Linux Audio Conference 2010
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Drumdrops Yamaha Hybrid Kit
Drumdrops Yamaha Hybrid Kit Manual 1 The information in this document is subject to change without notice and does not represent a commitment on the part of Drumdrops. The software described by this document is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Drumdrops. “Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instruments GmbH. Mac, Mac OS, GarageBand, Logic, iTunes and iPod are registered trademarks of Apple Inc., registered in the U.S. and other countries. Windows, Windows Vista and DirectSound are registered trademarks of Microsoft Corporation in the United States and/or other countries. All other trade marks are the property of their respective owners and use of them does not imply any affiliation with or endorsement by them. Contact Us Drumdrops 36 Leroy Street London SE1 4SP United Kingdom www.drumdrops.com 2 Table of Contents 1. Introduction (p.5) 2. About Drumdrops Yamaha Hybrid Kit (p.7) 2.1 The Drum Kit (p.7) 2.2 The People (p.8) 2.3 The Pool Recording Studio (p.11) 2.4 The Recording Equipment (p.12) 3. The Samples Packs (p.15) 3.1 The Multi-Velocity and Single Hits Packs (p.15) 3.1.1 Pack Contents (p.15) 3.1.2 Sampler Patches (For Kontakt, Battery, Drum Rack and EXS) (p.16) 3.1.3 Drum Machine Patches (For Maschine, Geist, Studio One Impact and iDrum) (p.18) 3.1.4 Software Compatability (p.20) 3.1.5 Loading the Patches (p.20) 3.1.5.1 EXS24 3.1.5.2 Battery 3.1.5.3 Kontakt 3.1.5.4 iDrum 3.1.5.5 Geist 3.1.5.6 Maschine 3.1.5.7 Studio One Impact 3.1.5.8 Drum Rack 3.1.5.9 Reason Refills 3.1.5.10 Renoise 3.1.5.10 Renoise Sampler 3.1.5.11 TX16Wx 3.2. -
60S Rogers Pop Kit
Drumdrops 60s Rogers Pop Kit Manual 1 The information in this document is subject to change without notice and does not represent a commitment on the part of Drumdrops. The software described by this document is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Drumdrops. “Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instruments GmbH. Mac, Mac OS, GarageBand, Logic, iTunes and iPod are registered trademarks of Apple Inc., registered in the U.S. and other countries. Windows, Windows Vista and DirectSound are registered trademarks of Microsoft Corporation in the United States and/or other countries. All other trade marks are the property of their respective owners and use of them does not imply any affiliation with or endorsement by them. Contact Us Drumdrops 36 Leroy Street London SE1 4SP United Kingdom www.drumdrops.com 2 Table of Contents 1. Introduction (p.5) 2. About the 60s Rogers Pop Kit (p.7) 2.1 The Drum Kit (p.8) 2.2 The People (p.9) 2.3 The Recording Studio - The Bridge (p.11) 2.4 The Mixing Studio - The Square (p.11) 2.5 The Recording Equipment (p.12) 3. The Samples Packs (p.17) 3.1 The Multi-Velocity and Single Hits Packs (p.14) 3.1.1 Pack Contents (p.14) 3.1.2 Sampler Patches (For Kontakt, Battery, Drum Rack and EXS) (p.15) 3.1.3 Drum Machine Patches (For Maschine, Geist, Studio One Impact and iDrum) (p.17) 3.1.4 Software -
8/23/2003 Novation.V-Station.Vsti.V1.20-H2O
8/23/2003 Novation.V-Station.VSTi.v1.20-H2O H2O 1061676000 8/23/2003 VirSyn.Tera.v1.3-H2O H2O 1061676000 8/24/2003 Dash.Signature.ComboSister.VSTi.v1.36-H2O H2O 1061762400 8/24/2003 Dash.Signature.daAlpha2k.VSTi.v2.16-H2O H2O 1061762400 8/24/2003 Dash.Signature.daHornet.VSTi.v1.22-H2O H2O 1061762400 8/24/2003 Dash.Signature.The.Abstract.Guitar.VSTi.v1.18-H2O H2O 1061762400 8/24/2003 DSound.Simple.Audio.Plugin.Pack.1.XP.VST.DX.v2.5-H2O H2O 1061762400 8/25/2003 Bomb.Factory.Essentials.RTAS.v3.15-H2O H2O 1061848800 8/25/2003 Serato.Pitch.n.Time.RTAS.v2.2.1-H2O H2O 1061848800 8/26/2003 Applied.Acoustics.Lounge.Lizard.EP-2.v2.0-H2O H2O 1061935200 8/26/2003 Celemony.Melodyne.v2.0.0.7.Studio.Edition.incl.KeyGen-H2OH2O 1061935200 8/26/2003 Linplug.RM.IV.VSTi.v4.03-H2O H2O 1061935200 8/27/2003 Antares.Auto-Tune.DX.v3.25-H2O H2O 1062021600 8/28/2003 Antares.Auto-Tune.RTAS.v3.25-H2O H2O 1062108000 8/30/2003 Nomad.Factory.BlueTubes.RTAS.v1.6.Incl.Keygen-H2O H2O 1062280800 8/30/2003 Nomad.Factory.Free.Bundle.RTAS.v1.6.Incl.Keygen-H2O H2O 1062280800 8/31/2003 Ableton.Live.v2.1.2-H2O H2O 1062367200 8/31/2003 Rgc.Audio.z3ta.Plus.VSTi.DXi.v1.2.READ.NFO-H2O H2O 1062367200 9/1/2003 Alcatech.BPM.Studio.Professional.v4.75-H2O H2O 1062453600 9/1/2003 ILove.Kelly.Family.And.Backstreet.Bois.v1.2-H2O H2O 1062453600 9/2/2003 CDXtract.v4.1.3.WORKING.DIRFIX-H2O H2O 1062540000 9/2/2003 CDXtract.v4.3.1.WORKING-H2O H2O 1062540000 9/2/2003 Waves.Transform.Bundle.v2.0-H2O H2O 1062540000 9/3/2003 Novation.Bass-Station.VSTi.v1.10-H2O H2O 1062626400 9/6/2003 SFX.Machine.RT.VST.v1.0.2-H2O -
Debian-Paketmanagement
