Chad Fischer

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CHAD FISCHER FEATURE FILM CHASING MAVERICKS Mark Johnson, prod. Iron Cross, LLC Michael Apted, Curtis Hanson, dirs. LOOSIES Glenn Ciano, Peter Facinelli, Noah Kraft, IFC Films Chad A. Verdi, prods. Michael Corrente, dir. TEN YEAR Marty Bowen, prod. Decade Apart Productions, LLC Jamie Linden, dir. THE ROCKER Shawn Levy, Tom McNulty, prods. 21 Laps Entertainment Peter Cattaneo, dir. THE BABYSITTERS Kathy DeMarco, Robin O’Hara, Forensic Films Scott Macauley, prods. David Ross, dir. SUPER EX Gavin Polone, Arnon Milchan, prods. New Regency Ivan Reitman, dir. *Additional Music & End Credit Song LITTLE MANHATTAN Gavin Polone, prod. 20 th Century Fox / New Regency Mark Levin, Jennifer Flackett, dirs. KICKING AND SCREAMING Jimmy Miller, prod. Mosaic Media Group / Universal Studios Jesse Dylan, dir. *Additional Music GARDEN STATE Pamela Abdy, Gary Gilbert, Dan Halsted, Fox Searchlight / Miramax Richard Klubeck, prods. Zach Braff, dir. BLACK CLOUD Adam Batz, prod. Old Post Films Rick Schroder, dir. TELEVISION THE CATCH (pilot & series) Jennifer Schuur, Julie Anne Robinson, ABC Shonda Rhimes, exec. prods. *Score Julie-Ann Robinson, dir. SUPER FUN NIGHT (pilot) Conan O’Brien, John Riggi, prods. Bonanza Mark Cendrowski, dir. *Score The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 CHAD FISCHER SHELTER (pilot) JJ Abrams, prod. CW Liz Friedlander, dir. *Score SCANDAL (series) Betsy Beers, exec. prod. ABC Paul McGrigan, dir. *Score THE BEST THING EVER (series) Laura Heberton, exec. prod. USA Chris Mason Johnson, dir. *Score PRIVATE PRACTICE (series) Marti Noxon, Shonda Rhimes, exec. prods. ABC Michael Grossman, dir. *Main Theme & Composer THE CLASS (series) David Crane, Jeffrey Klarik, exec. prods. Warner Brothers *Main Theme & Composer SCRUBS (series) Randall Winston, Matt Tarses, 20 th Century Fox TV Bill Lawrence, prods. *Main Theme Paul Quinn, dir. MY GUIDE TO BECOMING A ROCK Leonard Dick, Rodman Flender, STAR Perry Husman, prods. Warner Brothers Michael Engler, Peter Lauer, Lev Spiro, dirs. *Main Theme & Composer SONGS WRITTEN AND/OR PRODUCED THE LORAX “Ohare Air Jingle” ICE AGE 3: DAWN OF THE “Alone Again (Naturally” DINASOURS NIGHT AND DAY “Louie Louie” ABC THURSDAY NIGHT TV “Love Will Keep Us Together” PROMORS PRIVATE PARCTICE (ABC) “Take On Me” The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 2 CHAD FISCHER BIO Chad was formerly the drummer of School of Fish (Capitol Records), known for their early 90’s KROQ hit “Three Strange Days”. Chad then went on to form his own band, Lazlo Bane (Almo Sounds), which he fronted on guitar and vocals and also produced. Their song Superman is the theme song to NBC’s hit comedy, “Scrubs.” Chad has also lead a successful producing career at his studio Lookout Sound, working with the likes of Alexi Murdoch, Sia, Cary Brothers, Joshua Radin, The Good Luck Joes, Matt White, Graham Colton, Bonnie Summerville, Schuyler Fisk, Lisa Loeb, Liz Phair, Everlast and his good friend Colin Hay. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 3 .

