Women As Victims and Offenders: Incarcerated for Murder in the Australian Criminal Justice System

Total Page:16

File Type:pdf, Size:1020Kb

Women As Victims and Offenders: Incarcerated for Murder in the Australian Criminal Justice System Women as Victims and Offenders: Incarcerated for Murder in the Australian Criminal Justice System _______________________________________ Kathryn M. Whiteley Queensland University of Technology Faculty of Law School of Justice Brisbane Queensland, Australia 2012 I Declaration The work contained in my study has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, this dissertation contains no material previously published or written by another person except where due reference is made. Signature QUT Verified Signature 0 t/()7/(201(;(, Date II Acknowledgements There are numerous colleagues I gratefully acknowledge for their encouragement, support, and friendship throughout the process of my research. First, immense thanks to Dr. Belinda Carpenter for her kindness, insight, and patience provided in this long and challenging journey! I also extend my gratitude to the management and staff at the Dame Phyllis Frost Centre in Melbourne, Australia, for their consistent on-site assistance. To Gracie, Natalie, Jennifer, Edwina, Deb, and Red, my dearest Australian friends and New Zealand extended family, I’ll never forget the love, discussions, laughter and sometimes tears we shared which will always hold a special place in my heart. For the past four and a half years, I have called Pennsylvania, my home in the USA, where I have been befriended by so many wonderful women, namely my “sisters.” Thanks to all of you for your unsurpassed love and support. James, thanks mate! I would be remiss in forgetting to mention “Max” the Wonder Dog for his companionship. What a great listener! Finally, I acknowledge the Australian women offenders who allowed me to work with them and those women in the Pennsylvania prison system in the United States, with whom I simply state: “You have all inspired me!” III Dedication I have been very blessed due to the love, support, and encouragement of so many extraordinary people whom I have come to know and embrace as part of my life’s journey. For them, I am grateful. First, my heartfelt thanks to my father Maurice James and to Daphne my darling mum, I love you. Sincere thanks to my brother Peter, for his untiring support and encouragement. I love you and wish every woman had an older brother as special as you. Finally, but certainly not least, this research lead me to a far off place where I met and married my soul mate William. Thank you, for just “being you!” My study is dedicated to the seven women who are permanently etched into my heart ─ Bella, Claire, Jean, Jennifer, Lil, Sarah, and Wendy. My mind frequently returns to our hours spent together communicating in a tiny and barren office, where everyone so willingly shared their stories complete with the joys and sorrows. As I have wrestled with my study over the past few years, I am reminded that some may now be released and others are soon to be. I often wonder how each of you are doing and what the future holds in store. My utmost desire is that I was true to your stories, and I earnestly trust that I also left my thumbprint upon your hearts. IV Someone* Someone that is always in your mind At the good and the bad times Someone who cheers you up When you’re feeling sad Someone who is proud of you No matter what you do Someone that tries their best and Doesn’t turn their back on you Someone I love more than words can say Someone more precious than the hours of the day It is my mummy and daddy who I love More and more each and every day * Written by the daughter of one of the women. V Abstract This study was undertaken in an effort to contribute to the limited knowledge of women who commit murder. Women account for approximately 10% of the total Australian homicides and according to Mouzos (2000), 20% of these female perpetrated homicides result in murder convictions. In her extensive study of female homicide offending in England, Brookman (2005) asserts that nearly two thirds of the victims of women who kill are intimates, to include violent partners and their own children. The other third of the victims consist largely of acquaintances and to lesser degree strangers (Brookman, 2005). This study strives to introduce further knowledge regarding women convicted of murder; the smaller subgroup of female homicide offenders of which less is known. It is comprised of women who killed intimates and non-intimates to include acquaintances. The study engages the narratives of seven women, all of whom were convicted of murder and serving lengthy sentences at the Dame Phyllis Frost Centre, a medium and maximum security prison that is located on the outskirts of Melbourne, Australia. The seven women fall largely outside of the characteristics of female homicide offenders as revealed in the studies from Australia’s National Homicide Monitoring Program (NHMP, 2007), from