53Rd Mega Record & CD Fair the Birth of Hip-Hop Highlighted at the 53Rd

Total Page:16

File Type:pdf, Size:1020Kb

53Rd Mega Record & CD Fair the Birth of Hip-Hop Highlighted at the 53Rd Press release 53rd Mega Record & CD Fair Jaarbeurs Utrecht, The Netherlands The birth of Hip-Hop highlighted at the 53rd Mega Record & CD Fair 18 & 19 April Tintin and other comic heroes on vinyl, Kristoffer Gildenlöw, DJ Collective and live performances On Saturday, April 18 and Sunday, April 19, the Mega Record & CD Fair will take place at the Jaarbeurs congress center Utrecht. At this fair, which is being held for the 53rd time, music lovers and vinyl collectors from all over the world come together to buy records, attend book presentations, see live performances and visit exhibitions. Ben Merlis (USA) presents his latest book Goin' Off the story of the Juice Crew in which he describes the birth of Hip-Hop with a photo expo of these artists. Manuel Decker exhibits his extensive collection of Tintin and other cartoon heroes on vinyl. There are record launches and Meet & Greet with Kristoffer Gildenlöw among others. There is an auction of rare vinyl by Omega Auctions, the Three Imaginary Boys present their Popquiz on Sunday and many DJs will demonstrate all different styles of playing vinyl. The birth of Hip-Hop with book presentation and photo exhibition by and by Ben Merlis and George DuBose Goin’ Off describes the rise and fall of Cold Chillin’s record label and its collaboration with Warner Bros. Records. It follows the career of recording artists from the label through first-hand interviews with industry players, producers, MCs and DJs: Roxanne Shanté was a fourteen-year-old fighter who spanned the diss record; MC Shan performed a legendary feud across the border with KRS-One; Kool G Rap was a fundamental participant in what the media called "gangsta-rap"; Big Daddy Kane's fast lyrics changed the way people sang or raped; the collegiate Masta Ace tried to raise its community during the height of the crack epidemic; The Genius (aka GZA) was a co-founder of the rap dynasty Wu Tang Clan; and the enigmatic Biz Markie made the world sing along with his hit 'Just a Friend'. The presentation of this book Goin ’Off, the Story of the Juice Crew by and with author Ben Merlis (USA) is supported by a pop- up photo expo by George DuBose. Both days the first 25 buyers of the book can pick out a free print. Vinyl expo: Tintin on vinyl The French collector Manuel Decker has been collecting vinyl records all his life. At the end of last year he published his reference work Tintin & Les Vinyles in France. His complete Tintin on vinyl collection can be admired there. For the exhibition at the fair, Manuel has supplemented his Tintin collection with some other comic heroes. Think of vinyl LPs from and with Superman, Batman, Spiderman etc. The book TINTIN & Les Vinyles is available at this exhibition and Manuel Decker is personally present for text and explanation. All this near the terrace in hall 12. Meet & Greet Kristoffer Gildenlöw. Multi-instrumentalist Kristoffer Gildenlöw is best known as bassist in the prog/rock/metal scene with various bands such as Kayak and Pain of Salvation. During the fair he will launch his third solo album on LP and CD entitled Homebound with a meet & greet on Saturday. Other activities during the fair • The Three Imaginary Boys Pop Quiz powered by TivoliVredenburg. On Sunday, the Three Imaginary Boys from Utrecht present their fabulous pop quiz, which everyone can participate in and there are many prizes to be won, including live concert tickets made available by various sponsors. Start Saturday at 3 p.m. • Omega Auctions (UK) auction around 100 unique vinyl records on Saturday from 2 pm. • DJ Collective demonstrates the many forms of recordings in the classical and modern way with, among others, the DJs Ser- V, DNS, Sueside, Fullscale, Main Street, PP Groenveld, Greg D, Setiono, Yodaw, Phatcase, Sebastian Floris, Maurice Julienne and Portable Scratch Society. All weekend between hal 11 and 12. 53rd Mega Record & Cd Fair April 2020 Jaarbeurs Utrecht Saturday, April 18 from 9 am to 5 pm, Sunday, April 19 from 10 am to 5 pm. Presale by www.recordplanet.nl: 12.50 euros. Entrance tickets at the counter: 14 euros. Children up to and including eleven years free. For more information e-mail to: [email protected] or visit www.recordplanet.nl ______________________________________________________________________________________________________ Not for publication: for (more) pictures free of copyright, for interviews or information you can contact ARC, Cas Bosland. e-mail: [email protected] You can download the complete press release and images in 300 dpi at: www.recordplanet.nl/en/press.html Amsterdam Record Convention | email: [email protected] | www.recordplanet.nl | 06 835 666 87 .
