £1,200 - 1,800 €1,400 - 2,100

246 A Kashgai rug, South West Persia, 246 158cm x 133cm £500 - 700 €590 - 830

64 | Bonhams Period Design

247 248

247 An Isfahan rug, Central Persia, 230cm x 147cm £800 - 1,200 €940 - 1,400

248 A Kirman rug, South East Persia, 220cm x 140cm £500 - 700 €590 - 830

249 A Mahal carpet, West Persia, 402cm x 302cm £500 - 700 €590 - 830

250 An Isfahan rug, Central Persia, 213cm x 152cm, signed £800 - 1,200 €940 - 1,400

250

Period Design | 65 Period Design

251

251 254* A three piece suite of Indian carved solid marble garden furniture A Dutch first half 19th century mahogany and fruitwood comprising two chairs and one bench, each with a pierced scrolling secretaire à abbatant foliate, sunflower and peacock neck splat and sides, on stiff-leaf capped inlaid with urns, birds, stylised flowers and foliage, with chequer inlaid reeded baluster tapering legs, the bench: 142cm wide, the chairs: borders, the frieze drawer above a fall (locked), over a pair of doors, on 61.5cm wide, (3) square tapering legs, 88cm wide x 41cm deep x 152cm high, (34.5” £2,000 - 4,000 wide x 16” deep x 59.5” high) €2,400 - 4,700 £800 - 1,200 €940 - 1,400 252Y A Regency rosewood, simulated rosewood and brass-strung dwarf 255 waterfall bookcase A mid Victorian mahogany collectors’ Wellington chest comprising three graduating shelves within shaped sides, above a pair of comprising fourteen drawers, flanked by fluted pilasters, on a plinth later grill and pleated material inset panelled doors, over one drawer, on base, 52cm wide x 49cm deep x 125.5cm high, (20” wide x 19” deep x sabre front legs and square tapering back legs, 62cm wide x 31cm deep 49” high) x 138cm high, (24” wide x 12” deep x 54” high) £500 - 700 £700 - 1,000 €590 - 830 €830 - 1,200

256Y 253 A mid Victorian amboyna, ebonised and ivory inlaid side table A small French early 20th century gilt metal and ceramic mounted the quarter veneered top above one frieze drawer, on ring turned mahogany vitrine fluted twin columnar end supports, with a conforming cross stretcher, in the Louis XV style terminating in outswept legs with ceramic castors, 130cm wide x 66cm of serpentine form, the glazed panelled door enclosing a mirrored deep x 73.5cm high, (51” wide x 25.5” deep x 28.5” high) interior and two glass shelves, on square section cabriole supports, 54cm £700 - 1,000 wide x 37.5cm deep x 95.5cm high, (21” wide x 14.5” deep x 37.5” €830 - 1,200 high) £500 - 800 €590 - 940

66 | Bonhams Period Design

253

252

254 255

Period Design | 67 Period Design

258 257

257 260 A 19th century patinated and parcel gilt A pair of Indian carved marble and lapis bronze three light colza light inset lotus tazza in the the Regency style the shallow bowl tops with gadrooned edges the lotus moulded arms issuing from a shallow on slender baluster stem supports and circular bowl central section with floriate knopped bases, 98cm high terminal, surmounted by a flambeau and £700 - 1,000 palmette mounted pedestal urn, with foliate €830 - 1,200 ring suspension loops and ring and foliate cast suspension chains, the corresponding 261 ceiling rose with floriate knopped terminal and A late 19th century French gilt bronze later frosted glass baluster shades, fitted for figural group of the Rape of the Sabine electricity, 90cm drop approximately women £600 - 800 typically modelled on square naturalistc base, €710 - 940 raised on a canted stepped porto marble plinth 259 base, 65.5cm high 258 £400 - 600 A late 19th / early 20th century patinated €470 - 710 and gilt bronze ten light chandelier in the Empire style Y the elaborate multi-scrolling acanthus arms 262 with ‘engine turned’ foliate nozzles with A late 19th century bronze and detachable drip pans above lobed collars, all chryselephantine figural group of St issuing form a shallow wreath cast dished George and the Dragon central section with vase cover, the anthemion St George seated on his rearing horse and rosette corona rose with fancy link preparing to spear the dragon with his halberd, suspension chains, 90cm drop approximately the dragon writhing on the ground, on a including suspension chains naturalistic rectangular stone base, 37.5cm £700 - 1,000 wide x 40cm high €830 - 1,200 £700 - 900 €830 - 1,100 259 A pair of Indian carved marble lotus jardinieres of typical circular form with slightly everted rims, 34cm high, 43cm diameter £700 - 1,000 €830 - 1,200 260

68 | Bonhams Period Design

262 263

264 264 266 265

263 264 265 Edme Antony Noel, known as Tony Noel, A pair of 19th century Italian patinated A late 19th century Italian bronze figural French (1845-1909): A patinated bronze bronze figural candlesticks group of Hercules and Antaeus figure of Orpheus and Cerberus in the Renaissance style, after a model by Stefano Maderno, Italian the long hair youth holding a lyre in his left the candle nozzles on acanthus cast dished (1575-1636) hand, his left foot on the body of Cerberus ,on drip pans, the composite baluster supports dark brown patination, lacking original base, naturalistic circular base, signed Tony Rome. with female term, flower and grotesque and 54.5cm high approximately the rear with circular Thiebaut Freres foundry turbaned moor maskhead decoration, the £400 - 600 pastille mark, 97cm high lower vase sections supported by seated putti, €470 - 710 £1,000 - 2,000 on elaborate grotesque maskhead, oval boss €1,200 - 2,400 and scrolling tripartite bases raised on paw 266 feet, one candlestick lacking central rod and A mid 19th century French patinated Noel’s work concentrated on mythological now in sections, 52cm high bronze figural group of Christ tempted by and classical themes initiated by his Thésée £600 - 800 Satan vainqueur du Minotaure which won him the €710 - 940 the figure of Christ with crossed arms clad in Prix de Rome in 1868 and culminating in his folded drapery supported by the kneeling wing monumental gilt bronze group Apollon et les figure of Satan, a serpent wrapped around his Muses de la Musique et de la Danse on the legs, on naturalistic rockwork base, 70cm high Grand Palais around 1900. £700 - 900 €830 - 1,100

Period Design | 69 Period Design

267

267 270 A pair of Louis XV-style lacquered brass-mounted, kingwood, A Dutch walnut and fruitwood marquetry bureau cabinet walnut, ebonised and floral marquetry fold-over swivel-action in the mid 18th century style card tables the shaped arched pediment above a pair of shaped glazed panelled each having a serpentine top inlaid with musical trophies in an ebonised doors enclosing three shelves, over a fall enclosing seven drawers, four reserve, within a scrolling foliate border of arabesques and flowers, and pigeon holes, two bookends and one central door, with lopers and three four bird-inlaid spandrels, one enclosing a baize-lined playing surface, drawers below, flanked by bombé angles, on claw feet, 120cm wide x the other a veneered interior, within an inlaid and stained meandering 70cm deep x 225cm high, (47” wide x 27.5” deep x 88.5” high) floral garland, the shaped front frieze with conforming floral marquetry £600 - 800 centred by an inlaid bird, raised on four cabriole supports with figural €710 - 940 mounts to the knees and terminating in acanthus-cast sabots, decorated in the round, 87cm wide, 46.5cm deep, 75cm high (34” wide, 18” deep, 271 29.5” high). (2) A Louis XV/XVI Transitional tulipwood and amaranth bibliotheque £4,000 - 6,000 of small proportions, the later Carrara marble top above a pair of quarter €4,700 - 7,100 veneered twin glazed panelled doors, enclosing three later adjustable shelves, flanked by canted angles partially inlaid with flowers, the 268 marquetry to the angles possibly later, 80cm wide x 39cm deep x 137cm A pair of French late 19th/early 20th century gilt bronze mounted high, (31” wide x 15” deep x 53.5” high) kingwood serpentine vitrines £700 - 1,000 in the Louis XV style €830 - 1,200 each with acanthus and rocaille chute mounts, the Rouge Griotte marble top above a pair of glazed panelled doors, enclosing two glass shelves, Provenance: Property of a lady with keeled angles, terminating in squat square section supports, 111cm wide x 46.5cm deep x 171.5cm high, (43.5” wide x 18” deep x 67.5” 272 high) (2) A French 19th century giltwood and gilt gesso mirror £5,000 - 7,000 in the Regence style €5,900 - 8,300 the later plate within a scroll, rocaille and foliate surround, probably originally a picture frame, 86cm high x 104cm wide, 269 £500 - 700 A Dutch 18th century walnut corner cabinet-on-chest €590 - 830 the shaped arched pediment centred with a carved cresting, above a pair of shaped panelled doors, enclosing three shelves, on a bombé base comprising three drawers, over a waved apron, on large bun feet, the top section dismantles into various constituent parts, 145cm wide x 78cm deep x 234cm high, (57” wide x 30.5” deep x 92” high) £800 - 1,200 €940 - 1,400

70 | Bonhams Period Design

268 (one from a pair)

269

270 271

Period Design | 71 Period Design

273 (two from a set of six) 275

274 276

273 275Y A set of six Regency later decorated simulated rosewood and A 19th century gilt metal mounted tortoiseshell and brass ‘Boulle’ parcel gilt dining chairs marquetry ebony serpentine commode à vantaux including a pair of armchairs, the crestings and splats decorated with possibly French, of small proportions, inlaid with stylised scrolling foliage, neo-classical urns and leafy scrolls, the caned seats above sabre legs, the acanthus and honeysuckle, the Carrara marble top above an oval panel armchairs: 55cm wide, the remaining chairs: 47.5cm wide, (6) mounted door, enclosing two shelves, over a shaped base, 107cm wide x £700 - 1,000 49cm deep x 106.5cm high, (42” wide x 19” deep x 41.5” high) €830 - 1,200 £2,000 - 3,000 €2,400 - 3,500 Provenance - reputedly the above set of dining chairs formerly belonged to Lady Ashcombe, Countess of Caledon. 276 A Singhalese first half 19th century jak wood and ebony breakfast 274 table A George IV mahogany library armchair the circular tilt-top with an ebony line-inlaid border, on a ring turned with scroll arm supports, on baluster turned front legs and square reeded block-and-baluster column, terminating in a reeded platform splayed back legs, terminating in castors, 67.5cm wide, base and reeded outswept legs, 126cm wide x 125cm deep x 76.5cm £500 - 700 high, (49.5” wide x 49” deep x 30” high) €590 - 830 £1,000 - 1,500 €1,200 - 1,800

72 | Bonhams Period Design

279 277

278

280 277 279* A Victorian walnut and marquetry dwarf display cabinet A pair of Louis XVIII/Charles X mahogany fauteuils inlaid with stylised flowers, the arched glazed panelled door enclosing a each with a curved rectangular back and lotus-leaf clasped downswept mirrored interior and two glass shelves, on a shaped base, 82cm wide x arm supports, on ring turned front legs and square splayed back legs, 38cm deep x 108.5cm high, (32” wide x 14.5” deep x 42.5” high) 58cm wide, (2) £500 - 700 £600 - 800 €590 - 830 €710 - 940

278 280 A Victorian figured walnut breakfast table An early Victorian oak library armchair the circular tilt-top on a gadrooned baluster shaped column, terminating with scroll arm supports, on lappet clasped baluster front legs and in scrolled outswept legs with ceramic castors, 136cm wide x 136cm splayed square section back legs, terminating in brass cappings and deep x 75cm high, (53.5” wide x 53.5” deep x 29.5” high) castors, 67cm wide, £800 - 1,200 £500 - 700 €940 - 1,400 €590 - 830

Period Design | 73 Period Design

284 A second quarter 19th century French gilt bronze figural mantel clock in the Troubadour style the movement signed Furret a Paris the rectangular case surmounted by a holy water stoop, flanked to one side by a maiden in pseudo-medieval dress, standing on a waisted rectangular plinth with strap work and figural mounts, the pierced cast frieze with central putto on elaborate scrolling feet, the 3.75 inch enamel dial with Roman numerals signed Brevet de Perfection, the twin drum brass movement striking on a bell with key on 281 282 foot detached but present, 47cm high £1,000 - 1,500 €1,200 - 1,800 281 A small George III style walnut bracket 285 clock A late 19th century French gilt bronze and the dial signed John Smith, London and porcelain mounted clock garniture the bell top surmounted by a brass handle the movement signed Japy Freres and flanked by four pinecone finials, the the elaborate waisted arched case surmounted arched door with brass caryatids, the sides by a twin handled urn and flanked to the with pierced grilles, on plinth base and bracket sides with stylised acanthus scrolls on inverted feet, the silvered arched dial with moonphase breakfront plinth base on toupie feet, the and engraved centre, the continental brass front with inset ‘jewelled’ Servres style panels twin train movement with outside countwheel figural and landscape panels within bleu de striking on a gong, with pendulum and key, roi borders, the Roman dial similar decorated 45cm high overall and centred by twin putti, the brass twin train £600 - 800 movement striking on a bell, the garniture 283 €710 - 940 formed as floral garland hung pedestal urns, the porcelain bodies similarly decorated, on 282 corresponding acanthus scroll bases, the clock A mahogany, inlaid and strung bracket and garniture on giltwood stands and ebonised clock bases one garniture vase lacking one inset parts 18th century, the dial signed Henry Stockar, London porcelain panel to base, the clock lacking glass the rectangular case with moulded and swept dome, the clock, 36cm, the garniture vases, caddy top with shaped brass carrying handle 35cm high (not including stands and domes and pineapple finials, the arched glazed door and bases) (3) with sunray inlaid decoration flanked by fluted £800 - 1,200 and stop reeded chamfered corners, the sides €940 - 1,400 with arched fishscale panels below brass carrying handles, the moulded plinth base on 286 brass bracket feet, the arched brass dial with A third quarter 19th century French gilt mask head spandrels, the 6.5” silvered Roman bronze and black slate figural mantel clock, chapter ring, the centre with a central silvered the movement signed Japy Freres, the figural Arabic dial overlaid on a sanded brass ground, mount after Jean Jacques ‘James’ Pradier the arch with a signed silvered roundel, the (French, 1792-1852) later brass four pillar twin train movement with the rectangular case surmounted by a winged earlier reversed foliate engraved plate, striking putto holding a mirror and seated on a on a bell, with pendulum, winder and key, cushion, signed J Pradier, the beaded bezel 284 59cm high within a strapwork and foliate cast surround, £1,000 - 1,500 similarly cast moulded plinth with foliate €1,200 - 1,800 scrolling corner pieces, on corresponding feet, the 3.5 inch enamel dial with Roman numerals, 283 the brass movement with outside countwheel A late 19th century French gilt brass figural striking on a bell, with pendulum, 40cm high and porcelain mounted mantel clock £500 - 800 the movement signed Mioy Fres, A Paris €590 - 940 the drum case flanked to one side by a seated figure of a gentleman in 18th century style costume, the elaborate Rococo style base inlaid with Sevres style porcelain plaques enamelled with flowers on a blue Celeste ground, resting on a corresponding gilt-wood base, the 3.75 inch enamel dial with Roman numerals, the bronze twin drum movement with pendulum, signed Miroy Fres, A Paris, 29.5 high overall £800 - 1,200 285 €940 - 1,400

74 | Bonhams Period Design

289 287

288 290

287W Y 289 A late 17th/early 18th century French tortoiseshell and brass inlaid A mahogany bracket clock of small size boulle marquetry religieuse clock the dial signed James Rigby, London the dial signed Charles Champion, Paris the shallow bell topped case with central handle over canted corners, the Roman chapter ring on a black velvet ground, above a figure of shaped and circular glazed panels and a moulded base on brass ogee Chronos seated on a signed pediment, the glazed front door flanked bracket feet, with pierced and engraved quadrant sound frets to the to each side by a fluted pilaster with Corinthian capital, surmounted by brass lined front and rear doors, the 5.5” arched brass dial with strike/ an arched top centred by lambrequins and flanked by flaming urns, the silent in the arch over scroll spandrels, a Roman and Arabic chapter ring glazed sides with similar pilasters, inlaid overall with scrolling foliage, and matted centre with recessed signature plaque and blued steel hands, on toupie feet, the adapted movement with later anchor escapement the twin fusee movement with anchor escapement rack striking on a signed Pia Paris 59cm (23.25in) high. bell, 36cms high £1,500 - 2,500 £3,000 - 4,000 €1,800 - 2,900 €3,500 - 4,700

288 James Rigby worked in Clerkenwell between 1795-1808 and succeeded A late 19th century German gilt bronze mounted and ebonised Leroux in 1808 at Charing Cross until 1830. mantel chiming mantel clock the dial signed G. Cornell, Maidstone 290 rectangular case with floriate urn finials, the arched pediment with A late 17th century lantern clock maskhead mount and turned boss top surmounted by a corresponding by George Alldridge urn, the arched door with scrolling shell mounts, the canted sides with The pierced bell strap supported by turned urn finials, bordering the scrolling ribbon tied trophy mounts, the arched pierced sides below engraved front fret with addorsed dolphins amongst foliage, over serpent and shell drop handles, the stepped and moulded plinth base tapered corner columns and ball feet, the signed 6.25” Roman dial with on scrolling feet, the arched brass dial with foliate mounts and corners, trident half hour marks and single iron hand, the dial centre engraved the 7” signed silvered Roman chapter ring with outer five minute Arabic with a naive vase and foliage beneath a stylised signature, the weight divisions and sanded centred, the arch with silvered subsidiary dials driven movement converted to anchor escapement, shaped hammer marked Chime on eight bells / Silent and Chiming / Silent, the brass four stop, chamfered hammer spring and outside countwheel strike on a later pillar with triple barrel movement chiming on eight bells and striking on bell; together with a modern wall bracket, 32cm high a gong, with pendulum and door key, 73cm high £1,500 - 2,500 £1,200 - 1,500 €1,800 - 2,900 €1,400 - 1,800

Period Design | 75 Period Design

291 293

291 A Fereghan rug, West Persia, 187cm x 137cm £2,000 - 3,000 €2,400 - 3,500

292 A Senneh rug, West Persia, 190cm x 125cm £600 - 800 €710 - 940

293 A Tabriz carpet, North West Persia, 283cm x 187cm £700 - 1,000 €830 - 1,200

294 A Isfahan carpet, Central Persia, 481cm x 244cm £3,500 - 4,500 €4,100 - 5,300

294

76 | Bonhams Period Design

296 297

295 A Sarouk carpet, West Persia, 349cm x 228cm £300 - 500 €350 - 590

296 A Mohtashem Kashan rug, Central Persia, 150cm x 102cm £3,000 - 5,000 €3,500 - 5,900

297 A Sarouk Feraghan rug, West Persia, 206cm x 135cm £2,500 - 3,500 €2,900 - 4,100

298 An Anatolian silk rug of Salting design, 180cm x 141cm £3,000 - 5,000 €3,500 - 5,900

298

Period Design | 77 Period Design 299 A mid Victorian ebonised and ivory inlaid credenza by Edwards & Roberts with a glazed panelled door enclosing a mirrored interior and two glass shelves, flanked by six flute-inlaid Corinthian columns, on bun feet, the reverse applied with a paper label and an ivorine plaque bearing: ‘EDWARDS & ROBERTS... 532, OXFORD ST., LONDON’, 154.5cm wide x 44cm deep x 104cm high, (60.5” wide x 17” deep x 40.5” high) £1,000 - 1,500 €1,200 - 1,800

300Y A Victorian rosewood framed sofa the scroll carved arm terminals, above cushion moulded sofa frame, on baluster form lobe and fluted feet, with baluster form back supports 299 211cm wide x 86cm deep x 84cm high, (83” wide x 33.5” deep x 33” high) £700 - 1,000 €830 - 1,200

Provenance: Blairquhan, The Selected Contents of Two Great Scottish Houses, Christie’s, London, 24th May 2007, lot 190

301 A French late 19th century Louis XVI-style ormolu-mounted kingwood concertina table à jeux the rectangular Swedish green marble hinged folding top within a lotus-leaf surround, opening to a green playing surface, above a frieze, extending with a push release button and with floral garlands and lioness masks centred by a cartouche depicting frolicking putti, on square tapering legs headed with and foliate toupie feet, the lock inscribed :J.SCHALLER PARIS/ Serrurier, unextended: 94cm wide, 47cm deep, 78.5cm high (37” wide, 18.5” deep, 30.5” high); extended: 93cm 300 wide, 93cm deep, 76cm high (36.5” wide, 36.5” deep, 29.5” high). £2,000 - 4,000 €2,400 - 4,700

302 A Victorian and later mahogany drum top writing table the circular gilt tooled leather inset top above four frieze drawers and four dummy drawers, on a ring turned baluster support terminating in three scrolled downswept legs, on spherical feet, the base probably later, 56.5cm wide x 57.5cm deep x 74.5cm high, (22” wide x 22.5” deep x 29” high) £300 - 400 €350 - 470

301

78 | Bonhams Period Design 303 A mid Victorian Gothic revival oak sideboard together with two mid Victorian oak desk chairs the sideboard design attributed to William White, the chairs by William White the shaped gallery with a boxwood bust of a lady to the centre, above a frieze bearing the inscription: ‘qui posuit fines tuos pacem; et adipe frumenti satiat te’, (Psalms 147: 14-9), above three frieze drawers, over two panelled doors inlaid with ebonised Maltese crosses inset with marble spheres, each leather chair on chamferred square section legs, each chair with a printed paper label: ‘Part of B. Court Collection of Wm White furniture’, 215cm wide x 70.5cm deep x 174cm high, (84.5” wide x 27.5” deep x 68.5” high) the two chairs: 49cm wide, (3) £1,000 - 1,500 €1,200 - 1,800

Provenance - Reputedly originally housed at Bishop’s Court, Sowton, Exeter. The American and European Furniture sale, Bonhams New York, 23 June 2011, lot 3160.

A chair and wrought-iron pricket stick by William White, the so-called ‘Muscular Gothic’ Victorian architect and furniture designer, are illustrated in Jeremy Cooper’s “Victorian and Edwardian Furniture and Interiors”, 1987, pl’s 215 and 218, 303 p.103. The most notable element of the pricket stick made for the chapel at Bishop’s Court - the inset stone and glass spheres or cabochons - appear again inset into the doors of the base on the present lot.

William White (1825-1900) was one of the leading architects in Victorian England. His work is found not only throughout England but also in Ireland, South Africa and Madagascar, and consisted of cathedrals, churches, houses, schools, commercial buildings, furniture, stained glass and ironwork.

304 A 19th century Biedermeier satinbirch and ebonised sofa the shaped and scrolled back above outcurved arm supports, the seat frame flanked to each side by twin ring turned columnar arm terminals, 231cm wide, 304 £800 - 1,200 €940 - 1,400

Provenance - American and European Furniture, 23rd June 2011, Bonhams New York, lot 3140.

