Old Master Paintings & Drawings English
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Sample File Miquelet Ferguson Mfg: Greek 1790 to 1850 Mfg: English 1776 to 1778 .65 Cal .60 Cal Muzzle Velocity: 800 Fps Weight: 13 Lb
Recoil Action: Firearm action that uses the force of the recoil to provide energy to cycle the action. Roller-delayed Blowback: A type of fi rearm action where rollers on the sides of the bolt are driven inward against a tapered bolt carrier extension. This forces the bolt carrier rearward at a higher velocity and delays movement of the bolt head. Rolling Block Action: A fi rearm action where the breech is seeled with a specially shaped breechblock able to rotate on a pin. The breechblock is locked in place by the hammer preventing the cartridge from moving backwards when fi red. Cocking the weapon allows the breechblock to be rotated to reload the weapon. Short Recoil Action: Action where the barrel and slide recoil together a short distance before they unlock and separate. The barrel stops quickly, and the slide continues rearward, compressing the recoil spring and performing the automated extraction and feeding process. During the last portion of its forward travel, the slide locks into the barrel and pushes the barrel back into battery. Slide Action: A fi rearm action where the handgrip is moved back and forth along the barrel in order to eject a spent cartridge and chamber a new one. This type of action is most common in shotguns and is also used in some rifl e designs. It is also called pump action. Snaphance: A method of fi ring a gun that uses a fl int set in the hammer that when the trigger is pulled causes the fl int to strike the frizzen to create a shower of sparks to ignite the priming powder. -
Discover the Styles and Techniques of French Master Carvers and Gilders
LOUIS STYLE rench rames F 1610–1792F SEPTEMBER 15, 2015–JANUARY 3, 2016 What makes a frame French? Discover the styles and techniques of French master carvers and gilders. This magnificent frame, a work of art in its own right, weighing 297 pounds, exemplifies French style under Louis XV (reigned 1723–1774). Fashioned by an unknown designer, perhaps after designs by Juste-Aurèle Meissonnier (French, 1695–1750), and several specialist craftsmen in Paris about 1740, it was commissioned by Gabriel Bernard de Rieux, a powerful French legal official, to accentuate his exceptionally large pastel portrait and its heavy sheet of protective glass. On this grand scale, the sweeping contours and luxuriously carved ornaments in the corners and at the center of each side achieve the thrilling effect of sculpture. At the top, a spectacular cartouche between festoons of flowers surmounted by a plume of foliage contains attributes symbolizing the fair judgment of the sitter: justice (represented by a scale and a book of laws) and prudence (a snake and a mirror). PA.205 The J. Paul Getty Museum © 2015 J. Paul Getty Trust LOUIS STYLE rench rames F 1610–1792F Frames are essential to the presentation of paintings. They protect the image and permit its attachment to the wall. Through the powerful combination of form and finish, frames profoundly enhance (or detract) from a painting’s visual impact. The early 1600s through the 1700s was a golden age for frame making in Paris during which functional surrounds for paintings became expressions of artistry, innovation, taste, and wealth. The primary stylistic trendsetter was the sovereign, whose desire for increas- ingly opulent forms of display spurred the creative Fig. -
Planters - Traditional WHY HADDONSTONE?
