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TEG 77513 MARLEY MARL in Control DELUXE CD

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TEG 77513 MARLEY MARL in Control DELUXE CD DISC ONE 119 Marley Intro 10 ^ 101 Marley Intro 1 ^ 120 Wack Itt feat. Roxanne Shanté 102 Droppin' Science feat. Craig G. 121 Marley Outro ^ 103 Marley Intro 2 ^ DISC TWO 104 We Write The Songs 201 Droppin' Science (Hip Hop Version) ** feat. Biz Markie and Heavy D. 202 The Symphony (Remix) ** 105 Marley Intro 3 ^ 203 Wack Itt (Extended Version) ** 106 The Rebel 204 We Write The Songs (Live At The Apollo) * feat. Tragedy The Intelligent Hoodlum 205 Symphony, Duck Alert, Droppin Science 107 Marley Intro 4 ^ (Live At The Apollo) * 108 Keep Your Eye On The Prize 206 The Symphony (Radio Version) ** feat. Master Ace 207 Droppin' Science (Bonus Beats) ** 109 Marley Intro 5 ^ 208 The Symphony 110 The Symphony feat. Big Daddy Kane, (Marley's Symphony Scratch) ** Craig G., Kool G. Rap, Master Ace 209 Evolution feat. Debbie D, Glamorous, 111 Marley Intro 6 ^ Kool G. Rap, MC Shan, TJ Swan ** 112 Live Motivator 210 Juice Crew All Stars feat. Craig G., feat. Tragedy The Intelligent Hoodlum Glamorous, Kool G. Rap, Tragedy, 113 Marley Intro 7 ^ MC Shan, Roxanne Shanté 114 Duck Alert feat. Craig G. ^ Interlude commentary by Marley Marl, 115 Marley Intro 8 ^ Exclusive to this release 116 Simon Says feat. Master Ace * Live at Apollo Theater, 11.19.1988, Previously Un-Released. 117 Marley Intro 9 ^ ** First Time Available On CD, 118 Freedom feat. M.C. Shan Original 12” Versions. “Rock this at the drop of a dime baby…” It only seems fitting that the man Biz,” among many others. In Control: Volume 1 came together with ease, who pioneered the use of sampling in Hip Hop, solidifying himself as a as Marley had some of the greatest rappers in the world to contribute to his legend early on with such a gigantic innovation in recorded music, would stellar production. A complete album billed to a producer, as opposed to a also become the first producer in rap to have a successful album rapper, was a new concept at the time, and Cold Chillin’ was all for it and showcasing his ability behind the boards, putting the role of Hip Hop eager to make it happen. producer in a spotlight it had never received previously. With it’s impeccable balance of having the hottest rappers out at the time on In the early 1980s at the beginning of his career, Marley Marl was taken his side (MC Shan, Biz Markie, Heavy D, Roxanne Shante, Kool G Rap, Big under the wing of original Juice Crew members, Mr. Magic and Fly Ty, and Daddy Kane), juxtaposed with featuring the newest talent on the rise in the given a life changing opportunity to replace the deceased DJ Junebug as Juice Crew (Craig G, Masta Ace, Tragedy [Intelligient Hoodlum]), In Control the official DJ for the legendary New York City rap show “Mr. Magic’s Rap easily can be identified now as a truly classic Hip Hop record. From it’s Attack.” This experience, coupled with his internship at Unique Studios iconic cover, it’s unbelievable production, and it’s wonderful timing to capture under the likes of another iconic producer in his own right, Arthur Baker, the Juice Crew, perhaps the most prolific rap super groups of all time, in their were the seeds that not only helped Marley understand how a record was prime in the golden age of 1988, the album is an accomplishment that simply produced, but also served as a launch pad for him to develop his own can never be matched in Hip Hop again by ANY collective. And who can recording techniques and earn his own credits on early Hip Hop and forget “The Symphony,” a true classic. Featuring Masta Ace, Craig G, Kool G electro classics. Rap and Big Daddy Kane, the song embodies all a posse record and classic single should be. The type of track that is revisited still to this day, as people By 1988, Marley Marl was the man. His production and connections had love to hear each member’s accounts of its origin and recording. catapulted him to being the “in-house” producer for the second coming of the Juice Crew, earning him undeniable Hip Hop classic hits like MC Fully re-mastered, restored and expanded beautifully for the first time since Shan’s “The Bridge,” Big Daddy Kane’s “Aint No Half Steppin’,” Kool G it’s original release, we’re honored to present Marley Marl’s In Control: Rap and DJ Polo’s “It’s A Demo,” and Biz Markie’s “Nobody Beats The Volume 1, the deluxe edition. ORDER CUT OFF DATE FOR THIS ITEM: JULY 14th Format: 2xCD Cat. No: TEG 77513 Label: Cold Chillin’ Available: AUGUST 4th Distributed in the USA by The Orchard, 23 E. 4th St, NY, NY 10003 • tel: 212-979-6410 • fax: 212-979-7372 1. Hush feat. Stress and Dox 2. Tried By 12 feat. Des 3. Head To Head 2005 feat. Stress and Dox 4. Inhale feat. Stress and Fallon 5. Day In A Life feat. Stress and Peter Pallis from Anaka 6. Thirsty feat. Mirage Black and Stress 7. Who I’m Is feat. Stress and Dox 8. Head To Head feat. Ruste Juxx and Mirage Black 9. Tried By 12 (Instrumental) 10. Ruste Juxx feat. Ruste Juxx 11. 