305 A mahogany and ebonised line-inlaid writing table in the Regency style the rectangular tooled leather inset top with projecting angles, above three frieze drawers, on lappet clasped baluster turned tapering legs, 139cm wide x 89.5cm deep x 79cm high, (54.5” wide x 35” deep x 31” high) £600 - 800 €710 - 940

306Y A Regency rosewood and brass line inlaid D-shaped card table the sliding hinged top enclosing a baize lined playing surface, on scrolled supports terminating in brass castors, 94cm wide x 46cm deep x 74cm high, (37” wide x 18” deep x 29” high) £400 - 600 305 €470 - 710

Period Design | 79 Period Design

307 A Venetian etched and engraved glass 309 marginal mirror An early 20th century Art Nouveau the shaped bevelled giltwood overmantel mirror plate encompassed by probably German/Austrian, the arched later foliate clasped C-scroll plate surmounted by small marginal plates, and acanthus form within a floral and foliate embellished plates, surmounted surround, 154cm high x 142cm wide, by an oppsing C-scroll £500 - 700 cresting plate engraved €590 - 830 with flowers to the centre, 127cm high x 84cm wide, £600 - 800 €710 - 940

308 310 A late 19th/early 20th A pair of powder blue century giltwood mirror painted and parcel gilt in the George III style mirrors the later plate within a in the North European floral pendant, scrolled Neoclassical style acanthus and pierced each of lyre form, the later rocaille surround, with plate within acanthus clasped opposing C-scroll, stalagtite S-scrolls, with leaf wrapped and pagoda cresting, baluster stretchers, 134.5cm 159cm high x 82cm wide, high x 105cm wide, (2) £600 - 800 £2,000 - 3,000 €710 - 940 €2,400 - 3,500

(one of a pair)

80 | Bonhams Period Design

313 311 A pair of small Italian A late 19th/early 20th century mid 19th century giltwood and composition Rococo revival overmantel mirror giltwood mirrors the later arched plate surmounted by each with a later a scrolling acanthus and cabochon rectangular plate embedded cartouche cresting, within a foliate scrolled, 158cm high x 146.5cm wide, acanthus, floral and £400 - 600 rocaille surround, €470 - 710 surmounted by a pierced trellis cresting, 59cm high x 30cm wide, (2) £800 - 1,200 €940 - 1,400

312 314 A late 18th century style A Dutch late 17th/early 18th giltwood mirror century walnut and fruitwood the rectangular plate within marquetry mirror a husk surround, with a the later rectangular bevelled plate pierced scrolling foliate and within an ogee moulded frame acanthus cresting, 146cm inlaid with flowers and foliage, high x 76cm wide, 57cm high x 48cm wide, £400 - 600 £1,200 - 1,800 €470 - 710 €1,400 - 2,100

Period Design | 81 Period Design

315

315 After François Duquesnoy, Flemish (1594-1643): A 19th century Italian carved white marble figure of sleeping cupid the child reclining on a drapery, his head resting on a quiver of arrow, a bow at his side, on later corresponding shaped oval porto marble shallow plinth 34cm high, 59cm high, 34cm deep £2,000 - 4,000 €2,400 - 4,700

316 The theme of cupid sleeping appears frequently in classical Greek and Roman art, later becoming a universal symbol of absent or languishing love during the Renaissance period, most notably in Michelangelo’s now lost work of 1496 which in itself was made to appear ‘antique’. The sculpture of the sleeping boy god by Duquesnoy, active in Rome in the first half of the 17th century particular in itself inspired a series of small-scale sculptures of sleeping children popular in the 18th and 19th century.

316 A pair of late 19th century rock crystal and gilt-bronze candlesticks each tapering fluted stem surmouted by a foliate drip-pan and candle holder, on a stepped circular base, 20cm £1,000 - 2,000 €1,200 - 2,400

317 A early 17th century Flemish alabaster group of the Farnese Bull possibly Malines the bull and figures standing on a naturalistic carved base with a child to the front, 45cm high, 38cm wide, 25cm deep £1,500 - 2,000 €1,800 - 2,400 317

82 | Bonhams Period Design

318

318 William Brodie, Scottish (1815-1881) William Brodie began his working life as an apprentice to a plumber in A marble figure of a young woman Aberdeen. However he became interested in sculpture and thus began to in Elizabethan dress model small medallion portraits. On moving to Edinburgh he studied at the figure with slightly downturned head supported by her right hand the Trustees School of Design in Edinburgh. He later travelled to Rome in standing in front of a tree stump, raised on a circular base, inscribed Wm 1853 and studied under Laurence Macdonald. Establishing a successful BRODIE R.S.A, Sc 1874, 89cm high studio specializing in portrait busts, public monuments and architectural £4,000 - 6,000 sculpture, he also provided Edinburgh’s cemeteries with some of their €4,700 - 7,100 finest monuments and portrait busts. He exhibited his work at both the Royal Scottish Academy and the Royal Academy in London.

Period Design | 83 Period Design

319

321

320 322

319 321 A late George III mahogany butler’s tray on stand A North Italian walnut and ebonised banded commode the X-frame stand comprising four ring turned baluster supports, 93cm inlaid with boxwood stringing, the three drawers flanked by canted wide x 74cm deep x 67cm high, (36.5” wide x 29” deep x 26” high) angles, on square tapering feet, probably incorporating some late 18th/ £500 - 700 early 19th century elements, 92cm wide x 58cm deep x 84cm high, (36” €590 - 830 wide x 22.5” deep x 33” high) £400 - 600 320 €470 - 710 A George III mahogany chest the caddy top above a brushing slide and four long graduating drawers, 322 on shaped bracket feet, 96cm wide x 49cm deep x 86.5cm high, (37.5” An early Victorian walnut and burr yew banded games table wide x 19” deep x 34” high) of small proportions, the swivel hinged top enclosing a baize playing £600 - 800 surface, above two small drawers and a games slide inlaid with a €710 - 940 backgammon board and chess board to the reverse, 70.5cm wide x 45cm deep x 73.5cm high, (27.5” wide x 17.5” deep x 28.5” high) £500 - 700 €590 - 830

84 | Bonhams Period Design

325

323

324 326

323* 325Y A German second quarter 18th century walnut commode A George IV rosewood davenport comprising four long banded drawers, on later feet, 114cm wide x the hinged fall enlcosing two drawers, above a pen and ink drawer and 62.5cm deep x 84cm high, (44.5” wide x 24.5” deep x 33” high) four long drawers, with Ionic pilasters flanking the panelled front, 55cm £1,000 - 1,500 wide x 53cm deep x 81.5cm high, (21.5” wide x 20.5” deep x 32” high) €1,200 - 1,800 £500 - 800 €590 - 940 324 A Regency mahogany hall table 326 of small proportions, with one frieze drawer, on four baluster turned A Dutch 18th century mahogany and fruitwood marquetry bombé legs, with a platform undertier, 70cm wide x 29.5cm deep x 78cm high, bureau (27.5” wide x 11.5” deep x 30.5” high) with chequer inlay, the fall inlaid with a ribbon tied and husk swagged £500 - 700 portrait bust roundel and military trophy, enclosing eight drawers, a €590 - 830 central door and an inkwell with a sliding top, above two loper drawers, over two short and two long drawers, with a shaped apron below, on splayed feet, 101.5cm wide x 52cm deep x 105cm high, (39.5” wide x 20” deep x 41” high) £1,000 - 1,500 €1,200 - 1,800

Period Design | 85 Period Design

327 A pair of French 19th century walnut wingback bergeres in the Louis XV style each with floral, shell and foliate carved frames, on cabriole legs, 69.5cm wide, (2) £1,500 - 2,000 €1,800 - 2,400

328 A pair of early Victorian plum pudding mahogany pedestal cupboards probably Irish, each with a rounded panelled door, enclosing one shelf, flanked by cabochon encrusted and clover-leaf clasped corbel scrolled canted angles, on a plinth 327 base, probably originally the pedestals to a sideboard, 76.5cm wide x 76.5cm deep x 100.5cm high, (30” wide x 30” deep x 39.5” high) (2) £800 - 1,200 €940 - 1,400

329 A Regency mahogany breakfast table the rounded rectangular tilt-top with a reeded edge, on a ring turned column, terminating in reeded outswept legs with brass cappings and castors, 153.5cm wide x 121cm deep x 72cm high, (60” wide x 47.5” deep x 28” high) £800 - 1,200 €940 - 1,400

330 A pair of French late 19th century beech wingback bergeres in the Louis XVI style each with a ribbon-and-reel moulded toprail centred by a pierced ribbon tied floral and wheatsheaf cresting, above acanthus clasped and entrelac arm terminals, on fluted tapering 328 legs, 65cm wide, (2) £400 - 600 €470 - 710

331 A decorated glass pier table together with a matching mirror the rectangular bevelled plate surmounted by an exotic bird cresting, above a mirror glass tabletop, over a dragon and floral decorated frieze, on square tapering legs, probably second quarter 20th century, 76cm wide x 42cm deep x 82cm high, (29.5” wide x 16.5” deep x 32” high) (2) £400 - 600 €470 - 710

329

86 | Bonhams Period Design

332 A pair of Empire white-painted and parcel- gilt fauteuils each with a channelled scrolling rectangular back, the padded armrests on scroll supports, the bow-fronted upholstered seat on lion’s paw feet to the front and sabre legs to the back, redecorated (2) £2,000 - 3,000 €2,400 - 3,500

333 An Edwardian mahogany kneehole desk in the Chippendale revival style the moulded top with a gilt tooled leather inset writing surface, above an arched pierced rocaille, scallop shell and foliate apron, 332 with two doors applied with quatrefoil and interlacing acanthus clasped ribbon panelling flanking the recess, enclosing three drawers and one shelf, on foliate scrolled bracket feet, 135cm wide x 68cm deep x 78.5cm high, (53” wide x 26.5” deep x 30.5” high) £1,200 - 1,800 €1,400 - 2,100

334 An early Victorian walnut breakfast table the circular tilt-top on a triangular canted column, terminating in scrolled downswept legs headed with opposing scrolls, with brass castors, 139cm wide x 138cm deep x 73.5cm high, (54.5” wide x 54” deep x 28.5” high) £600 - 900 €710 - 1,100

335 A set of four Dutch 19th century walnut, stained beech and fruitwood marquetry 333 chairs in the George II style each with a vase shaped splat inlaid with an urn of flowers, on shell and foliate headed cabriole front legs terminating in claw feet, with splayed back legs, the largest chair: 54.5cm wide x 51cm deep x 105cm high, (21” wide x 20” deep x 41” high) (4) £500 - 700 €590 - 830

336 A late 19th/early 20th century mahogany kidney shaped kneehole desk in the George III style the tooled leather inset top above one frieze drawer, over quarter fan spandrels, flanked by eight short drawers, on square tapering supports, 121cm wide x 68cm deep x 75cm high, (47.5” wide x 26.5” deep x 29.5” high) £500 - 600 €590 - 710 334

Period Design | 87 Period Design

337

Lots 337-346 A private collection of animalier bronzes

337 Charles Isidore Gustave Parmentier (French, 1818-1874): A bronze model of rutting stags the stags on a rocky naturalistic oval base, with dark brown patination, the base signed PARMENTIER, 17.5cm high, 37cm wide £1,500 - 2,000 €1,800 - 2,400

338 338 Pierre-Jules Mêne (French, 1810-1879): A bronze model of Chien Épagneul Anglais (Médor) on a naturalistic leafy and rocky oval base, with dark brown patination with lighter brown highlights, the base signed P.J.MÊNE, 16cm high, 36cm wide £800 - 1,200 €940 - 1,400

339 Pierre-Jules Mêne (French, 1810-1879: A bronze model of Vache et son Veau No 3 the cow leaning over her suckling calf, on a naturalistic canted rectangular base, with mid-brown patination and rubbing to the extremities, the base signed P.J.MÊNE, 23cm high, 36.5cm wide £1,000 - 1,500 €1,200 - 1,800 339

88 | Bonhams Period Design

340

340 Auguste Nicholas Cain (French, 1822-1894) A bronze models of two dogs entitled Seduisant and Lumineau Seduisant with inverted triangular foundry mark, on a rounded rectangular base cast with branches and leaves, the names of the dogs cast into the base, with red-brown patination, the side of the base signed A. CAIN. 34cm high, 42cm wide £3,000 - 5,000 €3,500 - 5,900

341 Pierre-Jules Mêne (French, 1810-1879): A bronze model of Groupe Chiens au Repos (Race Saintongeoise) the two hounds tethered to a tree stump, on a naturalistic oval base, with light brown matte patination, the base signed P J MÊNE, 25.5cm high, 46.5cm wide £2,000 - 3,000 €2,400 - 3,500 341

Period Design | 89 Period Design

342

342 344 Pierre-Jules Mêne (French, 1810-1879): A bronze model of Jument Pierre-Jules Mêne (French, 1810-1879): A bronze equestrian model Normande et Son Poulain of Jockey À Cheval No 1 (Vainquer du Derby) the two horses standing on a leafy bank on a naturalistic oval base, with with dark brown patination, on an oval base, the base signed P.J.MÊNE mid-brown patination, the base signed P J MÊNE, 45cm high, 59.5cm 1863, 43cm high, 43cm wide wide £4,000 - 6,000 £5,000 - 8,000 €4,700 - 7,100 €5,900 - 9,400

343 Pierre-Jules Mêne (French, 1810-1879): A bronze equestrian model of Vainquer !!! the standing jockey holding the reins of horse with his victor’s garland round his arm, the naturalistic oval base cast with bouquets and garlands, with dark brown patination and some rubbing to the extremities, signed P.J.MÊNE 1866, with a plaque reading VAINQUER !!! 44cm wide x 35cm high £4,000 - 6,000 €4,700 - 7,100

90 | Bonhams Period Design

343

344

Period Design | 91 Period Design

345

345 Rosa Bonheur (French, 1822-1899): A bronze model of a reclining bull on a naturalistic oval base, signed ROSA B, 14cm high, 27cm wide £2,000 - 3,000 €2,400 - 3,500

346 Pierre-Jules Mêne (French, 1810-1879: A bronze model of Taureau Normande No 1 the bull standing on a naturalistic canted rectangular base, with mid-brown patination, the base signed P.J.MÊNE, 23cm high, 36cm 346 wide £1,000 - 1,500 €1,200 - 1,800

92 | Bonhams Period Design

347

Other properties

347 Isidore Jules Bonheur (French, 1827-1901): A bronze group of a cow and bull leaning over a gate on an oval naturalistic base, with grey/brown patination, the base signed I.BONHEUR, 52cm wide x 31cm high £3,000 - 5,000 €3,500 - 5,900

348 A near pair of late 19th century French bronze groups of animalier subjects the first depicting a boar fighting with three dogs, the second with a fallow deer being 348 attacked by three dogs, both on naturalistic rocky bases, on rectangular canted gilt metal bases, indistinctly signed R.M????N, the stag example 50cm high x 44cm wide, the boar example 35.5cm high x 45.5cm wide (2) £600 - 900 €710 - 1,100

349 After Pierre Jules Mêne (French 1810- 1871): A late 19th century German bronzed copper electrotype equestrian model of “L’Accolade” on oval naturalistic base, signed Mêne and inscribed Carl Rahemus & Comp, Berlin, mid brown patination, raised on a conforming moulded ebonised wood oval plinth base, the group, 40cm high overall in including base £500 - 700 349 €590 - 830

Period Design | 93 Period Design 350 355 Max Nauta, Dutch (1896-1957): A unusual A polychrome-decorated carved wood bust early 20th century leaded stained glass of the Virgin of Sorrows window panel Her hands joined in prayer before her, her head depicting a religious figure reading a book bent slightly forward and looking to sinister, with two deer in the background, possibly St 45cm high Gilles, with inscription below, mounted within a £300 - 500 contemporary rectangular oak frame, with some €350 - 590 restorations and minor damages, the panel, 94cm x 61cm, the frame, 114cm x 84cm overall 356 £800 - 1,000 A pair of 18th century style cut glass twin €940 - 1,200 light wall appliques in the manner of Perry & Co., St Gilles was the patron saint of beggars, with gilt brass mounts, the scrolling S arms blacksmiths and cripples supporting urn shaped candle nozzles with Van Dyck borders centred by small upward Provenance: Presented to the vendor’s scrolling decorative branches, all issuing from grandparents by the Dutch artist Max Nauta composite baluster sections surmounted by sometime in the early 1950’s where it was spire, scalloped canopies and urn finials and installed in their house in Holland Park, mounted on gilt brass stiff leaf cast oval patera London. Max Nauta was a personal friend of back plates, the arms elaborately hung and the vendors grandparents and it is probable strung with beaded glass pendant pear shaped that the piece was presented at the same time drops and droplets and strings of faceted that he produced windows for the Austin beads, 70cm high approximately (2) Friars Church (known as the Dutch Church) £500 - 600 in London. The church’ was rebuilt in 1950- €590 - 710 54 after the original Medieval structure was destroyed in the Blitz of 1940 although this 357Y 350 window may have been produced earlier than A Dutch 19th century tortoiseshell and his London commissions. Nauta worked on two ebonised mirror sets of windows in the UK, the Austin Friars in the late 17th/early 18th century style Church and St Andrews, Roxbourne, Harrow. the later bevelled plate within a cushion moulded surround, encompassed by two 351 moulded frames, restorations, 84.5cm high x A set of twenty four coloured prints of fish 72.5cm wide, from A History of the Fishes of the British £300 - 500 Islands, mounted within decorative silver and €350 - 590 blue finished glazed frames, the prints, 13cm x 23cm, the frames, 22cm x 31.5cm (24) 358 £1,000 - 1,500 A small Italian 19th century Rococo revival €1,200 - 1,800 giltwood mirror the later plate within a C-scroll, rocaille and 352 scrolling acanthus surround, surmounted by a A set of twenty four coloured prints of scallop shell cresting, 45cm high x 33cm wide, birds £300 - 500 from Les Oiseaux des Champs et des Bois ou €350 - 590 Passereaux, mounted within decorative silver and blue finished glazed frames, the prints 359 24cm x 15cm, the frames 33cm x 23.5cm (24) A 19th century French carved, white £1,000 - 1,500 painted and parcel gilt longcase clock €1,200 - 1,800 the dial signed Lepature A Paris the arched tapering rectangular case with 353 ribbon tied pine cone and husk and floral A 19th century brass bound mahogany campana vase cresting flanked by applied bucket decorative fruiting laurel scrolls, the panelled possibly Indian, enclosing a brass liner, 33cm door with integral glazed laurel wreath bezel high and ribbon tied pendant husk and musical £500 - 700 trophy decoration centred by a corresponding €590 - 830 laurel wreath lenticel, the cavetto moulded base on faux marble plinth, the signed 13 inch 354 thirteen piece enamel Roman dial with Arabic After Bertel Thorvaldesen (Danish, 1770 - five minute divisions and inner seconds chapter 1834): A pair of late 19th century circular and pierced brass hour and minute hands, the terracotta relief plaques depicting Night brass four pillar twin train movement striking on and Day three bells, with pendulum and weights, with Day depicted with a putto holding aloft a alterations to the movement and redecorations flame, Night carrying two sleeping putti with to the case, 230cm high approximately an owl flying behind her, both on iron-red £500 - 700 grounds, with floral decoration to the frames, €590 - 830 23cm diameter (2) £300 - 500 360 €350 - 590 An early 20th century French spelter figural timepiece modelled as a putto holding aloft a grid-iron type pendulum with enamel dial and Arabic numerals, 30.5cm high £200 - 300 359 €240 - 350

94 | Bonhams Period Design

361 362

361W A mid 18th century French boulle bracket clock with bracket the dial signed J.F. Dominicé, Paris the cartouche case with applied foliate and mask mounts to the arch, the shaped glazed door applied with a gilt bronze figure of a maiden, raised on foliate scroll feet, the signed 10.5” thirteen piece Roman and Arabic dial with shaped blued steel hands, the signed two train spring barrel movement converted to anchor escapement, with a numbered outside countwheel, striking the hours on a bell, 114cm high £2,000 - 3,000 €2,400 - 3,500

362 A late 18th century gilt bronze mounted ebonised bracket clock the dial marked Flournay A Paris, the arched cartouche case with applied foliate mounts, the narrow swept caddy top surmounted by a bird and asymmetic acanthus finial, the shaped glazed door with applied flowering foliage to the base, on foliate scrolling feet, the signed 11” twenty five piece Roman and Arabic dial with shaped steel hands, the signed two train spring barrel movement with a numbered outside countwheel, and silk suspension, striking on a bell, with later pendulum, 91cm high £2,500 - 3,500 €2,900 - 4,100

363 Louis XIV gilt bronze mounted boulle tortoiseshell bracket clock the movement signed F. Lenoir, Paris the arched cartouche case with applied foliate scroll mounts, the reeded arched glazed door applied with a figural mount to the base cast as twin winged putti and birds above a grotesque mask, the shaped apron with diaper inlaid decoration on elaborate entwined scrolling dolphin feet, the 9.5” twelve piece enamel Roman dial with shaped steel hands, the centre with embossed decoration of an urn of flowers within foliate scrolls, the signed brass twin train spring barrel movement with numbered outside countwheel and silk suspension, striking on a bell, with a corresponding bracket with foliate and acanthus scrolling mounts, 363 101cm high overall £2,000 - 3,000 €2,400 - 3,500

Period Design | 95 Period Design

364

364 367 A 19th century mahogany extending dining table A George II mahogany tall chest with five additional leaves, on five columns, terminating in scrolled possibly Irish, the cavetto moulded cornice above seven long graduating acanthus hipped claw feet and castors, 279cm wide x 138cm deep x drawers, flanked by rounded fluted pilasters, on ogee bracket feet, 76cm high, (109.5” wide x 54” deep x 29.5” high) 107cm wide x 54cm deep x 168.5cm high, (42” wide x 21” deep x 66” £1,200 - 1,800 high) €1,400 - 2,100 £2,000 - 3,000 €2,400 - 3,500 365 A George III mahogany secretaire linen press 368 the dentilled broken pediment above a pair of panelled doors, enclosing A George III mahogany and fruitwood inlaid linen press four linen slides, the lower part with a secretaire drawer enclosing a the pierced scrolling fretwork swan neck pediment above a fluted frieze satinwood veneered interior comprising ten pigeon holes, six short with a fan inlaid central medallion and conforming angles, over a pair drawers, two long drawers and a central harewood medallion-inlaid of oval inlaid doors, enclosing four later slides, with two short and two door, above three long graduating drawers, on ogee bracket feet, the long drawers below, on bracket feet, 127cm wide x 62cm deep x 227cm pediment possibly with some later elements, 128cm wide x 59.5cm deep high, (50” wide x 24” deep x 89” high) x 233cm high, (50” wide x 23” deep x 91.5” high) £800 - 1,200 £3,000 - 5,000 €940 - 1,400 €3,500 - 5,900 369 366 A French 19th century tulipwood, amaranth and fruitwood A third quarter 18th century oak two-tier corner cabinet marquetry and parquetry etagère possibly Welsh, the pair of twin and arched panelled doors enclosing comprising three circular tiers, each tier inlaid with a stylised interlacing two shaped shelves, flanked by canted panelled angles, over a pair of border interspersed with rosettes, the top tier with a circular inset where twin panelled doors, enclosing one shaped shelf, on bracket feet, 128cm a plate or bowl would originally have been, 41cm wide x 41cm deep x wide x 69cm deep x 230cm high, (50” wide x 27” deep x 90.5” high) 75cm high, (16” wide x 16” deep x 29.5” high) £1,000 - 1,500 £400 - 600 €1,200 - 1,800 €470 - 710

96 | Bonhams Period Design

365 366

367 368

Period Design | 97 Period Design

370 372

371 373

370 372 A Chinese export first half 19th century black lacquer and gilt An early 18th century walnut and featherbanded chest-on-stand decorated work table the ogee moulded cornice above two short and three long graduating decorated with pagodas, figures, trees, flowers and foliage, the shaped drawers, on a stand comprising one long frieze drawer, terminating in hinged top on lyre-form end supports, terminating in hairy paw feet, later shaped bracket feet, the feet later, probably lacking original legs the slide lacking its work basket, 66cm wide x 45cm deep x 71cm high, and stretchers, the frieze of the stand possibly original to top section, (25.5” wide x 17.5” deep x 27.5” high) 101.5cm wide x 57.5cm deep x 109cm high, (39.5” wide x 22.5” deep x £500 - 700 42.5” high) €590 - 830 £1,000 - 1,500 €1,200 - 1,800 371 A mid Victorian walnut folio/music stand 373 The pierced scroll-work ratcheted sides with apertures for candlearms, A pair of Regency mahogany hall chairs now lacking, on shaped end supports decorated with flowers and each with a pelta shield back, the acanthus and scroll addorsed splat scroll work, joined by shaped and moulded stretchers, on downswept centred with an armorial badge, on ring turned reeded tapering front acanthus carved feet, 68cm wide, 64cm deep extended, 115cm high legs and splayed back legs, 44.5cm wide x 47cm deep x 90cm high, (26.5” wide, 25” deep extended, 45” high). (17.5” wide x 18.5” deep x 35” high) (2) £1,500 - 2,000 £800 - 1,200 €1,800 - 2,400 €940 - 1,400

98 | Bonhams Period Design

374 376

377

375 (two from a set of seven)

374 376 An Italian late 18th century and later, walnut, tulipwood and A George III mahogany double foldover serpentine card/tea table inlaid commodino each top with a stylised flowerhead carved edge, on four square section the later marble top above three lozenge inlaid drawers, on square fluted and chamferred legs, including two central hinged gate legs, tapering legs, later elements, 59cm wide x 32.5cm deep x 82.5cm high, some carving possibly later, 84cm wide x 41cm deep x 76cm high, (33” (23” wide x 12.5” deep x 32” high) wide x 16” deep x 29.5” high) £600 - 800 £1,000 - 1,500 €710 - 940 €1,200 - 1,800