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New and Lesser Known Works for Saxophone Quartet: a Recording
New and Lesser Known Works for Saxophone Quartet: A Recording, Performance Guide, and Composer Interviews by Woodrow Chenoweth A Research Paper Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved April 2019 by the Graduate Supervisory Committee: Christopher Creviston, Chair Joshua Gardner Michael Kocour Ted Solis ARIZONA STATE UNIVERSITY May 2019 ABSTRACT This project includes composer biographies, program notes, performance guides, composer questionnaires, and recordings of five new and lesser known works for saxophone quartet. Three of the compositions are new pieces commissioned by Woody Chenoweth for the Midwest-based saxophone quartet, The Shredtet. The other two pieces include a newer work for saxophone quartet never recorded in its final version, as well as an unpublished arrangement of a progressive rock masterpiece. The members of The Shredtet include saxophonists Woody Chenoweth, Jonathan Brink, Samuel Lana, and Austin Atkinson. The principal component of this project is a recording of each work, featuring the author and The Shredtet. The first piece, Sax Quartet No. 2 (2018), was commissioned for The Shredtet and written by Frank Nawrot (b. 1989). The second piece, also commissioned for The Shredtet, was written by Dan Puccio (b. 1980) and titled, Scherzos for Saxophone Quartet (2018). The third original work for The Shredtet, Rhythm and Tone Study No. 3 (2018), was composed by Josh Bennett (b. 1982). The fourth piece, Fragments of a Narrative , was written by Ben Stevenson (b. 1979) in 2014 and revised in 2016, and was selected as runner-up in the Donald Sinta Quartet’s 2016 National Composition Competition.
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AXS TV Schedule for Mon. January 5, 2015 to Sun. January 11, 2015 Monday January 5, 2015 Tuesday January 6, 2015
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Overand out Cline of the Original TV Theme
THE 50th ANNIVERSARY OF THE BILLBOARD HOT 100 SPEAKING IN TONGUES h ay ,.JO Tough c C al- Language European Acts By Paul Sexton In February, French -Israeli pop singer Yael ABBA to Germany's Scorpions -the Náim logged the highest Hot loo chart po- language of the Hot ioo has generally sition fora French artist in 40 years -but been English. But a select band of Euro- to get there, she had to sing in English. peans has enjoyed moments of incon- While Latino acts often take Spanish - gruous glory, rarely more so than in De- language material onto the Hot 100, most cember 1963 when Belgium's Singing European artists find that their native Nun (Sister Luc -Gabrielle), held the tongue keeps them off the chart. Indeed, Kingsmen's epochal "Louie Louie" off MIKE POST'S the highest -charting French act on the the top slot with "Dominique." Some- themes, such as Hot loo remains Paul Mauriat's No. 1 what predictably, she never reached 'The Rockford Files' and 'Hill "Love Is Blue" (1868)-an instrumental. the Hot ioo again. Street Blues,' Italy had its own fleeting moment of have been a U.S. validation in the late'5os. Although staple of prime - time TV for "Volare" is Dean usually associated with decades. Martin, his version stalled at No.12 while Domenico Modugno's original, "Nel Blu Dipinto di Blu," topped the Hot loo for five weeks in 1958. Orders, "is sanguine about the de- Modugno's hit is the only foreign -lan- OverAnd Out cline of the original TV theme.
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Got Me Wrong
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View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queensland University of Technology ePrints Archive AN ELEGY FOR GREG HAM: COPYRIGHT LAW, THE KOOKABURRA CASE, AND REMIX CULTURE * MATTHEW RIMMER The Kookaburra case was a tragic and controversial copyright dispute, highlighting the need for copyright law reform by the Australian Parliament. In this case, a copyright action was brought by Larrikin Records against Men at Work, alleging copyright infringement by Down Under of the Kookaburra song composed by Marion Sinclair. The dispute raised a host of doctrinal matters. There was disquiet over the length of the copyright term. There were fierce contests as to the copyright ownership of the Kookaburra song. The litigation raised questions about copyright infringement and substantiality — particularly in relation to musical works. The case highlighted frailties in Australia’s regime of copyright exceptions. The litigation should spur the Australian Law Reform Commission to make recommendations for law reform in its inquiry, Copyright and the Digital Economy. This paper provides a critical evaluation of the options of a defence for transformative use; a defence for fair use; and statutory licensing. The paper also examines the question of appropriate remedies in respect of copyright infringement. The conclusion considers the implications of the Kookaburra case for other forms of musical works — including digital sampling, mash-ups, and creative remixes. It finishes with an elegy for Greg Ham — paying tribute to the multi- instrumentalist for Men at Work. I INTRODUCTION As a child of the 1980s, I have fond memories of the Australian band Men at Work and their song Down Under, a pub rock anthem.
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