The Actors Space
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Acting Without Bullshit
Journal of Liberal Arts and Humanities (JLAH) Issue: Vol. 1; No. 3 March 2020 (pp. 7-15) ISSN 2690-070X (Print) 2690-0718 (Online) Website: www.jlahnet.com E-mail: [email protected] Acting without Bullshit Dr. Rodney Whatley 2190 White Pines Drive Pensacola, FL 32526 Abstract This article is a guide to honest acting. Included is a discussion that identifies dishonest acting and the actor training that results in it. A definition of what truth onstage consists of is contrasted with a description of impractical acting exercises that should be avoided. The consequences of acting with bullshit are revealed. The article concludes with a description of the most practical and honest acting exercise. If you are a performance artist who loves shows with no dialogue, characters without names, or an unconnected series of events in lieu of plot, this essay isn’t for you. If you are an artist who communicates with sounds instead of words, this isn’t for you. However, if you like plots with specific characters pursuing superobjectives despite conflict, that explores the human condition, this essay is for you. This is a guide to practical, straightforward and honest acting. The actor must be honest in the relationship with the audience because you can’t shit a shitter, so don’t try. How can actors be honest onstage when acting is lying? By studying with good acting teachers who teach good acting classes, and aye, there’s the rub. Bad acting teachers train actors to get lost within their own reality, to surround themselves with the “magic” of acting and “become the character.” This teaches that the goal of acting is to convince the audience that the actor is the character. -
It's a Conspiracy
IT’S A CONSPIRACY! As a Cautionary Remembrance of the JFK Assassination—A Survey of Films With A Paranoid Edge Dan Akira Nishimura with Don Malcolm The only culture to enlist the imagination and change the charac- der. As it snows, he walks the streets of the town that will be forever ter of Americans was the one we had been given by the movies… changed. The banker Mr. Potter (Lionel Barrymore), a scrooge-like No movie star had the mind, courage or force to be national character, practically owns Bedford Falls. As he prepares to reshape leader… So the President nominated himself. He would fill the it in his own image, Potter doesn’t act alone. There’s also a board void. He would be the movie star come to life as President. of directors with identities shielded from the public (think MPAA). Who are these people? And what’s so wonderful about them? —Norman Mailer 3. Ace in the Hole (1951) resident John F. Kennedy was a movie fan. Ironically, one A former big city reporter of his favorites was The Manchurian Candidate (1962), lands a job for an Albu- directed by John Frankenheimer. With the president’s per- querque daily. Chuck Tatum mission, Frankenheimer was able to shoot scenes from (Kirk Douglas) is looking for Seven Days in May (1964) at the White House. Due to a ticket back to “the Apple.” Pthe events of November 1963, both films seem prescient. He thinks he’s found it when Was Lee Harvey Oswald a sleeper agent, a “Manchurian candidate?” Leo Mimosa (Richard Bene- Or was it a military coup as in the latter film? Or both? dict) is trapped in a cave Over the years, many films have dealt with political conspira- collapse. -
The Evolution of Sherlock Holmes: Adapting Character Across Time
The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62 -
A Reappraisal of Three Character Actors from Hollywood’S Golden Age
University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2015 Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age Candace M. Graham University of the Incarnate Word, [email protected] Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the Communication Commons, and the Film and Media Studies Commons Recommended Citation Graham, Candace M., "Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age" (2015). Theses & Dissertations. 70. https://athenaeum.uiw.edu/uiw_etds/70 This Thesis is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. SECOND-BILLED BUT NOT SECOND-RATE: A REAPPRAISAL OF THREE CHARACTER ACTORS FROM HOLLYWOOD’S GOLDEN AGE by Candace M. Graham A Thesis Presented to the Faculty of the University of the Incarnate Word in partial fulfillment of the requirements for the degree of MASTER OF ARTS University of the Incarnate Word December 2015 ii Copyright 2015 by Candace M. Graham iii ACKNOWLEDGEMENTS I wish to thank Dr. Hsin-I (Steve) Liu for challenging me to produce a quality thesis worthy of contribution to scholarly literature. In addition, thank you for the encouragement to enjoy writing. To Robert Darden, Baylor University communications professor, friend, and mentor whose example in humility, good spirit, and devotion to one’s passion continues to guide my pursuit as a classic film scholar. -
