Odysseus Unbound: the Search for Homer’S Ithaca Robert Bittlestone Index More Information
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Land of Myth Odyssey Players
2 3 ἄνδρα µοι ἔννεπε, µοῦσα, πολύτροπον, ὃς µάλα πολλὰ πλάγχθη, ἐπεὶ Τροίης ἱερὸν πτολίεθρον ἔπερσεν· πολλῶν δ᾽ ἀνθρώπων ἴδεν ἄστεα καὶ νόον ἔγνω, πολλὰ δ᾽ ὅ γ᾽ ἐν πόντῳ πάθεν ἄλγεα ὃν κατὰ θυµόν, ἀρνύµενος ἥν τε ψυχὴν καὶ νόστον ἑταίρων. Homer’s Odyssey, Book 1, Lines 1-5 (ΟΜΗΡΟΥ ΟΔΥΣΣΕΙΑ, ΡΑΨΟΔΙΑ 1, ΣΤΙΧΟΙ 1-5) CREDITS INDEX Credits – The Land of Myth™ Team Written & Designed by: John R. Haygood Art Direction: George Skodras, Ali Dogramaci Who We Are .............................................................................................. 6 Cover Art: Ali Dogramaci What is this Product ................................................................................. 6 Proofreading & Editing: Vi Huntsman (MRC) This is a product created by Seven Thebes in collaboration with the Getty Museum Introduction ................................................................................................ 7 in Los Angeles, USA. Special thanks for the many hours of game testing and brainstorming: Safety and Consent .................................................................................. 10 Thanasis Giannopoulos, Alexandros Stivaktakis, Markos Spanoudakis The Land of Myth Mechanics: A Rules-Light Version ...................... 12 First Edition First Release: November 2020 Telemachos and His Quest ................................................................... 24 Character Sheets ...................................................................................... 26 Playtest Material V0.3 Please note that this game is still -
Homer and Collective Memory: the End of the Odyssey
Homer and Collective Memory: The End of the Odyssey This paper will approach the end of the Odyssey (starting at 24.412) by using the interpretive tools that research on collective memory has presented to us. This approach ultimately will enable us to better understand the self-awareness of the Odyssey. Building on the work of Maurice Halbwachs and Pierre Nora, research in practically every discipline of the humanities has directed its attention to the role collective memory plays in the shaping of how all kinds of sociological groups perceive themselves and their surroundings in terms of how they perceive their past, how they assess their present situation and what plans they are making for their future. This theoretical approach is also applied in Classics - not limited to, but especially in ancient history. Studies in classical literature should also avail themselves more of the tools that researchers have developed for the study of the role and the behavior of collective memories. The key for this paper will be Od. 24.484f. Zeus promises Athena that the gods will make the people of Ithaca forget that brothers and children were slain. Then, Zeus claims, people will be friends again. At the moment of this prophecy, Ithaca is at the verge of civil war. Eupeithes is trying to gather an alliance for the sake of punishing Odysseus for having lost so many comrades while he was away and for having killed all of the suitors who were members of noble families. Not all of the citizens of Ithaca want to join Eupeithes since Halitherses in particular reminds the Ithacans of the guilt of the suitors. -
The Odyssey Homer Translated Lv Robert Fitzç’Erald
I The Odyssey Homer Translated lv Robert Fitzç’erald PART 1 FAR FROM HOME “I Am Odysseus” Odysseus is in the banquet hail of Alcinous (l-sin’o-s, King of Phaeacia (fë-a’sha), who helps him on his way after all his comrades have been killed and his last vessel de stroyed. Odysseus tells the story of his adventures thus far. ‘I am Laertes’ son, Odysseus. [aertes Ia Men hold me formidable for guile in peace and war: this fame has gone abroad to the sky’s rim. My home is on the peaked sea-mark of Ithaca 4 Ithaca ith’. k) ,in island oft under Mount Neion’s wind-blown robe of leaves, the west e ast it C reece. in sight of other islands—Dulichium, Same, wooded Zacynthus—Ithaca being most lofty in that coastal sea, and northwest, while the rest lie east and south. A rocky isle, but good for a boy’s training; I (I 488 An Epic Poem I shall not see on earth a place more dear, though I have been detained long by Calypso,’ 12. Calypso k1ip’sö). loveliest among goddesses, who held me in her smooth caves, to be her heart’s delight, as Circe of Aeaea, the enchantress, 15 15. Circe (sür’së) of Aeaea e’e-). desired me, and detained me in her hail. But in my heart I never gave consent. Where shall a man find sweetness to surpass his OWfl home and his parents? In far lands he shall not, though he find a house of gold. -
A HISTORY of the PELASGIAN THEORY. FEW Peoples Of