Planters - Traditional WHY HADDONSTONE? Haddonstone is a unique form of cast limestone with a surface texture similar to Portland stone. The material matures and weathers like natural stone yet, piece for piece, normally costs significantly less than quarried stone. The ability to mould the Haddonstone material into almost any shape ~ faithfully reproducing new designs or producing replicas that are virtually indistinguishable from an antique original ~ has won the company numerous contracts ranging from leading international hotels and retail developments to listed National Trust properties and prestige residential projects. The material used in every design, from the smallest planter to the largest Corinthian column, exceeds the compressive cube VISIT US strength requirements of the United Kingdom Cast Stone Association and complies with all relevant UK and European At East Haddon, in the rolling countryside of Northamptonshire standards, whilst TecStone also meets the requirements of in England, Haddonstone has beautiful show gardens and an all US standards. interior showroom where visitors can see many of the designs illustrated in this catalogue in their proper settings, see opposite. Each design is hand made by Haddonstone in the UK or USA The garden and showroom are open every week from Monday using moulds created within the company’s extensive mould to Friday ~ public holidays and Christmas period excepted shops and studios. Using these same facilities Haddonstone can ~ between the hours of 9.00 am and 5.00 pm. The gardens even manufacture non-standard architectural stone pieces to are also open on occasional weekends as part of the National practically any shape, size or colour. -
Lot Description LOW Estimate HIGH Estimate 2000 German Rococo Style Silvered Wall Mirror, of Oval Form with a Wide Repoussé F
LOW HIGH Lot Description Estimate Estimate German Rococo style silvered wall mirror, of oval form with a wide repoussé frame having 2000 'C' scroll cartouches, with floral accents and putti, 27"h x 20.5"w $ 300 - 500 Polychrome Murano style art glass vase, of tear drop form with a stick neck, bulbous body, and resting on a circular foot, executed in cobalt, red, orange, white, and yellow 2001 wtih pulled lines on the neck and large mille fleur designs on the body, the whole cased in clear glass, 16"h x 6.75"w $ 200 - 400 Bird's nest bubble bowl by Cristy Aloysi and Scott Graham, executed in aubergine glass 2002 with slate blue veining, of circular form, blown with a double wall and resting on a circular foot, signed Aloysi & Graham, 6"h x 12"dia $ 300 - 500 Monumental Murano centerpiece vase by Seguso Viro, executed in gold flecked clear 2003 glass, having an inverted bell form with a flared rim and twisting ribbed body, resting on a ribbed knop rising on a circular foot, signed Seguso Viro, 20"h x 11"w $ 600 - 900 2004 No Lot (lot of 2) Art glass group, consisting of a low bowl, having an orange rim surmounting the 2005 blue to green swirl decorated body 3"h x 11"w, together with a French art glass bowl, having a pulled design, 2.5"h x 6"w $ 300 - 500 Archimede Seguso (Italian, 1909-1999) art glass sculpture, depicting the head of a lady, 2006 gazing at a stylized geometric arch in blue, and rising on an oval glass base, edition 7 of 7, signed and numbered to underside, 7"h x 19"w $ 1,500 - 2,500 Rene Lalique "Tortues" amber glass vase, introduced 1926, having a globular form with a 2007 flared mouth, the surface covered with tortoises, underside with molded "R. -
Catalogue 901 To
Lots 901 - 910 Lot #901: SET OF FOUR LOUIS XVI-STYLE CARVED, PAINTED AND PARCEL-GILT MUSICAL TROPHIES Each bow-tied pendant rope back supporting a horn and a violin with bow, centering a floral cartouche with wing, painted blue-grey. Estimate: $ 2000.00 - $ 3000.00 Lot #902: PAIR OF DECORATIVE ROCK CRYSTAL OBELISKS Each on block-form pedestal and stepped base; 32 x 6 3/8 in. Estimate: $ 2000.00 - $ 3000.00 Lot #903: TWO BRASS-INLAID BOULLEWORK BOXES The larger with chamfered corners, a hinged fall-front and mother-of-pearl and red-ground tortoiseshell medallions, the other with red-ground lattice lid; 3 x 10 1/4 in. and 1 3/4 x 3 in. Estimate: $ 250.00 - $ 450.00 Lot #904: PAIR OF CHARLES X-STYLE GILT-METAL URNS Each bowl