Brad Pitt from Wikipedia, the Free Encyclopedia
Brad Pitt From Wikipedia, the free encyclopedia For the Australian boxer, see Brad Pitt (boxer). Brad Pitt Pitt at Sydney's red carpet for World War Zpremiere in 2013 Born William Bradley Pitt December 18, 1963 (age 50) Shawnee, Oklahoma, U.S. Occupation Actor, film producer Years active 1987–present Religion None Spouse(s) Jennifer Aniston (m. 2000–05) Partner(s) Angelina Jolie (2005–present; engaged) Children 6 William Bradley "Brad" Pitt (born December 18, 1963) is an American actor and film producer. He has received a Golden Globe Award, a Screen Actors Guild Award, and three Academy Award nominations in acting categories, and received two further Academy Award nominations, winning one, for productions of his film production company Plan B Entertainment. He has been described as one of the world's most attractive men, a label for which he has received substantial media attention.[1][2] Pitt first gained recognition as a cowboy hitchhiker in the road movie Thelma & Louise (1991). His first leading roles in big-budget productions came with A River Runs Through It (1992), Interview with the Vampire (1994), and Legends of the Fall (1994). He gave critically acclaimed performances in the crime thriller Seven and the science fiction film 12 Monkeys (both 1995), the latter earning him a Golden Globe Award for Best Supporting Actor and an Academy Award nomination. Pitt starred in the cult filmFight Club (1999) and the major international hit Ocean's Eleven (2001) and its sequels, Ocean's Twelve (2004) and Ocean's Thirteen (2007). His greatest commercial successes have been Troy (2004), Mr. -
How Do You Go from Bridgemaker to Filmmaker? Woodcliff Lake Native
LIFE STORY reel ambition How do you go from bridgemaker to filmmaker? Woodcliff Lake native Jon Doscher parlayed his construction gig into a chance to head his own movie company — and it all started with a box of cigars he sent to Jack Nicholson. You’ll never guess what happened next BY JIM WALTZER • PHOTOGRAPHY BY JOHN BLAISE Some moviemakers are born clutching a Saddle River–based “indie” is courting big May 2000, Doscher’s Restoration Co. camera. But long before founding the names and big dreams. And what’s even had a job at the Saddle River home of independent production company more intriguing is its artistic aim. Current veteran character actor Danny Aiello. Starline Films, Jon Doscher was busy projects include a pair of searing true “So here I am at Danny Aiello’s house as with more ponderous hardware. stories, one an echo of Truman Capote’s a contractor,” says Doscher. “I took a “I was hanging columns, drilling steel, chilling In Cold Blood, the other based on shot — it was totally unplanned.” making good money,” the Woodcliff Lake an ill-advised state police action turned Doscher, who had just begun studying native says of his construction job right cause célèbre. Each is being developed as acting at the famed Lee Strasberg Theater out of high school. “I said to myself, ‘I a documentary and a feature film. Institute in New York City, “auditioned” guess I’m gonna be an ironworker.’” That’s pretty heady fare for a fledgling for Aiello by doing a dead-on impression It was a reasonable guess. -
Proto-Cinematic Narrative in Nineteenth-Century British Fiction
The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 12-2016 Moving Words/Motion Pictures: Proto-Cinematic Narrative In Nineteenth-Century British Fiction Kara Marie Manning University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Literature in English, British Isles Commons, and the Other Film and Media Studies Commons Recommended Citation Manning, Kara Marie, "Moving Words/Motion Pictures: Proto-Cinematic Narrative In Nineteenth-Century British Fiction" (2016). Dissertations. 906. https://aquila.usm.edu/dissertations/906 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. MOVING WORDS/MOTION PICTURES: PROTO-CINEMATIC NARRATIVE IN NINETEENTH-CENTURY BRITISH FICTION by Kara Marie Manning A Dissertation Submitted to the Graduate School and the Department of English at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Approved: ________________________________________________ Dr. Eric L.Tribunella, Committee Chair Associate Professor, English ________________________________________________ Dr. Monika Gehlawat, Committee Member Associate Professor, English ________________________________________________ Dr. Phillip Gentile, Committee Member Assistant Professor, -
SHIRLEY MACLAINE by PETE MARTIN the Star of Ccm-Can and the Apartment Tells of the Lucky L^Reaks That Took Her from a Broadway Chorus Line to Hollywood Stardom