Debian-Paketmanagement Axel Beckert und Frank Hofmann Onyx Neon Debian-Paketmanagement ii Copyright © 2012, 2013, 2014, 2015, 2016, 2017, 2018, 2019, 2020, 2021 Axel Beckert, Frank Hofmann Das Buch "Debian-Paketmanagement" von Frank Hofmann und Axel Beckert ist lizenziert unter einer Creative Commons Na- mensnennung - Weitergabe unter gleichen Bedingungen 4.0 International Lizenz. Debian-Paketmanagement iii VERSIONSGESCHICHTE NUMMER DATUM BESCHREIBUNG NAME debian/0_2021.03.01- 2021-09- 42-g5ca0d33 17T23:18:06+00:00 Debian-Paketmanagement iv Inhaltsverzeichnis I Konzepte 1 1 Willkommen im Linux-Dschungel! 2 1.1 Was ist Debian?....................................................2 1.2 Debian-Architekturen.................................................3 1.2.1 Debian-Ports-Projekt.............................................3 1.2.2 Pakete für alle Architekturen.........................................4 1.2.3 Multiarch: Mehrere Architekturen gleichzeitig auf einem System......................4 1.2.4 Bevor es Multiarch gab............................................5 1.3 Vom tar.gz zur Linux-Distribution........................................5 1.4 Debians Paketsystem.................................................5 1.5 Welche UNIX-artigen Betriebssysteme verwenden das Paketformat und das APT-Paketmanagement.......6 2 Software in Paketen organisieren 7 2.1 Was ist Paketmanagement...............................................7 2.2 Varianten und Formate für Softwarepakete......................................8 2.3 Softwarestapel und Ebenen..............................................9 -
Podcasting for Information Literacy
Roberts, Regina Podcasting for Information Literacy Presented to: Information Literacy Section w/ Academic and Research Libraries Section Conduits for Transformation: Incorporating Multimodal Instruction and Learning into Information Literacy. Podcasting for Information Literacy By Regina Lee Roberts, MLS Assistant Curator, African Collection Stanford University Libraries and Academic Information Resources [email protected] World Library and Information Congress: 73rd IFLA General Conference and Council "Libraries for the future: Progress, Development and Partnerships"19-23 August 2007, Durban, South Africa Information Literacy Section together with the Academic and Research Libraries Section Conduits for Transformation: Incorporating Multimodal Instruction and Learning into Information Literacy. Podcasting for Information Literacy By Regina Lee Roberts, MLS Assistant Curator, African Collection Stanford University Libraries and Academic Information Resources Stanford, CA, U.S.A. Abstract: Podcasting is an alternate form of disseminating information literacy techniques that caters to the library user. It is useful for the auditory learner as well as distance education learner. Podcasting has the potential to engage all library users in an innovative way. With podcasting the library user is afforded control over when and where the content will be reviewed. This control is important in today’s information saturated landscape. Within this format, there is a possibility that conversations can be created based on the structure and content of the podcasts. The desired outcome is that these conversations will lead to a deeper understanding of how to conduct research as well as what library services have to offer. An additional benefit for libraries is that podcasting enhances the visibility of library web pages and online presence. -
Versionskontrolle Mit Subversion Für Subversion 1.6 (Übersetzt Aus Der Revision 4919)
Versionskontrolle mit Subversion Für Subversion 1.6 (Übersetzt aus der Revision 4919) Ben Collins-Sussman Brian W. Fitzpatrick C. Michael Pilato Versionskontrolle mit Subversion: Für Subversion 1.6: (Übersetzt aus der Revision 4919) von Ben Collins-Sussman, Brian W. Fitzpatrick und C. Michael Pilato Veröffentlicht (TBA) Copyright © 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2011 Ben Collins-Sussman, Brian W. Fitzpatrick, C. Michael Pilato Dieses Werk steht unter der Lizenz der Creative Commons Attribution License. Um eine Kopie dieser Lizenz einzusehen, gehen Sie zu http://creativecommons.org/licenses/by/2.0/ oder schreiben Sie an Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Inhaltsverzeichnis Geleitwort ..............................................................................................................................................xi Vorwort ............................................................................................................................................... xiii Was ist Subversion? ....................................................................................................................... xiii Ist Subversion das richtige Werkzeug? ....................................................................................... xiii Die Geschichte von Subversion ................................................................................................. xiv Die Architektur von Subversion ................................................................................................ -
Bien De'velopper Pour Le Web