Canada by Hoffmann, Lavigne, and Dickie (1998) and research from the United States by Scott and Davies (2002). In this study there were no Indigenous women represented. Only one of the women had a previous criminal charge. The women were older on average than the prevailing demographics from western nations. Two of the women had substance abuse and co-occurring mental illness, which reflects a significant lower rate than the literature suggests. This study expands the current understanding of the phenomenon of women who murder. It communicates the narratives of seven women charged and convicted of murder as they attempt to understand their lives and identities. It moves the dialogue beyond the VI preponderance of feminist criminological research that examines motive and the relationship the woman has with her victim to the social discourses which dominate in her identity formation. This research found that in their attempt to create a favourable identity the women needed to engage with the master script of normative femininity through the feminisation of victimisation, motherhood and domesticity. VII Table of Contents Declaration.......................................................................................................................... I Acknowledgements .......................................................................................................... II Dedication ........................................................................................................................ III Poem……………………………………………………………………………………..IV Abstract ............................................................................................................................. V Table of Contents .......................................................................................................... VII Chapter One: Introduction…………………………………………………………….12 1.1 Introduction ............................................................................................................ 12 1.2 Why Study Women Who Kill? .............................................................................. 12 1.3 What Feminist Criminological Research Reveals: Women Who Kill................... 13 1.3.1 The Demographics and Characteristics of Women Who Kill .. …………13 1.3.2 Women Tend to Kill Intimates: Most Offenses Occur within the Home. .15 1.3.3 Pathology and the Women Who Kill ........................................................ 16 1.4 Turning the Page: Notions of Agency or Volition ................................................. 17 1.5 Feminist Criminological Inquiry and Narratives of Women Who Kill ................. 18 1.6 Identity Formation ................................................................................................. 19 1.7 Methodology and Methods .................................................................................... 19 1.8 Organisation of the Thesis ..................................................................................... 20 Chapter Two: Review of the Literature........................................................................ 25 2.1 Introduction ............................................................................................................ 25 2.2 The Feminist Criminological Endeavour ............................................................... 25 2.3 The Known: Demographics and Characteristics of Women Who Kill and Their Victims………………………………………………………………………………….. 26 2.3.1 Who Are Women Who Kill? ...................................................................... 27 2.3.2 Who Women Kill ........................................................................................ 28 2.4 Explanations for the Phenomenon of the Woman Who Kills ................................ 34 2.4.1 Bad and Evil ................................................................................................ 35 2.5 Victimisation .......................................................................................................... 36 2.5.1 Pathways to Crime Theory.......................................................................... 36 2.6 Pathology and Women Who Kill ........................................................................... 38 2.6.1 Domestic Violence and Battered Woman Syndrome (BWS) ..................... 38 2.6.2 Mental Illness: The Pathology and Mad Discourse .................................... 40 2.6.3 The Influence of Substance Abuse ............................................................. 43 2.6.4 Agency, Willingness, or Volition ............................................................... 47 VIII 2.7 Narratives of
Recommended publications
  • Paramount+ Announces a Mountain of Movies, Original Series and Live Sports Coming to the Service This Summer