•î*V. ill rr íin-islittud fill tlic tusviTiny wig French actor ^'vcs Muniaiid, .Mnili.-y's dinner she wears in A/v6>ij/(i/, where she mas- partner above, is leading man in liernew lilm. Her querades as a Japanese entertainer. husband, Steve Parker, is the show's producer. I GALL ON SHIRLEY MACLAINE By PETE MARTIN The star of Ccm-Can and The Apartment tells of the lucky l^reaks that took her from a Broadway chorus line to Hollywood stardom, Left: Un the set of My G'm/w, now being filmed in Japan : Shirley. Japanese actress Voko Tani and director Jack Cardiff. ry and Laun'ncr llarv.-y alar ds f'llow sthool - teachers in TILO Ijitfi, to \v released ncxl month. With Frank Sinatra in Can-Can. Shirley defends their off-scrccn friendship; "There's nothing evil, or even questionable, about ¡i " In All in a Night's 11 Wit with Deap Martin. The chemistry' between Dean and me is good," she sa>'s. hirley MacLainc is tall, leggy, bosomy. Obviously, Shirley MaeLaine has become Strip. "I've got a theory about this MaeLaine, Ht'i" smile curves upward likf a sliver of what is known in Hollywood parlance as "'an buddy l)oy," he Inld mi-, lilowinii a clcud of S new moon b;il;inccd on its bottom. Othrr extremely hot property." .^s these words are eigaretie smoke from his cnoulh, ihcn sucking portions of her face which trend upward are ihe written, she has just been nominated, along it quickly back into his nostrils. -
Roger Vadim, BARBARELLA (1968, 98 Minutes)
3 March 2015 (Series 30:6) Roger Vadim, BARBARELLA (1968, 98 minutes) Directed by Roger Vadim Written by Jean-Claude Forest (comic), Claude Brulé, Terry Southern (screenplay), Roger Vadim (screenplay), Vittorio Bonicelli, Clement Biddle Wood, Brian Degas, and Tudor Gates Produced by Dino De Laurentiis Music by Charles Fox Cinematography by Claude Renoir Film Editing by Victoria Mercanton Production Design by Mario Garbuglia Costume Design by Jacques Fonteray and Paco Rabanne Jane Fonda ... Barbarella John Phillip Law ... Pygar Anita Pallenberg ... The Great Tyrant Milo O'Shea ... Concierge / Durand-Durand Marcel Marceau ... Professor Ping Games, 1976 Une femme fidèle, 1974 La jeune fille assassinée, Claude Dauphin ... President of Earth 1973 Don Juan (Or If Don Juan Were a Woman), 1972 Hellé, Véronique Vendell ... Captain Moon 1971 Pretty Maids All in a Row, 1968 Barbarella, 1966 The Giancarlo Cobelli Game Is Over, 1964 Circle of Love, 1963 Vice and Virtue, 1962 Serge Marquand ... Captain Sun Love on a Pillow, 1961 Please, Not Now!, 1960 Blood and Nino Musco Roses, 1959 Les liaisons dangereuses, 1958 The Night Heaven Franco Gulà Fell, 1957 No Sun in Venice, and 1956 ...And God Created Catherine Chevallier ... Stomoxys Woman. Marie Therese Chevallier ... Glossina Umberto Di Grazia Terry Southern (writer, screenplay) (b. May 1, 1924 in David Hemmings ... Dildano Alvarado, Texas—d. October 29, 1995 (age 71) in New York Ugo Tognazzi ... Mark Hand City, New York) wrote 18 films and television shows, which are Vita Borg ... La magicienne 2007 Terry Southern's Plums and Prunes, 2004 Heavy Put-Away, Chantal Cachin ... La révolutionnaire 1998 Terry Southern Interviews a Faggot Male Nurse, 1988 The Fabienne Fabre .. -
CASA Continuing Education Approved Movie List
Movie List for CASA Continuing Education with Optima Categories [Rev. 8/2020] 13 Reasons Why [Optima: Mental Health Issues] [Stars: Dylan Minnette, Katherine Langford, Christian Navarro][ TV Series 49 episodes and counting] Follows teenager Clay Jensen, in his quest to uncover the story behind his classmate and crush, Hannah, and her decision to end her life. [from a Literary Novel see Reading List] A Girl Like Her [Optima: Communicating with Children and Families, Education, Mental Health Issues] [Stars: Lexi Ainsworth, Hunter King, Jimmy Bennett] [1 hr 31 min] Jessica Burns enlists the help of her best friend, Brian, in order to document the relentless harassment she has received from her former friend, Avery Keller, one of South Brookdale High School's most popular students. A Million Little Pieces [Optima: Substance Abuse] [Stars: Aaron Taylor-Johnson, Billy Bob Thornton, Odessa Young] [1 hr 53 minutes] A drug dependent young man faces his past and his inner demons after he is interned in an institution for addicted. An American Crime [Optima: Child Abuse and Neglect] [Stars: Ellen Page, Hayley McFarland, Nick Searcy] [Run time: 1 hr 38 minutes] The true story of suburban housewife Gertrude Baniszewski, who kept a teenage girl locked in the basement of her Indiana home during the 1960s. Antwone Fisher [Optima: Administration of the System, Child Abuse and Neglect, Cultural Competency, Independent Living and Emancipation] [2hr] Antwone Fisher, a young navy man, is forced to see a psychiatrist after a violent outburst against a fellow crewman. During the course of treatment a painful past is revealed and a new hope begins.