Recommended publications
  • Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2008 Re-Taking it to the Streets: Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism Kevin Waide Kosanovich College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Studies Commons, and the Music Commons Recommended Citation Kosanovich, Kevin Waide, "Re-Taking it to the Streets: Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism" (2008). Dissertations, Theses, and Masters Projects. Paper 1539626547. https://dx.doi.org/doi:10.21220/s2-zyvx-b686 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Re-Taking it to the Streets: Investigating Hip-Hop’s Emergence in the Spaces of Late Capitalism Kevin Waide Kosanovich Saginaw, Michigan Bachelor of Arts, University of Michigan, 2003 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August, 2008 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts aide KosanovichKej Approved,by the Committee, May, 2008 imittee Chair Associate Pro rn, The College of William & Mary Associate Professor A lege of William & Mary Assistant P ressor John Gamber, The College of William & Mary ABSTRACT PAGE Much of the scholarship focusing on rap and hip-hop argues that these cultural forms represent instances of African American cultural resistance.
    [Show full text]
  • ENG 350 Summer12
    ENG 350: THE HISTORY OF HIP-HOP With your host, Dr. Russell A. Potter, a.k.a. Professa RAp Monday - Thursday, 6:30-8:30, Craig-Lee 252 http://350hiphop.blogspot.com/ In its rise to the top of the American popular music scene, Hip-hop has taken on all comers, and issued beatdown after beatdown. Yet how many of its fans today know the origins of the music? Sure, people might have heard something of Afrika Bambaataa or Grandmaster Flash, but how about the Last Poets or Grandmaster CAZ? For this class, we’ve booked a ride on the wayback machine which will take us all the way back to Hip-hop’s precursors, including the Blues, Calypso, Ska, and West African griots. From there, we’ll trace its roots and routes through the ‘parties in the park’ in the late 1970’s, the emergence of political Hip-hop with Public Enemy and KRS-One, the turn towards “gangsta” style in the 1990’s, and on into the current pantheon of rappers. Along the way, we’ll take a closer look at the essential elements of Hip-hop culture, including Breaking (breakdancing), Writing (graffiti), and Rapping, with a special look at the past and future of turntablism and digital sampling. Our two required textbook are Bradley and DuBois’s Anthology of Rap (Yale University Press) and Neal and Forman’s That's the Joint: The Hip-Hop Studies Reader are both available at the RIC campus store. Films shown in part or in whole will include Bamboozled, Style Wars, The Freshest Kids: A History of the B-Boy, Wild Style, and Zebrahead; there will is also a course blog with a discussion board and a wide array of links to audio and text resources at http://350hiphop.blogspot.com/ WRITTEN WORK: An informal response to our readings and listenings is due each week on the blog.
    [Show full text]
  • The Life & Rhymes of Jay-Z, an Historical Biography
    ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life.