    Paramount+ Announces a Mountain of Movies, Original Series and Live Sports Coming to the Service This Summer June 7, 2021 “Infinite” Premieres Exclusively on Paramount+ June 10, Followed by the Debut of “PAW Patrol: The Movie” on August 20, Same Day as Its Theatrical Release The Streaming Service Will Add More Than 1,000 New Movies, including “Rocketman,” “The Hustle,” “Sonic the Hedgehog,” “Mission: Impossible - Ghost Protocol,” “Footloose,” “Skyfall,” “Like a Boss,” “Star Trek Beyond,” “The Rhythm Section” and More Premium Original Series Premiering and Returning This Summer Include iCARLY, EVIL, THE GOOD FIGHT, RuPAUL’S’ DRAG RACE ALL STARS, BEHIND THE MUSIC and More Paramount+ Will Stream Hundreds of Live Soccer Matches, Including Concacaf Men’s World Cup Qualifiers, UEFA Club Competitions, Italy’s Serie A, Campeonato Brasileirão Série A, NWSL, Argentina’s Liga Profesional de Fútbol and More New Ad-Supported Plan Launches Today for $4.99 per Month, Packaging the Best in Entertainment, News and Sports at an Even More Compelling Price Point NEW YORK--(BUSINESS WIRE)--Jun. 7, 2021-- Paramount+ today announced it will significantly expand its content offering this summer, starting with the exclusive premiere of the sci-fi action film “Infinite” and introduction of more than 1,000 premium movies this week. From generation-defining films and award-winning classics to thrilling action-adventure movies and family friendly hits, the world-class movie library will be complemented by a summer slate of highly anticipated originals, plus an unrivaled sports package that includes hundreds of marquee soccer matches. The new summer slate will roll out over the next several weeks, joining Paramount+’s already extensive content portfolio that is now available to subscribers at a new low-cost tier of just $4.99/month starting today.
    [Show full text]
  • Corus Entertainment New and Returning Specialty Series 2020-2021
    CORUS ENTERTAINMENT NEW AND RETURNING SPECIALTY SERIES 2020-2021 LIFESTYLE Food Network Canada Bakeaway Camp with Martha Stewart (4x60) – NEW SERIES – (Fall 2020) Six talented home baker campers brave the outdoor elements for a once-in-a-lifetime opportunity to perfect their skills under the watchful eye of host Jesse Palmer, baking mentor Martha Stewart and her camp counselors, baking experts Carla Hall and Dan Langan. Equal parts baking boot camp and camp- inspired games and challenges, the bakers compete in two rounds, with the most-impressive baker of the first heat getting a one-on-one mentoring session with Martha in her home kitchen. The baker that displays the least amount of progress will pack their bags and head home, and the last camper standing wins a bake-tacular kitchen filled with appliances worth $25,000! Beat Bobby Flay (27x30) – NEW EPISODES – (Fall 2020) On Beat Bobby Flay skilled chefs compete for the opportunity to cook against culinary master Bobby. The action starts with two talented cooks going head to head in a culinary battle, and the winner proceeds to round two for the ultimate food face off against the famed chef. Big Food Bucket List, Season 2 (26x30) – NEW SEASON – (Corus Studios/Lone Eagle Entertainment) (Fall 2020, Winter 2021) In season 2 of Big Food Bucket List, Host John Catucci (You Gotta Eat Here!) is back to take viewers on a brand-new food adventure across North America as he checks buzz-worthy, crazy, delicious food off his bucket list. In each episode, John visits the restaurants behind these must-eat meals and hits the kitchen to learn how the chefs make their mind-blowing creations.
    [Show full text]
  • VIVA LA VOZ Committee Members Will Not Seek Re-Election
    DEALS OF THE $DAY$ PG. 3 THURSDAY, AUGUST 22, 2019 DEALS OF THE Lynn eld will meet Western Avenue site$DAY$ about rail trail design slated for townhousesPG. 3 By Thor Jourgensen meeting, tentatively scheduled for 7 p.m. By Gayla Cawley and everyone felt the best use for that ITEM STAFF in the middle school. ITEM STAFF site would be residential,” said James “Based on the ballot referendum last Cowdell, EDIC/Lynn’sDEALS executive direc- LYNNFIELD — For the rst time in year, it should be fairly well attended,” LYNN — A $200,000 clean-up has tor. “We’re really happy that we were ve years the town is on target to host a said Crawford. turned a contaminated lot on Western able to clean up the siteOF and THE now turn it special town meeting with Sept. 26 the The last special town meeting was held Avenue into a place for new homes. into a residential project$ that everyone$ tentative date for debating $348,000 in in June 2014 to discuss the fate of the Economic Development and Industrial can be proud of.” DAY rail trail design spending. Centre Farm property in the town cen- Corp. of Lynn (EDIC/Lynn), the proper- If the development getsPG. the 3green light, Almost 300 residents signed a citizen ter. ty’s owner which last housed a gas sta- when completed, it would result in 16 petition circulated by the Friends of Crawford said the design estimate sub- tion 20 years ago, will soon enter into new townhouses and eight single-family Lynn eld Rail Trail to put trail design mitted in the petition mirrors trail de- an agreement with Lynn Housing Au- homes in the neighborhood.