375 377 A set of seven George IV mahogany dining chairs together with a A near pair of 19th century giltwood children’s high chairs later matching armchair in the late 17th century style including two armchairs in total, on baluster turned reeded tapering each with an opposing dog and cabochon embedded cartouche cresting, front legs and splayed back legs, the armchairs: 53.5cm wide, the on spiral twist turned front legs, the larger chair: 44cm wide, (2) remaining chairs: 49cm wide, (8) £800 - 1,200 £1,000 - 1,500 €940 - 1,400 €1,200 - 1,800

Period Design | 99 Period Design

378 379

378 381 An late 18th / 19th century carved A 19th century Southern European carved alabaster figural group of the Virgin and gilt gesso processional reliquary figure and child and a similar figural group of formed as a classical maiden clad in a draped Olympias and the Serpent robe holding an open red painted casket the Virgin and child typically modelled standing on a cloud base, raised on a canted standing on a domed base with winged putti base with applied anthemion and star and maskheads, Olympias seated on a draped wreath mounts, 77cm high naturalistic rockword base, the coiled serpent £500 - 700 entwined around her her body, the figural €590 - 830 381 group of Olympias with restorations, the Virgin and child, 24cm high, Olympias and the 382 serpent, 20cm high (2) A 19th century Italian Grand Tour £800 - 1,000 patinated bronze and alabaster figural €940 - 1,200 group of St Peter the figure clad in draped robes holding his right 379 hand in blessing, his left hand holding his key, A late 18th / 19th century carved seated on an alabaster throne base, 29cm high alabaster model of a swan together with £500 - 700 18th century carved and stained wood €590 - 830 marquette of bearded man the alabaster carving probably German, 383 modelled with open wings and arched A pair of 19th century carved and gilt downward curving neck, on fan shaped base, wood pricket candlesticks the wooden figural marquette with flowing in the Gothic style drapery on naturalistic base, the alabaster, the circular drip pans with gilt metal scalloped 25.5cm high, the marquette, 20cm high (2) collars above stepped canted hexagonal shafts, £600 - 800 the plinth bases each with three seated praying 382 €710 - 940 angels below crocketed finials, on cusped bracket footed bases, 72cm high 380 £600 - 800 A pair of Continental late 19th century €710 - 940 giltwood wall brackets the barbed shaped plateau tops on shell and foliate acanthus scrolling bracket supports, 30cm high £300 - 500 €350 - 590

383

100 | Bonhams Period Design

384 389 386

384 388 A 19th century carved and stained A mid 19th century miniature patinated alabaster figure of the Virgin bronze bust of Asclepius modelled with crossed hands clad in folded after the antique, drapery standing on cloud, serpent and sickle on ebonised wooden rectangular plinth base, moon base, restorations, 59cm high 21.5cm high £600 - 800 £300 - 500 €710 - 940 €350 - 590

385 389 Professor G. Gambogi, Italian (fl. late 19th / An Italian sculpted white marble bust of a early 20th century): A carved alabaster bust young boy of a Renassiance style maiden in the 19th century style a draped scarf about her downcast head, a with downward cast head and bare shoulders cloak pinned to her shoulders, the rear signed, on circular waisted socle, 39cm high g. gambogi on shaped beige alabaster plinth £300 - 500 base, 37cm high, 35cm wide €350 - 590 £600 - 800 385 €710 - 940 390 A pair of 19th century French tole and later 386 yellow japanned oil lamp bases Professor G. Gambogi, Italian (fl. late 19th / of column form on stepped plinth bases, each early 20th century) with scenic printed decoration within banded A carved alabaster figure of a classical foliate and fruting vine borders, later fitted for archer electricity, 59cm high the semi-clad warrior modelled with £500 - 700 outstretched arm, standing beside a tree stump €590 - 830 on naturalistic base, indistinctly signed to the front, g.gambogi, lacking bow and with restorations, 49.5cm high £400 - 600 €470 - 710

387 An early 19th century bronze figural paperweight of a putto the winged figure holding a bow and arrow and kneeling on rectangular plinth Sienna marble base, 12.5cm high £500 - 700 €590 - 830

387 388 390

Period Design | 101 Period Design

393 A pair of late 19th century cream painted, parcel gilt and composition mirrors 391 in the Louis XVI style A 19th century giltwood each with a later oval plate within landscape mirror a reeded and beaded surround, in the Rococo revival style surmounted by a ribbon-tied the later plate within a scrolling berried leaf cresting, with a ribbon- acanthus, rocaille, foliate and trellis tied palm leaf apron, 156cm high x surround, 119cm high x 142cm wide, 98cm wide, (2) £600 - 800 £1,200 - 1,800 €710 - 940 €1,400 - 2,100

Provenance: Studley Priory, Oxfordshire

(one from a pair)

392 394 A Scandinavian red painted and parcel gilt triple-plate A large 19th century giltwood and composition convex landscape mirror girandole mirror in the late 18th century style the later circular plate within an ebonised reeded slip, within probably Danish, the rectangular plates and part-fluted frieze an oak leaf surround, with two scrolling berried foliate surmounted by a scrolled foliate and twin flower-filled urn candle branches, 114cm high x 114cm wide, cresting, centred with a foliate palmette, the cresting probably £500 - 700 late 18th century, the mirror frame possibly 19th century, €590 - 830 121cm high x 149.5cm wide, £500 - 700 €590 - 830

102 | Bonhams Period Design

395 A pair of late 19th/ 397 early 20th century glass A large late Victorian giltwood and mounted giltwood and composition landscape mirror ebonised mirrors in the Rococo revival style probably Irish, each with the later rectangular plate within a scroll, a printed paper label scallop shell, floral and acanthus surround, applied to the reverse, possibly originally a picture frame, 163cm 53cm high x 44cm wide, high x 244cm wide, (2) £1,500 - 2,000 £600 - 800 €1,800 - 2,400 €710 - 940

(one from a pair)

396 398 A near pair of George IV A pair of giltwood giltwood convex mirrors oval mirrors each with a later circular in the George III style plate within an ebonised each plate within a reeded slip, 56cm high x C-scroll and acanthus 56cm wide, (2) surround, surmounted £800 - 1,200 by a stiff-leaf cresting, €940 - 1,400 83cm high x 52cm wide, (2) £500 - 700 €590 - 830

(one from a pair)

(one from a pair)

Period Design | 103 Period Design

399 400

399 A Heriz carpet, North West Persia, 330cm x 242cm £1,000 - 1,500 €1,200 - 1,800

400 A Bidjar rug, Persian/Kurdistan, 199cm x 140cm £600 - 800 €710 - 940

401 A pair of Tabriz rugs, North West Persia, 189cm x 144cm (2) £600 - 800 €710 - 940

402 A Kashan silk prayer rug, Central Persia, 149cm x 107cm £2,000 - 3,000 €2,400 - 3,500

402

104 | Bonhams Period Design

403 405

403 A Kirman rug, South East Persia, 203cm x 124cm £1,000 - 1,500 €1,200 - 1,800

404 A South Caucasian runner, 293cm x 115cm £700 - 1,000 €830 - 1,200

405 A Mohtashem Kashan rug, Central Persia, 220cm x 130cm £1,800 - 2,500 €2,100 - 2,900

406 A Kashan rug, Central Persia, 205cm x 135cm, signed £2,200 - 2,800 €2,600 - 3,300

406

Period Design | 105 Period Design

407

407 Guglielmo Pugi, Italian (1850-1915): A coloured marble group of a courting couple the couple seated on a bench, the male carved in Estours Green marble, the female in white veined Carrara marble and the bench in Saint Anne des Pyrenees marble, signed to the reverse Pugi, 61cm wide, 53cm high £2,000 - 3,000 €2,400 - 3,500

408 408 A pair of French late 19th/early 20th century gilt bronze seven- light candelabra each modelled with a seated putto, one probably Pan with pipes at his feet, supporting a scrolling acanthus-wrapped branch, issuing seven scrolling branches mounted with decorative naturalistic flowers and leaves, and terminaing in leaf-cast candle sockets, on a circular rocaille scroll-cast and pierced base, fitted for electricty, 75cm high £700 - 1,000 €830 - 1,200

409 Francis John Williamson, British (1833-1920): A late 19th century sculpted white marble bust of John Robinson modelled full face, the mustachioed sitter wearing a frock coast, waistcoat, stiff collar and bow tie, on waisted square socle base, the rear inscribed and dated John P. Robinson Esqre, 1895 and signed and dated F. L Williamson, Sculptor, Esher, 1895, 78cm high £500 - 700 €590 - 830

409

106 | Bonhams Period Design

410

410 An impressive early 20th century cut and moulded clear glass fifteen light cage chandelier probably Italian, the brass urn nozzles with circular clear glass drip pans arranged in two graduated undulating tiers of five and ten lights to a an elaborate scrolling framed applied with star and rosette buttons, the upper tier of lights alternating with spire finials, the whole hung and strung with facetted, shaped, plain,and moulded bunch of grape pear shaped drops and strings of facetted glass droplets diamond connecting drops, the central open secion with facetted urn and spire finial above a facette ball terminal, with some minor damages, losses and replacements, 120cm drop £3,000 - 5,000 €3,500 - 5,900

Provenance: By repute formerly the property of Hungarian born actress, socialite and Hollywood star Zsa Zsa Gabor.

Period Design | 107 Period Design

411 413

412 414

411 413 A late Victorian carved walnut stool A large Irish William IV plum pudding mahogany and carved in the George II style, based on an example by Henry Williams mahogany cellaret on four imbricated, volute scrolled and acanthus clasped square section second quarter 19th century, of bombé form, the hinged lid surmounted tapering legs, terminating in lion paw feet, with an ivorine plaque which by carved grapes and vine leaves, enclosing ten divisions for wine, over reads: ‘S & H. JEWELL, 131-2 HIGH HOLBORN, LONDON, W.C.1’ and one a gadrooned and clover-leaf edge, above scrolled acanthus and rocaille leg stamped: ‘4082’, 78cm wide, clasped angles, on scroll feet with recessed brass castors, lacking original £800 - 1,200 metal lining to interior, 98cm wide x 63.5cm deep x 64.5cm high, (38.5” €940 - 1,400 wide x 25” deep x 25” high) £1,000 - 1,500 The Design of the present stool is based on a George II giltwood €1,200 - 1,800 example by Henry Williams, recorded in the Royal Collection at Hampton Court Palace (See Ralph Edwards and Percy Macquoid, The Dictionary of 414 English Furniture, 1954 rev. ed., 3 vols., vol III, p. 175, fig. 43 A late Victorian mahogany and satinwood banded cylinder writing desk 412 with ebonised and boxwood stringing, the brass galleried top above A cast-iron and ebonised wood ship’s table a roll top enclosing seven pigeon holes, four drawers, two letter the circular ebonised wood top on a columnar support terminating in a compartments and a gilt tooled leather inset writing slide, over one spreading base, 77cm wide x 77cm deep x 76cm high, (30” wide x 30” drawer, on square tapering legs terminating in ceramic castors, 76cm deep x 29.5” high) wide x 53cm deep x 109cm high, (29.5” wide x 20.5” deep x 42.5” high) £500 - 700 £600 - 800 €590 - 830 €710 - 940

108 | Bonhams Period Design

415 417

416

418

415 417 A George III mahogany and brass bound octagonal wine cooler A French mid 20th century giltwood and mirror glass coffee table the hinged lid enclosing a divided metal lined interior, on a later fluted the rectangular bevelled glass top on four volute scrolled and acanthus stand comrpising four reeded square section legs, the wine cooler later clasped cabriole legs terminating in scroll feet, 122cm wide x 68cm deep secured onto a stand, the stand probably later, 48.5cm wide x 48.5cm x 40cm high, (48” wide x 26.5” deep x 15.5” high) deep x 69.5cm high, (19” wide x 19” deep x 27” high) £700 - 1,000 £700 - 900 €830 - 1,200 €830 - 1,100 418Y 416 A French early 20th century gilt brass mounted rosewood and bois A Dutch 18th century and later mahogany and marquetry satine side table serpentine tea/card table in the Louis XV style inlaid with flowers and foliage, the shaped and eared hinged top above the quarter veneered top above a shaped frieze, on square section a small frieze drawer, on acanthus clasped cabriole legs, the top later, cabriole legs, 98cm wide x 55cm deep x 77cm high, (38.5” wide x 21.5” some marquetry possibly later, 71cm wide x 33.5cm deep x 75cm high, deep x 30” high) (27.5” wide x 13” deep x 29.5” high) £800 - 1,200 £500 - 700 €940 - 1,400 €590 - 830

Period Design | 109 Period Design

419 420

419* A late 19th century French brass and porcelain carriage clock with repeater in the Japonesque taste the rectangular case surmounted by an angular part reeded swing handle, the sides and face with birds and flowering foliage on a black ground, with Roman dial, the twin drum movement with a platform lever escapement and a compensated balance wheel, 17.5cm high £1,800 - 2,200 €2,100 - 2,600

420* A late 19th century gilt brass and porcelain carriage timepiece the rectangular case with with moulded cornice and turned swing handle, the sides with inset porcelain panels depicting maidens in Orientalist style dress, the gilt recessed dial with Roman numerals, the single drum movement with jewelled platform lever escapement with compensated balance wheel, 19cm high £800 - 1,200 €940 - 1,400

421 421 A late 19th / early 20th century French gilt brass repeating carriage clock, with original numbered winding key signed and numbered Drocourt, No 16810 the silvered lever platform with bimetallic compensated balance, striking the hours and half hours on a gong (the block marked FD), the gilt Roman dial and alarm setting dial set within an engine turned mask in a pillared case with heavy glazed panels, 19cm high £800 - 1,200 €940 - 1,400

422 A third quarter 19th century Swiss grande sonnerie carriage clock the engraved gilt brass case surmounted by an associated shaped handle between shaped finials, over projecting shaped corners, supported by Doric columns over the conforming base, the whole enriched with foliage and flowers, the Roman dial with moon hands and subsidiary alarm setting dial below VI, the twin train spring barrel movement with lever escapement, striking the hour and quarters on two bells housed within the base, controlled by a three position selection lever mounted on the backplate, also displaying the strike work in the Swiss manner. 19.5cm high £1,000 - 1,500 422 €1,200 - 1,800

110 | Bonhams Period Design

423

423 After Alfred Bayre, French (1839-1882): A late 19th century gilt and patinated bronze elephant mantel clock cast together with a pair of figural garniture garniture candlesticks ensuite the clock movement signed Samuel Marti the drum shaped case surmounted by a figure of a young girl holding a snake and flanked by undulating bull rushes supported on the back of the elephant, the naturalistic branch signed BAYRE, on shaped verde antico base, the 3.5 inch pressed gilt brass dial with enamel Roman numerals, the brass twin drum movement with outside countwheel striking on a bell and pendulum, the candlesticks formed as Egyptianesque style female snake charmers on naturalistic circular bases and corresponding verde antico circular bases, the clock, 39cm high, the figural candlesticks, 43.5cm high (3) £2,000 - 3,000 €2,400 - 3,500

424* A late 19th century French gilt brass combined clock/barometer by J Marti the rectangular carriage clock style case with an anglur turned carrying handle, the top inset with a silvered aneroid barometer, the circular dial with Arabic numerals and recessed engraved centre with visible 424 escapement, the twin drum movement striking on a gong, with pastille marked J Marti Medaille de Bronze, with winder, 25.5cm high £500 - 800 €590 - 940

425 An early 20th century French gilt brass carriage clock with repeater the gorge case surmounted by a pinched carrying handle, the white enamelled dial with Roman numerals and outer Arabic five minute divisions above an alarm, with twin drum movement and a jewelled platform lever escapement with compensated balance, 17.5cm high £400 - 500 €470 - 590

426 A 19th century Pendule d’officier clock with repeater and alarm in the Louis XVI style the ‘engine turned’ drum case with inset curved bevelled clear panels to the sides, the pillar top with repeating button and oval suspension loop, on four claw feet, the 3” enamel dial with Roman numerals, the twin train movement with vertical escapement with engraved and pierced scrolling cock, striking on two gongs, 16.5cm high £2,000 - 3,000 €2,400 - 3,500 425

Period Design | 111 Period Design

427

427 430 A George IV pollard oak breakfast table A Regency mahogany and ebonised line inlaid waterfall chiffonier attributed to Gillows the superstructure comprising three stepped shelves on six ring turned the circular tilt-top with an acanthus carved edge, on a hexagonal columns, above one frieze drawer and a pair of panelled doors enclosing spreading column, with a gadrooned collar, the concave tripartite base one adjustable shelf, on ring turned toupie feet, 69.5cm wide x 37cm terminating in scrolled and foliate hipped lion claw feet with sunken deep x 142cm high, (27” wide x 14.5” deep x 55.5” high) castors, 127cm wide x 126cm deep x 72.5cm high, (50” wide x 49.5” £800 - 1,200 deep x 28.5” high) €940 - 1,400 £3,000 - 5,000 €3,500 - 5,900 431 A late Victorian satinwood and mahogany banded display cabinet- 428 on-stand An early 20th century green japanned and gilt decorated display the arched segmental pediment above a pair of geometric astragal cabinet on stand, in the manner of Hille & Co. glazed panelled doors, enclosing two shelves, on a bowed stand with decorated with figures, buildings, birds, flowers and foliage within rural two long drawers, on square tapering legs terminating in spade feet, landscapes, the X-form fretwork cornice with fluted angles surmounted 77cm wide x 45cm deep x 192.5cm high, (30” wide x 17.5” deep x by urn finials, above a pagoda-roof cornice and a pair of glazed panelled 75.5” high) doors with pointed arched and leaf-wrapped templar glazing bars, on £700 - 1,000 a stand comprising two short frieze drawers over a fretwork apron, on €830 - 1,200 square section legs with chamferred inner angles, 113cm wide x 39cm deep x 189cm high, (44” wide x 15” deep x 74” high) £1,200 - 1,800 432 €1,400 - 2,100 A pair of mid 19th century oak Gothic revival side chairs in the manner of J. G. Crace 429Y the rectangular padded backs each surmounted by three stylised leafy A third quarter 19th century rosewood bookcase finials, the moulded solid seats on octagonal legs headed by trefoil probably French, the arched pediment centred with a cabochon capitals and joined by stretchers encrusted floral carved cresting, above a pair of glazed panelled doors, £300 - 500 enclosing a birds’ eye maple interior, over one drawer, with a pair of €350 - 590 panelled doors below, flanked by acanthus clasped baluster and spiral fluted columns, the top section disassembles into various constituent parts, 125cm wide x 51cm deep x 247.5cm high, (49” wide x 20” deep x 97” high) £600 - 800 €710 - 940

112 | Bonhams Period Design

428 429

430 431

Period Design | 113 Period Design

434

433 A Kazak rug, Azerbaijan, Central Caucasus, 272cm x 137cm £500 - 700 €590 - 830

434 A Mohtashem Kashan rug, Central Persia, 197cm x 129cm £5,500 - 8,500 €6,500 - 10,000

435 A Kirman rug, South East Persia, 217cm x 133cm £300 - 500 €350 - 590

436 A Mohtashem Kashan rug, Central Persia, 188cm x 132cm £2,000 - 3,000 €2,400 - 3,500

436

114 | Bonhams Period Design

438 440

437 A Chinese carpet, 359cm x 282cm £300 - 500 €350 - 590

438 A Mohtashem Kashan rug, Central Persia, 210cm x 130cm £3,500 - 4,500 €4,100 - 5,300

439 A Senneh rug, West Persia, 210cm x 138cm £1,000 - 1,500 €1,200 - 1,800

440 A Kirman rug, South East Persia, 198cm x 118cm £1,000 - 1,500 €1,200 - 1,800

441 A silk Kashan souf rug, 441 Central Persia, 200cm x 130cm £1,500 - 2,000 €1,800 - 2,400

Period Design | 115 Period Design

442

442 Franz Bergman, Austrian (1861-1936): A cold painted bronze of a Native American on horseback the figure aiming his bow and arrow while leaning over one side of his galloping horse, on a naturalistic integral base, with a rectangular Breccia-type marble base, 31cm wide x 17.5 cm high £1,500 - 2,000 €1,800 - 2,400

443 443 An early 20th century Austrian cold painted bronze figural lampbase modelled as scantily clad dancing girl standing on a carpet before a crouching young boy beneath a tented cupola,on square base, wired for electricity, 30cm high £800 - 1,200 €940 - 1,400

444 An early 20th century cold painted bronze model of a horse with later paintwork, on a rectangular base, 31cm high, 35.5cm wide, 14cm deep £600 - 800 €710 - 940

444

116 | Bonhams Period Design

445

445 *** Zach: An early 20th century Austrian cold painted bronze group of a seated camel rider and companion, possibly attributable to Bruno Zach (1891-1935) the camel draped with carpets, the rider leaning down from his mount to bargain with the standing figure, on an integral rectangular base, signed Zach, and inscribed within the cast Argentor-Vienna, 34cm high x 25.5cm wide £3,000 - 5,000 €3,500 - 5,900

A near identical cold painted bronze figural group catalogued as by Bruno Zach was sold by Sotheby’s London as lot 299, 5th March 1987 (£3000 including premium).

