Klinghoffer Eulogized, Buried in NJ
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Literariness.Org-Mareike-Jenner-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
Sew Any Fabric Provides Practical, Clear Information for Novices and Inspiration for More Experienced Sewers Who Are Looking for New Ideas and Techniques
SAFBCOV.qxd 10/23/03 3:34 PM Page 1 S Fabric Basics at Your Fingertips EW A ave you ever wished you could call an expert and ask for a five-minute explanation on the particulars of a fabric you are sewing? Claire Shaeffer provides this key information for 88 of today’s most NY SEW ANY popular fabrics. In this handy, easy-to-follow reference, she guides you through all the basics while providing hints, tips, and suggestions based on her 20-plus years as a college instructor, pattern F designer, and author. ABRIC H In each concise chapter, Claire shares fabric facts, design ideas, workroom secrets, and her sewing checklist, as well as her sewability classification to advise you on the difficulty of sewing each ABRIC fabric. Color photographs offer further ideas. The succeeding sections offer sewing techniques and ForewordForeword byby advice on needles, threads, stabilizers, and interfacings. Claire’s unique fabric/fiber dictionary cross- NancyNancy ZiemanZieman references over 600 additional fabrics. An invaluable reference for anyone who F sews, Sew Any Fabric provides practical, clear information for novices and inspiration for more experienced sewers who are looking for new ideas and techniques. About the Author Shaeffer Claire Shaeffer is a well-known and well- respected designer, teacher, and author of 15 books, including Claire Shaeffer’s Fabric Sewing Guide. She has traveled the world over sharing her sewing secrets with novice, experienced, and professional sewers alike. Claire was recently awarded the prestigious Lifetime Achievement Award by the Professional Association of Custom Clothiers (PACC). Claire and her husband reside in Palm Springs, California. -
Download Press Release
MATERIALS AND TRENDS TROPICAL RAVE IN MEXICO CITY Fluo colors play a key role in this theme, in line with the proposed trends, and we were surprised to see how these shades have been widely developed also on sustainable ma- terials. Black and white alternate with fancy patterns. The tropical universe sums up white and neutral shades, combining Mexican folklore with florals. This overlapping features many eco-sustainable proposals with fluid or cri- sp hands. Frayed lace, thick meshes, woven mats and crochets enrich the traditional spirit, while eco-denims give a fresher and more urban touch. Black fabrics enhance the fluo colors, most of which are eco-sustainable, featuring an alternation between solids and patterns, technical and natural, and contrasting shiny and matt. The 3D aspect of lightweight materials, woven solids, embroidery on transparent or multicolor bases, woven mat and jacquard was the most popular proposal. Lace, mesh and Broderie Anglais are featured in a techno version, characterized by rub- bery yarns or shiny smearing. As for prints, companies followed the proposal of hypnotic patterns and that of Mexican folklore, playing with the psychedelic and floral effects. Broad variety of eco-sustainable bases, characterized by tropical designs. Gauze and woven mat include a neutral base with fluo inserts or multicolor weaves. Fringes come mainly in plain versions, while stripes are in jacquard and printed. An interesting element among the eco-sustainable proposals is the development of jac- quard lurex on printed bases, testifying to the strong interest in sustainable creativity. Jersey also come in shock colors, important thicknesses and soft hands. -
THE VIDEO GAME INDUSTRY the Video Game Industry (Often
THE VIDEO GAME INDUSTRY The video game industry (often referred to as interactive entertainment) is the economic sector involved with the development, marketing and sales of video games. It encompasses dozens of job disciplines and employs thousands of people worldwide. Game industry value chain The game industry value chain is made up of six connected and distinctive layers: 1. Capital and publishing layer: involved in paying for development of new titles and seeking returns through licensing of the titles. 2. Product and talent layer: includes developers, designers and artists, who may be working under individual contracts or as part of in-house development teams. 