    [Show full text]
  • LÁTTU FAGFÓLK SELJA ÞÍNA EIGN Árið 2021 Fer Vel Af Stað Í Sölu Á Fasteignum
    Fimmtudagur 11. febrúar 2021 • 6. tbl. 24. árg. • Augl‡singasími: 856 0633 • Netfang: [email protected] LÁTTU FAGFÓLK SELJA ÞÍNA EIGN Árið 2021 fer vel af stað í sölu á fasteignum. Mikil og góð sala. Óska eftir eignum fyrir ákveðna kaupendur. • Sanngjörn söluþóknun FRÍTT VERÐMAT • Hátt þjónustustig • Fagljósmyndun innifalin • Sýni allar eignir sjálfur og held opin hús Ég vil vinna fyrir þig! Ólafur Sævarsson Löggiltur fasteignasali [email protected] Sími: 820 0303 STILLHOLT 16-18 - WWW.DOMUSNOVA.IS PÓSTURINN 2019 Vísnagátur-höf. Páll Jónsson - Útg. Bókaútgáfan HÓLAR ? ? Gáta vikunnar Í landsins vitum loga bar, í ljósabúð er keyptur. Í útvarpstæki áður var, ? einn í plús er leiftur. ? Svar við gátu í 5. tbl. Póstsins 2021: HESTUR 1. lína: Hestur heys er 100 kg - 2. lína: White Horse 3. lína: Hjólhestur - 4. lína: Reiðhestur Sjónvarpsdagskráin f immtudaginn 11. febrúar 2021 09.10 Kastljós (20:230) 08:00 Heimsókn (11:40) 06:00 Síminn + Spotify 07:25 KA/Þór - ÍBV 09.25 Menningin (19:200) e. 08:15 Veronica Mars (12:22) 13:00 Dr. Phil (38:170) (Olís deild kvenna 2020/2021) 09.35 Spaugstofan 2008-2009 (8:24) e. 09:05 Bold and the Beautiful 13:45 The Late Late Show (79:1) 08:30 Haukar - Valur 10.00 Grænir fingur (26:48) e. 09:25 The O.C. (12:27) 14:30 Man with a Plan (9:13) (Olís deild kvenna 2020/2021) 10.15 Lífsins lystisemdir (3:16) e. 10:05 It’s Always Sunny In 14:55 The Block (39:49) 09:55 Seinni bylgjan - kvenna (0:12) 10.45 Hundalíf (Ett hundliv) e.
