Substitution 1.0 – the Art of Delivering Toxic-Free Products
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UNDER ORDERS: War Crimes in Kosovo Order Online
UNDER ORDERS: War Crimes in Kosovo Order online Table of Contents Acknowledgments Introduction Glossary 1. Executive Summary The 1999 Offensive The Chain of Command The War Crimes Tribunal Abuses by the KLA Role of the International Community 2. Background Introduction Brief History of the Kosovo Conflict Kosovo in the Socialist Federal Republic of Yugoslavia Kosovo in the 1990s The 1998 Armed Conflict Conclusion 3. Forces of the Conflict Forces of the Federal Republic of Yugoslavia Yugoslav Army Serbian Ministry of Internal Affairs Paramilitaries Chain of Command and Superior Responsibility Stucture and Strategy of the KLA Appendix: Post-War Promotions of Serbian Police and Yugoslav Army Members 4. march–june 1999: An Overview The Geography of Abuses The Killings Death Toll,the Missing and Body Removal Targeted Killings Rape and Sexual Assault Forced Expulsions Arbitrary Arrests and Detentions Destruction of Civilian Property and Mosques Contamination of Water Wells Robbery and Extortion Detentions and Compulsory Labor 1 Human Shields Landmines 5. Drenica Region Izbica Rezala Poklek Staro Cikatovo The April 30 Offensive Vrbovac Stutica Baks The Cirez Mosque The Shavarina Mine Detention and Interrogation in Glogovac Detention and Compusory Labor Glogovac Town Killing of Civilians Detention and Abuse Forced Expulsion 6. Djakovica Municipality Djakovica City Phase One—March 24 to April 2 Phase Two—March 7 to March 13 The Withdrawal Meja Motives: Five Policeman Killed Perpetrators Korenica 7. Istok Municipality Dubrava Prison The Prison The NATO Bombing The Massacre The Exhumations Perpetrators 8. Lipljan Municipality Slovinje Perpetrators 9. Orahovac Municipality Pusto Selo 10. Pec Municipality Pec City The “Cleansing” Looting and Burning A Final Killing Rape Cuska Background The Killings The Attacks in Pavljan and Zahac The Perpetrators Ljubenic 11. -
Catálogo 33 Festival
Complejo Cinemateca Lorenzo Carnelli 1311 (C.P 11200) Montevideo Casilla de correo 1170 Fax: (598) 2 419 45 72 [email protected] www.cinemateca.org.uy Sala Cinemateca, Sala 2 Secretaría, Administración: T: (598) 2 419 57 95 [email protected] Dirección y coordinación: [email protected] CINEMATECA 18 18 de Julio 1280-1286 T: (598) 2 900 90 56 SALA POCITOS Alejandro Chucarro 1036 T: (598) 2 707 47 18 ECU Escuela de Cine del Uruguay Alejandro Chucarro 1036 T: (598) 2 709 76 37 [email protected] www.ecu.edu.uy ARCHIVO DE FILMS Centro de Preservación y Restauración Catalogación Ruta 8, Brig.Gral. Lavalleja Km16, Calle Dionisio Fernández 3357 T: (598) 2222 10 91 [email protected] Este festival está dedicado a la memoria de su creador, Manuel Martínez Carril 33 Festival CinematoGRÁfico Internacional DEL UruGuaY Cuando en 1982, Manuel Martínez Carril decide crear el Festival Interna- sentido de masivamente aceptado, el cine que el festival exhibe. Así, la cional de Cine del Uruguay, había muchas razones para hacerlo. Cine- Cinemateca Uruguaya no renuncia a hacer lo que siempre ha hecho, que matográficas, claro, en un país con un circuito de exhibición oligopólico, es, tomar una posición frente al cine y la cultura. donde una gran cantidad del cine del mundo no tenía cabida. Político, por “Tomar una posición” significa, claro, juzgar. Significa señalar el valor, supuesto, en un país en dictadura, sumido en una feroz represión y donde o su falta. Significa, seleccionar y justificar esa selección con argumentos y los espacios de libertad habían sido suprimidos. -
ESC 2017 Country Profiles
Albania Competing Broadcaster: Radio Televizioni Shqiptar (RTSh) Debut: 2004 Best Finish: 4th place (2012) Number of Entries: 14 Worst Finish: 17th place (2009, 2015) A Brief History: Albania has had moderate success in the Contest, qualifying for the Final more often than not, but ultimately not placing well. Albania achieved its highest ever placing, 4th, in Baku. Song Title: World Performing Artist: Lindita [Lindita Halimi] Composer(s): Klodian Qafoku Lyricist(s): Lindita, Big Basta About the Performing Artist: Born in Kosovo, Lindita is successful competitor, having been a finalist on Albanian Idol (2007), a top-25 finisher on American Idol (2013), and winner of Top Fest in 2009. She has studied both music and language, gaining fluency in German, Spanish, and Croatian (alongside Albanian and English). Semi-Final 1, Song Number 04 Grand Final, Song Number N/A Armenia Competing Broadcaster: Public Television of Armenia (ARPTV) Debut: 2006 Best Finish: 4th place (2008) Number of Entries: 11 Worst Finish: 18th place (2012) A Brief History: In five of its previous attempts, Armenia landed in the Top Ten making it one of the more successful countries in the Contest today. However, Armenia has yet to reach the Top Three. Song Title: Fly with Me Performing Artist: Artsvik [Artsvik Harutyunyan] Composer(s): Lilith Navasaryan, Levon Navasardyan Lyricist(s): Avet Barseghyan, David Tserunyan About the Performing Artist: Born in Armenia, Artsvik's family moved to Russia while she was still young. She has a degree in speech pathology psychology; -