with everted egg-and-dart rim and reeded handles rising from mask heads, the block stand relief-cast with alternating music and painting trophies; 13 in., 6 1/2 in. diam. Estimate: $ 800.00 - $ 1200.00 Lot #905: SET OF FOUR RÉGENCE-STYLE PORCELAIN-MOUNTED GILT-METAL TWO-LIGHT WALL APPLIQUÉS Each with trellis arbor enclosing a figure of a youth or girl and supporting the spiral twist arms fitted with flowerheads; 14 x 10 1/2 x 6 3/4 in. Estimate: $ 800.00 - $ 1200.00 Lot #906: LOUIS VUITTON BRASS-MOUNTED LEATHER SUITCASE Lock No. 084186, Case No. 811787, with brass nailheaded metal edge, lacking tray; 17 1/2 x 28 x 8 1/2 in. Estimate: $ 600.00 - $ 800.00 Lot #907: PAIR OF ITALIAN SILVER, GILT-METAL AND STEEL-MOUNTED SINGLE-BARREL PISTOLS Signed Frachetti Minelli; each with flower and foliate-engraved mounts and a blind cartouche at handle, in later fitted silver-edged burrwood case with dome lid, dated 1978. -
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( Re 9 j me 11 t / )-) is to vy 1JSIb. INFANTRt( / Ju I)' to 31 Ju!y /941.1 IOWA GOLD STAR MILITARY MUSEUM TH 7105 NW 70 AVE, CAMP DODGE 4 0 Pc e s JOHNSTON, IOWA 50131-1824 a.:;1 (~ ( R F GI MEN TAL HIS Tan Y MontL of JUL 19H ._". .-.- - ...,. -.': .:;;;:~.~~.:::.;::;.;--:~~•. -.. --.:·::·:~: .. ·:~-= .. ~-:.7:==::·;::·::::~-.-.:-.-.~·.:. M.·.· __ ·· · . ..-'.)'-'.-. .' '.'--".r-' , / SBC'l.'ION IT , r -:T::1rrant Enlisted Dc:. te Officers Officers Nen " /i 1 July 154 5 4007 2 153 5 3998 3 153 5 3991 4 136 5 .3492 ~ 5 135 :J 3366 6 137 5 3324 7 137 5· 3314 8 1.36 5 3287 9 1.37 5 3267 10 136 . 5 3246 11 134- 5 32~ J 12 134 5 3335 13 132 5 3327 JJ 111 t",. 134 5 3292 vJ I,.t- 15 134 5 32<;) ~ 16 135 5 32713 -+ 17 134 5 3208 f 18 128 5 3236 1'---\ ; 19 128 5 3218 20 130 5 3298 1\-'1 21 129 5 3319 , 22 r--, ·12,g 5 3313 ,/ [ 23 128 5 3307 JJ~l 24 127 5 3325 25 126 5 3326 v [ 26 .> 124 5 3332 ~! 27 126 5 33611 28 126 5 3371 ) ! 29 ·.126 5 3379 o ! 30 130 5 3405 l 31 132 5 3420 - lrJ I, - I t r t fti G 1 'A;'1'j.. .J • \ \-\(l ....._.. - -- ~ --.~._-- ... -- --.~.----__.---_... -- ,./ - ., SECTION 1[1- STATION LIST July 1, - July 31, 1944 • 1--------'---------------- 1 July 194.4 135th Inf•. 22;175 2 J'J:l 1944 negtl Hq 161212 Hq Co "161212 AT Co II Cannon Co II Mad Det II 1st Bn It 2nd En It 3rd Bn II I 4 July 1944 t Regtl Hq' 150290 Hq Co J.67212 SaM Co 210230 AT Co 150290 Cannon Co II I-!ed Det 161212 1st En 15029- II 2nd Bn " ;rd Bn II' I 8 July 1944 J SeM-Co 16822(' ,. -
Ancient Carved Ambers in the J. Paul Getty Museum
Ancient Carved Ambers in the J. Paul Getty Museum Ancient Carved Ambers in the J. Paul Getty Museum Faya Causey With technical analysis by Jeff Maish, Herant Khanjian, and Michael R. Schilling THE J. PAUL GETTY MUSEUM, LOS ANGELES This catalogue was first published in 2012 at http: Library of Congress Cataloging-in-Publication Data //museumcatalogues.getty.edu/amber. The present online version Names: Causey, Faya, author. | Maish, Jeffrey, contributor. | was migrated in 2019 to https://www.getty.edu/publications Khanjian, Herant, contributor. | Schilling, Michael (Michael Roy), /ambers; it features zoomable high-resolution photography; free contributor. | J. Paul Getty Museum, issuing body. PDF, EPUB, and MOBI downloads; and JPG downloads of the Title: Ancient carved ambers in the J. Paul Getty Museum / Faya catalogue images. Causey ; with technical analysis by Jeff Maish, Herant Khanjian, and Michael Schilling. © 2012, 2019 J. Paul Getty Trust Description: Los Angeles : The J. Paul Getty Museum, [2019] | Includes bibliographical references. | Summary: “This catalogue provides a general introduction to amber in the ancient world followed by detailed catalogue entries for fifty-six Etruscan, Except where otherwise noted, this work is licensed under a Greek, and Italic carved ambers from the J. Paul Getty Museum. Creative Commons Attribution 4.0 International License. To view a The volume concludes with technical notes about scientific copy of this license, visit http://creativecommons.org/licenses/by/4 investigations of these objects and Baltic amber”—Provided by .0/. Figures 3, 9–17, 22–24, 28, 32, 33, 36, 38, 40, 51, and 54 are publisher. reproduced with the permission of the rights holders Identifiers: LCCN 2019016671 (print) | LCCN 2019981057 (ebook) | acknowledged in captions and are expressly excluded from the CC ISBN 9781606066348 (paperback) | ISBN 9781606066355 (epub) BY license covering the rest of this publication. -