    [Show full text]
  • Title # of Eps. # Episodes Male Caucasian % Episodes Male
    2020 DGA Episodic TV Director Inclusion Report (BY SHOW TITLE) # Episodes % Episodes # Episodes % Episodes # Episodes # Episodes # Episodes # Episodes # of % Episodes % Episodes % Episodes % Episodes Male Male Female Female Title Male Males of Female Females of Network Studio / Production Co. Eps. Male Caucasian Males of Color Female Caucasian Females of Color Unknown/ Unknown/ Unknown/ Unknown/ Caucasian Color Caucasian Color Unreported Unreported Unreported Unreported 100, The 12 6.0 50.0% 2.0 16.7% 3.0 25.0% 1.0 8.3% 0.0 0.0% 0.0 0.0% CW Warner Bros Companies Paramount Pictures 13 Reasons Why 10 6.0 60.0% 2.0 20.0% 2.0 20.0% 0.0 0.0% 0.0 0.0% 0.0 0.0% Netflix Corporation Paramount 68 Whiskey 10 7.0 70.0% 0.0 0.0% 3.0 30.0% 0.0 0.0% 0.0 0.0% 0.0 0.0% Network CBS Companies 9-1-1 18 4.0 22.2% 6.0 33.3% 5.0 27.8% 3.0 16.7% 0.0 0.0% 0.0 0.0% FOX Disney/ABC Companies 9-1-1: Lone Star 10 5.0 50.0% 2.0 20.0% 3.0 30.0% 0.0 0.0% 0.0 0.0% 0.0 0.0% FOX Disney/ABC Companies Absentia 6 0.0 0.0% 0.0 0.0% 6.0 100.0% 0.0 0.0% 0.0 0.0% 0.0 0.0% Amazon Sony Companies Alexa & Katie 16 3.0 18.8% 3.0 18.8% 5.0 31.3% 5.0 31.3% 0.0 0.0% 0.0 0.0% Netflix Netflix Alienist: Angel of Darkness, Paramount Pictures The 8 5.0 62.5% 0.0 0.0% 3.0 37.5% 0.0 0.0% 0.0 0.0% 0.0 0.0% TNT Corporation All American 16 4.0 25.0% 8.0 50.0% 2.0 12.5% 2.0 12.5% 0.0 0.0% 0.0 0.0% CW Warner Bros Companies All Rise 20 10.0 50.0% 2.0 10.0% 5.0 25.0% 3.0 15.0% 0.0 0.0% 0.0 0.0% CBS Warner Bros Companies Almost Family 12 6.0 50.0% 0.0 0.0% 3.0 25.0% 3.0 25.0% 0.0 0.0% 0.0 0.0% FOX NBC Universal Electric Global Almost Paradise 3 3.0 100.0% 0.0 0.0% 0.0 0.0% 0.0 0.0% 0.0 0.0% 0.0 0.0% WGN America Holdings, Inc.
    [Show full text]
  • Hell Hath No Fury Like a Woman Scorned. Why Women Kill Premieres on 10 All Access
    Media Release 8 August 2019 Hell Hath No Fury Like A Woman Scorned. Why Women Kill Premieres On 10 All Access. Looking for your next favourite 10 All Access series? Then look no further as the original dark comedy-drama series Why Women Kill is launching Friday, 16 August. Available to view at the same time as the United States, the new weekly Network 10 series from Desperate Housewives creator Marc Cherry, stars Lucy Liu, Ginnifer Goodwin and Kirby Howell-Baptiste. A CBS Company Why Women Kill follows the lives of three women living in three different decades: a housewife in the 1960s, a socialite in the 1980s and a lawyer in 2019, each dealing with infidelity in their marriages. The deliciously dark series will examine how the roles of women have changed over the decades, but how their reaction to betrayal…has not. Playing 1960s housewife Beth Ann Stanton is Ginnifer Goodwin. Best known for her roles in HBO’s Big Love and ABC’s Once Upon a Time, Ginnifer can be seen in 10 All Access’ The Twilight Zone. Her film credits include the animated film Zootopia, Walk the Line, Killing Kennedy, Mona Lisa Smile, Win a Date with Tad Hamilton, Something Borrowed and He’s Just Not That Into You. Starring as 1980s socialite Simone Grove is critically-acclaimed actress Lucy Liu. For six seasons, Lucy has co-starred in Network 10’s highly praised drama Elementary as Dr. Joan Watson, alongside Jonny Lee Miller as Sherlock Holmes. Lucy’s other television credits include Southland, Ally McBeal, Cashmere Mafia, Dirty Sexy Money and guest-starring roles in Sex and the City and Ugly Betty.