446 An early 20th century Austrian gilt bronze metamorphic figure of an exotic dancer holding a pair of castanets in her hands and wearing a removable single shouldered draped robe with pierced vented skirt, mounted on an integral circular waisted socle marked to the rear, Made in Austria, set within a dished grey veined specimen marble base, 33.5cm high £1,000 - 1,500 €1,200 - 1,800

446

Period Design | 117 Period Design

447

447 450 A French 18th century walnut and beech refectory table A Regency Greek Chromatic Harp by Sebastian Erard, Great the cleated rectangular top on four baluster turned legs, joined with an Marlborough Street, London H-stretcher, 226cm wide x 60cm deep x 73cm high, (88.5” wide x 23.5” Engraved with maker’s details on brass nameplate incl., Patent no., 3012 deep x 28.5” high) height 1690mm (66 9/16in) the arm with forty three tuning pins, varied £1,500 - 2,000 by articulated and simple fourchettes, the box with apparently original €1,800 - 2,400 swell doors, on base with eight three position brass pedals, swell absent, the fluted column with anthemion and caryatid decoration, use wear 448 and restoration. (1) A Chinese 19th century coromandel lacquer and gilt decorated £500 - 600 open cabinet on a later stand €590 - 710 decorated with Oriental landscapes incorporating houses, trees and foliage, comprising five drawers and a pair of sliding doors disguised as 451 four short drawers, on four square legs, the stand probably 20th century, A pair of stained walnut and blond oak banded pyramid 71.5cm wide x 41cm deep x 130cm high, (28” wide x 16” deep x 51” bookcases high) attributed to David Hicks £1,200 - 1,800 each with an ovolo moulded cornice above an open bay enclosing three €1,400 - 2,100 glass shelves, over a pair of doors, on a plinth base, 105cm wide x 53cm deep x 258cm high, (41” wide x 20.5” deep x 101.5” high) (2) 449 £1,500 - 2,000 A Russian 19th century brass mounted mahogany cheval mirror €1,800 - 2,400 the bevelled plate within a swing frame, encompassed by panel mounted angles, on downswept panel mounted legs terminating in brass cappings 452 and castors, with an adjustable bronze pharoah bust and brass acanthus A Regency red-stained mahogany five-tier corner whatnot clasped swivelling candle arm to each side, 149cm high x 108cm wide, with ebonised line decoration, the stepped pediment above three £800 - 1,200 pointed arches, with engaged columnar angles, over a pair of ogee €940 - 1,400 arched panelled doors, enclosing one shelf, largely re-painted or re- stained, 82cm wide x 54cm deep x 226.5cm high, (32” wide x 21” deep x 89” high) £500 - 700 €590 - 830

118 | Bonhams Period Design

449

448

450 451

Period Design | 119 Period Design

453

455 456 457

453 456 A George III mahogany fusee wall timepiece, A late 18th century Continental rack clock the dial signed Alex Glass, London of small size, the 4” white enamel Roman and Arabic dial with applied the circular case with ogee moulded bezel, the signed 16” silvered dial foliate spandrels under an engraved arch with front-mounted pendulum, with Roman numerals and outer Arabic five minute divisions and with the rear of the case constructed in lead enabling the case to descend the blackened steel hands, the brass five pillar single fusee movement with brass rack, with turned finial and suspension loop to the top and spur recangular plates and anchor escapement, with key, lacking glass and shaped terminal, 70cms high pendulum, 51cm diameter £1,500 - 1,800 £1,000 - 1,500 €1,800 - 2,100 €1,200 - 1,800 457 454 A second quarter 19th century Scottish mahogany stick barometer An early 19th century rosewood and brass inlaid single fusee wall signed Adie & Son, Edinburgh timepiece the plain trunk with one piece silvered dial with vernier, visible tube and the octagonal case with foliate inlaid border decoration, the 10” bulb shaped reservoir cover, painted dial with Roman numerals, the brass four pillar movement with (as found), 92cm high single fusee and pendulum, the rear backboard as found, the side door £500 - 600 replaced, 37cm high €590 - 710 £500 - 800 €590 - 940

455 A mid 19th century rosewood, brass and mother of pearl inlaid bow front stick barometer the stepped cornice above an engraved silvered dial, the trunk with profuse foliate decoration centred by a mercury thermometer above a similar decorated bow fronted cistern reservoir, 97cm high £800 - 1,200 €940 - 1,400

120 | Bonhams Period Design

458 459 460

458 signed Houdon and with later scratch-mark Don Van den Bossche, German (fl. late 19th reading F. BARBEDIENNE FONDEUR, and later / early 20th century): A patinated bronze metal plaque inscribed Diane J.A. Houdon, figure of female nude on moulded Rouge de Maine marble shallow her arms raised playing a pair of castanets, plinth, 80.5cm high standing on a circular naturalistic base, signed £1,200 - 1,800 to the side Don Van den Bossche on a moulded €1,400 - 2,100 circular integral plinth, 52cm high £500 - 700 462 €590 - 830 Francisque Joseph Duret (French, 1804- 1865): A bronze figure of ‘Improvvisatore’ 459 the semi-clad Neapolitan youth playing a M. Charny, French (fl. late 19th / early 20th mandolin, his hair dressed with fruiting vines, century):A patinated bronze figural group a coopered grape pickers barrel filled with of Louise Élisabeth Vigée le Brun avec sa fille drapery and fruit to his left side signed, Duret, the seated mother clasping her standing on square base, mid to dark brown patination, daughter in her arms, light brown patination, raised on a black marble square plinth base raised on a circular white-veined green marble 44cm high (49cm high including plinth base) base, inscribed to reverse Apres Vigée le Brun, £500 - 700 M. Charny, 70cm high €590 - 830 £1,200 - 1,800 461 €1,400 - 2,100 Born in Paris, Duret was the son and pupil of Francois Joseph Duret the elder (1732- The subject matter for this bronze is executed 1816) and enrolled at the Ecole des Beaux after a portrait that Vigee le Brun painted of Arts in 1818 where he studied under Bosio. herself and her daughter Jeanne Julie Louise in He exhibited at the salon from 1831 to 1863 1789, now in the Louvre. and won a first class medal in 1855. He is best know for his monuments and statuary 460 which were executed in stone and marble but F. Gauer, German, (fl. late 19th/early 20th his bronze output include numerous bronzes century): A patinated bronze figure of a illustrating Neapolitan life. female athlete the nude figure holding gilt hoop, on a 463Y rectangular base, signed F. Gauer 1904 , on A late 19th century French rosewood and corresponding verdi antico marble plinth, 56cm brass inlaid wall regulator high the movement stamped PERT BALIE A PARIS £800 - 1,200 the case with bevel glazed door with arch €940 - 1,400 cresting and ogee moulded terminal, the 6.5” enamel dial with Roman numerals, the brass 461 twin train movement with outside countwheel, After Jean Antoine Houdon (1741 - 1828): striking on a gong, with gridiron visible A patinated bronze figure of Diane pendulum, 89cm high Chasseresse £500 - 800 the nude goddess standing on her left foot €590 - 940 and holding a bow in her left hand and an arrow in her right, on naturalistic circular base 462

Period Design | 121 Period Design

464 466

465 467 (two from a set of six)

464 466 An early Louis XV walnut and beech fauteuil à la Reine A South German early 20th century walnut serpentine bureau with a scallop shell, scrolled acanthus and foliate carved frames, on in the mid 18th century style cabochon encrusted cabriole legs terminating in hoof feet, 74cm wide, the fall enclosing four drawers and one door, above three drawers, on £500 - 700 squat cabriole legs, possibly incorporating some 19th century elements, €590 - 830 102cm wide x 48.5cm deep x 99.5cm high, (40” wide x 19” deep x 39” high) Y £500 - 700 465 €590 - 830 A French 19th century bois satiné and rosewood marquetry table à ecrire in the Louis XV style 467* inlaid with bois de bout floral marquetry, the quarter veneered top above A set of six early 19th century polychrome decorated and ebonised one frieze drawer, on slender cabriole legs, 55cm wide x 40cm deep x caned dining chairs 76.5cm high, (21.5” wide x 15.5” deep x 30” high) probably North European, each with a dished and shaped arched £400 - 600 toprail painted with an eagle above scrolling acanthus, honeysuckle and €470 - 710 stylised foliage, on sabre legs, minor wear and refreshments to painted decoration, 50cm wide x 57cm deep x 84cm high, (19.5” wide x 22” deep x 33” high) (6) £500 - 700 €590 - 830

122 | Bonhams Period Design

468 470

469 (two from a set of eight) 471

468 Related cut crystal glass chairs by Osler are recorded in the collection at An Indo-Portuguese 18th century metal mounted teak coffer the Jai Vilas Palace, Gwalior, India, illustrated in John P. Smith, Osler’s applied with geometric and interlacing mounts, enclosing two hinged Crystal for Royalty and Rajahs, 1991, p.63. candleboxes, 85.5cm wide x 47cm deep x 51.5cm high, (33.5” wide x A pair of similar side chairs by Osler are illustrated in Lanto Synge, 18.5” deep x 20” high) Mallett Millennium, 1999, p.329, fig. 427. £600 - 800 €710 - 940 471 A small French early 20th century gilt bronze mounted kingwood 469 vitrine A set of eight William IV mahogany dining chairs in the Louis XV style including two armchairs, each with a tablet toprail and carved scroll of serpentine form, enclosing a mirrored interior and two glass shelves, addorsed splat, on baluster turned front legs and splayed back legs, the on keeled square tapering legs with acanthus and cabochon mounts armchairs: 59cm wide, the remaining chairs: 51cm wide, (8) 68cm wide x 33.5cm deep x 136cm high, (26.5” wide x 13” deep x £500 - 700 53.5” high) €590 - 830 £600 - 1,000 €710 - 1,200 470 A 20th century Osler-style cut-glass chair the rectangular buttoned-down red velvet back surmounted by faceted glass balustrades with brass crossbars and cut cone finials, the sides with faceted column supports, the square seat above a cut seatrail, on facted baluster legs to the front and sabre legs to the back, the crossbars stamped twice to the top F&C.Osler £1,500 - 2,500 €1,800 - 2,900

Period Design | 123 Period Design

472

472 A mid Victorian eight light candle frosted and clear cut glass chandelier by F. and C. Osler circa 1860-80 the scrolling arms dressed with ‘Albert’ pendants and pointed prism drops with pointed finial, the arms originally for gas and later wired for electricity, 155cm drop, 94cm diameter £3,500 - 4,500 €4,100 - 5,300

124 | Bonhams Period Design

473

473 474 A mid Victorian six branch frosted and clear cut glass chandelier by A brass club fender F. and C. Osler of typical form, with plain columnar supports, 156cm wide x 71cm deep circa 1860-80 x 59.5cm high, (61” wide x 27.5” deep x 23” high) the scrolling arms issuing from a scallop cut frosted glass body with £500 - 700 canopy dishes and candle pans, dressed with graduated festoons of cut €590 - 830 glass prisms and pear shaped pendants with pointed facet-cut finial, the arms originally for gas and later fitted for electricity, the metalwork The Decorator Source Sale will take place on restored and re-silver plated, 91cm drop, 84cm diameter £2,000 - 3,000 8th October 2013 €2,400 - 3,500

Period Design | 125 The Decorator Source Sale Tuesday 8 October 2013 Knightsbridge, London

Viewings Sunday 6 October 11am to 3pm Monday 7 October 9am to 6.30pm Tuesday 8 October 9am to 10.30am

+44 (0) 20 8963 2814 [email protected]

International Auctioneers and Valuers - bonhams.com/perioddesign The Gentleman’s Library Sale Tuesday 28 & Wednesday 29 January 2014 Knightsbridge, London Entries now invited Closing date for entries Friday 29 November 2013

+44 (0) 20 7393 3804 [email protected]

A 3-inch J&W Cary pocket terrestrial globe, English, published 1791 £3,000 - 4,000

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YOU ARE Contractual Description of a Lot the Sale may also be given out orally before and during the STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT The Catalogue contains an Entry about each Lot. Each Lot Sale without prior written notice. You should be alert to the EXAMINED ON YOUR BEHALF BEFORE THE SALE. is sold by its respective Seller to the Buyer of the Lot as possibility of changes and ask in advance of bidding if there corresponding only with that part of the Entry which is have been any. 4. CONDUCT OF THE SALE printed in bold letters and (except for the colour, which may be inaccurately reproduced) with any photograph of the Lot 1. OUR ROLE Our Sales are public auctions which persons may attend and in the Catalogue. The remainder of the Entry, which is not you should take the opportunity to do so. We do reserve the printed in bold letters, represents Bonhams’ opinion (given on In its role as Auctioneer of Lots, Bonhams acts solely for and right at our sole discretion to refuse admission to our premises behalf of the Seller) about the Lot only and is not part of the in the interests of the Seller. Bonhams’ job is to sell the Lot at or to any Sale without stating a reason. We have complete Contractual Description in accordance with which the Lot is the highest price obtainable at the Sale to a Bidder. Bonhams discretion as to whether the Sale proceeds, whether any Lot is sold by the Seller. does not act for Buyers or Bidders in this role and does not included in the Sale, the manner in which the Sale is conducted give advice to Buyers or Bidders. When it or its staff make and we may offer Lots for Sale in any order we choose Estimates statements about a Lot or, if Bonhams provides a Condition notwithstanding the numbers given to Lots in the Catalogue. In most cases, an Estimate is printed beside the Entry. Estimates Report on a Lot it is doing that on behalf of the Seller of the You should therefore check the date and starting time of the are only an expression of Bonhams’ opinion made on behalf Lot. Bidders and Buyers who are themselves not expert in Sale, whether there have been any withdrawals or late entries. of the Seller of the range where Bonhams thinks the Hammer the Lots are strongly advised to seek and obtain independent Remember that withdrawals and late entries may affect the Price for the Lot is likely to fall; it is not an Estimate of value. advice on the Lots and their value before bidding for them. time at which a Lot you are interested in is put up for Sale. We It does not take into account any VAT or Buyer’s Premium The Seller has authorised Bonhams to sell the Lot as its agent have complete discretion to refuse any bid, to nominate any payable. Lots can in fact sell for Hammer Prices below and on its behalf and, save where we expressly make it clear to bidding increment we consider appropriate, to divide any Lot, above the Estimate. Any Estimate should not be relied on as an the contrary, Bonhams acts only as agent for the Seller. Any to combine two or more Lots, to withdraw any Lot from a Sale indication of the actual selling price or value of a Lot. Estimates statement or representation we make in respect of a Lot is and, before the Sale has been closed, to put up any Lot for are in the currency of the Sale. made on the Seller’s behalf and, unless Bonhams sells a Lot auction again. Auction speeds can exceed 100 Lots to the hour as principal, not on our behalf and any Contract for Sale is and bidding increments are generally about 10%. However Condition Reports between the Buyer and the Seller and not with us. If Bonhams these do vary from Sale to Sale and from Auctioneer to In respect of most Lots, you may ask for a Condition Report on sells a Lot as principal this will either be stated in the Catalogue Auctioneer. Please check with the department organising the its physical condition from Bonhams. If you do so, this will be or an announcement to that effect will be made by the Sale for advice on this. Where a Reserve has been applied to a provided by Bonhams on behalf of the Seller free of charge. Auctioneer, or it will be stated in a notice at the Sale or an Lot, the Auctioneer may, in his absolute discretion, place bids Bonhams is not entering into a contract with you in respect insert in the Catalogue. (up to an amount not equalling or exceeding such Reserve) on of the Condition Report and accordingly does not assume behalf of the Seller. We are not responsible to you in respect of responsibility to you in respect of it. Nor does the Seller owe or Bonhams does not owe or undertake or agree to any duty the presence or absence of any Reserve in respect of any Lot. If agree to owe you as a Bidder any obligation or duty in respect or responsibility to you in contract or tort (whether direct, there is a Reserve it will normally be no higher than the lower of this free report about a Lot, which is available for your own collateral, express, implied or otherwise). If you successfully bid figure for any Estimate in the Catalogue, assuming that the inspection or for inspection by an expert instructed by you. for a Lot and buy it, at that stage Bonhams does enter into an currency of the Reserve has not fluctuated adversely against However, any written Description of the physical condition of agreement with the Buyer. The terms of that contract are set the currency of the Estimate. The Buyer will be the Bidder who the Lot contained in a Condition Report will form part of the out in our Buyer’s Agreement, which you will find at Appendix makes the highest bid acceptable to the Auctioneer for any Lot Contractual Description of the Lot under which it is sold to 2 at the back of the Catalogue. This will govern Bonhams’ (subject to any applicable Reserve) to whom the Lot is knocked any Buyer. relationship with the Buyer. down by the Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the highest acceptable bid will be settled by The Seller’s responsibility to you 2. LOTS the Auctioneer in his absolute discretion. All bids tendered will The Seller does not make or agree to make any representation relate to the actual Lot number announced by the Auctioneer. of fact or contractual promise, Guarantee or warranty and Subject to the Contractual Description printed in bold letters An electronic currency converter may be used at the Sale. This undertakes no obligation or duty, whether in contract or in in the Entry about the Lot in the Catalogue (see paragraph 3 equipment is provided as a general guide as to the equivalent tort (other than to the eventual Buyer as set out above), in below), Lots are sold to the Buyer on an “as is” basis, with amount in certain currencies of a given bid. We do not accept respect of the accuracy or completeness of any statement all faults and imperfections. Illustrations and photographs any responsibility for any errors which may occur in the use of or representation made by him or on his behalf, which is in contained in the Catalogue (other than photographs forming the currency converter. We may use video cameras to record any way descriptive of any Lot or as to the anticipated or part of the Contractual Description) or elsewhere of any Lots the Sale and may record telephone calls for reasons of security likely selling price of any Lot. Other than as set out above, are for identification purposes only. They may not reveal the and to assist in solving any disputes which may arise in relation no statement or representation in any way descriptive of a true condition of the Lot. A photograph or illustration may not to bids made at the Sale. At some Sales, for example, jewellery Lot or any Estimate is incorporated into any Contract for Sale reflect an accurate reproduction of the colour(s) of the Lot. Lots Sales, we may use screens on which images of the Lots will be between a Seller and a Buyer. are available for inspection prior to the Sale and it is for you to projected. This service is provided to assist viewing at the Sale. satisfy yourself as to each and every aspect of a Lot, including The image on the screen should be treated as an indication Bonhams’ responsibility to you its authorship, attribution, condition, provenance, history, only of the current Lot. It should be noted that all bids You have the opportunity of examining the Lot if you want to background, authenticity, style, period, age, suitability, quality, tendered will relate to the actual Lot number announced by and the Contract for Sale for a Lot is with the Seller and not roadworthiness (if relevant), origin, value and estimated selling the Auctioneer. We do not accept any responsibility for any with Bonhams; Bonhams acts as the Seller’s agent only (unless price (including the Hammer Price). It is your responsibility errors which may occur in the use of the screen. Bonhams sells the Lot as principal). to examine any Lot in which you are interested. It should be remembered that the actual condition of a Lot may not be as 5. BIDDING Bonhams undertakes no obligation to you to examine, good as that indicated by its outward appearance. In particular, investigate or carry out any tests, either in sufficient depth or parts may have been replaced or renewed and Lots may not We do not accept bids from any person who has not at all, on each Lot to establish the accuracy or otherwise of any be authentic or of satisfactory quality; the inside of a Lot may completed and delivered to us one of our Bidding Forms, Descriptions or opinions given by Bonhams, or by any person not be visible and may not be original or may be damaged, either our Bidder Registration Form, Absentee Bidding Form on Bonhams’ behalf, whether in the Catalogue or elsewhere. as for example where it is covered by upholstery or material. or Telephone Bidding Form. You will be asked for proof of Given the age of many Lots they may have been damaged and/ identity, residence and references, which, when asked for, you You should not suppose that such examinations, investigations or repaired and you should not assume that a Lot is in good must supply if your bids are to be accepted by us. Please bring or tests have occurred. condition. Electronic or mechanical parts may not operate your passport, driving licence (or similar photographic proof or may not comply with current statutory requirements. You of identity) and proof of address. We may request a deposit Bonhams does not make or agree to make any representation should not assume that electrical items designed to operate from you before allowing you to bid. We may refuse entry of fact, and undertakes no obligation or duty (whether in on mains electricity will be suitable for connection to the to a Sale to any person even if that person has completed a contract or tort) in respect of the accuracy or completeness mains electricity supply and you should obtain a report from Bidding Form. of any statement or representation made by Bonhams or on

NTB/MAIN/5.13 Bidding in person identity of your client in advance, we will be in a position to G Gold bullion exempt from VAT on the Hammer Price You should come to our Bidder registration desk at the Sale address the invoice to your principal rather than you. We will and subject to VAT at the prevailing rate on the Buyer’s venue and fill out a Bidder Registration Form on (or, if possible, require proof of the agent’s client’s identity and residence in Premium before) the day of the Sale. The bidding number system is advance of any bids made by the agent on his behalf. Please • Zero rated for VAT, no VAT will be added to the Hammer sometimes referred to as “paddle bidding”. You will be issued refer to our Conditions of Business and contact our Customer Price or the Buyer’s Premium with a large card (a “paddle”) with a printed number on it. Services Department for further details. a Buyers from within the EU: VAT is payable at the This will be attributed to you for the purposes of the Sale. prevailing rate on just the Buyer’s Premium (NOT the Should you be a successful Bidder you will need to ensure that 6. CONTRACTS BETWEEN THE BUYER AND SELLER Hammer Price). Buyers from outside the EU: VAT is your number can be clearly seen by the Auctioneer and that it AND THE BUYER AND BONHAMS payable at the prevailing rate on both Hammer Price is your number which is identified as the Buyer’s. You should and Buyer’s Premium. If a Buyer, having registered under not let anyone else use your paddle as all Lots will be invoiced On the Lot being knocked down to the Buyer, a Contract for a non-EU address, decides that the item is not to be to the name and address given on your Bidder Registration Sale of the Lot will be entered into between the Seller and exported from the EU, then he should advise Bonhams Form. Once an invoice is issued it will not be changed. If there the Buyer on the terms of the Contract for Sale set out in immediately. is any doubt as to the Hammer Price of, or whether you are the Appendix 1 at the back of the Catalogue. You will be liable to successful Bidder of, a particular Lot, you must draw this to the pay the Purchase Price, which is the Hammer Price plus any In all other instances no VAT will be charged on the Hammer attention of the Auctioneer before the next Lot is offered for applicable VAT. At the same time, a separate contract is also Price, but VAT at the prevailing rate will be added to Buyer’s Sale. At the end of the Sale, or when you have finished bidding entered into between us as Auctioneers and the Buyer. This Premium which will be invoiced on a VAT inclusive basis. please return your paddle to the Bidder registration desk. is our Buyer’s Agreement, the terms of which are set out in Appendix 2 at the back of the Catalogue. Please read the terms 9. PAYMENT Bidding by telephone (only available on lots with a of the Contract for Sale and our Buyer’s Agreement contained low estimate greater than £400) in the Catalogue in case you are the successful Bidder. We It is of critical importance that you ensure that you have readily If you wish to bid at the Sale by telephone, please complete a may change the terms of either or both of these agreements available funds to pay the Purchase Price and the Buyer’s Telephone Bidding Form, which is available from our offices or in advance of their being entered into, by setting out different Premium (plus VAT and any other charges and Expenses to us) in the Catalogue. Please then return it to the office responsible terms in the Catalogue and/or by placing an insert in the in full before making a bid for the Lot. If you are a successful for the Sale at least 24 hours in advance of the Sale. It is your Catalogue and/or by notices at the Sale venue and/or by oral Bidder, payment will be due to us by 4.30 pm on the second responsibility to check with our Bids Office that your bid has announcements before and during the Sale. You should be working day after the Sale so that all sums are cleared by been received. Telephone calls will be recorded. The telephone alert to this possibility of changes and ask if there have been the eighth working day after the Sale. Unless agreed by us in bidding facility is a discretionary service and may not be any. advance payments made by anyone other than the registered available in relation to all Lots. We will not be responsible for Buyer will not be accepted. Payment will have to be by one of bidding on your behalf if you are unavailable at the time of 7. BUYER’S PREMIUM AND OTHER CHARGES the following methods (all cheques should be made payable to the Sale or if the telephone connection is interrupted during PAYABLE BY THE BUYER Bonhams 1793 Limited). Bonhams reserves the right to vary the bidding. Please contact us for further details. terms of payment at any time. Under the Buyer’s Agreement, a premium (the Buyer’s Bidding by post or fax Premium) is payable to us by the Buyer in accordance with the Sterling personal cheque drawn on a UK branch of a bank Absentee Bidding Forms can be found in the back of this terms of the Buyer’s Agreement and at rates set out below, or building society: all cheques must be cleared before you Catalogue and should be completed and sent to the office calculated by reference to the Hammer Price and payable in can collect your purchases; responsible for the Sale. It is in your interests to return your addition to it. Storage charges and Expenses are also payable form as soon as possible, as if two or more Bidders submit by the Buyer as set out in the Buyer’s Agreement. All the sums Bankers draft/building society cheque: if you can provide identical bids for a Lot, the first bid received takes preference. payable to us by the Buyer are subject to VAT. For this Sale the suitable proof of identity and we are satisfied as to the In any event, all bids should be received at least 24 hours following rates of Buyer’s Premium will be payable by Buyers genuineness of the draft or cheque, we will allow you to collect before the start of the Sale. Please check your Absentee of Lots: your purchases immediately; Bidding Form carefully before returning it to us, fully completed 25% up to £25,000 of the Hammer Price and signed by you. It is your responsibility to check with our Cash: you may pay for Lots purchased by you at this Sale with 20% from £25,001 of the Hammer Price Bids Office that your bid has been received. This additional notes, coins or travellers cheques in the currency in which 12% from £500,001 of the Hammer Price service is complimentary and is confidential. Such bids are the Sale is conducted (but not any other currency) provided made at your own risk and we cannot accept liability for our that the total amount payable by you in respect of all Lots On certain Lots, which will be marked “AR” in the Catalogue failure to receive and/or place any such bids. All bids made purchased by you at the Sale does not exceed £3,000, or the and which are sold for a Hammer Price of €1,000 or greater on your behalf will be made at the lowest level possible equivalent in the currency in which the Sale is conducted, at (converted into the currency of the Sale using the European subject to Reserves and other bids made for the Lot. Where the time when payment is made. If the amount payable by you Central Bank Reference rate prevailing on the date of the Sale), appropriate your bids will be rounded down to the nearest for Lots exceeds that sum, the balance must be paid otherwise the Additional Premium will be payable to us by the Buyer to amount consistent with the Auctioneer’s bidding increments. than in coins, notes or travellers cheques; cover our Expenses relating to the payment of royalties under New Bidders must also provide proof of identity and address the Artists Resale Right Regulations 2006. The Additional when submitting bids. Failure to do this will result in your bid Sterling travellers cheques: you may pay for Lots purchased Premium will be a percentage of the amount of the Hammer not being placed. by you at this Sale with travellers cheques, provided the total Price calculated in accordance with the table below, and shall amount payable by you in respect of all Lots purchased by you not exceed €12,500 (converted into the currency of the Sale Bidding via the internet at the Sale does not exceed £3,000. We will need to see your using the European Central Bank Reference rate prevailing on Please visit our Website at http://www.bonhams.com for passport if you wish to pay using travellers cheques; the date of the Sale). details of how to bid via the internet. Hammer Price Percentage amount Bank transfer: you may electronically transfer funds to our Bidding through an agent From €0 to €50,000 4% Trust Account. If you do so, please quote your paddle number Bids will be accepted as placed on behalf of the person named From €50,000.01 to €200,000 3% and invoice number as the reference. Our Trust Account details as the principal on the Bidding Form although we may refuse From €200,000.01 to €350,000 1% are as follows: to accept bids from an agent on behalf of a principal and will From €350,000.01 to €500,000 0.5% Bank: National Westminster Bank Plc require written confirmation from the principal confirming Exceeding €500,000 0.25% Address: PO Box 4RY the agent’s authority to bid. Nevertheless, as the Bidding 250 Regent Street Form explains, any person placing a bid as agent on behalf 8. VAT London W1A 4RY of another (whether or not he has disclosed that fact or the Account Name: Bonhams 1793 Limited Trust Account identity of his principal) will be jointly and severally liable with The prevailing rate of VAT at the time of going to press is 20%, Account Number: 25563009 the principal to the Seller and to Bonhams under any contract but this is subject to government change and the rate payable Sort Code: 56-00-27 resulting from the acceptance of a bid. Subject to the above, will be the rate in force on the date of the Sale. IBAN Number: GB 33 NWBK 560027 25563009 please let us know if you are acting on behalf of another person when bidding for Lots at the Sale. The following symbols are used to denote that VAT is due on If paying by bank transfer, the amount received after the the Hammer Price and Buyer’s Premium: deduction of any bank fees and/or conversion of the currency Equally, please let us know if you intend to nominate another † VAT at the prevailing rate on Hammer Price and Buyer’s of payment to pounds sterling must not be less than the person to bid on your behalf at the Sale unless this is to be Premium sterling amount payable, as set out on the invoice. carried out by us pursuant to a Telephone or Absentee Bidding Ω VAT on imported items at the prevailing rate on Hammer Form that you have completed. If we do not approve the Price and Buyer’s Premium Debit cards: there is no additional charge for purchases made agency arrangements in writing before the Sale, we are entitled * VAT on imported items at a preferential rate of 5% on with personal debit cards, issued by a UK bank. Debit cards to assume that the person bidding at the Sale is bidding on his Hammer Price and the prevailing rate on Buyer’s Premium issued by an overseas bank, deferred and company debit cards own behalf. Accordingly, the person bidding at the Sale will and all credit cards will be subject to a 2% surcharge; be the Buyer and will be liable to pay the Hammer Price and Buyer’s Premium and associated charges. If we approve the