Global Public Goods for Development 20 the World Bank’S Role in Promoting Global Public Goods 42 Notes 46 References 47
Too Global to Fail to Global Too Evans and Davies and Evans Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized Environment andSustainableDevelopment Environment DIRECTIONS IN DEVELOPMENT DIRECTIONS IN National and Global Public Policy in2025 Policy National andGlobalPublic The World BankattheIntersection of World The J. Warren Evans and Robin Davies, Editors andRobin Davies, Evans Warren J. Too Global to Fail Globalto Too Too Global to Fail DIRECTIONS IN DEVELOPMENT Environment and Sustainable Development Too Global to Fail The World Bank at the Intersection of National and Global Public Policy in 2025 J. Warren Evans and Robin Davies, Editors © 2015 International Bank for Reconstruction and Development / The World Bank 1818 H Street NW, Washington DC 20433 Telephone: 202-473-1000; Internet: www.worldbank.org Some rights reserved 1 2 3 4 17 16 15 14 This work is a product of the staff of The World Bank with external contributions. The findings, interpreta- tions, and conclusions expressed in this work do not necessarily reflect the views of The World Bank, its Board of Executive Directors, or the governments they represent. The World Bank does not guarantee the accuracy of the data included in this work. The boundaries, colors, denominations, and other information shown on any map in this work do not imply any judgment on the part of The World Bank concerning the legal status of any territory or the endorsement or acceptance of such boundaries. Nothing herein shall constitute or be considered to be a limitation upon or waiver of the privileges and immunities of The World Bank, all of which are specifically reserved. -
Plays by Anton Chekhov, Second Series on the High Road, The
Plays by Anton Chekhov, Second Series On the High Road, The Proposal, The Wedding, The Bear, A Tragedian In Spite of Himself, The Anniversary, The Three Sisters, The Cherry Orchard Anton Chekhov Project Gutenberg's Plays by Anton Chekhov, Second Series, by Anton Chekhov #30 in our series by Anton Chekhov Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Plays by Anton Chekhov, Second Series On the High Road, The Proposal, The Wedding, The Bear, A Tragedian In Spite of Himself, The Anniversary, The Three Sisters, The Cherry Orchard Author: Anton Chekhov Release Date: April, 2005 [EBook #7986] [Yes, we are more than one year ahead of schedule] [This file was first posted on June 9, 2003] Edition: 10 Language: English Character -
Guidaesc2017.Pdf
Eurovision Song Contest: la musica che unisce l'Europa... e non solo! C'è chi la definisce la "Champions League" della musica e in fondo non sbaglia. L'Eurovision è una grande festa, ma soprattutto è un concorso in cui i Paesi d'Europa si sfidano a colpi di note. Tecnicamente, è un concorso fra televisioni, visto che ad organizzarlo è l'EBU (European Broadcasting Union), l'ente che riunisce le tv pubbliche d'Europa e del bacino del Mediterraneo. Noi italiani l'abbiamo a lungo chiamato Eurofestival, i francesi sciovinisti lo chiamano Concours Eurovision de la Chanson, l'abbreviazione per tutti è Eurovision. Oggi più che mai una rassegna globale, che vede protagonisti nel 2017 42 paesi: 41 aderenti all'ente organizzatore più l'Australia, che dell'EBU è solo membro associato, essendo fuori dall'area, che nel 2015 fu invitata dall’EBU per festeggiare i 60 anni del concorso per via dei grandi ascolti che la rassegna fa in quel paese e che dallo scorso anno è stata ufficialmente invitata dall’organizzazione. L'ideatore della rassegna fu un italiano: Sergio Pugliese, nel 1956 direttore della RAI, che ispirandosi a Sanremo volle creare una rassegna musicale europea. La propose a Marcel Bezençon, il franco-svizzero allora direttore generale del neonato consorzio eurovisione, che mise il sigillo sull'idea: ecco così nascere un concorso di musica con lo scopo nobile di promuovere la collaborazione e l'amicizia tra i popoli europei, la ricostituzione di un continente dilaniato dalla guerra attraverso lo spettacolo e la tv. E oltre a questo, molto più prosaicamente, anche sperimentare una diretta in simultanea in più paesi e promuovere il mezzo televisivo nel vecchio continente.