Character Comparison Between Anna and Elsa in the Original Soundtrack of Disney’S Frozen By
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XY Model Universality Class, but with Inverted Temperature [1]
INTRODUCTION: • Duality arguments suggest that the superconductor phase transition is in the 3d XY model universality class, but with inverted temperature [1]. Thus, XY model symmetric (broken) phase ↔ normal (supercon- ducting) phase of the superconductor. • Duality predicts that the Abrikosov vortex tension T scales with the XY model exponent νXY = 0.6723. The penetration depth λ (or ′ inverse photon mass) is also argued to scale with exponent ν = νXY. • However, universality has not been unambiguously observed: ′ - High-Tc YBa2Cu3O7−δ experiments [3, 4] observe ν ≈ 0.3 . 0.5 - Monte Carlo simulations of the Ginzburg-Landau theory appear to favour ν′ ∼ 0.3 [5]. • A problem for the Monte Carlo simulations is that the duality is ex- pected to be valid only in a very narrow temperature range around the critical temperature. • In order to avoid the problem above, we study a special limit of Ginzburg-Landau theory, the frozen superconductor (FZS) (an integer-valued gauge theory), which is exactly dual to the XY-Villain model at all temperatures. Thus, the transition in FZS is bound to be in the XY model universality class. Studying the critical quantities of FZS can shed light on the problems faced in the Ginzburg-Landau theory simulations. Detailed results are published in [2]. MODELS: We start from the lattice Ginzburg-Landau theory in the London limit: 1 2 LGL = F~x,ij + κ s (θ~x+i − θ~x − qA~x,i) 2 i<jX Xi Here Ax,i is a real-valued gauge field, θx is the spin angle variable, and F~x,ij is the (non-compact) plaquette. -
It's Terrific Pubs Rather Than a Night in with Susan Boyle
WWW.CHEERSNORTHEAST.CO.UK // APRIL 2014 // ISSUE 39 cheersIT’S ABOUT PUBS, PEOPLE, BEER – AND YOU! GET THE PICTURE FREE PLEASE TAKE GATESHEAD’S A COPY VAN GOGH CHOO-CHOOSE YOUR PUB TAKE THE RAIL TRAIL WHAT DRIVES DAVE CARR? Scan this code IT’S TERRIFIC PUBS RATHER THAN with your smart phone to access the latest news A NIGHT IN WITH SUSAN BOYLE on our website CHE39 Cover.indd 1 01/04/2014 10:13 CAMRA 2013 Easter Scottish Overall Northumberland Winner Beer Festival Thursday 17th April - Monday 21st April 40+ of the fi nest Scottish cask ales plus a selection of ciders Live music - Saturday night with the Mudskippers - starts 7.30 pm Buskers Nights - Thursday 8th & 22nd April Saturday 26th April - Live Band Pretty Weeds starts 8.30 pm Freshly baked steak/mince pies & mushy peas, toasties & sandwiches available every day. Enjoy your pint while sitting round our real fi re. CAMRA 2014 South West Northumberland Pub & Cider Hadrian Border Pub of the Year Winner Brewery Tap Station Road, Wylam, NE41 8HR • Telephone: 01661 853431 Follow us @Boathouse Wylam • Like us on CHE393902 The P2.indd Boathouse.indd 2 1 01/04/201420/03/2014 10:1312:54 WELCOME We’ve sprung forward into the lighter nights at last. All we need now is some balmy weather to enjoy our al fresco drinks after work. Doesn’t it make a CONTENTS di erence being full of the joys of… pub-going. is is the time of year that YOUNG MAN da odils nod their approval to all the beer and food festivals going 18 ON THE MOVE on, from Whitley Bay to Hedley on e inside of Dave Carr’s head must be a tangle of the Hill and all points in between. -
Right Where You Left Me by Taylor Swift Capo 3 CHORDS NEEDED: D Em
right where you left me by Taylor Swift Capo 3 CHORDS NEEDED: D Em C G Am Bm STRUMMING: DD UU DUU DUU DU VERSE 1: D Friends break up, friends get married Em Strangers get born, strangers get buried C Trends change, rumors fly through new skies G D But I'm right where you left me D Matches burn after the other Em Pages turn and stick to each other C Wages earned and lessons learned G D But I, I'm right where you left me PRE-CHORUS: D Em Help, I'm still at the restaurant C Still sitting in a corner I haunt Cross-legged in the dim light G D They say, "What a sad sight", I D Em I swear you could hear a hair pin drop C Right when I felt the moment stop Glass shattered on the white cloth G D Everybody moved on, I Am I stayed there G Dust collected on my pinned-up hair D Am They expected me to find somewhere G Some perspective, but I sat and stared D Right where you left me CHORUS: Em C You left me no, oh, you left me no G D You left me no choice but to stay here forever Em C You left me, you left me no, oh, you left me no G D You left me no choice but to stay here forever INSTRUMENTAL: Am G D x2 VERSE 2: Bm C Did you ever hear about the girl who got frozen? Time went on for everybody else D C She won't know it, she's still twenty-three inside her fantasy G How it was supposed to be Bm C Did you hear about the girl who lives in delusion? D Breakups happen every day, you don't have to lose it C She's still twenty-three inside her fantasy G D And you're sitting in front of me BRIDGE: Em C At the restaurant when I was -