    [Show full text]
  • Paramount+ Launches Today with Live Sports, Breaking News, and a Mountain of Entertainment
    Paramount+ Launches Today with Live Sports, Breaking News, and a Mountain of Entertainment March 4, 2021 The Reimagined Streaming Service Features Genre-Spanning Programming from ViacomCBS’ Leading Portfolio of Brands and Production Studios, Including BET, CBS, Comedy Central, MTV, Nickelodeon, Paramount Pictures and the Smithsonian Channel All-New Paramount+ Originals Premiering Today, Include The SpongeBob Movie: Sponge on the Run, 76 Days, The Real World Homecoming: New York, Kamp Koral: SpongeBob’s Under Years, 60 Minutes+ and For Heaven’s Sake Paramount+ App Now Available Across Mobile and Connected TV Devices NEW YORK--(BUSINESS WIRE)--Mar. 4, 2021-- Paramount+, the highly anticipated streaming service from ViacomCBS, launched today with an unparalleled content offering that bundles live sports, breaking news, and an expansive collection of exclusive new originals, hit series, marquee franchises and popular movies. Featuring more than 30,000 episodes and countless films from ViacomCBS’ family of world-renowned brands and production studios, including BET, CBS, Comedy Central, MTV, Nickelodeon, Paramount Pictures and the Smithsonian Channel, Paramount+ is home to premium entertainment for the whole family. “The launch of Paramount+, which builds on our legacy of innovation and superior storytelling, is a significant milestone for ViacomCBS that demonstrates our commitment to being a global leader in streaming,” said Tom Ryan, President and Chief Executive Officer, ViacomCBS Streaming. “By combining fresh original content with live
    [Show full text]
  • Nickelodeon and CBS Television Studios Announce New Animated “Star Trek” Series
    Nickelodeon and CBS Television Studios Announce New Animated “Star Trek” Series April 24, 2019 The Series Will Be from CBS’ Eye Animation Productions, Secret Hideout and Roddenberry Entertainment Share it: @Nickelodeon @NickAnimation #Nickelodeon BURBANK, Calif.--(BUSINESS WIRE)--Apr. 24, 2019-- Nickelodeon and CBS Television Studios announced the greenlight of a new animated “Star Trek” series to be developed by Emmy Award winners Kevin and Dan Hageman (“Trollhunters” and “Ninjago”) and overseen for Nickelodeon by Ramsey Naito, EVP, Animation Production and Development, Nickelodeon. This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20190424005813/en/ Debuting exclusively on Nickelodeon, the series expands the “Star Trek” universe for a new generation of fans. The new original CG-animated series followsagroup of lawless teens who discover a derelict Starfleet ship and use it to search for adventure, meaning and salvation. The series will be from CBS’ Eye Animation Productions, CBS Television Studios’ new animation arm; Secret Hideout; and Roddenberry Entertainment. Alex Kurtzman, Heather Kadin, Katie Krentz, Rod Roddenberry and Trevor Roth will serve as executive producers alongside Kevin and Dan Hageman. Aaron Baiers will serve as a co-executive producer. “‘Star Trek’s’ mission is to inspire generations of dreamers to build a brighter future,” said Alex Kurtzman. “Dan and Kevin have crafted a story that honors its exploratory spirit in a way that’s never been done before, while the Nickelodeon team blew us away with their excitement at bringing ‘Trek’ to a younger generation Cliff Lipson/CBS © 2019 CBS Television Studios. All Rights Reserved. around the world.” “‘Star Trek,’ Nickelodeon, and the state of animation are doing incredibly ambitious things as of late.