NTB/MAIN/5.13 Union Pay cards: these are now accepted at our Knightsbridge any Description or Estimate made of any Lot, or the conduct modern firearms specialist. All prospective Bidders are advised and New Bond Street offices, when presented in person by the of any Sale in relation to any Lot, whether in damages, for an to consult the ˚ of bore and wall-thickness measurements card holder. These cards are subject to a 2% surcharge. indemnity or contribution, or for a restitutionary remedy or posted in the saleroom and available from the department. otherwise, our and/or the Seller’s liability (combined, if both Bidders should note that guns are stripped only where there Credit cards: Visa and Mastercard only. Please note there is a we and the Seller are liable) will be limited to payment of a is a strong indication of a mechanical malfunction. Stripping 2% surcharge on the total invoice value when payments are sum which will not exceed by way of maximum the amount is not, otherwise, undertaken. Guns intended for use should made using credit cards. It may be advisable to notify your card of the Purchase Price of the Lot irrespective in any case of the be stripped and cleaned beforehand. Hammer guns should provider of your intended purchase in advance to reduce delays nature, volume or source of any loss or damage alleged to be have their rebound mechanisms checked before use. The caused by us having to seek authority when you come to pay. If suffered or sum claimed as due, and irrespective of whether safety mechanisms of all guns must be tested before use. you have any questions with regard to payment, please contact the liability arises from any negligence, other tort, breach All measurements are approximate. our Customer Services Department. of contract (if any) or statutory duty or otherwise. Nothing set out above will be construed as excluding or restricting Original Gun Specifications Derived from Gunmakers 10. COLLECTION AND STORAGE (whether directly or indirectly) our liability or excluding or The Sporting Gun Department endeavours to confirm a gun’s restricting any person’s rights or remedies in respect of (i) fraud, original specification and date of manufacture with makers The Buyer of a Lot will not be allowed to collect it until or (ii) death or personal injury caused by our negligence (or by who hold their original records. payment in full and in cleared funds has been made (unless the negligence of any person under our control or for whom we have made a special arrangement with the Buyer). For we are legally responsible), or (iii) acts or omissions for which Licensing Requirements collection and removal of purchased Lots, please refer to Sale we are liable under the Occupiers Liability Act 1957, or (iv) Firearms Act 1968 as amended Information at the front of the Catalogue. Our offices are any other liability to the extent the same may not be excluded Bonhams is constantly reviewing its procedures and would open 9.00am – 5pm Monday to Friday. Details relating to or restricted as a matter of law or (v) our undertakings under remind you that, in the case of firearms or shotguns subject to the collection of a Lot, the storage of a Lot and our Storage paragraphs 9 (in relation to specialist Stamp or Book Sales only) certification, to conform with current legislation, Bonhams is Contractor after the Sale are set out in the Catalogue. and 10 of the Buyer’s Agreement. The same applies in respect required to see, as appropriate, your original registered firearms of the Seller, as if references to us in this paragraph were dealer’s certificate / shot gun certificate / firearm certificate / 11. SHIPPING substituted with references to the Seller. museum firearms licence / Section 5 authority or import licence (or details of any exemption from which you may benefit, for Please refer all enquiries to our shipping department on: 15. BOOKS instance Crown servant status) for the firearm(s) you have Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 purchased prior to taking full payment of the amount shown Email: [email protected] As stated above, all Lots are sold on an “as is” basis, subject on your invoice. Should you not already be in possession of to all faults, imperfections and errors of Description save as such an authority or exemption, you are required to initially 12. EXPORT/TRADE RESTRICTIONS set out below. However, you will be entitled to reject a Book pay a deposit of 95% of the total invoice with the balance of in the circumstances set out in paragraph 11 of the Buyers 5% payable on presentation of your valid certificate or licence It is your sole responsibility to comply with all export and Agreement. Please note that Lots comprising printed Books, showing your authority to hold the firearm(s) concerned. import regulations relating to your purchases and also to obtain unframed maps and bound manuscripts are not liable to VAT any relevant export and/or import licence(s). Export licences are on the Buyer’s Premium. Please be advised that if a successful Bidder is then unable to issued by Arts Council England and application forms can be produce the correct paperwork, the Lot(s) will be reoffered by obtained from its Export Licensing Unit. The detailed provisions 16. CLOCKS AND WATCHES Bonhams in the next appropriate Sale, on standard terms for of the export licencing arrangements can be found on the ACE Sellers, and you will be responsible for any loss incurred by website http://www.artscouncil.org.uk/what-we-do/supporting- All Lots are sold “as is”, and the absence of any reference Bonhams on the original Sale to you. museums/cultural-property/export-controls/export-licensing/ to the condition of a clock or watch does not imply that or by phoning ACE on +44 (0)20 7973 5188. The need for the Lot is in good condition and without defects, repairs or In the case of RFD certificates and Section 5 authorities, we import licences varies from country to country and you should restorations. Most clocks and watches have been repaired in wish to keep an up-to-date copy on file. Please supply us with acquaint yourself with all relevant local requirements and the course of their normal lifetime and may now incorporate a Fax or photocopy. It would be helpful if you could send us an provisions. The refusal of any import or export licence(s) or parts not original to them. Furthermore, Bonhams makes updated copy whenever your certificate or authority is renewed any delay in obtaining such licence(s) shall not permit the no representation or warranty that any clock or watch is in or changed. rescission of any Sale nor allow any delay in making full working order. As clocks and watches often contain fine and payment for the Lot. Generally, please contact our shipping complex mechanisms, Bidders should be aware that a general Lots marked ‘S1´ and bearing red labels are Section 1 firearms department before the Sale if you require assistance in service, change of battery or further repair work, for which the and require a valid British Firearms certificate, RFD Licence or relation to export regulations. Buyer is solely responsible, may be necessary. Bidders should import licence. be aware that the importation of watches such as Rolex, Frank 13. CITES REGULATIONS Muller and Corum into the United States is highly restricted. Lots marked ‘S2’ and bearing blue labels are Section 2 firearms These watches may not be shipped to the USA and can only be and require a valid British Shotgun certificate, RFD licence or Please be aware that all Lots marked with the symbol Y are imported personally. import licence. subject to CITES regulations when exporting these items outside the EU. These regulations may be found at 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 be requested from: Authority or import licence. Proof of Firearms Animal Health and Veterinary Laboratories Agency (AHVLA) The term “proof exemption” indicates that a firearm has Lots marked with a ‘S58´ and bearing yellow labels are for Wildlife Licencing been examined at a Proof House, but not proved, as either obsolete calibres and no licence is required unless ammunition Floor 1, Zone 17, Temple Quay House (a) it was deemed of interest and not intended for use, or (b) is held. 2 The Square, Temple Quay ammunition was not available. In either case, the firearm must BRISTOL BS1 6EB be regarded as unsafe to fire unless subsequently proved. Unmarked Lots require no licence. Tel: +44 (0) 117 372 8774 Firearms proved for Black Powder should not be used with smokeless ammunition. Please do not hesitate to contact the Modern Sporting Gun 14. THE SELLERS AND/OR BONHAMS’ LIABILITY Department should you have any queries. The term “Certificate of Unprovability” indicates that a firearm Other than any liability of the Seller to the Buyer of a Lot has been examined at a Proof House and is deemed both Taxidermy and Related Items under the Contract for Sale, neither we nor the Seller are unsuitable for proof and use. Reproof is required before any As a Seller of these articles, Bonhams undertakes to comply liable (whether in negligence or otherwise) for any error or such firearm is to be used. fully with Cites and DEFRA regulations. Buyers are advised to misdescription or omission in any Description of a Lot or any inform themselves of all such regulations and should expect Estimate in respect of it, whether contained in the Catalogue Guns Sold as Parts the exportation of items to take some time to arrange. or otherwise, whether given orally or in writing and whether Barrels of guns sold as parts will only be made available for given before or during the Sale. Neither we nor the Seller will sleeving and measurements once rendered unserviceable 18. FURNITURE be liable for any loss of Business, profits, revenue or income, or according to the Gun Barrel Proof Act of 1968 to 1978 and the for loss of reputation, or for disruption to Business or wasted Rules of Proof. Upholstered Furniture time on the part of management or staff, or for indirect losses Whilst we take every care in cataloguing furniture which has or consequential damages of any kind, irrespective in any Condition of Firearms been upholstered we offer no Guarantee as to the originality case of the nature, volume or source of the loss or damage Comment in this Catalogue is restricted, in general, to of the wood covered by fabric or upholstery. alleged to be suffered, and irrespective of whether the said exceptional condition and to those defects that might affect loss or damage is caused by or claimed in respect of any the immediate safety of a firearm in normal use. An intending negligence, other tort, breach of contract (if any) or statutory Bidder unable to make technical examinations and assessments duty, restitutionary claim or otherwise. In any circumstances is recommended to seek advice from a gunmaker or from a where we and/or the Seller are liable in relation to any Lot or

NTB/MAIN/5.13 19. JEWELLERY • The date given is that of the image (negative). Where no 24. WINE further date is given, this indicates that the photographic ˜ Ruby and Jadeite print is vintage (the term “vintage” may also be included Lots which are lying under Bond and those liable to VAT may Ruby and jadeite gemstones of Burmese (Myanmar) origin in the Lot Description). A vintage photograph is one which not be available for immediate collection. may not be imported into the US. Rubies and jadeite of was made within approximately 5-10 years of the negative. non–Burmese origin require certification before import Where a second, later date appears, this refers to the date Examining the wines into the US and it is the Buyer’s responsibility to obtain all of printing. Where the exact printing date is not known, but It is occasionally possible to provide a pre-Sale tasting for relevant and required export/import licences, certificates understood to be later, “printed later” will appear in the Lot larger parcels (as defined below). This is generally limited to and documentation before shipping. Failure by the Buyer to Description. more recent and everyday drinking wines. Please contact the successfully import goods into the US does not constitute • Unless otherwise specified, dimensions given are those of department for details. grounds for non payment or cancellation of Sale. Bonhams the piece of paper on which the image is printed, including will not be responsible for any additional costs in this regard any margins. Some photographs may appear in the It is not our policy to inspect every unopened case. In the case howsoever incurred. Catalogue without margins illustrated. of wines older than 20 years the boxes will usually have been • All photographs are sold unframed unless stated in the Lot opened and levels and appearance noted in the Catalogue Gemstones Description. where necessary. You should make proper allowance for Historically many gemstones have been subjected to a variety variations in ullage levels and conditions of corks, capsules of treatments to enhance their appearance. Sapphires and 21. PICTURES and labels. rubies are routinely heat treated to improve their colour and clarity, similarly emeralds are frequently treated with oils or Explanation of Catalogue Terms Corks and Ullages resin for the same purpose. Other treatments such as staining, The following terms used in the Catalogue have the following Ullage refers to the space between the base of the cork and irradiation or coating may have been used on other gemstones. meanings but are subject to the general provisions relating to the wine. Ullage levels for Bordeaux shaped bottles are only These treatments may be permanent, whilst others may need Descriptions contained in the Contract for Sale: normally noted when below the neck and for Burgundy, special care or re-treatment over the years to retain their • “Jacopo Bassano”: in our opinion a work by the artist. Alsace, German and Cognac shaped bottles when greater than appearance. Bidders should be aware that Estimates assume When the artist’s forename(s) is not known, a series of 4 centimetres (cm). Acceptable ullage levels increase with age; that gemstones may have been subjected to such treatments. asterisks, followed by the surname of the artist, whether generally acceptable levels are as follows: A number of laboratories issue certificates that give more preceded by an initial or not, indicates that in our opinion detailed Descriptions of gemstones. However there may not be the work is by the artist named; Under 15 years old – into neck or less than 4cm consensus between different laboratories on the degrees, or • “Attributed to Jacopo Bassano”: in our opinion probably 15 to 30 years old – top shoulder (ts) or up to 5cm types of treatment for any particular gemstone. In the event a work by the artist but less certainty as to authorship is Over 30 years old – high shoulder (hs) or up to 6cm that Bonhams has been given or has obtained certificates expressed than in the preceding category; for any Lot in the Sale these certificates will be disclosed in • “Studio/Workshop of Jacopo Bassano”: in our opinion a It should be noted that ullages may change between the Catalogue. Although, as a matter of policy, Bonhams work by an unknown hand in a studio of the artist which publication of the Catalogue and the Sale and that corks may endeavours to provide certificates from recognised laboratories may or may not have been executed under the artist’s fail as a result of transporting the wine. We will only accept for certain gemstones, it is not feasible to obtain certificates direction; responsibility for Descriptions of condition at the time of for each Lot. In the event that no certificate is published in the • “Circle of Jacopo Bassano”: in our opinion a work by publication of the Catalogue and cannot accept responsibility Catalogue, Bidders should assume that the gemstones may a hand closely associated with a named artist but not for any loss resulting from failure of corks either before or after have been treated. Neither Bonhams nor the Seller accepts any necessarily his pupil; this point. liability for contradictions or differing certificates obtained by • “Follower of Jacopo Bassano”: in our opinion a work by a Buyers on any Lots subsequent to the Sale. painter working in the artist’s style, contemporary or nearly Options to buy parcels contemporary, but not necessarily his pupil; A parcel is a number of Lots of identical size of the same wine, Estimated Weights • “Manner of Jacopo Bassano”: in our opinion a work in the bottle size and Description. The Buyer of any of these Lots has If a stone(s) weight appears within the body of the Description style of the artist and of a later date; the option to accept some or all of the remaining Lots in the in capital letters, the stone(s) has been unmounted and • “After Jacopo Bassano”: in our opinion, a copy of a known parcel at the same price, although such options will be at the weighed by Bonhams. If the weight of the stone(s) is stated work of the artist; Auctioneer’s sole discretion. Absentee Bidders are, therefore, to be approximate and does not appear in capital letters, the • “Signed and/or dated and/or inscribed”: in our opinion the advised to bid on the first Lot in a parcel. stone(s) has been assessed by us within its/their settings, and signature and/or date and/or inscription are from the hand the stated weight is a statement of our opinion only. This of the artist; Wines in Bond information is given as a guide and Bidders should satisfy • “Bears a signature and/or date and/or inscription”: in our Wines lying in Bond are marked Δ and VAT is payable by the themselves with regard to this information as to its accuracy. opinion the signature and/or date and/or inscription have purchaser, at the standard rate, on the Hammer Price, unless been added by another hand. the wines are to remain under Bond. Buyers requiring their Signatures wine to remain in Bond must notify Bonhams at the time of 1. A diamond brooch, by Kutchinsky 22. PORCELAIN AND GLASS the Sale. The Buyer is then himself responsible for all duty, When the maker’s name appears in the title, in Bonhams’ clearance VAT and other charges that may be payable thereon. opinion the piece is by that maker. Damage and Restoration All such Lots must be transferred or collected within two weeks For your guidance, in our Catalogues we detail, as far as of the Sale. 2. A diamond brooch, signed Kutchinsky practicable, recorded all significant defects, cracks and Has a signature that, in Bonhams’ opinion, is authentic but restoration. Such practicable Descriptions of damage cannot Buyers outside the UK must be aware that any forwarding may contain gemstones that are not original, or the piece may be definitive, and in providing Condition Reports, we cannot agent appointed to export their purchases must have a have been altered. Guarantee that there are no other defects present which movement certificate for Lots to be released under Bond. have not been mentioned. Bidders should satisfy themselves 3. A diamond brooch, mounted by Kutchinsky by inspection, as to the condition of each Lot. Please see the Bottling Details and Case Terms Has been created by the jeweller, in Bonhams’ opinion, but Contract for Sale printed in this Catalogue. Because of the The following terms used in the Catalogue have the following using stones or designs supplied by the client. difficulty in determining whether an item of glass has been meanings: repolished, in our Catalogues reference is only made to visible CB – Château bottled 20. PHOTOGRAPHS chips and cracks. No mention is made of repolishing, severe DB – Domaine bottled or otherwise. EstB – Estate bottled Explanation of Catalogue Terms BB – Bordeaux bottled • “Bill Brandt”: in our opinion a work by the artist. 23. VEHICLES BE – Belgian bottled • “Attributed to Bill Brandt”: in our opinion probably a work FB – French bottled by the artist, but less certainty to authorship is expressed The Veteran Car Club of Great Britain GB – German bottled than in the preceding category. OB – Oporto bottled • “Signed and/or titled and/or dated and/or inscribed”: in Dating Plates and Certificates UK – United Kingdom bottled our opinion the signature and/or title and/or date and/or When mention is made of a Veteran Car Club Dating Plate or owc – original wooden case inscription are in the artist’s hand. Dating Certificate in this Catalogue, it should be borne in mind iwc – individual wooden case • “Signed and/or titled and/or dated and/or inscribed in that the Veteran Car Club of Great Britain using the services of oc – original carton another hand”: in our opinion the signature and/or title Veteran Car Company Ltd, does from time to time, review cars and/or date and/or inscription have been added by already dated and, in some instances, where fresh evidence another hand. becomes available, the review can result in an alteration of date. Whilst the Club and Veteran Car Company Ltd make every effort to ensure accuracy, the date shown on the Dating Plate or Dating Certificate cannot be guaranteed as correct and intending purchasers should make their own enquiries as to the date of the car.

NTB/MAIN/5.13 SYMBOLS 2 SELLER’S UNDERTAKINGS 4.2 The Seller will not be liable for any breach of any undertaking, whether implied by the Sale of Goods THE FOLLOWING SYMBOLS ARE USED TO DENOTE 2.1 The Seller undertakes to you that: Act 1979 or otherwise, as to the satisfactory quality of the Lot or its fitness for any purpose. Y Subject to CITES regulations when exporting these items 2.1.1 the Seller is the owner of the Lot or is duly authorised outside the EU, see clause 13. to sell the Lot by the owner; 5 RISK, PROPERTY AND TITLE W Objects displayed with a w will be located in the Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the 5.1 Risk in the Lot passes to you when it is knocked collection from this location. Catalogue, the Seller sells the Lot with full title down to you on the fall of the Auctioneer’s ≈ Please note that as a result of recent legislation ruby and guarantee or, where the Seller is an executor, trustee, hammer in respect of the Lot. The Seller will not jadeite gem stones of Burmese (Myanmar) origin may liquidator, receiver or administrator, with whatever be responsible thereafter for the Lot prior to not be imported into the US. Rubies and jadeite of non- right, title or interest he may have in the Lot; you collecting it from Bonhams or the Storage Burmese origin require certification before import into the Contractor, with whom you have separate contract(s) US. 2.1.3 except where the Sale is by an executor, trustee, as Buyer. You will indemnify the Seller and keep the Δ Wines lying in Bond. liquidator, receiver or administrator the Seller is both Seller fully indemnified from and against all claims, AR An Additional Premium will be payable to us by the Buyer legally entitled to sell the Lot, and legally capable proceedings, costs, expenses and losses arising in to cover our Expenses relating to payment of royalties of conferring on you quiet possession of the Lot respect of any injury, loss and damage caused to the under the Artists Resale Right Regulations 2006. See and that the Sale conforms in every respect with Lot after the fall of the Auctioneer’s hammer until clause 7 for details. the terms implied by the Sale of Goods Act 1979, you obtain full title to it. ○ The Seller has been guaranteed a minimum price for the Sections 12(1) and 12(2) (see the Definitions and Lot, either by Bonhams or a third party. This may take Glossary); 5.2 Title to the Lot remains in and is retained by the the form of an irrevocable bid by a third party, who may Seller until the Purchase Price and all other sums make a financial gain on a successful Sale or a financial 2.1.4 the Seller has complied with all requirements, legal or payable by you to Bonhams in relation to the Lot loss if unsuccessful. otherwise, relating to any export or import of the Lot, have been paid in full to, and received in cleared ▲ Bonhams owns the Lot either wholly or partially or may and all duties and taxes in respect of the export or funds by, Bonhams. otherwise have an economic interest. import of the Lot have (unless stated to the contrary in the Catalogue or announced by the Auctioneer) 6 PAYMENT •, †, *, G, Ω, a see clause 8, VAT, for details. been paid and, so far as the Seller is aware, all third parties have complied with such requirements in 6.1 Your obligation to pay the Purchase Price arises when DATA PROTECTION – USE OF YOUR INFORMATION the past; the Lot is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot. Where we obtain any personal information about you, we shall 2.1.5 subject to any alterations expressly identified as such only use it in accordance with the terms of our Privacy Policy made by announcement or notice at the Sale venue 6.2 Time will be of the essence in relation to payment (subject to any additional specific consent(s) you may have or by the Notice to Bidders or by an insert in the of the Purchase Price and all other sums payable by given at the time your information was disclosed). A copy of Catalogue, the Lot corresponds with the Contractual you to Bonhams. Unless agreed in writing with you our Privacy Policy can be found on our Website www.bonhams. Description of the Lot, being that part of the Entry by Bonhams on the Seller’s behalf (in which case com or requested by post from Customer Services Department, about the Lot in the Catalogue which is in bold you must comply with the terms of that agreement), 101 New Bond Street, London, W1S 1SR or by email from letters and (except for colour) with any photograph all such sums must be paid to Bonhams by you in [email protected] of the Lot in the Catalogue and the contents of the currency in which the Sale was conducted by any Condition Report which has been provided to not later than 4.30pm on the second working day APPENDIX 1 the Buyer. following the Sale and you must ensure that the funds are cleared by the seventh working day after CONTRACT FOR SALE 3 DESCRIPTIONS OF THE LOT the Sale. Payment must be made to Bonhams by one of the methods stated in the Notice to Bidders unless IMPORTANT: These terms may be changed in advance of the 3.1 Paragraph 2.1.5 sets out what is the Contractual otherwise agreed with you in writing by Bonhams. If Sale of the Lot to you, by the setting out of different terms in Description of the Lot. In particular, the Lot is not you do not pay any sums due in accordance with this the Catalogue for the Sale and/or by placing an insert in the sold as corresponding with that part of the Entry in paragraph, the Seller will have the rights set out in Catalogue and/or by notices at the Sale venue and/or by oral the Catalogue which is not printed in bold letters, paragraph 8 below. announcements before and during the Sale at the Sale venue. which merely sets out (on the Seller’s behalf) You should be alert to this possibility of changes and ask in Bonhams’ opinion about the Lot and which is not 7 COLLECTION OF THE LOT advance of bidding if there have been any. part of the Contractual Description upon which the Lot is sold. Any statement or representation other 7.1 Unless otherwise agreed in writing with you by Under this contract the Seller’s liability in respect of the quality than that part of the Entry referred to in paragraph Bonhams, the Lot will be released to you or to your of the Lot, it’s fitness for any purpose and its conformity with 2.1.5 (together with any express alteration to it order only when Bonhams has received cleared funds any Description is limited. You are strongly advised to examine as referred to in paragraph 2.1.5), including any to the amount of the full Purchase Price and all other the Lot for yourself and/or obtain an independent examination Description or Estimate, whether made orally or in sums owed by you to the Seller and to Bonhams. of it before you buy it. writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise, and whether 7.2 The Seller is entitled to withhold possession from you 1 THE CONTRACT by or on behalf of the Seller or Bonhams and of any other Lot he has sold to you at the same or whether made prior to or during the Sale, is not part at any other Sale and whether currently in Bonhams’ 1.1 These terms govern the Contract for Sale of the Lot of the Contractual Description upon which the Lot is possession or not until payment in full and in cleared by the Seller to the Buyer. sold. funds of the Purchase Price and all other sums due to the Seller and/or Bonhams in respect of the Lot. 1.2 The Definitions and Glossary contained in Appendix 3 3.2 Except as provided in paragraph 2.1.5, the Seller in the Catalogue are incorporated into this Contract does not make or give and does not agree to make 7.3 You will collect and remove the Lot at your own for Sale and a separate copy can also be provided or give any contractual promise, undertaking, expense from Bonhams’ custody and/ or control or by Bonhams on request. Where words and phrases obligation, guarantee, warranty, or representation from the Storage Contractor’s custody in accordance are used which are in the List of Definitions, they are of fact, or undertake any duty of care, in relation to with Bonhams’ instructions or requirements. printed in italics. any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any 7.4 You will be wholly responsible for packing, handling 1.3 The Seller sells the Lot as the principal to the Description or Estimate which may have been made and transport of the Lot on collection and for Contract for Sale, such contract being made between by or on behalf of the Seller including by Bonhams. complying with all import or export regulations in the Seller and you through Bonhams which acts in No such Description or Estimate is incorporated into connection with the Lot. the sole capacity as the Seller’s agent and not as this Contract for Sale. an additional principal. However, if the Catalogue 7.5 You will be wholly responsible for any removal, states that Bonhams sells the Lot as principal, or such 4 FITNESS FOR PURPOSE AND SATISFACTORY storage or other charges or Expenses incurred a statement is made by an announcement by the QUALITY by the Seller if you do not remove the Lot in Auctioneer, or by a notice at the Sale, or an insert accordance with this paragraph 7 and will in the Catalogue, then Bonhams is the Seller for the 4.1 The Seller does not make and does not agree indemnify the Seller against all charges, costs, purposes of this agreement. to make any contractual promise, undertaking, including any legal costs and fees, Expenses and obligation, guarantee, warranty, or representation of losses suffered by the Seller by reason of your 1.4 The contract is made on the fall of the Auctioneer’s fact in relation to the satisfactory quality of the Lot or failure to remove the Lot including any charges hammer in respect of the Lot when it is knocked its fitness for any purpose. due under any Storage Contract. All such sums down to you. due to the Seller will be payable on demand.