Rifles Regimental Road
THE RIFLES CHRONOLOGY 1685-2012 20140117_Rifles_Chronology_1685-2012_Edn2.Docx Copyright 2014 The Rifles Trustees http://riflesmuseum.co.uk/ No reproduction without permission - 2 - CONTENTS 5 Foreword 7 Design 9 The Rifles Representative Battle Honours 13 1685-1756: The Raising of the first Regiments in 1685 to the Reorganisation of the Army 1751-1756 21 1757-1791: The Seven Years War, the American War of Independence and the Affiliation of Regiments to Counties in 1782 31 1792-1815: The French Revolutionary Wars, the Napoleonic Wars and the War of 1812 51 1816-1881: Imperial Expansion, the First Afghan War, the Crimean War, the Indian Mutiny, the Formation of the Volunteer Force and Childers’ Reforms of 1881 81 1882-1913: Imperial Consolidation, the Second Boer War and Haldane’s Reforms 1906-1912 93 1914-1918: The First World War 129 1919-1938: The Inter-War Years and Mechanisation 133 1939-1945: The Second World War 153 1946-1988: The End of Empire and the Cold War 165 1989-2007: Post Cold War Conflict 171 2007 to Date: The Rifles First Years Annex A: The Rifles Family Tree Annex B: The Timeline Map 20140117_Rifles_Chronology_1685-2012_Edn2.Docx Copyright 2014 The Rifles Trustees http://riflesmuseum.co.uk/ No reproduction without permission - 3 - 20140117_Rifles_Chronology_1685-2012_Edn2.Docx Copyright 2014 The Rifles Trustees http://riflesmuseum.co.uk/ No reproduction without permission - 4 - FOREWORD by The Colonel Commandant Lieutenant General Sir Nick Carter KCB CBE DSO The formation of The Rifles in 2007 brought together the histories of the thirty-five antecedent regiments, the four forming regiments, with those of our territorials. -
Deadlands Armory
Rifles Part I. Muzzles, Muskets & Minié Balls Loading a Flintlock Rifle For the first part of the nineteenth century, professional armies fought with the same smooth- bore flintlock muskets as their fathers and grandfathers. It generally takes an experienced soldier between twenty and thirty seconds to properly load a flintlock musket. First, the user has to unseal his pre-measured cartridge of gunpowder, which is usually contained in a paper or linen packet which is bitten open. (Because of the salty nature of gunpowder, this builds up a terrible thirst over the course of a battle, making potable water an essential part of any armed conflict.) Once the gunpowder is poured into the muzzle, the shooter inserts the lead ball, which is encased in a lubricated bit of cloth called “wadding.” Pulling the ramrod from its forestock slot, the shooter tamps the ball home, ensuring firm contact with the propellant charge. The ramrod is then returned to the forestock—unless a panicked soldier leaves it inside the barrel, to be fired along with the bullet! To fire the musket, the hammer is pulled to half-cock. A small pinch of gunpowder is placed in the “priming pan” located on the right side of the musket. The pan is closed to secure the primer, which brings a metal flange called the “frizzen” into striking position in front of the hammer. The hammer is fully cocked, the musket is aimed, and the trigger is pulled. The hammer dashes the flint against the frizzen, simultaneously creating a spark and pushing open the pan to expose the primer. -
Auction Results Srandr10113 Tuesday, 10 September 2019
Auction Results srandr10113 Tuesday, 10 September 2019 Lot No Description 1 An extensive set of Dixon A1 electroplated Hanoverian rat-tail flatware £40.00 2 An Edwardian set of six silver OEP teaspoons, Sheffield 1905, 3.2 oz, to/w a quantity of mixed electroplated flatware and £30.00 carving set with antler handles 4 A large plated on copper meat-dome - marked for Matthew Boulton, to/w a pair of telescopic candlesticks, various flatware £70.00 including dessert knife and fork with mother-of-pearl handles, two cruets, etc. (box) 5 A three-piece silver brush and mirror set, London 1919, to/w a silver-topped globular scent bottle, Birmingham 1917 and £70.00 various plated items (box) 6 An extensive set of King's patterns epns flatware and cutlery - 98 pcs. £50.00 7 