A HISTORY OF THE PELASGIAN THEORY. FEW peoples of the ancient world have given rise to so much controversy as the Pelasgians; and of few, after some centuries of discussion, is so little clearly established. Like the Phoenicians, the Celts, and of recent years the Teutons, they have been a peg upon which to hang all sorts of speculation ; and whenever an inconvenient circumstance has deranged the symmetry of a theory, it has been safe to ' call it Pelasgian and pass on.' One main reason for this ill-repute, into which the Pelasgian name has fallen, has been the very uncritical fashion in which the ancient statements about the Pelasgians have commonly been mishandled. It has been the custom to treat passages from Homer, from Herodotus, from Ephorus, and from Pausanias, as if they were so many interchangeable bricks to build up the speculative edifice; as if it needed no proof that genealogies found sum- marized in Pausanias or Apollodorus ' were taken by them from poems of the same class with the Theogony, or from ancient treatises, or from prevalent opinions ;' as if, further, ' if we find them mentioning the Pelasgian nation, they do at all events belong to an age when that name and people had nothing of the mystery which they bore to the eyes of the later Greeks, for instance of Strabo;' and as though (in the same passage) a statement of Stephanus of Byzantium about Pelasgians in Italy ' were evidence to the same effect, perfectly unexceptionable and as strictly historical as the case will admit of 1 No one doubts, of course, either that popular tradition may transmit, or that late writers may transcribe, statements which come from very early, and even from contemporary sources. -
UNIVERSITY of CALIFORNIA Los Angeles Homer's Roads Not Taken
UNIVERSITY OF CALIFORNIA Los Angeles Homer’s Roads Not Taken Stories and Storytelling in the Iliad and Odyssey A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Classics by Craig Morrison Russell 2013 ABSTRACT OF THE DISSERTATION Homer’s Roads Not Taken Stories and Storytelling in the Iliad and Odyssey by Craig Morrison Russell Doctor of Philosophy in Classics University of California, Los Angeles, 2013 Professor Alex C. Purves, Chair This dissertation is a consideration of how narratives in the Iliad and Odyssey find their shapes. Applying insights from scholars working in the fields of narratology and oral poetics, I consider moments in Homeric epic when characters make stories out of their lives and tell them to each other. My focus is on the concept of “creativity” — the extent to which the poet and his characters create and alter the reality in which they live by controlling the shape of the reality they mould in their storytelling. The first two chapters each examine storytelling by internal characters. In the first chapter I read Achilles’ and Agamemnon’s quarrel as a set of competing attempts to create the authoritative narrative of the situation the Achaeans find themselves in, and Achilles’ retelling of the quarrel to Thetis as part of the move towards the acceptance of his version over that of Agamemnon or even the Homeric Narrator that occurs over the course of the epic. In the second chapter I consider the constant storytelling that [ii ] occurs at the end of the Odyssey as a competition between the families of Odysseus and the suitors to control the narrative that will be created out of Odysseus’s homecoming. -
Eumaeus, Evander, and Augustus: Dionysius and Virgil on Noble Simplicity*
Eumaeus, Evander, and Augustus: Dionysius and Virgil on Noble Simplicity* Casper C. de Jonge Introduction Eumaeus might not be the first character to come to mind when we think of Homeric epic as Princes’ Mirror. To be sure, Eumaeus is of royal descent: his father was Ctesius, son of Ormenus, king of the island Syria.1 But Eumaeus is also a slave: as a child he was sold to Laertes and, having been raised together with Odysseus’ sister Ctimene, he became the family’s swineherd.2 Eumaeus is one of the lower-status figures to which the Odyssey pays more attention than the Iliad. Like Eurycleia, the other prominent lowly character, Eumaeus is portrayed as a loyal servant. During Odysseus’ absence he takes good care of his master’s animals (Od. 14.5–28, 524–533), although he is defenceless against the suitors, who continually force him to send in pigs for their feasts (Od. 14.17– 20). The detailed description of Eumaeus’ pig-farm (Od. 14.7–22) brings out its modesty in comparison with the luxurious palaces of kings like Menelaus, Alcinous, and Odysseus. But with its vestibule (πρόδομος), courtyard (αὐλή), and defensive wall the farm adequately fulfils its function.3 When Odysseus arrives in Ithaca, Eumaeus gives him hospitality and offers him a double meal (Od. 14.72–111 and 14.410–454) and a bed (Od. 14.454–533), not yet knowing that his guest is actually his master. The next day the host and his guest share * The research for this paper was funded by a grant awarded by the Netherlands Organization for Scientific Research (nwo). -