    [Show full text]
  • The 2020 Streaming Wars by Steve Sternberg
    January 2020 #81 __________________________________________________________________________________________ _____ The 2020 Streaming Wars By Steve Sternberg It’s hard to believe that it was just seven years ago, in February 2013, that Netflix released the first streaming hit, House of Cards (Its first original series, Lilyhammer, debuted a year earlier). It was the first streaming series to receive major Emmy nominations (56 over its six-year run). Since then, Netflix has dropped a string of successful new series every year on its way to drawing about 160 million subscribers worldwide (roughly 67 million in the U.S.). Being first out of the gate with spending levels that rose from about $3 billion to $15 billion per year (projected to be $17 billion in 2020) helped give Netflix a lead in the streaming wars it may never relinquish. Some of Netflix’s more notable original series successes include, Orange is the New Black, BoJack Horseman (2014); The Unbreakable Kimmy Schmidt, Grace & Frankie, Narcos, Bloodline, Marvel’s Daredevil and Jessica Jones, Sense8, Master of None (2015); Fuller House, The Ranch, Stranger Things, Black Mirror, The Crown, The OA (2016); Dear White People, GLOW, Ozark, Mindhunter, 13 Reasons Why, Marvel’s The Punisher (2017); Altered Carbon, Lost in Space, The Chilling Adventures of Sabrina, Narcos: Mexico (2018); The Umbrella Academy, Russian Doll, Dead to Me, When They See Us, The Politician, Unbelievable, and The Witcher (2019). A Sternberg Report Sponsored Message Advertise here to reach thousands of media and advertising decision makers. Contact [email protected] The Sternberg Report ©2020 January 2020 #81 __________________________________________________________________________________________ _____ In addition to its high volume of original scripted series, Netflix plans to release around 90 original movies per year (it had 50 in 2017).
    [Show full text]
  • CBS Television Studios Launches “Star Trek” Global Franchise Group
    CBS Television Studios Launches “Star Trek” Global Franchise Group May 6, 2019 New CBS Television Studios Unit to Manage and Maximize Expansion of Iconic Brand Veronica Hart Will Head the New Business Unit May 6, 2019 – CBS Television Studios has created a global franchise group that will manage and maximize the expansion of the “Star Trek” brand beyond the traditional boundaries of linear broadcasting and streaming. This new business unit reports to David Stapf, President of CBS Television Studios. Leading the new team is Veronica Hart, Executive Vice President, “Star Trek” Global Franchise Management, who will manage the “Star Trek” global brand strategy to support the content development plans being developed within CBS and under the stewardship of Alex Kurtzman. The unit’s goal is to invigorate and broaden the “Star Trek” fan community through additional branding opportunities, such as podcasts, a reinvigorated StarTrek.com and new digital spaces, consumer products and gaming, as well as live experiential events and global attractions. These endeavors to further grow the brand are designed to complement the Studio’s expansion of the “Star Trek” universe, which now includes two live-action series, two animated projects and multiple “shorts.” The growing “Star Trek” universe for television includes a new animated “Trek” series from writers Kevin and Dan Hageman for Nickelodeon; STAR TREK: DISCOVERY and STAR TREK: SHORT TREKS, a series of short stories tied to DISCOVERY and the overall “Star Trek” universe; the new untitled “Star Trek” series featuring Sir Patrick Stewart reprising his iconic role as Jean-Luc Picard; STAR TREK: LOWER DECKS from Mike McMahan (“Rick and Morty”), an animated series targeted at mature audiences; and a new “Star Trek” project based on “Section 31,” which is in development with Michelle Yeoh attached to star.