NTB/MAIN/5.13 8 FAILURE TO PAY FOR THE LOT 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented from performing that party’s respective obligations 8.1 If the Purchase Price for a Lot is not paid to Bonhams 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances beyond in full in accordance with the Contract for Sale damage caused by the Lot after the fall of the its reasonable control or if performance of its the Seller will be entitled, with the prior written Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances agreement of Bonhams but without further notice to give rise to a significantly increased financial you, to exercise one or more of the following rights 9.2 Subject to paragraph 9.3 below, except for breach cost to it, that party will not, for so long as such (whether through Bonhams or otherwise): of the express undertaking provided in paragraph circumstances prevail, be required to perform such 2.1.5, the Seller will not be liable for any breach obligations. This paragraph does not apply to the 8.1.1 to terminate immediately the Contract for Sale of the of any term that the Lot will correspond with any obligations imposed on you by paragraph 6. Lot for your breach of contract; Description applied to it by or on behalf of the Seller, whether implied by the Sale of Goods Act 1979 or 10.4 Any notice or other communication to be given 8.1.2 to resell the Lot by auction, private treaty or any otherwise. under the Contract for Sale must be in writing other means on giving seven days’ written notice to and may be delivered by hand or sent by first class you of the intention to resell; 9.3 Unless the Seller sells the Lot in the course of a post or air mail or fax transmission, if to the Seller, Business and the Buyer buys it as a Consumer, addressed c/o Bonhams at its address or fax number 8.1.3 to retain possession of the Lot; in the Catalogue (marked for the attention of the 9.3.1 the Seller will not be liable (whether in negligence, Company Secretary), and if to you to the address or 8.1.4 to remove and store the Lot at your expense; other tort, breach of contract or statutory duty or in fax number of the Buyer given in the Bidding Form restitution or under the Misrepresentation Act 1967, (unless notice of any change of address is given in 8.1.5 to take legal proceedings against you for any sum or in any other way) for any lack of conformity with, writing). It is the responsibility of the sender of the due under the Contract for Sale and/or damages for or inaccuracy, error, misdescription or omission in notice or communication to ensure that it is received breach of contract; any Description of the Lot or any Entry or Estimate in a legible form within any applicable time period. in relation to the Lot made by or on behalf of 8.1.6 to be paid interest on any monies due (after as well the Seller (whether made in writing, including in 10.5 If any term or any part of any term of the Contract as before judgement or order) at the annual rate the Catalogue, or on the Website, or orally, or by for Sale is held to be unenforceable or invalid, such of 5% per annum above the base rate of National conduct or otherwise) and whether made before or unenforceability or invalidity will not affect the Westminster Bank Plc from time to time to be after this agreement or prior to or during the Sale; enforceability and validity of the remaining terms or calculated on a daily basis from the date upon which the remainder of the relevant term. such monies become payable until the date of actual 9.3.2 the Seller will not be liable for any loss of Business, payment; Business profits or revenue or income or for loss of 10.6 References in the Contract for Sale to Bonhams will, reputation or for disruption to Business or wasted where appropriate, include reference to Bonhams’ 8.1.7 to repossess the Lot (or any part thereof) which has time on the part of the Buyer or of the Buyer’s officers, employees and agents. not become your property, and for this purpose management or staff or, for any indirect losses or (unless the Buyer buys the Lot as a Consumer from consequential damages of any kind, irrespective in 10.7 The headings used in the Contract for Sale the Seller selling in the course of a Business) you any case of the nature, volume or source of the loss are for convenience only and will not affect its hereby grant an irrevocable licence to the Seller by or damage alleged to be suffered, and irrespective interpretation. himself and to his servants or agents to enter upon of whether the said loss or damage is caused by all or any of your premises (with or without vehicles) or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means during normal Business hours to take possession of breach of contract, statutory duty, restitutionary “including, without limitation”. the Lot or part thereof; claim or otherwise; 10.9 References to the singular will include reference to 8.1.8 to retain possession of any other property sold to you 9.3.3 in any circumstances where the Seller is liable to you the plural (and vice versa) and reference to any one by the Seller at the Sale or any other auction or by in respect of the Lot, or any act, omission, statement, gender will include reference to the other genders. private treaty until all sums due under the Contract or representation in respect of it, or this agreement for Sale shall have been paid in full in cleared funds; or its performance, and whether in damages, for 10.10 Reference to a numbered paragraph is to a an indemnity or contribution or for a restitutionary paragraph of the Contract for Sale. 8.1.9 to retain possession of, and on three months’ written remedy or in any way whatsoever, the Seller’s liability notice to sell, Without Reserve, any of your other will be limited to payment of a sum which will not 10.11 Save as expressly provided in paragraph 10.12 property in the possession of the Seller and/or of exceed by way of maximum the amount of the nothing in the Contract for Sale confers (or purports Bonhams (as bailee for the Seller) for any purpose Purchase Price of the Lot irrespective in any case of to confer) on any person who is not a party to the (including, without limitation, other goods sold to the nature, volume or source of any loss or damage Contract for Sale any benefit conferred by, or the you) and to apply any monies due to you as a result alleged to be suffered or sum claimed as due, and right to enforce any term of, the Contract for Sale. of such Sale in satisfaction or part satisfaction of any irrespective of whether the liability arises from any amounts owed to the Seller or to Bonhams; and negligence, other tort, breach of contract, statutory 10.12 Where the Contract for Sale confers an immunity duty, bailee’s duty, restitutionary claim or otherwise. from, and/or an exclusion or restriction of, the 8.1.10 so long as such goods remain in the possession of responsibility and/or liability of the Seller, it will also the Seller or Bonhams as its bailee, to rescind the 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will operate in favour and for the benefit ofBonhams, contract for the Sale of any other goods sold to be construed as excluding or restricting (whether Bonhams’ holding company and the subsidiaries you by the Seller at the Sale or at any other auction directly or indirectly) any person’s liability or excluding of such holding company and the successors and or by private treaty and apply any monies received or restricting any person’s rights or remedies in assigns of Bonhams and of such companies and of from you in respect of such goods in part or full respect of (i) fraud, or (ii) death or personal injury any officer, employee and agent of Bonhams and satisfaction of any amounts owed to the Seller or to caused by the Seller’s negligence (or any person such companies, each of whom will be entitled to Bonhams by you. under the Seller’s control or for whom the Seller is rely on the relevant immunity and/or exclusion and/or legally responsible), or (iii) acts or omissions for which restriction within and for the purposes of Contracts 8.2 You agree to indemnify the Seller against all legal the Seller is liable under the Occupiers Liability Act (Rights of Third Parties) Act 1999, which enables the and other costs of enforcement, all losses and other 1957, or (iv) any other liability to the extent the same benefit of a contract to be extended to a person who Expenses and costs (including any monies payable may not be excluded or restricted as a matter of law. is not a party to the contract, and generally at law. to Bonhams in order to obtain the release of the Lot) incurred by the Seller (whether or not court 10 MISCELLANEOUS 11 GOVERNING LAW proceedings will have been issued) as a result of Bonhams taking steps under this paragraph 8 on a 10.1 You may not assign either the benefit or burden of All transactions to which the Contract for Sale applies full indemnity basis together with interest thereon the Contract for Sale. and all connected matters will be governed by and (after as well as before judgement or order) at the construed in accordance with the laws of that part rate specified in paragraph 8.1.6 from the date upon 10.2 The Seller’s failure or delay in enforcing or exercising of the United Kingdom where the Sale takes place which the Seller becomes liable to pay the same until any power or right under the Contract for Sale will and the Seller and you each submit to the exclusive payment by you. not operate or be deemed to operate as a waiver of jurisdiction of the courts of that part of the United his rights under it except to the extent of any express Kingdom, save that the Seller may bring proceedings 8.3 On any resale of the Lot under paragraph 8.1.2, the waiver given to you in writing. Any such waiver will against you in any other court of competent Seller will account to you in respect of any balance not affect the Seller’s ability subsequently to enforce jurisdiction to the extent permitted by the laws of remaining from any monies received by him or on any right arising under the Contract for Sale. the relevant jurisdiction. Bonhams has a complaints his behalf in respect of the Lot, after the payment of procedure in place. all sums due to the Seller and to Bonhams, within 28 days of receipt of such monies by him or on his behalf.

NTB/MAIN/5.13 APPENDIX 2 3 PAYMENT 4.4 If you have not collected the Lot by the date specified in the Notice to Bidders, you authorise us, acting BUYER’S AGREEMENT 3.1 Unless agreed in writing between you and us or as as your agent and on your behalf, to enter into a otherwise set out in the Notice to Bidders, you must contract (the “Storage Contract”) with the Storage IMPORTANT: These terms may be changed in advance of the pay to us by not later than 4.30pm on the second Contractor for the storage of the Lot on the then Sale of the Lot to you, by the setting out of different terms in working day following the Sale: current standard terms and conditions agreed the Catalogue for the Sale and/or by placing an insert in the between Bonhams and the Storage Contractor Catalogue and/or by notices at the Sale venue and/or by oral 3.1.1 the Purchase Price for the Lot; (copies of which are available on request). If the Lot announcements before and during the Sale at the Sale venue. is stored at our premises storage fees at our current You should be alert to this possibility of changes and ask in 3.1.2 a Buyer’s Premium in accordance with the rates set daily rates (currently a minimum of £3 plus VAT per advance of bidding if there have been any. out in the Notice to Bidders, and Lot per day) will be payable from the expiry of the period referred to in paragraph 4.2. These storage 1 THE CONTRACT 3.1.3 if the Lot is marked [AR], an Additional Premium fees form part of our Expenses. which is calculated and payable in accordance with 1.1 These terms govern the contract between Bonhams the Notice to Bidders together with VAT on that sum 4.5 Until you have paid the Purchase Price and any personally and the Buyer, being the person to whom if applicable so that all sums due to us are cleared Expenses in full the Lot will either be held by us as a Lot has been knocked down by the Auctioneer. funds by the seventh working day after the Sale. agent on behalf of the Seller or held by the Storage Contractor as agent on behalf of the Seller and 1.2 The Definitions and Glossary contained in Appendix 3.2 You must also pay us on demand any Expenses ourselves on the terms contained in the Storage 3 to the Catalogue for the Sale are incorporated payable pursuant to this agreement. Contract. into this agreement and a separate copy can also be provided by us on request. Where words and 3.3 All payments to us must be made in the currency 4.6 You undertake to comply with the terms of any phrases which are defined in the List of Definitions in which the Sale was conducted, using, unless Storage Contract and in particular to pay the charges are used in this agreement, they are printed in italics. otherwise agreed by us in writing, one of the (and all costs of moving the Lot into storage) due Reference is made in this agreement to information methods of payment set out in the Notice to under any Storage Contract. You acknowledge and printed in the Notice to Bidders, printed in the Bidders. Our invoices will only be addressed to the agree that you will not be able to collect the Lot from Catalogue for the Sale, and where such information registered Bidder unless the Bidder is acting as an the Storage Contractor’s premises until you have paid is referred to it is incorporated into this agreement. agent for a named principal and we have approved the Purchase Price, any Expenses and all charges due that arrangement, in which case we will address the under the Storage Contract. 1.3 Except as specified in paragraph 4 of the Notice to invoice to the principal. Bidders the Contract for Sale of the Lot between you 4.7 You will be wholly responsible for packing, handling and the Seller is made on the fall of the Auctioneer’s 3.4 Unless otherwise stated in this agreement all and transport of the Lot on collection and for hammer in respect of the Lot, when it is knocked sums payable to us will be subject to VAT at the complying with all import or export regulations in down to you. At that moment a separate contract is appropriate rate and VAT will be payable by you on connection with the Lot. also made between you and Bonhams on the terms all such sums. in this Buyer’s Agreement. 4.8 You will be wholly responsible for any removal, 3.5 We may deduct and retain for our own benefit from storage, or other charges for any Lot not removed 1.4 We act as agents for the Seller and are not the monies paid by you to us the Buyer’s Premium, in accordance with paragraph 4.2, payable at our answerable or personally responsible to you for any the Commission payable by the Seller in respect current rates, and any Expenses we incur (including breach of contract or other default by the Seller, of the Lot, any Expenses and VAT and any interest any charges due under the Storage Contract), all of unless Bonhams sells the Lot as principal. earned and/or incurred until payment to the Seller. which must be paid by you on demand and in any event before any collection of the Lot by you or on 1.5 Our personal obligations to you are governed by this 3.6 Time will be of the essence in relation to any your behalf. agreement and we agree, subject to the terms below, payment payable to us. If you do not pay the to the following obligations: Purchase Price, or any other sum due to us in 5 STORING THE LOT accordance with this paragraph 3, we will have the 1.5.1 we will, until the date and time specified in the rights set out in paragraph 7 below. We agree to store the Lot until the earlier of your Notice to Bidders or otherwise notified to you, store removal of the Lot or until the time and date set out the Lot in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked down to in the Notice to Bidders, on the Sale Information you, any monies we receive from you will be applied Page or at the back of the catalogue (or if no date 1.5.2 subject to any power of the Seller or us to refuse to firstly pro-rata to pay the Purchase Price of each Lot is specified, by 4.30pm on the seventh day after the release the Lot to you, we will release the Lot to you and secondly pro-rata to pay all amounts due to Sale) and, subject to paragraphs 6 and 10, to be in accordance with paragraph 4 once you have paid Bonhams. responsible as bailee to you for damage to or the loss to us, in cleared funds, everything due to us and the or destruction of the Lot (notwithstanding that it is Seller; 4 COLLECTION OF THE LOT not your property before payment of the Purchase Price). If you do not collect the Lot before the time 1.5.3 we will provide guarantees in the terms set out in 4.1 Subject to any power of the Seller or us to refuse and date set out in the Notice to Bidders (or if no paragraphs 9 and 10. to release the Lot to you, once you have paid to us, date is specified, by 4.30pm on the seventh day in cleared funds, everything due to the Seller and after the Sale) we may remove the Lot to another 1.6 We do not make or give and do not agree to make to us, we will release the Lot to you or as you may location, the details of which will usually be set out or give any contractual promise, undertaking, direct us in writing. The Lot will only be released on in the relevant section of the Catalogue. If you have obligation, Guarantee, warranty, representation of production of a buyer collection document, obtained not paid for the Lot in accordance with paragraph 3, fact in relation to any Description of the Lot or any from our cashier’s office. and the Lot is moved to any third party’s premises, Estimate in relation to it, nor of the accuracy or the Lot will be held by such third party strictly to completeness of any Description or Estimate which 4.2 You must collect and remove the Lot at your own Bonhams’ order and we will retain our lien over the may have been made by us or on our behalf or by expense by the date and time specified in the Notice Lot until we have been paid in full in accordance with or on behalf of the Seller (whether made orally or in to Bidders, or if no date is specified, by 4.30pm on paragraph 3. writing, including in the Catalogue or on Bonhams’ the seventh day after the Sale. Website, or by conduct, or otherwise), and whether 6 RESPONSIBILITY FOR THE LOT made before or after this agreement or prior to or 4.3 For the period referred to in paragraph 4.2, the Lot during the Sale. No such Description or Estimate is can be collected from the address referred to in the 6.1 Only on the payment of the Purchase Price to us incorporated into this agreement between you and Notice to Bidders for collection on the days and times will title in the Lot pass to you. However under the us. Any such Description or Estimate, if made by us specified in the Notice to Bidders. Thereafter, the Contract for Sale, the risk in the Lot passed to you or on our behalf, was (unless Bonhams itself sells Lot may be removed elsewhere for storage and you when it was knocked down to you. the Lot as principal) made as agent on behalf of the must enquire from us as to when and where you can Seller. collect it, although this information will usually be set 6.2 You are advised to obtain insurance in respect of the out in the Notice to Bidders. Lot as soon as possible after the Sale. 2 PERFORMANCE OF THE CONTRACT FOR SALE

You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

NTB/MAIN/5.13 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such 9.3 Paragraph 9 will not apply in respect of a Forgery if: AND PART PAYMENTS payment shall be applied firstly to the Purchase Price of the Lot (or where you have purchased more than 9.3.1 the Entry in relation to the Lot contained in the 7.1 If all sums payable to us are not so paid in full at the one Lot pro-rata towards the Purchase Price of each Catalogue reflected the then accepted general time they are due and/or the Lot is not removed in Lot) and secondly to the Buyer’s Premium (or where opinion of scholars and experts or fairly indicated accordance with this agreement, we will without you have purchased more than one Lot pro-rata to that there was a conflict of such opinion or reflected further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any the then current opinion of an expert acknowledged more of the following rights (without prejudice to other sums due to us. to be a leading expert in the relevant field; or any rights we may exercise on behalf of the Seller): 7.4 We will account to you in respect of any balance we 9.3.2 it can be established that the Lot is a Forgery only 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in by means of a process not generally accepted for breach of contract; respect of any Sale of the Lot under our rights under use until after the date on which the Catalogue was this paragraph 7 after the payment of all sums due to published or by means of a process which it was 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of unreasonable in all the circumstances for us to have all such sums paid to us. employed. 7.1.3 to remove, and/or store the Lot at your expense; 8 CLAIMS BY OTHER PERSONS IN RESPECT OF 9.4 You authorise us to carry out such processes and 7.1.4 to take legal proceedings against you for payment THE LOT tests on the Lot as we in our absolute discretion of any sums payable to us by you (including the consider necessary to satisfy ourselves that the Lot is Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot or is not a Forgery. contract; is the subject of a claim by someone other than you and other than the Seller (or that such a claim 9.5 If we are satisfied that a Lot is a Forgery we will (as 7.1.5 to be paid interest on any monies due to us (after can reasonably be expected to be made), we may, principal) purchase the Lot from you and you will as well as before judgement or order) at the annual at our absolute discretion, deal with the Lot in transfer the title to the Lot in question to us, with rate of 5% per annum above the base lending rate any manner which appears to us to recognise the full title guarantee, free from any liens, charges, of National Westminster Bank Plc from time to time legitimate interests of ourselves and the other parties encumbrances and adverse claims, in accordance to be calculated on a daily basis from the date upon involved and lawfully to protect our position and with the provisions of Sections 12(1) and 12(2) of which such monies become payable until the date of our legitimate interests. Without prejudice to the the Sale of Goods Act 1979 and we will pay to you actual payment; generality of the discretion and by way of example, an amount equal to the sum of the Purchase Price, we may: Buyer’s Premium, VAT and Expenses paid by you in 7.1.6 to repossess the Lot (or any part thereof) which has respect of the Lot. not become your property, and for this purpose 8.1.1 retain the Lot to investigate any question raised or (unless you buy the Lot as a Consumer) you hereby reasonably expected by us to be raised in relation to 9.6 The benefit of paragraph 9 is personal to, and grant an irrevocable licence to us, by ourselves, our the Lot; and/or incapable of assignment by, you. servants or agents, to enter upon all or any of your premises (with or without vehicles) during normal 8.1.2 deliver the Lot to a person other than you; and/or 9.7 If you sell or otherwise dispose of your interest in the business hours to take possession of any Lot or part Lot, all rights and benefits under this paragraph will thereof; 8.1.3 commence interpleader proceedings or seek any cease. other order of any court, mediator, arbitrator or 7.1.7 to sell the Lot Without Reserve by auction, private government body; and/or 9.8 Paragraph 9 does not apply to a Lot made up of or treaty or any other means on giving you three including a Chinese painting or Chinese paintings, a months’ written notice of our intention to do so; 8.1.4 require an indemnity and/or security from you in motor vehicle or motor vehicles, a Stamp or Stamps return for pursuing a course of action agreed to by or a Book or Books. 7.1.8 to retain possession of any of your other property in you. our possession for any purpose (including, without 10 OUR LIABILITY limitation, other goods sold to you or with us for 8.2 The discretion referred to in paragraph 8.1: Sale) until all sums due to us have been paid in full; 10.1 We will not be liable whether in negligence, other 8.2.1 may be exercised at any time during which we have tort, breach of contract or statutory duty or in 7.1.9 to apply any monies received from you for any actual or constructive possession of the Lot, or at restitution or under the Misrepresentation Act 1967 purpose whether at the time of your default or at any time after such possession, where the cessation or in any other way for lack of conformity with or any time thereafter in payment or part payment of of such possession has occurred by reason of any any inaccuracy, error, misdescription or omission in any sums due to us by you under this agreement; decision, order or ruling of any court, mediator, any Description of the Lot or any Entry or Estimate arbitrator or government body; and in respect of it, made by us or on our behalf or by 7.1.10 on three months’ written notice to sell, Without or on behalf of the Seller (whether made in writing, Reserve, any of your other property in our possession 8.2.2 will not be exercised unless we believe that there including in the Catalogue, or on the Bonhams’ or under our control for any purpose (including other exists a serious prospect of a good arguable case in Website, or orally, or by conduct or otherwise) and goods sold to you or with us for Sale) and to apply favour of the claim. whether made before or after this agreement or prior any monies due to you as a result of such Sale in to or during the Sale. payment or part payment of any amounts owed to 9 FORGERIES us; 10.2 Our duty to you while the Lot is at your risk and/or 9.1 We undertake a personal responsibility for any your property and in our custody and/or control is to 7.1.11 refuse to allow you to register for a future Sale or to Forgery in accordance with the terms of this exercise reasonable care in relation to it, but we will reject a bid from you at any future Sale or to require paragraph 9. not be responsible for damage to the Lot or to other you to pay a deposit before any bid is accepted by us persons or things caused by: at any future Sale in which case we will be entitled 9.2 Paragraph 9 applies only if: to apply such deposit in payment or part payment, as 10.2.1 handling the Lot if it was affected at the time of Sale the case may be, of the Purchase Price of any Lot of 9.2.1 your name appears as the named person to whom to you by woodworm and any damage is caused as a which you are the Buyer. the original invoice was made out by us in respect of result of it being affected by woodworm; or the Lot and that invoice has been paid; and 7.2 You agree to indemnify us against all legal and other 10.2.2 changes in atmospheric pressure; nor will we be costs, all losses and all other Expenses (whether or 9.2.2 you notify us in writing as soon as reasonably liable for: not court proceedings will have been issued) incurred practicable after you have become aware that the Lot by us as a result of our taking steps under this is or may be a Forgery, and in any event within one 10.2.3 damage to tension stringed musical instruments; or paragraph 7 on a full indemnity basis together with year after the Sale, that the Lot is a Forgery; and interest thereon (after as well as before judgement or 10.2.4 damage to gilded picture frames, plaster picture order) at the rate specified in paragraph 7.1.5 from 9.2.3 within one month after such notification has been frames or picture frame glass; and if the Lot is or the date upon which we become liable to pay the given, you return the Lot to us in the same condition becomes dangerous, we may dispose of it without same until payment by you. as it was at the time of the Sale, accompanied by notice to you in advance in any manner we think fit written evidence that the Lot is a Forgery and details and we will be under no liability to you for doing so. of the Sale and Lot number sufficient to identify the Lot.