9780199542710 000I-0Xiv Barker Frontmatter Final Proof Page I 29.4.2011 10:34Am
Barker 9780199542710_000i-0xiv_Barker_frontMatter Final Proof page i 29.4.2011 10:34am ENTERING THE AGO¯ N Barker 9780199542710_000i-0xiv_Barker_frontMatter Final Proof page ii 29.4.2011 10:35am Barker 9780199542710_000i-0xiv_Barker_frontMatter Final Proof page iii 29.4.2011 10:35am Entering the Ago¯n Dissent and Authority in Homer, Historiography and Tragedy ELTON T. E. BARKER 1 Barker 9780199542710_000i-0xiv_Barker_frontMatter Final Proof page iv 29.4.2011 10:35am 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Elton T. E. Barker 2009 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2009 First published in paperback 2011 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. -
The Untold Death of Laertes. Revaluating Odysseus's Meeting
The untold death of Laertes. Revaluating Odysseus’s meeting with his father Abstract This article discusses the narrative function and symbolism of the Laertes scene in the twenty- fourth book of the Odyssey. By pointing out the scene’s connections to other passages (the story of Penelope’s web, the first and second nekuia , the farewellto the Phaeaceans, the Argus scene, but also the twenty-fourth book of the Iliad) and by tackling some of the textualproblems that it poses (the apparent cruelty of Odysseus’s lies to his father, the double layers of meaning in his fictions, the significance of the sèma of the trees), this article aims to point out how the Laertes scene is tightly woven into the larger thematic and symbolicaltissue of the Odyssey. Odysseus’s reunion with his father is conclusive to the treatment of some important themes such as death and burial, reciprocalsense of love and duty and the succession of generations. It willbe argued that the untold death of Laertes becomes paradigmatic for the fate Odysseus himself chooses, and for the way in which the epic as a whole deals with the problem of mortality. Keywords Odyssey, Laertes, symbolism, mortality, burial, reciprocity Laertes, the old father of Odysseus, is a somewhat forgotten character. He is mostly considered to be of minor importance to the plot of the Odyssey, and his reunion with his son in the twenty-fourth book is often seen as a more or less dispensable addendum to the realclimax, the recognition scene with Penelope. In this article, I aim to readjust this view by exploring the context and significance of this final meeting. -
THE LAND of MYTH MECHANICS: This Adventure Was Designed As a ‘One Shot’ (I.E
2 3 ἄνδρα µοι ἔννεπε, µοῦσα, πολύτροπον, ὃς µάλα πολλὰ πλάγχθη, ἐπεὶ Τροίης ἱερὸν πτολίεθρον ἔπερσεν· πολλῶν δ᾽ ἀνθρώπων ἴδεν ἄστεα καὶ νόον ἔγνω, πολλὰ δ᾽ ὅ γ᾽ ἐν πόντῳ πάθεν ἄλγεα ὃν κατὰ θυµόν, ἀρνύµενος ἥν τε ψυχὴν καὶ νόστον ἑταίρων. Homer’s Odyssey, Book 1, Lines 1-5 (ΟΜΗΡΟΥ ΟΔΥΣΣΕΙΑ, ΡΑΨΟΔΙΑ 1, ΣΤΙΧΟΙ 1-5) CREDITS INDEX Credits – The Land of Myth™ Team Written & Designed by: John R. Haygood Art Direction: George Skodras, Ali Dogramaci Who We Are .............................................................................................. 6 Cover Art: Ali Dogramaci What is this Product ................................................................................. 6 Proofreading & Editing: Vi Huntsman (MRC) This is a product created by Seven Thebes in collaboration with the Getty Museum Introduction ................................................................................................ 7 in Los Angeles, USA. Special thanks for the many hours of game testing and brainstorming: Safety and Consent .................................................................................. 10 Thanasis Giannopoulos, Alexandros Stivaktakis, Markos Spanoudakis About This Adventure Module .............................................................. 12 First Edition First Release: November 2020 Telemachos and His Quest ................................................................... 24 Character Sheets ...................................................................................... 26 Playtest Material V0.3 Please note that this -
VII. the FINAL FIGHT Swiftly Through the Town Runs Rumor The