12028_Developper_Web_XP 26/10/06 10:51 Page 1 Web 2.0 Bien développer C. Porteneuve Bonnes pratiques Ajax C. Porteneuve Enseignant à l’INSIA où Adieu, absence d’accessibilité, soupes de balises, combinaisons de Javascript propriétaires et autres il est responsable de la spécialisation Systèmes pour le mauvais réflexes qui polluaient le Web 1.0. Créer des interfaces utilisateur bluffantes et interactives à Web 2.0 la Web 2.0 (Gmail, Google Maps, Flickr, Netvibes…) est l’occasion d’instaurer de bonnes pratiques de d’Information et Génie Logiciel, Christophe développement garantissant le respect des normes, l’ergonomie et l’accessibilité des applications web. Porteneuve conçoit des pages web depuis plus de Une bible des meilleures pratiques de développement web et Ajax Bonnes pratiques Ajax dix ans. Au cœur d’un projet d’intranet dynamique Christophe Porteneuve livre dans cet ouvrage plus de dix années d’expérience en développement et en qualité web. entièrement basé sur XML Prototype • Script.aculo.us • Accessibilité • JavaScript • DOM • XHTML/CSS Il rappelle les fondamentaux techniques du Web 2.0 (XHTML, CSS, JavaScript, DOM…), décrit l’usage des fra- et sur des composants meworks de développement dédiés Prototype et script.aculo.us dans leur version la plus récente, et explore le cœur visuels XSLT dès 1999, d’Ajax, XMLHttpRequest, ainsi que la question des contenus et services externes (services web, API REST et flux il participa au premier portail de syndication RSS et Atom). Outre une réflexion sur l’accessibilité et l’ergonomie, il explique comment conjuguer JSP en Europe (Freesbee). toutes ces technologies dans le cadre d’une méthodologie de développement cohérente et qualitative. -
Tutorial First Steps Audacity: Make a Personalise Your Mobile Using a Snatch of Your Favourite Tune
TutorialFirst First Steps Beginner-level tutorials for users dipping their toes into Linux Impress: Create e Impress can do more than just display pretty pictures. Andy Channelle guides you into a realm of interactivity... You can link to any other element in the presentation, including notes pages and sound files. it can be used effectively for similar types of work as long as you aren't too ambitious. In this tutorial, we’re going to create a simple flash card applet with a series of pages, then put them together in a non-linear fashion. We’ll also add a few external links and set up a trigger to play a sound file. We’re using OpenOffice.org version 2.4 for the purposes of compatibility, but the process is identical if you’re using a more recent edition. mpress is the presentation element of the OpenOffice.org productivity suite. At its most basic, it’s used to create a Structure and content I series of slides which are displayed in a linear fashion. The project begins with a blank presentation, so when you However, it’s also possible to build non-linear productions launch the application – Applications > Office > OOo Impress with Impress for use in kiosk presentations (where the user or similar – click straight through the Presentation wizard advances the slides themselves) or a product catalogue. It without changing any of the values. Once you hit the final Our could even be used to make a talking book style presentation, Create button, you’ll be presented with the normal Impress expert where the user triggers events such as animations, sounds or interface. -
Open Source Software I Den Digitale Forvaltning
Indhold Forord........................................................................................................................................................................ 3 Sammenfatning....................................................................................................................................................... 4 Arbejdsgruppens anbefalinger ............................................................................................................................. 6 Indledning................................................................................................................................................................ 7 Open source software i den digitale forvaltning................................................................................................ 8 1.1. Open source software i den digitale forvaltning.................................................................................................................................8 1.2. Digital forvaltning i Danmark...........................................................................................................................................................................10 1.3 Digital forvaltning ifølge Den Digitale Taskforce............................................................................................................................11 1.4 Digital forvaltning i praksis..................................................................................................................................................................................11 -
