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SYNOPSIS REPORT the Workshop Musiqi Suryayto Was Convened In
EU Grundtvig Workshop MUSIQI SURYAYTO (Rijssen, 3-7 July 2013) SYNOPSIS REPORT The workshop Musiqi Suryayto was convened in Rijssen, the Netherlands, July 3-7 2013. The Inanna Foundation organized this workshop whose aim was to bring scholars, musicians and learners together to work on the development of the contemporary Assyrian/Syriac music. As the first gathering of its kind, the principal purposes of this historically unique workshop was to discuss the main problems and challenges facing contemporary Musiqi Suryayto, to provide a learning platform for people interested in the innovation of Musiqi Suryayto and to improve the quality of the music produced by Assyrian/Syriac musicians in Europe. Twenty-nine participants from various European countries, the United States, Iraq and Lebanon either gave presentations or simply attended the workshop. The participation of 20 participants from Europe was financed by the EU Grundtvig Lifelong Learning Programme. Aware of the historical significance of this gathering, the workshop organizers (the Inanna Foundation) endeavored to attract all the key figures in the field of Assyrian/Syriac music. Unfortunately, for various reasons not all could attend . The participation of two non-European guests was partly sponsored by the generous contributions from the Assyrischer Jugendverband Mitteleuropa (AJM) and some other people who attended to the workshop. We would like to thank all contributors for their support. The workshop programme was structured to cover all the different aspects of the Assyrian/Syriac music. On the first day, Dr Naures Atto and Soner Onder welcomed the participants, introduced the agenda and opened the workshop. In their opening speech, they elaborated on the historical importance of this gathering and raised some core questions to which the workshop should pay particular attention. -
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RECENT PUBLICATIONS ON SYRIAC TOPICS: 2018* SEBASTIAN P. BROCK, UNIVERSITY OF OXFORD GRIGORY KESSEL, AUSTRIAN ACADEMY OF SCIENCES AND UNIVERSITY OF MANCHESTER SERGEY MINOV, UNIVERSITY OF OXFORD Books Acharya, F., Psalmic Odes from Apostolic Times: An Indian Monk’s Meditation (Bengaluru: ATC Publishers, 2018). Adelman, S., After Saturday Comes Sunday (Piscataway, New Jersey: Gorgias Press, 2018). Alobaidi, T., and Dweik, B., Language Contact and the Syriac Language of the Assyrians in Iraq (Saarbrücken, Germany: Lambert Academic Publishing, 2018). Andrade, N.J., The Journey of Christianity to India in Late Antiquity: Networks and the Movement of Culture (Cambridge: Cambridge University Press, 2018). Aravackal, R., The Mystery of the Triple Gradated Church: A Theological Analysis of the Kṯāḇā d-Massqāṯā (Book of Steps) with Particular Reference to the Writing of Aphrahat and John the Solitary (Oriental Institute of Religious Studies India Publications 437; Kottayam, India: Oriental Institute of Religious Studies, 2018). Aydin, G. (ed.), Syriac Hymnal According to the Rite of the Syriac Orthodox Church of Antioch (Teaneck, New Jersey: Beth Antioch Press / Syriac Music Institute, 2018). Bacall, J., Chaldean Iraqi American Association of Michigan (Charleston, South Carolina: Arcadia Publishing, 2018). * The list of publications is based on the online Comprehensive Bibliography on Syriac Christianity, supported by the Center for the Study of Christianity at the Hebrew University of Jerusalem (http://www.csc.org.il/db/db.aspx?db=SB). Suggested additions and corrections can be sent to: [email protected] 235 236 Bibliographies Barry, S.C., Syriac Medicine and Ḥunayn ibn Isḥāq’s Arabic Translation of the Hippocratic Aphorisms (Journal of Semitic Studies Supplement 39; Oxford: Oxford University Press, 2018). -
A Study of Early Anabaptism As Minority Religion in German Fiction
Heresy or Ideal Society? A Study of Early Anabaptism as Minority Religion in German Fiction DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Ursula Berit Jany Graduate Program in Germanic Languages and Literatures The Ohio State University 2013 Dissertation Committee: Professor Barbara Becker-Cantarino, Advisor Professor Katra A. Byram Professor Anna Grotans Copyright by Ursula Berit Jany 2013 Abstract Anabaptism, a radical reform movement originating during the sixteenth-century European Reformation, sought to attain discipleship to Christ by a separation from the religious and worldly powers of early modern society. In my critical reading of the movement’s representations in German fiction dating from the seventeenth to the twentieth century, I explore how authors have fictionalized the religious minority, its commitment to particular theological and ethical aspects, its separation from society, and its experience of persecution. As part of my analysis, I trace the early historical development of the group and take inventory of its chief characteristics to observe which of these aspects are selected for portrayal in fictional texts. Within this research framework, my study investigates which social and religious principles drawn from historical accounts and sources influence the minority’s image as an ideal society, on the one hand, and its stigmatization as a heretical and seditious sect, on the other. As a result of this analysis, my study reveals authors’ underlying programmatic aims and ideological convictions cloaked by their literary articulations of conflict-laden encounters between society and the religious minority. -
Theodosia 2017,2