    [Show full text]
  • Official Finalist Guide
    Official Finalist Guide North America North American Station Movies Made for Theater Games Latin America US Hispanic Spark Page 1 Table of Contents North America 1 North American Station 36 Movies Made for Theater 44 Games 45 Latin America 51 US Hispanic 62 Spark 65 “OF THE YEAR” FINALISTS MARKETING TEAM OF THE YEAR AMAZON PRIME VIDEO CNN WORLDWIDE HBO FOX SPORTS MARKETING FX NETWORKS NATIONAL GEOGRAPHIC AGENCY OF THE YEAR ARSONAL ICON CREATIVE KNOWN OPEN ROAD ROGERLA WIEDEN + KENNEDY Page 1 BRAND IMAGE PROMO BRAND PROMO: WEBSITE OR APP PROMOTION CNN GO THERE CLARISSA WARD PROFILE NBA LEAGUE PASS CUT 23 CNN WORLDWIDE WARNERMEDIA STUDIOS NOTHING TO SEE HERE... NOTHING TO SEE HERE... BRITBOX BRITBOX WWE “WE’RE ALL SUPERSTARS” HALLMARK MOVIES NOW CAMPAIGN FOX SPORTS MARKETING HALLMARK THE COLLECTIVE ‘WE’ - A MORE PERFECT UNION WATCH TCM: TAP THAT APP MSNBC TURNER CLASSIC MOVIES UNXPLAINED S1 SHOOT IMAGE “UPSIDE DOWN” GLOBAL - IF YOU LIKE...THE GLOBAL APP A+E NETWORKS: HISTORY CORUS ENTERTAINMENT MASTERS OF THE BEAT FOX SPORTS GO “CHICLETS” CAMPAIGN KINO TV FOX SPORTS REGIONAL NETWORKS BRAND PROMO: HOLIDAY BRAND IMAGE PROMO CAMPAIGN OR SPECIAL EVENT SPOT TUBI - “NOT ON NETFLIX” FALL BRAND CAMPAIGN CRAVE: SPOILER FREE TUBI BELL MEDIA CNN GO THERE CAMPAIGN BOX OF THRONES CNN WORLDWIDE BRITBOX WWE “WE’RE ALL SUPERSTARS” CAMPAIGN E! MOVIES WE LOVE: NATIONAL FOX SPORTS MARKETING TREASURE 4TH OF JULY E! ENTERTAINMENT NBC NEWS & MSNBC “THIS IS WHO WE ARE.” BRAND CAMPAIGN MLB NETWORK/MLB DRAFT “BORN READY” NBC NEWS & MSNBC MLB NETWORK FOX SPORTS NBA “LIVING MURALS” CAMPAIGN MASTERS OF THE BEAT FOX SPORTS REGIONAL NETWORKS KINO TV COMEDY STARTS HERE NICK JR HALLOWEEN ANTHEM NBC ENTERTAINMENT MARKETING & DIGITAL NICKELODEON Page 2 BRAND PROMO: HOLIDAY SYNDICATED PROGRAM PROMO OR SPECIAL EVENT CAMPAIGN LAW & ORDER: BAD LIP READING - CBS HOLIDAY CAMPAIGN ALL DAY TUESDAY WE TV CBS “KILLER CLASSICS” CAMPAIGN BIG BANG THEORY - FRIENDSHIP ALLIANCE WARNER BROS.
    [Show full text]
  • When Women Kill Giovanna C
    East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2014 When Women Kill Giovanna C. Lima East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Criminology and Criminal Justice Commons Recommended Citation Lima, Giovanna C., "When Women Kill" (2014). Electronic Theses and Dissertations. Paper 2385. https://dc.etsu.edu/etd/2385 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. When Women Kill __________________________ A thesis presented to the faculty of the Department of Criminal Justice and Criminology East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in Criminal Justice and Criminology ______________________ by Giovanna Lima May 2014 ______________________ Dr. Courtney Crittenden, Chair Dr. Larry Miller Dr. Jennifer Pealer Keywords: women, killer criminal, media, fiction, true documentary ABSTRACT When Women Kill by Giovanna Lima The media is one of the strongest influences on how society views the criminal justice system and all actors therein. This is especially true for offenders of violent crime. Notably, women who kill are rare. However, when women do murder someone, the media tends to over expose them and portray them in different ways. The current study is intended to examine how the media portrays women murderers.
    [Show full text]