3. Production and tools layer: generates content production tools, game development middleware, customizable game engines, and production management tools. 4. Distribution layer: or the "publishing" industry, involved in generating and marketing catalogs of games for retail and online distribution. 5. Hardware (or Virtual Machine or Software Platform) layer: or the providers of the underlying platform, which may be console-based, accessed through online media, or accessed through mobile devices such as the iPhone. This layer now includes non-hardware platforms such as virtual machines (e.g. Java or Flash), or software platforms such as browsers or even further Facebook, etc. 6. End-users layer: or the users/players of the games.[2] [edit]Disciplines Latest trends in the game industry A fairly recent practice, since the mid-1990s, of the video game industry is the rise of game players as developers of game content. The rise of video game players as fourth-party developers of game content allows for more open source models of game design, development and engineering. -
DOCUMENT RESUME ED 311 509 CS 506 839 AUTHOR Braddlec
DOCUMENT RESUME ED 311 509 CS 506 839 AUTHOR Braddlec TITLE Death in Miami: AIDS, Gender, and Representation. PUB DATE 26 May 89 NOTE 19p.; Paper presented at the Annual Meeting of the International Communication Association (39th, San Francisco, CA, May 25-29, 1989). PUB TYPE Speeches/Conference Papers (150) -- Reports - Research /Technical (143) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Acquired Immune Deficiency Syndrome; *Commercial Television; Cultural Context; *Homosexuality; *Mass Media Role; Stereotypes; Television Research IDENTIFIERS *Miami Vice (Television Series); Prime Time Television; Television Criticism ABSTRACT In "God's Work," an episode of the "Miami Vice" television series in which a gay character comes home to reunite with a childhood friend and ex-lover who is dying of AIDS, the show is at odds with itself over the issue of sexuality and AIDS. At one level, that of the "coming-out" story of the main character, it presents the gay character in a positive light, and sets him up for a positive reception through a number of narrative and gender-related codes. In contrast, through its use of production related codes, it presents his relationship els incomplete, and his sexuality as a priscn, with the final moral message being that the price of virtue is solitude. These same production codes present persons with AIDS as being stigmatized aliens who cannot be approached closer than at arm's length, while at the same time arguing through the narrative for sympathy and understanding for persons with AIDS. (Seventeen references are attached.) (RS) * Reproductions supplied by EDRS are the best that can be made * * from the original document. -
Fry, Samuel E
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project SAMUEL E. FRY, JR. Interviewed by: Charles Stuart Kennedy Initial interview date: January 26, 1993 Copyright 2016 ADST TABLE OF CONTENTS Background Born in New York; raised in Midwest Dartmouth College and University of Edinburgh, Scotland; University of Massachusetts U.S. Army in Germany - 1958-1959 Entered Foreign Service - 1961 Masters thesis Trieste (Free Territory) - consul; administrative officer 1961-1963 Political status Italian language study (in Rome) Historical background of Trieste Visa cases Yugoslavia situation Ambassador George Kennan State Department - economic officer/Soviet Union 1963-1965 Soviet grain purchases Aviation matters Dealing with Soviet diplomats Russian language study - FSI 1965-1966 Moscow, USSR - consular officer 1966-1968 Embassy operations and staff American visitors Environment Cases of Americans arrested by Soviets U.S. defectors to USSR Soviet reaction to U.S. riots and assassinations Embassy morale Ambassador Foy Kohler 1 Oslo, Norway - economic officer 1968-1971 Duties Ambassador Tibbetts Svalbard (island) visit NATO presence Soviet threat Norway's relations with Swedes Vietnam issue Vice President Humphrey visit State Department - Operations Center 1971-1974 Watch officer Operations and duties Kissinger influence Communications innovations Arab-Israel 1973 war Top level briefing summaries Pueblo incident Competition with NSC Personnel State Department - personnel - training and liaison 1974-1977 Meshing training -
Navigationen: 'It's All in the Game' 2009