718,973 feat. Ruste Juxx and Mirage Black 12. A Madman’s Dream feat. Payday 13. Everything We Spit Is Hard feat. E-Swinga, Bop and Muggs 14. Can’t Hold It Back feat. Esteem BONUS TRACKS: 15. Tried By 12 (Joe Buhdha Remix) feat. Des and Mr. 45 16. Tried By 12 (Scientists of Sounds “Laid To Rest” Remix) feat. Des BONUS VIDEO: Tried By 12 feat. Des Spencer Bellamy is The East Flatbush Project. Originally part of Howie Tee’s “Count Disco” crew, Bellamy started out in the music biz by deejaying block parties in Brooklyn, NY throughout the 80s, and by 1989 he was making beats. Best known for the underground classic “Tried By 12” from 1996 which featured the rapper Des, The East Flatbush Project has only released top quality Hip Hop, all of which only came out on 12” vinyl and always featured excellent unknown rappers. First Born (Overdue): Deluxe Edition is a collection of the tracks that Bellemy has released over the years, along with five additional songs that never made it to wax, two remixes of “Tried by 12” that were available on a UK-only single and as an added, and very special bonus, the seldom-seen video for “Tried by 12”. Along with being the founder and CEO of 10/30 Uproar Music (the label that put out all the EFBP records) Bellemy has made beats for Jay-Z, Foxy Brown, Styles P, Sauce Money, Memphis Bleek and more. There were six official 10/30 Uproar Music singles in all, and every main version from those records are featured on this compilation, including the sought after instrumental for “Tried By 12”. The first release was “A Madman’s Dream” backed with “Can’t Hold Back” which came out in 1994, and ever since The East Flatbush Project has been a symbol of Hip Hop in its purest form: No gimmicks and no gadgets, just straight beats, straight rhythms, and a whole lotta head noddin’. That’s what it’s about... Enough said, other than this: All tracks produced by the one and only Spencer Bellamy. ORDER CUT OFF DATE FOR THIS ITEM: JULY 14th Format: CD Cat. No: SB 2006 Label: 10/30 Uproar Music Available: AUGUST 4th Traffic Ent. GroupDistributed 39 Broad in the Street, USA by Suite The 4, Orchard Quincy, ,MA 23 E. 02169 4th St, NY,• tel: NY 617-845-008810003 • tel: 212-979-6410 • fax: •617-845-0090 fax: 212-979-7372 01. Mario “El Commendante” 10. December 23rd 02. Correndo 11. Nana 03. Kathy 12. After Thought 04. Ginga Carioca 13. Balloons 05. Tempo De Amor 14. Cosita One 06. Amphibious 15. Cosita Two 07. Cidade Vazia 16. Cosita Three 08. Tiki’s Take 17. Cosita Four 09. January 11th 18. Cosita Five Produced by: Triorganico / Executive Producer: Egon “Triorganico’s debut... is something you’d expect to hear floating from a smoky Bossa Nova club in the 1950s—not downtown LA… Triorganico finds comfort in history and hindsight” — KEY SELLING POINTS: A Southern Californian garage-band influenced by music of the Latin • Brasilian flavored, minimalist Latin jazz American diaspora? Forty years ago that might have described a psych outfit, a la Baden Powell and Hermeto or an ensemble that emulated Santana. In 2009 it describes a wondrous little combo who has returned to Latin jazz’s raw, minimalist roots and have • Newly recorded album steeped in tradition recorded an album drenched in history, yet defiantly modern: Convivencia. Triorganico - Pablo Calogero on saxophones and woodwinds, Ricardo “Tiki” • Perfect for those feeling nostalgic for Pasillas on percussion and Fabiano do Nascimento on guitar - formed in bossa nova’s most vibrant era Calogero’s garage. “We would simply get together to listen to music, write music, share ideas” the Rio de Janeiro bred do Nascimento states. • Marketed and promoted (radio/blog/ The band set up a weekly residency in Downtown LA, playing a variety of tastemaker) by Stones Throw Records original compositions and cover songs from their favorite musicians. Songs by Brazilian legends featured prominently. The idea to record happened • Publicity by Score Press organically and using what the group describes as “guerrilla tactics”. The result is wholesome album that rambles purposefully through the wonders of • Stones Throw Records Fan Club 45 - Brazilian bossa nova influenced jazz and spreads into the musical melting featuring versions of Brasilian bossa pots at the center of its creator’s multi-cultures.
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