VII. THE FINAL FIGHT Swiftly through the town runs Rumor the Messenger, telling of the suitors' terrible death and fate. A crowd soon gathers at the palace of Odysseus; the bodies of the foreign suitors are dispatched to their several homelands, and the Ithacan corpses are buried by their kinsmen. The Ithacans then gather in assembly. Against the advice of Medon the herald and Halitherses the seer, the majority of the Ithacans rally around Eupeithes the father of Antinoos, and prepare to meet Odysseus in battle. A brief interlude on Olympus follows, in which Zeus encourages Athene to make peace, and sug gests that the gods should overlook Odysseus' blood-guilt. The party of Odysseus goes to meet the enemy; Laertes, with Athene's help, kills Eupeithes. The Ithacans are put to flight, and Odysseus and his allies are in hot pursuit when they are stopped by a thunder bolt from Zeus. Athene, in the guise of Mentor, concludes the treaty of peace, establishing Odysseus in his kingdom at last. The objections to this final episode all, so far as I know, fall into one category only: aesthetic objections. But the critics make up in vehemence for what they lack in concrete evidence: "In extremo deinde libro," says J. G. Schneider,1 "auctorem ingenium et spiritus plane defecisse videtur: ita, ut in rerum multarum satis gravium narratione brevitate inepta, partim etiam obscura de functus, lectoris exspectationem plane fallat." Spohn, who quotes this statement, particularly objects to the brief Olympian council, which he thinks hasty and badly written; Page concurs in this opinion, and adds,2 "From this moment onwards the story rushes spasmodically and deviously to its lame conclusion." "It may be judged," writes Kirk, "a suitably weak or inept conclusion to a final episode, that is ludicrous in its staccato leaps hither and thither, its indigestible concoction of rustics, thunderbolts, feeble old men and a goddess disguised or undisguised." 3 The last episode of the Odyssey, then, is said to be lame, hasty, awkward, abrupt. -
GREEK IONIAN ISLANDS by BIKE & BOAT – GUIDED
GREEK IONIAN ISLANDS by BIKE & BOAT – GUIDED CORFU - CEPHALONIA - CORFU 8 DAYS/7 NIGHTS (210km by bike) On the Ionian Islands off the west coast of Greece, Hellas shows her greenest side: Pure nature, the crystal clear blue Ionian Sea, and centuries of Venetian influences dominate the archipelago of the Ionian Islands. From Corfu, which was the dream island of the unforgettable Austrian Empress Sissi, this journey will lead you to regions which are not very well known abroad. Discover the famous island of Ithaca, which is said to have been the home of Odysseus; you will never forget the green bird sanctuary island of Lefkas, the fantastic mountain world of Cephalonia and the beautiful olive woods of the small island of Paxos. Enjoy your stay on board the two-masted wooden motor yacht “PANAGIOTA”, and let yourself be pampered with excellent Greek cuisine and the warm friendly welcome you’ll enjoy on this delightful boat. ITINERARY Day 1: (Saturday) Boarding in Corfu (Marina Gouvia) from 2 pm Check in on your ship, the PANAGIOTA, from 2 pm onwards. Dinner will be on board, and you will stay overnight in the port of Corfu town. Collective transfers can be booked from Corfu Airport/hotel to boat on arrival day (additional cost €20 per person one way - must be booked in). Day 2: (Sunday) Corfu – Sivota – Parga – Lefkas Island In the morning you will cross over to Sivota, where our first cycle trip starts, and takes us to Parga, the only tourist centre on the western coast of the Greek mainland. -
Homer's Odyssey (1911)
HOMERS ODTSSET HOMER'S ODYSSEY " Flashing she fell to the earth from THE GLITTERING HEIGHTS OF OlYMI - Eco HOMER'S ODYSSEY A LINE^FOR-LINE TRANSLATION IN THE METRE OF THE ORIGINAL BY H, B, COTTERILL M.A. EDITOR OF "SELECTIONS FROM THE INFERNO" GOETHE'S "1PHIGENIE" MILTON'S " AREOPAGITICA " MORE'S "UTOPIA" VIRGIL'S "AENE1D" I & VI ETC WITH TWENTY-FOUR ILLUSTRATIONS BY PATTEN WILSON %c I 4 y LONDON : GEORGE G. HARRAP & COMPANY 9 PORTSMOUTH STREET KINGSWAY W.C. MCMXI PRINTED BY BALLANTYNE & COMPANY LTD AT THE BALLANTYNE PRESS TAVISTOCK ST. COVENT GARDEN LONDON TO MY WIFE AND DAUGHTER AND TO ALL THOSE WHOSE LOVE FOR HOMER AND FOR WHATEVER ELSE IN ART IS TRUE AND BEAUTI- FUL GAVE ME THE COURAGE TO UNDERTAKE AND THE ENDURANCE TO COMPLETE THIS VERSION OF THE ODYSSEY * dvr<o "Hroi /xef ttoX\o>v embevofiai dXAd fioi aef-ovatv ii >* i 6(oi, a> "Epyuv fi'if t entfiifJivu). PREFACE 'N his Lectures on Translating Homer Matthew Arnold advises the translator to Preface have nothing to do with side questions—such as the question whether Homer ever existed. I should rather say that, however much interest he may take in antiquarian, or philological, or other side questions, it is best for him to give .a wide berth to theoretics and polemics. Indeed, if the translator is one who ' fulfils Matthew Arnold's requirements by reading Homer perpetually for the ' sake of his poetry — if he has experienced the happiness of long and continuous intimacy with what is so beautiful and so restful—he will shrink with pain the Babel of feel from and the acrimony literary disputation, and will much inclined to say nothing at all, knowing full well that, whatever he may say or may leave unsaid, his work will have to speak for itself.