Repositorium für die Medienwissenschaft Benjamin Beil, Sascha Simons, Jürgen Sorg u.a. (Hg.) Navigationen: 'It's all in the game' 2009 https://doi.org/10.25969/mediarep/532 Veröffentlichungsversion / published version Teil eines Periodikums / periodical part Empfohlene Zitierung / Suggested Citation: Beil, Benjamin; Simons, Sascha; Sorg, Jürgen u.a. (Hg.): Navigationen: 'It's all in the game', Jg. 9 (2009), Nr. 1. DOI: https://doi.org/10.25969/mediarep/532. Erstmalig hier erschienen / Initial publication here: https://nbn-resolving.org/urn:nbn:de:hbz:467-5722 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under a Deposit License (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, Gewährt wird ein nicht exklusives, nicht übertragbares, non-transferable, individual, and limited right for using this persönliches und beschränktes Recht auf Nutzung dieses document. This document is solely intended for your personal, Dokuments. Dieses Dokument ist ausschließlich für non-commercial use. All copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute, or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the conditions of vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder use stated above. -
Miami Vice the Theme Tune Went to Number One Also Popularised by the Show Was Exactly How an Undercover Vice Cop Should Look
__q// g Time In This week’s television Edited by Matt Pomroy TV listings Freyja Tasci selling out on tour and The Daily Mailwas Miami Vice’s far-reaching obsessed with Princess Diana… Alright, maybe things weren’t that different – but influence on the 80s Miami Vicereally wasfresh. MTV had launched three years FASHION earlier; by now it was a phenomenon, The popularity of pastel shades for men and that would be the jumping off point in the 80s was largely a result of this for Miami Vice. Brandon Tartikoff, the series. Don Johnson and Philip Michael NBC executive (who had already given Thomas would wear up to eight different us Knight Rider, The A-Team and Hill outfits in each episode, with pastel Street Blues, among others) wanted pinks, blues and greens being used to a new, hip, cop series and sent out match the Art Deco architecture of the a memo that simply said ‘MTV Cops’. Tune in this week and you’ll see he location. The idea was down to producer got just that. The use of music in the Michael Mann (who later directed films series is key, to the point where at times such as Heat, Ali, Collateral and the it’s hard to tell if it’s a cop drama or 2006 Miami Vice film) and he can largely a music video, but people loved it. The take credit for many of the huge fashion soundtrack album for the series spent 12 trends during the 80s. weeks at number one in America and is Also popularised by the show was still the most successful TV soundtrack wearing slip-on shoes without socks, of all time. -
Vintage, Antique Textiles & Passion for Fashion, Tue, 15 June 2021 10:00
Vintage, Antique Textiles & Passion for Fashion, Tue, 15 June 2021 10:00 1 Dorset buttons, late 18th-early 19th century, 5 Eight silk bodices, mainly 1860s, four examples comprising: blue haberdashery card of 36 'high with padded breast cups to the interior, including top' buttons, of conical shape worked in fine a matching day and evening bodice of green silk linen thread; together with a card applied with 72 woven with black diamond motif; and an 1810s 'Singleton' buttons (2) example of changeant silk in shades of red and These buttons were made in Dorset somewhere green, busts approx 76-86cm, 30-34in (8) between the early 18th century and early 19th (Dimensions: busts approx 76-86cm, 30-34in) century. High Tops were first made in (Qty: 8) £400-600 Shaftsbury, Dorset between 1680 and 1700. 6 A Japonisme printed cotton undress robe, late They were made from a disc of horn from the 1870s-early 1880s, with Chinese chang-fu Dorset Horn sheep. It was covered by a small inspired wrap-over front neckline, concealing piece of linen and worked with a needle and buttons beneath, two slit pockets to rear hips, thread to make a conical shaped button. These the bodice lined in striped cotton, chest approx were used on fashionable clothing from the late 92cm, 36in (Dimensions: chest approx 92cm, 17th to early 18th century. They were 36in ) £200-300 superseded by “Singleton” buttons, which have wire rings covered with linen and tiny 7 A group of Victorian clothing, 1850s-1880s, (microscopic!) stitching with French knots at the comprising: four dresses, including one of merlot centre which were commonly used on shirts, silk and cut-velvet, 1880s, and an altered mid- underwear and fine gowns. -
“SON of ZORN” That’S No Cartoon, That’S My Ex-Husband!