    [Show full text]
  • Big Daddy Kane It's Hard Being the Kane Mp3, Flac, Wma
    Big Daddy Kane It's Hard Being The Kane mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: It's Hard Being The Kane Country: UK Released: 1990 MP3 version RAR size: 1796 mb FLAC version RAR size: 1116 mb WMA version RAR size: 1379 mb Rating: 4.2 Votes: 256 Other Formats: DMF VOC AC3 AHX AU MIDI MP3 Tracklist A1 It's Hard Being The Kane (12" Version) B1 It's Hard Being The Kane (Powerlab Mix) B2 It's Hard Being The Kane (Quakerlab Mix) Other versions Category Artist Title (Format) Label Category Country Year It's Hard Being Big Daddy 9 21774-2 The Kane (CD, Cold Chillin' 9 21774-2 US 1991 Kane Maxi) It's Hard Being Big Daddy 0-21774 The Kane (12", Cold Chillin' 0-21774 US 1991 Kane Maxi) It's Hard Being Cold 9 19536-4, Big Daddy 9 19536-4, The Kane (Cass, Chillin', US 1991 4-19536 Kane 4-19536 Single) Cold Chillin' Big Daddy Hard Being The PRO-A-4506 Cold Chillin' PRO-A-4506 US Unknown Kane Kane (12", TP) Cold It's Hard Being Big Daddy Chillin', PRO-CD-4897 The Kane (CD, PRO-CD-4897 US 1990 Kane Reprise Single, Promo) Records Related Music albums to It's Hard Being The Kane by Big Daddy Kane Big Daddy Kane - Wrath Of Kane Big Daddy Kane - Ain't No Stoppin' Us Now Kieran Kane - Kieran Kane Big Daddy Kane - It's A Big Daddy Thing Big Daddy Kane - Smooth Operator / Warm It Up Kane Big Daddy Kane vs.
    [Show full text]
  • Hood, My Street: Ghetto Spaces in American Hip-Hop Music
    Pobrane z czasopisma New Horizons in English Studies http://newhorizons.umcs.pl Data: 22/08/2019 20:22:20 New Horizons in English Studies 2/2017 CULTURE & MEDIA • Lidia Kniaź Maria Curie-SkłodowSka univerSity (uMCS) in LubLin [email protected] My City, My ‘Hood, My Street: Ghetto Spaces in American Hip-Hop Music Abstract: As a subculture created by black and Latino men and women in the late 1970s in the United States, hip-hop from the very beginning was closely related to urban environment. Undoubtedly, space has various functions in hip-hop music, among which its potential to express the group identity seems to be of the utmost importance. The goal of this paper is to examine selected rap lyrics which are rooted in the urban landscape: “N.Y. State of Mind” by Nas, “H.O.O.D” by Masta Ace, and “Street Struck,” in order to elaborate on the significance of space in hip-hop music. Interestingly, spaces such as the city as a whole, a neighborhood, and a particular street or even block which are referred to in the rap lyrics mentioned above express oneUMCS and the same broader category of urban environment, thus, words con- nected to urban spaces are often employed interchangeably. Keywords: hip-hop, space, urbanscape. Music has always been deeply rooted in everyday life of African American commu- nities, and from the very beginning it has been connected with certain spaces. If one takes into account slave songs chanted in the fields (often considered the first examples of rapping), or Jazz Era during which most blacks no longer worked on the plantations but in big cities, it seems that music and place were not only inseparable but also nat- urally harmonized.
    [Show full text]
  • A Hip-Hop Copying Paradigm for All of Us
    Pace University DigitalCommons@Pace Pace Law Faculty Publications School of Law 2011 No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson Jr. Elisabeth Haub School of Law at Pace University Follow this and additional works at: https://digitalcommons.pace.edu/lawfaculty Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Horace E. Anderson, Jr., No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us, 20 Tex. Intell. Prop. L.J. 115 (2011), http://digitalcommons.pace.edu/lawfaculty/818/. This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace Law Faculty Publications by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. No Bitin' Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson, Jr: I. History and Purpose of Copyright Act's Regulation of Copying ..................................................................................... 119 II. Impact of Technology ................................................................... 126 A. The Act of Copying and Attitudes Toward Copying ........... 126 B. Suggestions from the Literature for Bridging the Gap ......... 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying ................................................................. 129 IV. The Hip-Hop Imitation Paradigm ...............................................