Disney Cruise Line Frozen, a Musical Spectacular King
DISNEY CRUISE LINE FROZEN, A MUSICAL SPECTACULAR KING Character Description: Has deep concern for both his daughters and great trust in Grand Pabbie. Script: SCENE ONE (YOUNG ELSA suddenly slips; her magic accidentally strikes YOUNG ANNA in the head. YOUNG ANNA falls.) ELSA Oh, Anna...no, no, please no. Mama! Papa! Come quick! (The KING and QUEEN burst through the door.) KING This is getting out of hand. ELSA It was an accident. I’m sorry, Anna! KING I know where we have to go! (The KING ushers a frightened Elsa. The QUEEN holds a still unconscious Anna. THEY rush through the darkness. The KING, producing a lantern, frantically looks for aid.) KING continues Please! Help! It’s my daughter! (GRAND PABBIE appears out of the shadows.) GRAND PABBIE Born with the powers or cursed? NOTICE This material, and all concepts, ideas and information contained herein, are confidential and are the property of the Walt Disney Company. This material, including the concepts, ideas and information contained herein, shall not be published, broadcast, reproduced, disseminate, disclosed or used in any form or by any means, in whole or in part, without prior express written permission of the Walt Disney Company. All rights reserved. ©Disney. - 1 - KING Born. GRAND PABBIE You are lucky it wasn’t her heart. The heart is not so easily changed, but the head can be persuaded. KING Do what you must. GRAND PABBIE I recommend we remove all magic, even memories of magic to be safe. But don’t worry, I’ll leave the fun. ELSA But she won’t remember I have powers? KING It’s for the best. -
English) Misstatement Number 4, Mr President, Paragraph 335 of The
ICC-01/05-01/13-T-49-Red-ENG WT 01-06-2016 1/113 SZ T Closing Statements (Open Session) ICC-01/05-01/13 1 International Criminal Court 2 Trial Chamber VII 3 Situation: Central African Republic 4 In the case of The Prosecutor v. Jean-Pierre Bemba Gombo, Aimé Kilolo 5 Musamba, Jean-Jacques Mangenda Kabongo, Fidèle Babala Wandu and 6 Narcisse Arido - ICC-01/05-01/13 7 Presiding Judge Bertram Schmitt, Judge Marc Perrin de Brichambaut, and 8 Judge Raul Pangalangan 9 Closing Statements - Courtroom 1 10 Wednesday, 1 June 2016 11 (The closing statements start in open session at 9.00 a.m.) 12 THE COURT USHER: All rise. 13 The International Criminal Court is now in session. 14 PRESIDING JUDGE SCHMITT: Good morning. Please be seated. 15 Would the court officer please call the case. 16 THE COURT OFFICER: Thank you, Mr President. The situation in the 17 Central African Republic in the case of The Prosecutor versus Jean-Pierre 18 Bemba Gombo, Aimé Kilolo Musamba, Jean-Jacques Mangenda Kabongo, 19 Fidèle Babala Wandu and Narcisse Arido, the case reference ICC-01/05-01/13. 20 And we're in open session. 21 PRESIDING JUDGE SCHMITT: Thank you. And now we come to the 22 presence in the courtroom and we start with counsel for the Prosecution. 23 MR VANDERPUYE: Thank you, Mr President, and good morning to you, 24 your Honours. Good morning, everyone. Today, the Prosecution is 25 represented by Ester Kosova in the third row, Sylvie Wakchom, 01.06.2016 Page 1 ICC-01/05-01/13-T-49-Red-ENG WT 01-06-2016 2/113 SZ T Closing Statements (Open Session) ICC-01/05-01/13 1 Nema Milaninia in the second row, with Ruth Frolich and Hesham Mourad 2 and in the first row, Sylvie Vidinha, Olivia Struyven and myself, good 3 morning. -
Frozen in Time: How Disney Gender-Stereotypes Its Most Powerful Princess