Audio Sequencers Music Software
Audio sequencers music software click here to download learning A brief chronology of DAWs and audio sequencers Three decades have gone by since computers revolutionized music production. Music Maker was the very first audio-loop sequencer and the first DAW for the masses. Many versions later, the program. A huge collection of Audio Sequencers software - freeware, shareware, and demos - that you can download for free. Platforms include Windows, Mac and Linux. A music sequencer is a device or application software that can record, . Audio and MIDI tracks on DAW · Cubase 6 feature - software studio environment including software instruments and software effects. Multi-touch audio sequencer to be used with iOS devices. 7 Liquid Rhythm is a beat generator, sequencer, and software controller for MIDI-based music. Musicians new to PC sequencing often feel overwhelmed by the sheer all their songs using construction-kit software plus thousands of bundled audio loops!. There are good music production software in Linux just as it is in It is an audio Audio/MIDI multi track sequencer designed specifically for. The amount of free music software available on the internet has . If you want a simple, bold synth to get you started, Togu Audio Line's. The best free digital audio workstations, plugins and effects for Mac and PC. Another great music software tool from Jos Maas. Cakewalk Sonar; Windows & Mac sequencer now with integrated midi and audio. Sonar demo available. Updated for , we go beyond freeware with these great open applications. Right now, the electronic music-making landscape is more fragmented or forego any kind of 'computer' and use a dedicated hardware sequencer. -
Syllabus Excerpt-Radio Experiments
Radio Experiments - NMDS 5563-Spring.Online 15-weeks online - graduate production-studio course The New School for Public Engagement | School of Media Studies [MA Media Studies; MS Media Management] Instructor: Joan Schuman At root, radio is nothing but a pulse, a throb, an electrical charge. [It] is mostly a set of relationships, an intricate triangulation of listener, “player” and system. (Gregory Whitehead) COURSE DESCRIPTION Students explore the process and possibilities of experimental sound-making with a distinct ear towards radio-centric ‘broadcast’ realms. By critically exploring work by sound-rich storytellers as well as emergent mediated spaces, students are invited to engage in their own experiments. Students investigate form, content and media vehicles, and, in the process, explore the conventions of transmission artistry, broadcasting and podcasting (ongoing and short-form series). Short productions in various styles (documentary, impressionist narratives, radio art/ audio fiction) initially allow students to test their ears before completing final compositions. Students are expected to work individually and engage in numerous workshop critiques. Each production explores its relationship with radiophonic media, including terrestrial radio as well as online radio sites, independent podcasts, and lo-fi renegade radio, including New School’s online, student-run radio station, WNSR (operating since 2007). The class is designed for those with basic audio production skills and access to tools (on-site at New School labs or via their -
Syntheway Virtual Musical Instruments
The information in this document is subject to change without notice and does not represent a commitment on the part of Syntheway Software. The software described by this document is subject to a License Agreement and may not be copied to other media except as specifically allowed in the License Agreement. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, without prior written permission by Syntheway. Table Of Contents: n 1. Description n 2. System Requirements n 3. Installation n 4. MIDI Implementation Chart n 5. Version History n 6. Technical Support and Contact n 7. FAQ - Frequently Asked Questions n 8. Update and Upgrade Policy n 9. License n 10. Evaluation and Registration n 11. Plug-in Credits n 12. Acknowledgements 1. Description Overview REALISTIC VIRTUAL PIANO is a acoustic grand piano emulation with a breathtakingly rich and realistic sound. Particular care has been taken in the reproduction of the original realism and touch response of a Kawai and Yamaha Grand Pianos. The result is a delicacy of tone and expression that emulates the experience of playing a real acoustic grand. Features l Modeled on mastered Piano samples (normalized and noise-reduced). Based on PCM recordings of a Kawai and Yamaha Grand Pianos after it has been meticulously tuned and adjusted. l To achieve such a remarkably authentic piano sound, has full length sustain samples, no loops (natural decay), stored in 16 bits and 44.100 KHz. l ADSR envelope generator with Attack, Sustain, Decay and Release parameters and several modulation targets. l Optimized CPU and memory usage.