    [Show full text]
  • Literatura Y Otras Artes: Hip Hop, Eminem and His Multiple Identities »
    TRABAJO DE FIN DE GRADO « Literatura y otras artes: Hip Hop, Eminem and his multiple identities » Autor: Juan Muñoz De Palacio Tutor: Rafael Vélez Núñez GRADO EN ESTUDIOS INGLESES Curso Académico 2014-2015 Fecha de presentación 9/09/2015 FACULTAD DE FILOSOFÍA Y LETRAS UNIVERSIDAD DE CÁDIZ INDEX INDEX ................................................................................................................................ 3 SUMMARIES AND KEY WORDS ........................................................................................... 4 INTRODUCTION ................................................................................................................. 5 1. HIP HOP ................................................................................................................... 8 1.1. THE 4 ELEMENTS ................................................................................................................ 8 1.2. HISTORICAL BACKGROUND ................................................................................................. 10 1.3. WORLDWIDE RAP ............................................................................................................. 21 2. EMINEM ................................................................................................................. 25 2.1. BIOGRAPHICAL KEY FEATURES ............................................................................................. 25 2.2 RACE AND GENDER CONFLICTS ...........................................................................................
    [Show full text]
  • Confessions of a Black Female Rapper: an Autoethnographic Study on Navigating Selfhood and the Music Industry
    Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-8-2020 Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry Chinwe Salisa Maponya-Cook Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation Maponya-Cook, Chinwe Salisa, "Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/aas_theses/66 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CONFESSIONS OF A BLACK FEMALE RAPPER: AN AUTOETHNOGRAPHIC STUDY ON NAVIGATING SELFHOOD AND THE MUSIC INDUSTRY by CHINWE MAPONYA-COOK Under the DireCtion of Jonathan Gayles, PhD ABSTRACT The following research explores the ways in whiCh a BlaCk female rapper navigates her selfhood and traditional expeCtations of the musiC industry. By examining four overarching themes in the literature review - Hip-Hop, raCe, gender and agency - the author used observations of prominent BlaCk female rappers spanning over five deCades, as well as personal experiences, to detail an autoethnographiC aCCount of self-development alongside pursuing a musiC career. MethodologiCally, the author wrote journal entries to detail her experiences, as well as wrote and performed an aCCompanying original mixtape entitled The Thesis (available on all streaming platforms), as a creative addition to the research.
    [Show full text]
  • Eminem 1 Eminem
    Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005.
    [Show full text]
  • Man Depends on Former Wife for Everyday Needs
    6A RECORDS/A DVICE TEXARKANA GAZETTE ✯ MONDAY, JULY 19, 2021 5-DAY LOCAL WEATHER FORECAST DEATHS Man depends on former TODAY TUESDAY WEDNESDAY EUGENE CROCKETT JR. Eugene “Ollie” Crockett Jr., 69, of Ogden, AR, died Wednesday, July 14, 2021, in wife for everyday needs Ogden, AR. High-Upper 80s High-Upper 80s Mr. Dear Abby: I have been with my boy- but not yet. Low-Near 70 Low-Lower 70s Crockett was friend, “John,” for a year and a half. He had When people see me do things that are born May been divorced for two years after a 20-year considered hard work, they presume I need 19, 1952, in marriage when we got together. He told help. For instance, today I bought 30 cement THURSDAY FRIDAY Dierks, AR. He was a Car me he and his ex, “Jessica,” blocks to start building a wall. Several men Detailer. He Dear Abby were still good friends. I asked if I needed help. I refused politely as was preced- thought it was OK since I always do, saying they were thoughtful to Jeanne Phillips High-Upper 80s ed in death they were co-parenting offer but I didn’t need help. They replied, by his par- Low-Lower 70s High-Lower 90s High-Lower 90s their kid. I have children of “No problem.” Low-Lower 70s Low-Mid-70s ents, Bernice my own, and I understand. A short time later it started raining. A and Eugene Crockett Sr.; one I gave up everything and woman walked by carrying an umbrella sister, Bertha Lee Crockett; moved two hours away to and offered to help, and I responded just thunderstorms.
    [Show full text]
  • ANSAMBL ( [email protected] ) Umelec
    ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol.
    [Show full text]
  • Rap in the Context of African-American Cultural Memory Levern G
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to
    [Show full text]