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UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Fantasies of Friendship: Ernst Jünger and the German Right's Search for Community in Modernity Permalink https://escholarship.org/uc/item/1f32711j Author Bures, Eliah Matthew Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Fantasies of Friendship: Ernst Jünger and the German Right’s Search for Community in Modernity By Eliah Matthew Bures A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Martin E. Jay, Chair Professor John F. Connelly Professor David W. Bates Spring 2014 Copyright © 2014 By Eliah Matthew Bures All rights reserved Abstract Fantasies of Friendship: Ernst Jünger and the German Right’s Search for Community in Modernity By Eliah Matthew Bures Doctor of Philosophy in History University of California, Berkeley Professor Martin E. Jay, Chair This dissertation argues that ideas and experiences of friendship were central to the thinking of German radical conservatives in the twentieth century, from the pre-WWI years to the emergence, beginning in the 1970s, of the New Right. I approach this issue by examining the role of friendship in the circle around the writer Ernst Jünger (1895-1998). Like many in his generation, Jünger’s youthful alienation from a “cold” bourgeois society was felt via a contrast to the intimacy of personal friendship. A WWI soldier, Jünger penned memoirs of the trenches that revealed similar desires for mutual understanding, glorifying wartime comradeship as a bond deeper than words and a return to the “tacit accord” that supposedly marked traditional communities. -
Jünger, Storm of Steel
.. ERNST JUNGER Storm of Steel • Translated with an Introduction by MICHAEL H OFMANN • To request Penguin Readers Guides by mail (while supplies last), please caU (800) 778·6425 or e·mail [email protected]. To access Penguin Readers Guides online, visit our Web site at www.penguin.com. PENGUIN BOOK S PENGU IN @ C LA SS I CS ST O RM OF STEEL ERNST lONGER was born in Heidelberg in 1895. He ran away I from school to enlist in the Foreign Legion and in 1914 volun I teered to join the Ge rman army. He fought throughout the war and recorded his experiences in several books, most famously in I In StIlhlgewittern (Stonn of Steel), While admired by the Nazis, • he remained critical of them and through novels such as On the Marble Cliffs (1939) sought to understand the impasse into which Germany was heading. Throughout the Nazi period he was a controversial "inner emigrant," distanced from the regime yet only obliquely in opposition. His most famous later books include Heliopolis (1949), The Glass Bees (1957), Eumeswil (1977), Aladdin's Problem (1983), and A Dangerous Encounter (1985). He died in 1998. MICHA£L H OFMANN has translated joseph Roth, Hena Muller, ZOe jenn y, Wim Wenden, Wolfgang Koeppen, and Franz Kafka. His own books include Corona, Corona and Behind the Lines. He also coedited, with j ames Ladun, After Ovid . • STORM OF STEEL pouring water or coffee from a canteen into a snoring sleeper's mouth. On the evening of 22. April, we marched out of Preny and covered over twenty miles to the village of Hattonchatel, without Les Eparges registering any footsoreness, in spite of ou'r heavy packs. -
World War Ii in Ernst Junger's Later Work
THE BROKEN PAST: WORLD WAR II IN ERNST JUNGER'S LATER WORK by Jan Jaap ter Haar THESIS SUBMllTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS In the Department of History O Jan Jaap ter Haar 2005 SIMON FRASER UNIVERSITY Summer 2005 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. SIMON FRASER UNIVERSITY PARTIAL COPYRIGHT LICENCE The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection. The author has further agreed that permission for multiple copying of this work for scholarly purposes may be granted by either the author or the Dean of Graduate Studies. It is understood that copying or publication of this work for financial gain shall not be allowed without the author's written permission. Permission for public performance, or limited permission for private scholarly use, of any multimedia materials forming part of this work, may have been granted by the author. This information may be found on the separately catalogued multimedia material and in the signed Partial Copyright Licence. -
Ernst Jünger Tecnica, Tempo E Nostalgia
DOTTORATO DI RICERCA IN FILOSOFIA E TEORIA DELLE SCIENZE UMANE XXV CICLO DEL CORSO DI DOTTORATO VALENTINA MENESATTI ERNST JÜNGER TECNICA, TEMPO E NOSTALGIA INDICE QUADRO GENERALE DELLA RICERCA PARTE PRIMA IL TEMPO DELLA TECNICA ESORDIO DI UN AUGENMENSCH Nota sulla ricezione in Italia Vivere pericolosamente: tra Kriegsideologie e “cuore avventuroso” Il terreno della Konservative Revolution TECNICA, TIPO E UNIFORME: GLI ANNI TRENTA L’epoca della mobilitazione totale Il canto delle macchine, ovvero Der Arbeiter Cenni alla lettura heideggeriana di Der Arbeiter Über den Schmerz: la corazza dell’uniforme PERFEZIONE E PERFEZIONAMENTO: GLI ANNI CINQUANTA Die Perfektion der Technik[1946]: Jünger e l’illusione della tecnica Organische Konstruktion tra perfezione e perfezionamento Come api di vetro: Gläserne Bienen e la tipizzazione dell’individuo Fascino e magia tra delirio di onnipotenza e orgoglio titanico PARTE SECONDA LA NOSTALGIA FUGHE DAL PROPRIO TEMPO Sottrarsi al tempo Utopie tecniche e luoghi del tempo perduto GEOFILOSOFIE DI UN ALTRO TEMPO Il bosco L’anarca nella foresta della post-historie L’isola CUSTODIRE L’INVISIBILE Filemone e Bauci Lo sguardo stereoscopico Lo sguardo telescopico LA NOSTALGIA: IL RITORNO E IL RICORDO Desiderio di ritorno Granelli di eternità CONCLUSIONI BIBLIOGRAFIA QUADRO GENERALE DELLA RICERCA Nel corso della ricerca ho tentato di indagare lo stato d’animo della nostalgia nell’opera di Ernst Jünger [1895–1998] dialogando parallelamente con l’imprescindibile questione della tecnica, centrale nel pensiero dell’autore. Ho deciso di lavorare sui testi di Jünger scegliendo, analizzando e citando quegli scritti che risultavano particolarmente di rilievo nel contraltare tecnica- nostalgia. Il lavoro si divide in due parti. -
Fantasies of Friendship: Ernst Jünger and the German Right's
Fantasies of Friendship: Ernst Jünger and the German Right’s Search for Community in Modernity By Eliah Matthew Bures A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Martin E. Jay, Chair Professor John F. Connelly Professor David W. Bates Spring 2014 Copyright © 2014 By Eliah Matthew Bures All rights reserved Abstract Fantasies of Friendship: Ernst Jünger and the German Right’s Search for Community in Modernity By Eliah Matthew Bures Doctor of Philosophy in History University of California, Berkeley Professor Martin E. Jay, Chair This dissertation argues that ideas and experiences of friendship were central to the thinking of German radical conservatives in the twentieth century, from the pre-WWI years to the emergence, beginning in the 1970s, of the New Right. I approach this issue by examining the role of friendship in the circle around the writer Ernst Jünger (1895-1998). Like many in his generation, Jünger’s youthful alienation from a “cold” bourgeois society was felt via a contrast to the intimacy of personal friendship. A WWI soldier, Jünger penned memoirs of the trenches that revealed similar desires for mutual understanding, glorifying wartime comradeship as a bond deeper than words and a return to the “tacit accord” that supposedly marked traditional communities. After 1933, Jünger turned from a right-wing opponent of democracy into a voice of “spiritual resistance” to the Nazi regime. For Jünger and other non-Nazi Germans, friendship was a crucial space of candid communication and nonconformity to the norms of the Third Reich.