social sciences $€ £ ¥ Essay Frozen in Time: How Disney Gender-Stereotypes Its Most Powerful Princess Madeline Streiff 1 and Lauren Dundes 2,* 1 Hastings College of the Law, University of California, 200 McAllister St, San Francisco, CA 94102, USA; [email protected] 2 Department of Sociology, McDaniel College, 2 College Hill, Westminster, MD 21157, USA * Correspondence: [email protected]; Tel.: +1-410-857-2534 Academic Editors: Michele Adams and Martin J. Bull Received: 10 September 2016; Accepted: 24 March 2017; Published: 26 March 2017 Abstract: Disney’s animated feature Frozen (2013) received acclaim for presenting a powerful heroine, Elsa, who is independent of men. Elsa’s avoidance of male suitors, however, could be a result of her protective father’s admonition not to “let them in” in order for her to be a “good girl.” In addition, Elsa’s power threatens emasculation of any potential suitor suggesting that power and romance are mutually exclusive. While some might consider a princess’s focus on power to be refreshing, it is significant that the audience does not see a woman attaining a balance between exercising authority and a relationship. Instead, power is a substitute for romance. Furthermore, despite Elsa’s seemingly triumphant liberation celebrated in Let It Go, selfless love rather than independence is the key to others’ approval of her as queen. Regardless of the need for novel female characters, Elsa is just a variation on the archetypal power-hungry female villain whose lust for power replaces lust for any person, and who threatens the patriarchal status quo. The only twist is that she finds redemption through gender-stereotypical compassion. -
Why Millennials Need More 'Frozen' Love: Column 2/18/15 6:48 AM
Why millennials need more 'Frozen' love: Column 2/18/15 6:48 AM Why millennials need more 'Frozen' love: Column Amber Lapp 1:58 p.m. EST February 17, 2015 What Disney's animated hit can teach fearful young people about relationships. A few weeks ago I spent a day sick in bed, drinking green tea with spoonfuls of honey and spritzes of lemon by the mug-full, and trying to rest while my three-year-old jumped on the bed and occasionally on top of me, too. That's when I decided to put in the Disney movie that everyone has been talking about for the last year — we've been invited to Frozen movie nights in the park and brought Frozen dolls as gifts to Frozen-themed birthday parties — but I had yet to see it. So my son and I snuggled up to watch the highest-grossing animated film (http://www.hollywoodreporter.com/news/box-office-milestone-frozen-becomes-692156) of all time. (Photo: Uncredited, AP) I was riveted. Not only because of the animation and music, but because of the way this movie tells a story similar to the one that my husband and I heard while interviewing young adults for the Love and Marriage in Middle America Project (http://ifstudies.org/about/). No wonder all the young moms (and dads) I know love Frozen: it tells the story they've lived when it comes to love. Granted, none of our interviewees mentioned trolls or snow queens or talking snowmen — but the experiences and behaviors of the movie's two female protagonists, princess sisters Anna and Elsa, do reflect those of the young adults we interviewed in an important way. -
For People with Aplastic Anemia, Fresh Cells Rather Than Frozen
RESEARCH NEWS For people with aplastic anemia, fresh cells rather than frozen are better for blood and marrow transplant New research suggests people with aplastic anemia do better when blood and marrow transplant (BMT) uses fresh, rather than frozen cells. BMT can cure aplastic anemia, which causes the body to stop making enough blood and marrow cells. However, during the coronavirus (COVID-19) pandemic, restrictions make it harder for donors to travel to a medical center to donate cells for BMT. It’s also harder for couriers to deliver the fresh cells to the patient. Since patients prepare for BMT days beforehand, it is critical that the donated cells arrive on time. Learn more about Doctors wanted to know whether frozen cells would work as well as fresh • COVID-19 FAQs, from cells. It is possible to collect, preserve, and very slowly freeze the cells. This BeTheMatch.org is called cryopreservation. The frozen cells can be stored until needed, • More study summaries at and then thawed. cibmtr.org Scientists looked at medical records of about 250 people with aplastic About this research summary anemia who received BMT during 2013-2019. About 1 in 5 of these This information is provided on people got BMT with previously frozen cells. They were compared to behalf of the Consumer Advocacy similar people who got fresh cells. Committee of the CIBMTR® (Center for International Blood and Marrow A year after transplant: Transplant Research®). • 73% (7 out of 10) of people who got frozen cells were likely to be alive. Source • 91% (9 out of 10) of people who got fresh cells were likely to be alive. -
Blank Space” Video Demonstrates Culture’S Love/Hate Relationship with Taylor Swift