NTB/MAIN/5.13 10.3.1 We will not be liable to you for any loss of Business, the Entry in the Catalogue in respect of the Lot 12.7 The headings used in this agreement are Business profits, revenue or income or for loss of reflected the then accepted general opinion of for convenience only and will not affect its Business reputation or for disruption to Business or scholars and experts or fairly indicated that there was interpretation. wasted time on the part of the Buyer’s management a conflict of such opinion; or or staff or, if you are buying the Lot in the course of 12.8 In this agreement “including” means “including, a Business, for any indirect losses or consequential it can be established that the Lot is a non-conforming without limitation”. damages of any kind, irrespective in any case of Lot only by means of a process not generally the nature, volume or source of the loss or damage accepted for use until after the date on which the 12.9 References to the singular will include reference to alleged to be suffered, and irrespective of whether Catalogue was published or by means of a process the plural (and vice versa) and reference to any one the said loss or damage is caused by or claimed which it was unreasonable in all the circumstances gender will include reference to the other genders. in respect of any negligence, other tort, breach of for us to have employed; or contract, statutory duty, bailee’s duty, a restitutionary 12.10 Reference to a numbered paragraph is to a claim or otherwise. the Lot comprises atlases, maps, autographs, paragraph of this agreement. manuscripts, extra illustrated books, music or 10.3.2 Unless you buy the Lot as a Consumer, in any periodical publications; or 12.11 Save as expressly provided in paragraph 12.12 circumstances where we are liable to you in nothing in this agreement confers (or purports to respect of a Lot, or any act, omission, statement, the Lot was listed in the Catalogue under confer) on any person who is not a party to this representation in respect of it, or this agreement “collections” or “collections and various” or the Lot agreement any benefit conferred by, or the right to or its performance, and whether in damages, for was stated in the Catalogue to comprise or contain enforce any term of, this agreement. an indemnity or contribution or for a restitutionary a collection, issue or Books which are undescribed or remedy or in any way whatsoever, our liability will be the missing text or illustrations are referred to or the 12.12 Where this agreement confers an immunity from, limited to payment of a sum which will not exceed relevant parts of the Book contain blanks, half titles and/or an exclusion or restriction of, the responsibility by way of maximum the amount of the Purchase or advertisements. and/or liability of Bonhams, it will also operate in Price of the Lot plus Buyer’s Premium (less any sum favour and for the benefit of Bonhams’ holding you may be entitled to recover from the Seller) If we are reasonably satisfied that a Lot is a non- company and the subsidiaries of such holding irrespective in any case of the nature, volume or conforming Lot, we will (as principal) purchase the company and the successors and assigns of Bonhams source of any loss or damage alleged to be suffered Lot from you and you will transfer the title to the Lot and of such companies and of any officer, employee or sum claimed as due, and irrespective of whether in question to us, with full title guarantee, free from and agent of Bonhams and such companies, each the liability arises from negligence, other tort, any liens, charges, encumbrances and adverse claims of whom will be entitled to rely on the relevant breach of contract, statutory duty, bailee’s duty, a and we will pay to you an amount equal to the sum immunity and/or exclusion and/or restriction within restitutionary claim or otherwise. of the Purchase Price and Buyer’s Premium paid by and for the purposes of Contracts (Rights of Third you in respect of the Lot. Parties) Act 1999, which enables the benefit of a You may wish to protect yourself against loss by contract to be extended to a person who is not a obtaining insurance. The benefit of paragraph 10 is personal to, and party to the contract, and generally at law. incapable of assignment by, you and if you sell or 10.4 Nothing set out above will be construed as excluding otherwise dispose of your interest in the Lot, all 13 GOVERNING LAW or restricting (whether directly or indirectly) any rights and benefits under this paragraph will cease. person’s liability or excluding or restricting any All transactions to which this agreement applies person’s rights or remedies in respect of (i) fraud, or 12 MISCELLANEOUS and all connected matters will be governed by and (ii) death or personal injury caused by our negligence construed in accordance with the laws of that part (or any person under our control or for whom we are 12.1 You may not assign either the benefit or burden of of the United Kingdom where the Sale takes (or legally responsible), or (iii) acts or omissions for which this agreement. is to take) place and we and you each submit to we are liable under the Occupiers Liability Act 1957, the exclusive jurisdiction of the courts of that part or (iv) any other liability to the extent the same may 12.2 Our failure or delay in enforcing or exercising any of the United Kingdom, save that we may bring not be excluded or restricted as a matter of law, or power or right under this agreement will not operate proceedings against you in any other court of (v) under our undertaking in paragraph 9 of these or be deemed to operate as a waiver of our rights competent jurisdiction to the extent permitted by conditions. under it except to the extent of any express waiver the laws of the relevant jurisdiction. Bonhams has a given to you in writing. Any such waiver will not complaints procedure in place. 11 BOOKS MISSING TEXT OR ILLUSTRATIONS affect our ability subsequently to enforce any right arising under this agreement. DATA PROTECTION – USE OF YOUR INFORMATION Where the Lot is made up wholly of a Book or Books and any Book does not contain text or illustrations (in 12.3 If either party to this agreement is prevented from Where we obtain any personal information about you, we shall either case referred to as a “non-conforming Lot”), performing that party’s respective obligations only use it in accordance with the terms of our Privacy Policy we undertake a personal responsibility for such a under this agreement by circumstances beyond (subject to any additional specific consent(s) you may have non-conforming Lot in accordance with the terms of its reasonable control or if performance of its given at the time your information was disclosed). A copy of this paragraph, if: obligations would by reason of such circumstances our Privacy Policy can be found on our Website www.bonhams. give rise to a significantly increased financial com or requested by post from Customer Services Department, the original invoice was made out by us to you in cost to it, that party will not, for so long as such 101 New Bond Street, London W1S 1SR, United Kingdom or respect of the Lot and that invoice has been paid; circumstances prevail, be required to perform such by email from [email protected]. and obligations. This paragraph does not apply to the obligations imposed on you by paragraph 3. APPENDIX 3 you notify us in writing as soon as reasonably practicable after you have become aware that the Lot 12.4 Any notice or other communication to be given DEFINITIONS AND GLOSSARY is or may be a non-conforming Lot, and in any event under this agreement must be in writing and may within 20 days after the Sale (or such longer period be delivered by hand or sent by first class post or Where these Definitions and Glossary are incorporated, the as we may agree in writing) that the Lot is a non- air mail or fax transmission (if to Bonhams marked following words and phrases used have (unless the context conforming Lot; and for the attention of the Company Secretary), to the otherwise requires) the meanings given to them below. The address or fax number of the relevant party given Glossary is to assist you to understand words and phrases within 20 days of the date of the relevant Sale (or in the Contract Form (unless notice of any change which have a specific legal meaning with which you may not such longer period as we may agree in writing) you of address is given in writing). It is the responsibility be familiar. return the Lot to us in the same condition as it was of the sender of the notice or communication to at the time of the Sale, accompanied by written ensure that it is received in a legible form within any LIST OF DEFINITIONS evidence that the Lot is a non-conforming Lot and applicable time period. details of the Sale and Lot number sufficient to “Additional Premium” a premium, calculated in accordance identify the Lot. 12.5 If any term or any part of any term of this agreement with the Notice to Bidders, to cover Bonhams’ Expenses is held to be unenforceable or invalid, such relating to the payment of royalties under the Artists Resale but not if: unenforceability or invalidity will not affect the Right Regulations 2006 which is payable by the Buyer to enforceability and validity of the remaining terms or Bonhams on any Lot marked [AR] which sells for a Hammer the Entry in the Catalogue in respect of the Lot the remainder of the relevant term. Price which together with the Buyer’s Premium (but excluding indicates that the rights given by this paragraph do any VAT) equals or exceeds 1000 euros (converted into not apply to it; or 12.6 References in this agreement to Bonhams will, where the currency of the Sale using the European Central Bank appropriate, include reference to Bonhams’ officers, Reference rate prevailing on the date of the Sale). employees and agents. “Auctioneer” the representative of Bonhams conducting the Sale.

NTB/MAIN/5.13 “Bidder” a person who has completed a Bidding Form. “Loss and Damage Warranty” means the warranty described “artist’s resale right”: the right of the creator of a work of art “Bidding Form” our Bidding Registration Form, our Absentee in paragraph 8.2 of the Conditions of Business. to receive a payment on Sales of that work subsequent to the Bidding Form or our Telephone Bidding Form. “Loss and Damage Warranty Fee” means the fee described original Sale of that work by the creator of it as set out in the “Bonhams” Bonhams 1793 Limited or its successors or in paragraph 8.2.3 of the Conditions of Business. Artists Resale Right Regulations 2006. assigns. Bonhams is also referred to in the Buyer’s Agreement, “Lot” any item consigned to Bonhams with a view to its Sale “bailee”: a person to whom goods are entrusted. the Conditions of Business and the Notice to Bidders by the at auction or by private treaty (and reference to any Lot will “indemnity”: an obligation to put the person who has words “we”, “us” and “our”. include, unless the context otherwise requires, reference to the benefit of the indemnity in the same position in which “Book” a printed Book offered for Sale at a specialist Book individual items comprised in a group of two or more items he would have been, had the circumstances giving rise to Sale. offered for Sale as one Lot). the indemnity not arisen and the expression “indemnify” is “Business” includes any trade, Business and profession. “Motoring Catalogue Fee” a fee payable by the Seller to construed accordingly. “Buyer” the person to whom a Lot is knocked down by the Bonhams in consideration of the additional work undertaken “interpleader proceedings”: proceedings in the Courts to Auctioneer. The Buyer is also referred to in the Contract for by Bonhams in respect of the cataloguing of motor vehicles determine ownership or rights over a Lot. Sale and the Buyer’s Agreement by the words “you” and and in respect of the promotion of Sales of motor vehicles. “knocked down”: when a Lot is sold to a Bidder, indicated by “your”. “New Bond Street” means Bonhams’ saleroom at 101 New the fall of the hammer at the Sale. “Buyer’s Agreement” the contract entered into by Bonhams Bond Street, London W1S 1SR. “lien”: a right for the person who has possession of the Lot to with the Buyer (see Appendix 2 in the Catalogue). “Notional Charges” the amount of Commission and VAT retain possession of it. “Buyer’s Premium” the sum calculated on the Hammer Price which would have been payable if the Lot had been sold at the “risk”: the possibility that a Lot may be lost, damaged, at the rates stated in the Notice to Bidders. Notional Price. destroyed, stolen, or deteriorate in condition or value. “Catalogue” the Catalogue relating to the relevant Sale, “Notional Fee” the sum on which the Consignment Fee “title”: the legal and equitable right to the ownership of a Lot. including any representation of the Catalogue published on payable to Bonhams by the Seller is based and which is “tort”: a legal wrong done to someone to whom the wrong our Website. calculated according to the formula set out in the Conditions doer has a duty of care. “Commission” the Commission payable by the Seller to of Business. Bonhams calculated at the rates stated in the Contract Form. “Notional Price” the latest in time of the average of the SALE OF GOODS ACT 1979 “Condition Report” a report on the physical condition of a Lot high and low Estimates given by us to you or stated in the provided to a Bidder or potential Bidder by Bonhams on behalf Catalogue or, if no such Estimates have been given or stated, The following is an extract from the Sale of Goods Act 1979: of the Seller. the Reserve applicable to the Lot. “Conditions of Sale” the Notice to Bidders, Contract for Sale, “Notice to Bidders” the notice printed at the back or front of “Section 12 Implied terms about title, etc Buyer’s Agreement and Definitions and Glossary. our Catalogues. “Consignment Fee” a fee payable to Bonhams by the Seller “Purchase Price” the aggregate of the Hammer Price and VAT (1) In a contract of sale, other than one to which subsection calculated at rates set out in the Conditions of Business. on the Hammer Price. (3) below applies, there is an implied term on the part of “Consumer” a natural person who is acting for the relevant “Reserve” the minimum price at which a Lot may be sold the seller that in the case of a sale he has a right to sell purpose outside his trade, Business or profession. (whether at auction or by private treaty). the goods, and in the case of an agreement to sell he “Contract Form” the Contract Form, or vehicle Entry form, as “Sale” the auction Sale at which a Lot is to be offered for Sale will have such a right at the time when the property is to applicable, signed by or on behalf of the Seller listing the Lots by Bonhams. pass. to be offered for Sale by Bonhams. “Sale Proceeds” the net amount due to the Seller from the “Contract for Sale” the Sale contract entered into by the Sale of a Lot, being the Hammer Price less the Commission, any (2) In a contract of sale, other than one to which subsection Seller with the Buyer (see Appendix 1 in the Catalogue). VAT chargeable thereon, Expenses and any other amount due (3) below applies, there is also an implied term that- “Contractual Description” the only Description of the Lot to us in whatever capacity and howsoever arising. (being that part of the Entry about the Lot in the Catalogue “Seller” the person who offers the Lot for Sale named on (a) the goods are free, and will remain free until which is in bold letters, any photograph (except for the colour) the Contract Form. Where the person so named identifies on the time when the property is to pass, from any and the contents of any Condition Report) to which the Seller the form another person as acting as his agent, or where the charge or encumbrance not disclosed or known undertakes in the Contract of Sale the Lot corresponds. person named on the Contract Form acts as an agent for a to the buyer before the contract is made, and “Description” any statement or representation in any principal (whether such agency is disclosed to Bonhams or not), way descriptive of the Lot, including any statement or “Seller” includes both the agent and the principal who shall be (b) the buyer will enjoy quiet possession of the goods representation relating to its authorship, attribution, condition, jointly and severally liable as such. The Seller is also referred to except in so far as it may be disturbed by the provenance, authenticity, style, period, age, suitability, quality, in the Conditions of Business by the words “you” and “your”. owner or other person entitled to the benefit origin, value, estimated selling price (including the Hammer “Specialist Examination” a visual examination of a Lot by a of any charge or encumbrance so disclosed or Price). specialist on the Lot. known. “Entry” a written statement in the Catalogue identifying the “Stamp” means a postage Stamp offered for Sale at a Lot and its Lot number which may contain a Description and Specialist Stamp Sale. (3) This subsection applies to a contract of sale in the case illustration(s) relating to the Lot. “Standard Examination” a visual examination of a Lot by a of which there appears from the contract or is to be “Estimate” a statement of our opinion of the range within non-specialist member of Bonhams’ staff. inferred from its circumstances an intention that the which the hammer is likely to fall. “Storage Contract” means the contract described in seller should transfer only such title as he or a third “Expenses” charges and Expenses paid or payable by paragraph 8.3.3 of the Conditions of Business or paragraph person may have. Bonhams in respect of the Lot including legal Expenses, 4.4 of the Buyer’s Agreement (as appropriate). banking charges and Expenses incurred as a result of an “Storage Contractor” means the company identified as such (4) In a contract to which subsection (3) above applies there electronic transfer of money, charges and Expenses for loss and in the Catalogue. is an implied term that all charges or encumbrances damage cover, insurance, Catalogue and other reproductions “Terrorism” means any act or threatened act of terrorism, known to the seller and not known to the buyer have and illustrations, any customs duties, advertising, packing or whether any person is acting alone or on behalf of or in been disclosed to the buyer before the contract is made. shipping costs, reproductions rights’ fees, taxes, levies, costs of connection with any organisation(s) and/or government(s), testing, searches or enquiries, preparation of the Lot for Sale, committed for political, religious or ideological or similar (5) In a contract to which subsection (3) above applies storage charges, removal charges, removal charges or costs purposes including, but not limited to, the intention to there is also an implied term that none of the following of collection from the Seller as the Seller’s agents or from a influence any government and/or put the public or any section will disturb the buyer’s quiet possession of the goods, defaulting Buyer, plus VAT if applicable. of the public into fear. namely: “Forgery” an imitation intended by the maker or any other “Trust Account” the bank account of Bonhams into which all person to deceive as to authorship, attribution, origin, sums received in respect of the Purchase Price of any (a) the seller; authenticity, style, date, age, period, provenance, culture, Lot will be paid, such account to be a distinct and separate source or composition, which at the date of the Sale had a account to Bonhams’ normal business bank account. (b) in a case where the parties to the contract intend value materially less than it would have had if the Lot had not “VAT” value added tax at the prevailing rate at the date of the that the seller should transfer only such title as a been such an imitation, and which is not stated to be such Sale in the United Kingdom. third person may have, that person; an imitation in any description of the Lot. A Lot will not be a “Website” Bonhams Website at www.bonhams.com Forgery by reason of any damage to, and/or restoration and/ “Withdrawal Notice” the Seller’s written notice to Bonhams (c) anyone claiming through or under the seller or or modification work (including repainting or over painting) revoking Bonhams’ instructions to sell a Lot. that third person otherwise than under a charge having been carried out on the Lot, where that damage, “Without Reserve” where there is no minimum price at or encumbrance disclosed or known to the buyer restoration or modification work (as the case may be) does not which a Lot may be sold (whether at auction or by private before the contract is made. substantially affect the identity of the Lot as one conforming to treaty). the Description of the Lot. (5A) As regards England and Wales and Northern Ireland, the “Guarantee” the obligation undertaken personally by GLOSSARY term implied by subsection (1) above is a condition and Bonhams to the Buyer in respect of any Forgery and, in the the terms implied by subsections (2), (4) and (5) above case of specialist Stamp Sales and/or specialist Book Sales, a Lot The following expressions have specific legal meanings with are warranties.” made up of a Stamp or Stamps or a Book or Books as set out which you may not be familiar. The following glossary is in the Buyer’s Agreement. intended to give you an understanding of those expressions “Hammer Price” the price in the currency in which the Sale is but is not intended to limit their legal meanings: conducted at which a Lot is knocked down by the Auctioneer.