SPOILER ALERT This is going to be awesome! Arriving on Fox “SON OF ZORN” That’s no cartoon, that’s my ex-husband! PLUS “MARVEL’S “SECRETS “JOURNEY PRESIDENTIAL FOLIO LUKE CAGE” AND LIES” WITH DYLAN DEBATE DREYER” Courtesy of Gracenote September 25 - October 1, 2016 C What’s HOT this contents Week! YOURTVLINK STAFF PICK TOP STORIES 12-13 In Netflix’s “Marvel’s Luke Cage,” Mike Colter stars in the title role of an ex-convict who now fights crime, endowed with superhuman strength and unbreakable skin. Colter discusses how he tapped into his character while show runner Cheo Hodari Coker talks about how much fun it is 3 writing dialog for the show. Animation and live 14-15 Jordana Brewster is a busy actress this new action come together television season, appearing not only in Fox’s Wednesday in “Son of Zorn,” a series version of “Lethal Weapon” but also the ABC drama Fox comedy series “Secrets and Lies,” which starts its second round Sunday. premiering Sunday. Co-stars Cheryl Hines Jay Bobbin talks with her about both shows and roles. and Artemis Pebdani and several of the 17 A much-anticipated event finally happens as Hillary show’s producers tell Jay Bobbin about Clinton and Donald Trump meet in the first of their three merging those aspects scheduled presidential debates, Monday on multiple broadcast to generate the show’s and cable networks. Jay Bobbin previews the occasion and humor. recalls some notable past debates. CELEBRITY REALITY 4 ‘NCIS’ alum Michael Weatherly is 16 Dylan Dreyer expands beyond happy to talk ‘Bull’ ‘Today’ with ‘Journey’ travel series 5 Bill Hader channeled his inner James Carville for ‘The Bunker’ SPORTS 18-19 Clemson QB Watson not 6 Martin Freeman flexed different acting settling for No. -
2. Cloth Diapers Are More Economical!
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
Catalog W/ Photo of DP Wearing the Blouse
OCTOBER 24, 2018 AUGUSTA AUCTION COMPANY NEW YORK CITY LOT# LAFERRIERE EXQUISITE BALL GOWN, PARIS, c. 1890 $1000- 1 piece w/ princess seams, elongated pale blue satin bodice & puff sleeves, trimmed 1 w/ embroidered vines, roses & blue glass stones, lace neck flounce & deep cuffs, $1500 skirt front & sides of peach brocade in stylized iris motif, trained back skirt in ice blue satin, petersham labeled, B 33", W 27", L 57"-75", (bodice enlarged, skirt W unstitched at back, missing stones, stains at B hem) very good. Museum of the City of New York Deaccession LOT# BEER SILK EVENING DRESS, PARIS, c. 1890-1905 $600- White moire faille w/ pale blue satin brocade, trims of blue chiffon, black velvet & 2 ecru lace, petersham labeled "Beer, Paris", B 44", W 30", L 58"-72", (stains underarms, $800 on sleeves, & skirt, chiffon fragile, possible alterations?) fair. PROVENANCE: dress likely belonged to EMILY JOHNSTON de FOREST, 1851-1942, or her mother, Mrs. John Taylor Johnston. Both Johnston & de Forest were prominent NYC families. LOT# SILK BROCADE & LACE TEA GOWN, c. 1888 $500- 2 piece cream silk faille w/ red poppy brocade, ecru lace to bodice front, sleeves & 3 skirt front, bustle-back trained skirt, cream silk gros-grain bows, B 34", W 23.5", Skirt $700 39-55", (underarm stains, stain to CB, missing hooks & eyes) very good. PROVENANCE: EMILY JOHNSTON de FOREST (1851-1942), daughter of prominent NYC RR tycoon John Taylor Johnston & wife of Robert de Forest, 1st director of the MET. LOT# E. STEIRS ECRU LACE DINNER GOWN, PHILADELPHIA, c. 1905 $500- 2-piece, silk under-dress covered in tulle w/ elaborate lace work, including 4 Battenburg, tambor embroidery, Pt de Gaze & 3-D crochet roses & other flowers, $700 petersham labeled, W 21.5", Skirt L 42"-52", (lining in bodice shredding & missing in skirt, tears in net at CF W) very good.