“Blank Space” video demonstrates culture’s love/hate relationship with Taylor Swift People that know me well know that I struggle to find a common ground between Taylor Swift and myself. She’s genius, yet infuriating. She’s smart, yet oh so dumb. She’s wise beyond her years, yet stuck in the world of a 12-year-old. You either love or hate Swift. The media has made her into a debate of whether or not pop music’s biggest superstar is really all she’s cracked up to be. I stand frozen in the middle of this debate. If I say I like Swift I’m seen as a silly girl. If I say I don’t like her it’s as if I don’t understand pop music at all. Swift’s newly released video for her next single “Blank Space” hit the Internet hard Monday afternoon. “Blank Space” is arguably the best song on her new album “1989” (way better than “Shake It Off” and less Harry Styles than “Out of the Woods”). The video perfectly sums up mine, and what I assume is the mass culture’s love/hate relationship with the singer. “Blank Space” takes place in a Gatsby-like mansion with Swift and a really attractive gentleman starting a relationship. They’re shown riding horses, having fancy dinners, and enjoying picnics. At one point Swift paints a creepy picture of her new love. You know, normal relationship stuff. Then the relationship seems to go south. Attractive man is calling other girls. Swift is getting jealous. -
Hold It High (Cadence) on the Road Again the U.S
Hold It High (cadence) On the Road Again The U.S. Air Force Willie Nelson Brave Never Gonna Give You Up Sara Bareilles Rick Astley My Hero Home Foo Fighters Phillip Phillips Fight Song We Are The Champions Rachel Platten Queen Can’t Stop the Feeling (from Trolls) When Can I See You Again? (from Wreck-It Ralph) Justin Timberlake Owl City Dog Days Are Over Rise Up Florence & The Machine Andra Day Don’t You Worry ‘Bout A Thing (from SING) Holding Out For A Hero (from Footloose) Tori Kelly Bonnie Tyler Heroes (We Could Be) Firework Alesso, Tove Lo Katy Perry Daisies You’ll Always Find Your Way Back Home Katy Perry Hannah Montana How Far I’ll Go (from Moana) You Got It (The Right Stuff) Auli’I Cravalho New Kids On The Block Friends Are Family (from LEGO Batman Movie) Wild Things Oh, Hush!, Jeff Lewis, Will Arnett Alessia Cara 355th Force Support Squadron Marketing // Davis-Monthan Air Force Base Castle On The Hill Shake It Off Ed Sheeran Taylor Swift How Far We’ve Come Something To Be Proud Of Matchbox Twenty Montogomery Gentry I Will Wait I’m Still Standing Mumford & Sons Elton John Keep Your Head Up Go The Distance (from Hercules) Andy Grammar Roger Bart Leaving, On A Jet Plane Scars To Your Beautiful John Denver Alessia Cara Miles Apart We Know The Way (from Moana) Yellowcard Opetaia Foa’I, Lin-Manuel Miranda Into The Unknown (from Frozen 2) Part Of Me Idina Menzel, AURORA Katy Perry Budapest Just Around The Riverbend (from Pocahontas) George Ezra Judy Kuhn Boomerang I Will Survive JoJo Siwa Gloria Gaynor This Is Me (from The Greatest Showman) Tightrope (feat. -
“Elsa, Why Are You in Fear and Anger?”: the Power of Magic and Control of Emotion in Frozen
Journal of Digital Contents Society Vol. 17 No. 6 Dec. 2016(pp. 613-621) https://doi.org/10.9728/dcs.2016.17.6.613 “Elsa, Why are you in Fear and Anger?”: The Power of Magic and Control of Emotion in Frozen Eun Jung Park* Abstract This paper has the first aim to analyze Elsa’s magic power of why and how she, as a heroine in the animation of Frozen, is in the emotion of fear and anger. This paper will explain why these two emotions are twisted compound to identify Elsa’s iced emotion in the ice kingdom. And secondly, this paper attempts to connect Elsa’s fear emotion in her real life is the other flip with that of anger throughout the characters' network in Frozen, which symbolically reflect the feminine pattern of real society that Walt Disney prospects for the dream society. Through the cognitive process for Elsa’s ice kingdom between emotion status and social network, we can assume the pattern of social network with emotional chart and the archetype of human emotion through the cognitive-emotional storytelling on the emotion of Elsa in Frozen. Keywords : Frozen, Disney animation, emotion of fear and anger, affective interaction, Elsa “엘사여, 뭐가 그리 두렵고 분한가?”: 『겨울왕국』에서의 마술의 힘과 감정의 통제 박은정* 요 약 본 논문은 디즈니 만화영화 『겨울왕국』에서 특이한 마술적 힘을 가지고 있는 엘사를 주인공으로 놓고, 그녀가 왜 두려움과 분노의 감정을 가지게 되었고 이런 감정을 어떻게 마술로 표출하는 지를 분 석하는 것을 일차적 목표로 정한다. 마술을 걸기만 하고 풀지 못하는 자유롭지 못한 엘사가 자신의 왕 국을 떠나가는 것이 그녀의 두려움과 분노에 찬 얼어붙은 왜곡된 감성을 스스로 얼음성에 갇히게 만드 는 상징적 행위로 해석한다.