NTB/MAIN/5.13 International Salerooms, Offices and Associated Companies ( • Indicates Saleroom) To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected] UNITED KINGDOM Representatives: Channel Islands Italy - Milan NOrTH AMErICA SOUTH AMErICA Dorset Via Boccaccio 22 London Bill Allan Jersey 20123 Milano USA Argentina 19th Century Paintings British & European Football Sporting Motor Cars Scientific Instruments 101 New Bond Street • +44 1935 815 271 39 Don Street +39 (0)2 4953 9020 Daniel Claramunt UK Porcelain & Pottery Memorabilia UK Jon Baddeley London W1S 1SR St.Helier +39 (0)2 4953 9021 fax San Francisco • +54 11 479 37600 Charles O’ Brien UK Dan Davies Tim Schofield +44 20 7393 3872 +44 20 7447 7447 East Anglia JE2 4TR [email protected] 220 San Bruno Avenue +44 20 7468 8360 John Sandon +44 1244 353118 +44 20 7468 5804 U.S.A. +44 20 7447 7400 fax +44 1534 722 441 San Francisco Brazil Bury St. Edmunds +44 1534 759 354 fax Italy - rome U.S.A +44 20 7468 8244 U.S.A Jonathan Snellenburg CA 94103 Thomaz Oscar Saavedra Montpelier Street • 21 Churchgate Street Via Sicilia 50 +1 (415) 861 7500 +55 11 3031 4444 Madalina Lazen U.S.A Furniture & Works of Art Mark Osborne +1 212 461 6530 London SW7 1HH Bury St Edmunds Representative: 00187 Rome +1 (415) 861 8951 fax +55 11 3031 4444 fax +1 212 644 9108 Peter Scott UK +1 415 503 3353 +44 20 7393 3900 Suffolk IP33 1RG Guernsey +39 (0)6 48 5900 +1 415 503 3326 Fergus Lyons EUROPE Scottish Pictures +44 20 7393 3905 fax +44 1284 716 190 +44 1481 722 448 +39 (0)6 482 0479 fax Los Angeles • 20th Century British Art +44 20 7468 8221 Philip Kantor Chris Brickley +44 1284 755 844 fax [email protected] 7601 W. Sunset Boulevard ASIA Matthew Bradbury California & U.S.A +32 476 879 471 +44 131 240 2297 South East Scotland Los Angeles +44 20 7468 8295 American Paintings Jeffrey Smith AUSTRALIA England Norfolk Netherlands - Amsterdam CA 90046 Hong Kong The Market Place Edinburgh • De Lairessestraat 154 +1 (323) 850 7500 Carson Chan Scot Levitt +1 415 503 3413 Damien Duigan Silver & Gold Boxes Brighton & Hove Reepham 22 Queen Street 1075 HL Amsterdam +1 (323) 850 6090 fax Suite 1122 Aboriginal Art +1 323 436 5425 +61 2 8412 2232 UK 19 Palmeira Square Norfolk NR10 4JJ Edinburgh +31 20 67 09 701 Two Pacific Place Greer Adams Greek Art Automobilia Michael Moorcroft Hove, East Sussex +44 1603 871 443 EH2 1JX +31 20 67 09 702 fax New York • 88 Queensway +61 2 8412 2222 Carpets Olympia Pappa UK +44 20 7468 8241 BN3 2JN +44 1603 872 973 fax +44 131 225 2266 [email protected] 580 Madison Avenue Admiralty UK +44 20 7468 8314 Toby Wilson U.S.A +44 1273 220 000 +44 131 220 2547 fax New York, NY Hong Kong African and Oceanic Art Mark Dance +44 8700 273 619 Aileen Ward +44 1273 220 335 fax Midlands Spain - Madrid 10022 +852 2918 4321 Glasgow Nuñez de Balboa no.4 - 1A +1 (212) 644 9001 +852 2918 4320 fax UK +44 8700 27361 Golf Sporting U.S.A +1 800 223 5463 Guildford Knowle 176 St. Vincent Street, Madrid +1 (212) 644 9007 fax [email protected] Philip Keith U.S.A. Memorabilia Kurt Forry Millmead, The Old House Glasgow 28001 +44 2920 727 980 Hadji Rahimipour Kevin Mcgimpsey +1 415 391 4000 South African Art Guildford, Station Road G2 5SG +34 91 578 17 27 Representatives: Beijing U.S.A +1 415 503 3392 +44 1244 353123 Giles Peppiatt Surrey GU2 4BE Knowle, Solihull +44 141 223 8866 [email protected] Arizona Hongyu Yu Fred Baklar Motorcycles +44 20 7468 8355 +44 1483 504 030 West Midlands +44 141 223 8868 fax Terri Adrian-Hardy Room A515 +1 323 436 5416 Chinese & Asian Art Irish Art Ben Walker +44 1483 450 205 fax B93 0HT Switzerland - Geneva +1 (480) 994 5362 F/5 CDB International Representatives: UK Penny Day +44 8700 273616 Sporting Guns +44 1564 776 151 Rue Etienne-Dumont 10 Mansion Tunbridge Wells +44 1564 778 069 fax Wine & Spirits 1204 Geneva California No. 16 Yongan Dongli American Paintings Asaph Hyman +44 20 7468 8366 Automobilia Patrick Hawes Ground Floor Tom Gilbey Switzerland Central Valley Chaoyang District Alan Fausel +44 20 7468 5888 Adrian Pipiros +44 20 7393 3815 Royal Victoria House Oxford • +44 1382 330 256 +41 76 379 9230 David Daniel Beijing 100022 +1 212 644 9039 U.S.A Impressionist & +44 8700 273621 51-55 The Pantiles Banbury Road [email protected] +1 (916) 364 1645 +86(0) 10 6563 7799 Dessa Goddard Modern Art Toys, Dolls & Chess Tunbridge Wells, Kent Shipton on Cherwell Wales +86(0) 10 6563 7788 fax Antiquities +1 415 503 3333 UK Musical Instruments Leigh Gotch TN2 5TE Kidlington OX5 1JH Representatives: District of Columbia/ [email protected] Madeleine Perridge HONG KONG Deborah Allan Philip Scott +44 20 8963 2839 +44 1892 546 818 +44 1865 853 640 Cardiff Greece Mid-Atlantic +44 1892 518 077 fax +44 1865 372 722 fax 7-8 Park Place, Art Expertise Martin Gammon Japan +44 20 7468 8226 Julian King +44 20 7468 8276 +44 20 7393 3855 Cardiff CF10 3DP +30 210 3636 404 +1 (202) 333 1696 Level 14 Hibiya Central Building +852 2918 4321 U.S.A Travel Pictures Isle of Wight Yorkshire & North East +44 2920 727 980 1-2-9 Nishi-Shimbashi Antique Arms & Armour Tanya Wells Natural History Veronique Scorer +44 1983 282 228 England +44 2920 727 989 fax Marbella Southern California Minato-ku UK Clocks +1 917 206 1685 U.S.A +44 20 7393 3962 James Roberts Christine Eisenberg Tokyo 105-0003 David Williams UK Claudia Florian Representative: Leeds +34 952 90 62 50 +1 (949) 646 6560 +81 (0) 3 5532 8636 +44 20 7393 3807 James Stratton Islamic & Indian Art +1 323 436 5437 Urban Art West Sussex 30 Park Square West EUrOpE [email protected] +81 (0) 3 5532 8637 fax Leeds LS1 2PF U.S.A +44 20 7468 8364 Alice Bailey Gareth Williams Jeff Burfield Florida [email protected] +44 1243 787 548 +44 113 234 5755 Austria - Vienna portugal +1 (305) 228 6600 Paul Carella U.S.A +44 20 7468 8268 Old Master Pictures +44 20 7468 5879 +44 113 244 3910 fax Garnisongasse 4 Filipa Rebelo de Andrade Taiwan +1 415 503 3360 Jonathan Snellenburg UK South West 1090 Vienna +351 91 921 4778 Georgia 37th Floor, Taipei 101 Tower +1 212 461 6530 Japanese Art Andrew Mckenzie Watches & England North West England +43 (0)1 403 00 01 [email protected] Mary Moore Bethea Nor 7 Xinyi Road, Section 5 Art Collections, UK +44 20 7468 8261 Wristwatches [email protected] +1 (404) 842 1500 Taipei, 100 Estates & Valuations Coins & Medals Suzannah Yip U.S.A UK Bath Chester • russia +886 2 8758 2898 Harvey Cammell UK +44 20 7468 8368 Mark Fisher Paul Maudsley Queen Square House New House Belgium - Brussels Marina Jacobson Illinois +886 2 8757 2897 fax Charlotte Street 150 Christleton Road Boulevard +7 921 555 2302 Ricki Blumberg Harris [email protected] +44 (0) 20 7468 8340 John Millensted U.S.A +1 323 436 5488 +44 20 7447 7412 Bath BA1 2LL Chester, Cheshire Saint-Michel 101 [email protected] +1 (312) 475 3922 +44 20 7393 3914 Jeff Olson U.S.A. +44 1225 788 988 CH3 5TD 1040 Brussels +1 (773) 267 3300 Art Nouveau & Decorative U.S.A +1 212 461 6516 Orientalist Art Jonathan Snellenburg +44 1225 446 675 fax +44 1244 313 936 +32 (0)2 736 5076 AUSTrALIA Art & Design Paul Song Charles O’Brien +1 212 461 6530 +44 1244 340 028 fax +32 (0)2 732 5501 fax Massachusetts UK +1 323 436 5455 Jewellery +44 20 7468 8360 HONG KONG Cornwall – Truro [email protected] Boston/New England Sydney Mark Oliver UK Carson Chan 36 Lemon Street Carlisle Amy Corcoran 76 Paddington Street 48 Cecil Street +44 20 7393 3856 Contemporary Art Jean Ghika Photography +852 2918 4321 Truro France - paris +1 (617) 742 0909 Paddington NSW 2021 Cornwall Carlisle, Cumbria 4 rue de la Paix Australia U.S.A UK +44 20 7468 8282 U.S.A TR1 2NR CA1 1NT 75002 Paris Nevada +61 (0) 2 8412 2222 Frank Maraschiello Gareth Williams U.S.A Judith Eurich Whisky +44 1872 250 170 +44 1228 542 422 +33 (0)1 42 61 1010 David Daniel +61 (0) 2 9475 4110 fax +1 212 644 9059 +44 20 7468 5879 Susan Abeles +1 415 503 3259 UK +44 1872 250 179 fax +44 1228 590 106 fax +33 (0)1 42 61 1015 fax +1 (775) 831 0330 [email protected] U.S.A +1 212 461 6525 Martin Green [email protected] Australian Art Jeremy Goldsmith AUSTRALIA Portrait Miniatures +44 1292 520000 Exeter Manchester New Mexico Melbourne The Lodge The Stables Germany - Cologne Leslie Trilling Ormond Hall Litsa Veldekis +1 917 206 1656 Patti Sedgwick Camilla Lombardi U.S.A 213 Ashley Road Albertusstrasse 26 +61 2 8412 2222 +61 2 8412 2222 +44 20 7393 3985 Joseph Hyman Southernhay West Exeter, +1 (505) 820 0701 557 St Kilda Rd Devon Hale WA15 9TB 50667 Cologne Melbourne VIC 3004 Costume & Textiles +1 917 206 1661 EX1 1JG +44 161 927 3822 +49 (0)221 2779 9650 Oregon +61 (0) 3 8640 4088 Australian Colonial Claire Browne Marine Art Prints HONG KONG +44 1392 425 264 +44 161 927 3824 fax +49 (0)221 2779 9652 fax Sheryl Acheson Furniture and Australiana +44 1564 732969 UK UK Daniel Lam +44 1392 494 561 fax [email protected] +1(503) 312 6023 Representative: James Hendy Veronique Scorer Rupert Worrall +852 3607 0004 Southport Adelaide +61 2 8412 2222 Entertainment +44 20 7393 3962 +44 20 7468 8262 Winchester 33 Botanic Road Germany - Munich Texas James Bruce Churchtown Maximilianstrasse 52 Memorabilia U.S.A Wine The Red House Amy Lawch +61 (0) 8 8232 2860 U.S.A Hyde Street Southport 80538 Munich +1 (713) 621 5988 Books, Maps & UK Gregg Dietrich Judith Eurich UK Winchester Merseyside PR9 7NE +49 (0) 89 2420 5812 Manuscripts Stephanie Connell +1 917 206 1697 +1 415 503 3259 Richard Harvey Hants SO23 7DX +44 1704 507 875 +49 (0) 89 2420 7523 fax Washington AFrICA UK +44 20 7393 3844 +44 (0) 20 7468 5811 +44 1962 862 515 +44 1704 507 877 fax [email protected] Heather O’Mahony Matthew Haley U.S.A Mechanical Music Russian Art U.S.A +44 1962 865 166 fax +1 (206) 218 5011 South Africa - Johannesburg +44 20 7393 3817 Catherine Williamson Jon Baddeley UK Doug Davidson Ireland - Dublin Penny Culverwell U.S.A +1 323 436 5442 +44 20 7393 3872 Sophie Hamilton +1 415 503 3363 Tetbury 31 Molesworth Street CANADA +27 (0)71 342 2670 22a Long Street Dublin 2 [email protected] Christina Geiger +44 20 7468 8334 HONG KONG Tetbury +353 (0)1 602 0990 Toronto, Ontario • +1 212 644 9094 Ethnographic Art Modern, Contemporary U.S.A Daniel Lam Gloucestershire +353 (0)1 4004 140 fax Jack Kerr-Wilson Jim Haas & Latin American Art Yelena Harbick +852 3607 0004 GL8 8AQ [email protected] 20 Hazelton Avenue British & European Glass +1 415 503 3294 U.S.A +1 212 644 9136 +44 1666 502 200 Toronto, ONT UK Alexis Chompaisal +44 1666 505 107 fax M5R 2E2 Simon Cottle +1 323 436 5469 +1 (416) 462 9004 +44 20 7468 8383 [email protected] U.S.A. Modern Design Montreal, Quebec Suzy Pai Gareth Williams David Kelsey +1 415 503 3343 +44 20 7468 5879 +1 (514) 341 9238 [email protected]

G-NET/3/13

SD05/2013-06 International Salerooms, Offices and Associated Companies ( • Indicates Saleroom) To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected] UNITED KINGDOM Representatives: Channel Islands Italy - Milan NOrTH AMErICA SOUTH AMErICA Dorset Via Boccaccio 22 London Bill Allan Jersey 20123 Milano USA Argentina 19th Century Paintings British & European Football Sporting Motor Cars Scientific Instruments 101 New Bond Street • +44 1935 815 271 39 Don Street +39 (0)2 4953 9020 Daniel Claramunt UK Porcelain & Pottery Memorabilia UK Jon Baddeley London W1S 1SR St.Helier +39 (0)2 4953 9021 fax San Francisco • +54 11 479 37600 Charles O’ Brien UK Dan Davies Tim Schofield +44 20 7393 3872 +44 20 7447 7447 East Anglia JE2 4TR [email protected] 220 San Bruno Avenue +44 20 7468 8360 John Sandon +44 1244 353118 +44 20 7468 5804 U.S.A. +44 20 7447 7400 fax +44 1534 722 441 San Francisco Brazil Bury St. Edmunds +44 1534 759 354 fax Italy - rome U.S.A +44 20 7468 8244 U.S.A Jonathan Snellenburg CA 94103 Thomaz Oscar Saavedra Montpelier Street • 21 Churchgate Street Via Sicilia 50 +1 (415) 861 7500 +55 11 3031 4444 Madalina Lazen U.S.A Furniture & Works of Art Mark Osborne +1 212 461 6530 London SW7 1HH Bury St Edmunds Representative: 00187 Rome +1 (415) 861 8951 fax +55 11 3031 4444 fax +1 212 644 9108 Peter Scott UK +1 415 503 3353 +44 20 7393 3900 Suffolk IP33 1RG Guernsey +39 (0)6 48 5900 +1 415 503 3326 Fergus Lyons EUROPE Scottish Pictures +44 20 7393 3905 fax +44 1284 716 190 +44 1481 722 448 +39 (0)6 482 0479 fax Los Angeles • 20th Century British Art +44 20 7468 8221 Philip Kantor Chris Brickley +44 1284 755 844 fax [email protected] 7601 W. Sunset Boulevard ASIA Matthew Bradbury California & U.S.A +32 476 879 471 +44 131 240 2297 South East Scotland Los Angeles +44 20 7468 8295 American Paintings Jeffrey Smith AUSTRALIA England Norfolk Netherlands - Amsterdam CA 90046 Hong Kong The Market Place Edinburgh • De Lairessestraat 154 +1 (323) 850 7500 Carson Chan Scot Levitt +1 415 503 3413 Damien Duigan Silver & Gold Boxes Brighton & Hove Reepham 22 Queen Street 1075 HL Amsterdam +1 (323) 850 6090 fax Suite 1122 Aboriginal Art +1 323 436 5425 +61 2 8412 2232 UK 19 Palmeira Square Norfolk NR10 4JJ Edinburgh +31 20 67 09 701 Two Pacific Place Greer Adams Greek Art Automobilia Michael Moorcroft Hove, East Sussex +44 1603 871 443 EH2 1JX +31 20 67 09 702 fax New York • 88 Queensway +61 2 8412 2222 Carpets Olympia Pappa UK +44 20 7468 8241 BN3 2JN +44 1603 872 973 fax +44 131 225 2266 [email protected] 580 Madison Avenue Admiralty UK +44 20 7468 8314 Toby Wilson U.S.A +44 1273 220 000 +44 131 220 2547 fax New York, NY Hong Kong African and Oceanic Art Mark Dance +44 8700 273 619 Aileen Ward +44 1273 220 335 fax Midlands Spain - Madrid 10022 +852 2918 4321 Glasgow Nuñez de Balboa no.4 - 1A +1 (212) 644 9001 +852 2918 4320 fax UK +44 8700 27361 Golf Sporting U.S.A +1 800 223 5463 Guildford Knowle 176 St. Vincent Street, Madrid +1 (212) 644 9007 fax [email protected] Philip Keith U.S.A. Memorabilia Kurt Forry Millmead, The Old House Glasgow 28001 +44 2920 727 980 Hadji Rahimipour Kevin Mcgimpsey +1 415 391 4000 South African Art Guildford, Station Road G2 5SG +34 91 578 17 27 Representatives: Beijing U.S.A +1 415 503 3392 +44 1244 353123 Giles Peppiatt Surrey GU2 4BE Knowle, Solihull +44 141 223 8866 [email protected] Arizona Hongyu Yu Fred Baklar Motorcycles +44 20 7468 8355 +44 1483 504 030 West Midlands +44 141 223 8868 fax Terri Adrian-Hardy Room A515 +1 323 436 5416 Chinese & Asian Art Irish Art Ben Walker +44 1483 450 205 fax B93 0HT Switzerland - Geneva +1 (480) 994 5362 F/5 CDB International Representatives: UK Penny Day +44 8700 273616 Sporting Guns +44 1564 776 151 Rue Etienne-Dumont 10 Mansion Tunbridge Wells +44 1564 778 069 fax Wine & Spirits 1204 Geneva California No. 16 Yongan Dongli American Paintings Asaph Hyman +44 20 7468 8366 Automobilia Patrick Hawes Ground Floor Tom Gilbey Switzerland Central Valley Chaoyang District Alan Fausel +44 20 7468 5888 Adrian Pipiros +44 20 7393 3815 Royal Victoria House Oxford • +44 1382 330 256 +41 76 379 9230 David Daniel Beijing 100022 +1 212 644 9039 U.S.A Impressionist & +44 8700 273621 51-55 The Pantiles Banbury Road [email protected] +1 (916) 364 1645 +86(0) 10 6563 7799 Dessa Goddard Modern Art Toys, Dolls & Chess Tunbridge Wells, Kent Shipton on Cherwell Wales +86(0) 10 6563 7788 fax Antiquities +1 415 503 3333 UK Musical Instruments Leigh Gotch TN2 5TE Kidlington OX5 1JH Representatives: District of Columbia/ [email protected] Madeleine Perridge HONG KONG Deborah Allan Philip Scott +44 20 8963 2839 +44 1892 546 818 +44 1865 853 640 Cardiff Greece Mid-Atlantic +44 1892 518 077 fax +44 1865 372 722 fax 7-8 Park Place, Art Expertise Martin Gammon Japan +44 20 7468 8226 Julian King +44 20 7468 8276 +44 20 7393 3855 Cardiff CF10 3DP +30 210 3636 404 +1 (202) 333 1696 Level 14 Hibiya Central Building +852 2918 4321 U.S.A Travel Pictures Isle of Wight Yorkshire & North East +44 2920 727 980 1-2-9 Nishi-Shimbashi Antique Arms & Armour Tanya Wells Natural History Veronique Scorer +44 1983 282 228 England +44 2920 727 989 fax Marbella Southern California Minato-ku UK Clocks +1 917 206 1685 U.S.A +44 20 7393 3962 James Roberts Christine Eisenberg Tokyo 105-0003 David Williams UK Claudia Florian Representative: Leeds +34 952 90 62 50 +1 (949) 646 6560 +81 (0) 3 5532 8636 +44 20 7393 3807 James Stratton Islamic & Indian Art +1 323 436 5437 Urban Art West Sussex 30 Park Square West EUrOpE [email protected] +81 (0) 3 5532 8637 fax Leeds LS1 2PF U.S.A +44 20 7468 8364 Alice Bailey Gareth Williams Jeff Burfield Florida [email protected] +44 1243 787 548 +44 113 234 5755 Austria - Vienna portugal +1 (305) 228 6600 Paul Carella U.S.A +44 20 7468 8268 Old Master Pictures +44 20 7468 5879 +44 113 244 3910 fax Garnisongasse 4 Filipa Rebelo de Andrade Taiwan +1 415 503 3360 Jonathan Snellenburg UK South West 1090 Vienna +351 91 921 4778 Georgia 37th Floor, Taipei 101 Tower +1 212 461 6530 Japanese Art Andrew Mckenzie Watches & England North West England +43 (0)1 403 00 01 [email protected] Mary Moore Bethea Nor 7 Xinyi Road, Section 5 Art Collections, UK +44 20 7468 8261 Wristwatches [email protected] +1 (404) 842 1500 Taipei, 100 Estates & Valuations Coins & Medals Suzannah Yip U.S.A UK Bath Chester • russia +886 2 8758 2898 Harvey Cammell UK +44 20 7468 8368 Mark Fisher Paul Maudsley Queen Square House New House Belgium - Brussels Marina Jacobson Illinois +886 2 8757 2897 fax Charlotte Street 150 Christleton Road Boulevard +7 921 555 2302 Ricki Blumberg Harris [email protected] +44 (0) 20 7468 8340 John Millensted U.S.A +1 323 436 5488 +44 20 7447 7412 Bath BA1 2LL Chester, Cheshire Saint-Michel 101 [email protected] +1 (312) 475 3922 +44 20 7393 3914 Jeff Olson U.S.A. +44 1225 788 988 CH3 5TD 1040 Brussels +1 (773) 267 3300 Art Nouveau & Decorative U.S.A +1 212 461 6516 Orientalist Art Jonathan Snellenburg +44 1225 446 675 fax +44 1244 313 936 +32 (0)2 736 5076 AUSTrALIA Art & Design Paul Song Charles O’Brien +1 212 461 6530 +44 1244 340 028 fax +32 (0)2 732 5501 fax Massachusetts UK +1 323 436 5455 Jewellery +44 20 7468 8360 HONG KONG Cornwall – Truro [email protected] Boston/New England Sydney Mark Oliver UK Carson Chan 36 Lemon Street Carlisle Amy Corcoran 76 Paddington Street 48 Cecil Street +44 20 7393 3856 Contemporary Art Jean Ghika Photography +852 2918 4321 Truro France - paris +1 (617) 742 0909 Paddington NSW 2021 Cornwall Carlisle, Cumbria 4 rue de la Paix Australia U.S.A UK +44 20 7468 8282 U.S.A TR1 2NR CA1 1NT 75002 Paris Nevada +61 (0) 2 8412 2222 Frank Maraschiello Gareth Williams U.S.A Judith Eurich Whisky +44 1872 250 170 +44 1228 542 422 +33 (0)1 42 61 1010 David Daniel +61 (0) 2 9475 4110 fax +1 212 644 9059 +44 20 7468 5879 Susan Abeles +1 415 503 3259 UK +44 1872 250 179 fax +44 1228 590 106 fax +33 (0)1 42 61 1015 fax +1 (775) 831 0330 [email protected] U.S.A +1 212 461 6525 Martin Green [email protected] Australian Art Jeremy Goldsmith AUSTRALIA Portrait Miniatures +44 1292 520000 Exeter Manchester New Mexico Melbourne The Lodge The Stables Germany - Cologne Leslie Trilling Ormond Hall Litsa Veldekis +1 917 206 1656 Patti Sedgwick Camilla Lombardi U.S.A 213 Ashley Road Albertusstrasse 26 +61 2 8412 2222 +61 2 8412 2222 +44 20 7393 3985 Joseph Hyman Southernhay West Exeter, +1 (505) 820 0701 557 St Kilda Rd Devon Hale WA15 9TB 50667 Cologne Melbourne VIC 3004 Costume & Textiles +1 917 206 1661 EX1 1JG +44 161 927 3822 +49 (0)221 2779 9650 Oregon +61 (0) 3 8640 4088 Australian Colonial Claire Browne Marine Art Prints HONG KONG +44 1392 425 264 +44 161 927 3824 fax +49 (0)221 2779 9652 fax Sheryl Acheson Furniture and Australiana +44 1564 732969 UK UK Daniel Lam +44 1392 494 561 fax [email protected] +1(503) 312 6023 Representative: James Hendy Veronique Scorer Rupert Worrall +852 3607 0004 Southport Adelaide +61 2 8412 2222 Entertainment +44 20 7393 3962 +44 20 7468 8262 Winchester 33 Botanic Road Germany - Munich Texas James Bruce Churchtown Maximilianstrasse 52 Memorabilia U.S.A Wine The Red House Amy Lawch +61 (0) 8 8232 2860 U.S.A Hyde Street Southport 80538 Munich +1 (713) 621 5988 Books, Maps & UK Gregg Dietrich Judith Eurich UK Winchester Merseyside PR9 7NE +49 (0) 89 2420 5812 Manuscripts Stephanie Connell +1 917 206 1697 +1 415 503 3259 Richard Harvey Hants SO23 7DX +44 1704 507 875 +49 (0) 89 2420 7523 fax Washington AFrICA UK +44 20 7393 3844 +44 (0) 20 7468 5811 +44 1962 862 515 +44 1704 507 877 fax [email protected] Heather O’Mahony Matthew Haley U.S.A Mechanical Music Russian Art U.S.A +44 1962 865 166 fax +1 (206) 218 5011 South Africa - Johannesburg +44 20 7393 3817 Catherine Williamson Jon Baddeley UK Doug Davidson Ireland - Dublin Penny Culverwell U.S.A +1 323 436 5442 +44 20 7393 3872 Sophie Hamilton +1 415 503 3363 Tetbury 31 Molesworth Street CANADA +27 (0)71 342 2670 22a Long Street Dublin 2 [email protected] Christina Geiger +44 20 7468 8334 HONG KONG Tetbury +353 (0)1 602 0990 Toronto, Ontario • +1 212 644 9094 Ethnographic Art Modern, Contemporary U.S.A Daniel Lam Gloucestershire +353 (0)1 4004 140 fax Jack Kerr-Wilson Jim Haas & Latin American Art Yelena Harbick +852 3607 0004 GL8 8AQ [email protected] 20 Hazelton Avenue British & European Glass +1 415 503 3294 U.S.A +1 212 644 9136 +44 1666 502 200 Toronto, ONT UK Alexis Chompaisal +44 1666 505 107 fax M5R 2E2 Simon Cottle +1 323 436 5469 +1 (416) 462 9004 +44 20 7468 8383 [email protected] U.S.A. Modern Design Montreal, Quebec Suzy Pai Gareth Williams David Kelsey +1 415 503 3343 +44 20 7468 5879 +1 (514) 341 9238 [email protected]

G-NET/3/13

SD05/2013-06 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above.

Sale title: Period Design Sale date: 24 September 2013

Sale no. 20762 Sale venue: Knightsbridge Paddle number (for office use only) If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours This sale will be conducted in accordance with prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Bonhams’ Conditions of Sale and bidding and buying for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will at the Sale will be regulated by these Conditions. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. You should read the Conditions in conjunction with General Bid Increments: the Sale Information relating to this Sale which sets £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s out the charges payable by you on the purchases £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s you make and other terms relating to bidding and buying at the Sale. You should ask any questions you £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s have about the Conditions before signing this form. £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s These Conditions also contain certain undertakings £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion by bidders and buyers and limit Bonhams’ liability to £5,000 - 10,000 ...... by 500s bidders and buyers. The auctioneer has discretion to split any bid at any time.

Data protection – use of your information Customer Number Title Where we obtain any personal information about you, we shall only use it in accordance with the terms of our First Name Last Name Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was Company name (to be invoiced if applicable) disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post Address from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. City County / State Credit and Debit Card Payments There is no surcharge for payments made by debit cards Post / Zip code Country issued by a UK bank. All other debit cards and all credit cards are subject to a 2% surcharge on the total invoice price. Telephone mobile Telephone daytime

Notice to Bidders. Telephone evening Fax Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof Preferred number(s) in order for Telephone Bidding (inc. country code) of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on E-mail (in capitals) the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you may also be asked to provide a bank reference. I am registering to bid as a private client I am registering to bid as a trade client If successful If registered for VAT in the EU please enter your registration here: Please tick if you have registered with us before I will collect the purchases myself Please contact me with a shipping quote / - - (if applicable) Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Covering bid* Absentee (T / A) Please indicate Telephone or Absentee (T & VAT) / A)

FOR WINE SALES ONLY Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] UK/04/13 Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560.

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24 September 2013, Design Issue 48, 24 September Period Knightsbridge, London Tuesday 24 September 2013 London Issue 48

Including the Anthony Redmile Collection