Two Edwardian canteens of ivory-handled electroplated knives and forks, to/w various other plated wares including salvers, £30.00 sauce boat, WMF bottle coaster, silver and enamel hairbrush, etc. (box) 8 An Art Nouveau epns fruit comport raised on three whiplash supports, to/w a half-reeded kettle on stand, three entrée dishes £70.00 Variousand covers electroplated (two lacking tablewares, handles), includinga salver, asparagusa large Mappin dish &with Webb rack Princes and other Plate plated two-handled wares (box) tray with four-piece tea service, 9 Victorian claret jug, finely cut with holly decoration, EPBM three-piece tea service, two goblets, a shell nut-bowl and a canteen £110.00 containing a quantity of flatware in oak canteen 10 A pair of plated on copper candelabra, to/w two pairs of candlesticks and four other candlesticks converted as lamps - all a/f £55.00 (box) 11 A quantity of electroplated tableware, including Adam-style tureen and cover, entree dishes and covers, chafing dish stand, £40.00 Ahot quantity dishes, of watches, silver and etc. -
Lot Description LOW Estimate HIGH Estimate 7000 Daum France Limited
LOW HIGH Lot Description Estimate Estimate Daum France limited edition pate de verre sculpture of a female, executed in rust to brown 7000 glass, edition 13 of 325, signed indistinctly on front, underside etched Daum France, 13"h x 9"w $ 600 - 900 7001 (lot of 3) Italian Oggetti Murano art glass group, each vase depicting a stylized bird, executed in cased blue to gold glass, script signature to underside, retains Oggetti label, largest 15"h $ 500 - 700 (lot of 4) Lundberg Studios art glass group, consisting of a cased paperweight depicting sea life, marked Lundberg Studios and Daniel Salazar, 3"h, a bulbous iridescent vase marked L.S 7002 6"h, a bamboo form vase executed in 2012, marked Lundberg Studios / Daniel Salazar 7"h, and a Daniel Salazar cylindrical vase having pulled detail continuing to the circular base, signed on base, 7.5"h $ 600 - 900 (lot of 2) Italian Seguso Viro Murano art glass group, consisting of an iridescent vase having a ribbed exterior executed in cobalt, underside marked and numbered 30 / 101 BIRBA 6"h x 7003 10"w, together with a bulbous vessel having a cobalt body with white stringing, marked Seguso to underside 11"h $ 600 - 900 Lalique France clear and frosted blue wave vase, having a clear body with a blue frosted 7004 wave form reserve, underside marked Lalique France, 7"h $ 1,000 - 1,500 Evolution by Waterford art glass vase, having a bulbous crimson body with orange to pink 7005 accents continuing to the circular base, 11.5"h $ 200 - 400 Continental partial gilt and enamel decorated vase attributed to -
Catalogue 101 To
Lots 101 - 110 Lot #101: FRANCO-FLEMISH BAROQUE WALNUT OPEN ARMCHAIR The rectangular back flanked by s-scroll on vase supports, the seat on turned and block legs; 41 in. tall. Estimate: $ 500.00 - $ 800.00 Lot #102: LOUIS XVI ORMOLU FIGURAL MANTLE CLOCK Signed Kinable au Palais Royal, No. 131; the drum case surmounted by Eros, the case with love trophies and classical relief scenes, toupie feet; 18 1/2 x 15 in. Estimate: $ 2000.00 - $ 4000.00 Lot #103: ITALIAN WALNUT AND PARQUETRY TABLE The serpentine shaped top above a plain frieze raised on angular cabriole legs; 28 1/2 x 36 x 19 3/4 in. Estimate: $ 200.00 - $ 400.00 Lot #104: EMPIRE GILT-METAL-MOUNTED MAHOGANY AND PARCEL GILT BERGERE The serpentine crest with vinework above flowerhead mount, the down- swept reeded arms above carved feathers, applied rosettes and splayed legs; 37 1/2 in. tall. Estimate: $ 800.00 - $ 1200.00 Lot #105: FRANCO-FLEMISH-STYLE UPHOLSTERED WALNUT SETTEE Rectangular outline, the seat on turned and block legs joined by box stretchers; 32 1/2 in. x 7 ft. 5 in. Estimate: $ 500.00 - $ 700.00 Lot #106: NEOCLASSICAL-STYLE CHINOISERIE LACQUER TWO-PART CABINET The shaped upper part enclosed by a pair of floral-painted doors, flanked by fluted corners, the outset lower part with faux marble top above two drawers and two bird-decorated doors, the sides with pagoda and garden views, tapered legs, early 20th C.; 6 ft. 9 in. x 4 ft. 7 1/2 in. x 22 in. Estimate: $ 1500.00 - $ 2500.00 Lot #107: SWISS CYLINDER MUSIC BOX Contained in a rosewood and marquetry case; 9 1/4 x 33 x 13 in.