Theodosia 2017/ 2 Quarterly of the Sisters of Mercy of the Holy Cross Institute Ingenbohl CH-6440 Brunnen 132 Volume 2017 / 2 Editorial Team: Sister Christiane Jungo Sister Edelgund Kuhn Sister Anna Affolter Sister Elsit J. Ampattu Sister Dorothee Halbach English version: Sr. Roseline Kujur, India 2 Theodosia 2017, 2 Contents Picture 04 “Lord, When Were You in 29 Prison...?” Mt.25:39 Editorial 05 Sr. Linda Songy, Merill, Sr. Christiane Jungo USA Province More Ranft – Power from 07 “Faith Comes from What 32 the Depth is Heard” Rom. 10:17 Sermon by Fr. Konrad Burri on the Sr. Anne-Roger Prétôt, Fribourg, pilgrim day, 16th February, 2017 Province West Switzerland Two Different Reformers 11 The Vicariate Uganda Lives 35 Dr. Anselm Kraus OFM Conv., Four Articles by Sr. Sheeja Kolacherril, Kloster Schwarzenberg D Anna Wolz, Dr. Benno Kreienbühl, Sandra Aschwanden So that the Word of God 17 Short Reports from Our 42 Becomes Alive Provinces und Vicariates From the yearly letter 2017 by Book-Release Function Sr. Marija Brizar, the Superior General Sr. Tresa Paul, Delhi, Spiritual Place 18 North-East Province, India Experiences in the World Information from the 45 Monastery in Radolfzell General Leadership Sr. Canisia Mack, Hegne, Province Baden-Würtemberg Spiritual Place 25 “House of Religions” in Berne Sr. Yves Germann, Ingenbohl, Motherprovince, Switzerland 3 Brother-Klaus-Wheel in the convent church Ingenbohl. Design: Ruedi Gut 4 Editorial Anyone who presides over the liturgy on the pilgrim day tries to build a bridge to the life of mother M. Theresa from the given readings. Thus over the years, her portrait has gained many colors and aspects. -
Syriac Sacred Chant: It's Role in Shaping Liturgical Life
SYRIAC SACRED CHANT: IT’S ROLE IN SHAPING LITURGICAL LIFE AND COMMUNAL IDENTITY OF THE SYRIAC COMMUNITY By Gabriel Aydin So outstanding is the nature of Syriac sacred music—when the sacred word (text) is fused with the sound (music) creates an extra ordinary power through which the faithful can attain their spiritual goals and lift themselves up from the ordinary to the higher level of consciousness— that the Syriac poet-theologians and hymnographers chose this phenomenon 1600 years ago to knit their prose and poetry that laid the foundation of Syriac rich musical heritage. Their hymns give not only religious reference to and offers a strong view of the liturgical rite and faith of the Syriac church, but also forms an important part of the Syriac both religious and cultural identity, ideology, symbols, moral values, and the collective cultural memory of Syriac Christians. A very short overview of the Syriac chant will promote our understanding as well as the significance of this musical phenomenon. Syriac sacred chant, is one of the oldest existing chant traditions (similar to the western tradition of plainsong), composed in Syriac, a dialect of Aramaic, the language that was spoken by Jesus Christ, together with their melodies. Among the large number of distinct features that are embedded in Syriac sacred chant, a) simplicity in text and melody (so that the theological reasoning that lays behind the text would be easily comprehended by diverse communities, simple worshippers and monastics to embrace the Word of God), b) along with sacred text, various musical characteristics of Syriac chant such as the microtonal variation of intervals, words in metrics, the melodic construction, dynamics, modal system of eight—which represent the impressive formulae of the earlier evolution of the Syriac church in the field of ecclesiastical music—are a couple of vital entities that function in tandem to produce a consistent, compelling, and spiritual sacred chant. -
Excerpts from Liner Notes
Excerpts from the liner notes to Solemn High Mass of the Syro-Malabar Church EAST MEETS EAST, IN THE WEST George Thaila and I share similar musical backgrounds. We both grew up in the 1950s, listening to and singing Syriac chants in our respective Syro-Malabar parishes in Kerala. The liturgy was still in Syriac; we learned to sing the chants often without understanding the meaning of the text. Even after the vernacularization of liturgy in the 1960s, old Syriac melodies that originated in the Syriac churches in West Asia continued to be in vogue, as they are today, and we sang them with the new Malayalam text. In our later years we received training in Indian classical vocal music, Thaila in the Karnātak (South Indian) tradition at Madras University in Chennai, and myself in the Hindustāni (North Indian) tradition at Maharaja Sayajirao University in Baroda. We met for the first time in New York in 1990,soon after our arrival there from India. Since then, we have collaborated on several occasions to conduct church choirs and give stage performances of Christian bhajans and Syriac chants. These shared historical and musical experiences directly and indirectly influenced the compositional process. In many instances, Thaila and I turned to the Syriac and Indian classical traditions for inspiration. For example, the performance practice of singing the same melody in three ascending pitch registers in # 1 & 5 probably developed in the Syriac tradition and later reached the Latin Church; it is prevalent even today in the Roman Catholic churches in the performance of "This is the wood of the Cross" (Ecce lignum crucis) in the Good Friday service (a Syriac translation of this chant sung in three ascending pitch registers can be heard in # 20 in the CD, Qambel Māran: Syriac Chants from South India). -
Society for Ethnomusicology Abstracts
Society for Ethnomusicology Abstracts Musicianship in Exile: Afghan Refugee Musicians in Finland Facets of the Film Score: Synergy, Psyche, and Studio Lari Aaltonen, University of Tampere Jessica Abbazio, University of Maryland, College Park My presentation deals with the professional Afghan refugee musicians in The study of film music is an emerging area of research in ethnomusicology. Finland. As a displaced music culture, the music of these refugees Seminal publications by Gorbman (1987) and others present the Hollywood immediately raises questions of diaspora and the changes of cultural and film score as narrator, the primary conveyance of the message in the filmic professional identity. I argue that the concepts of displacement and forced image. The synergistic relationship between film and image communicates a migration could function as a key to understanding musicianship on a wider meaning to the viewer that is unintelligible when one element is taken scale. Adelaida Reyes (1999) discusses similar ideas in her book Songs of the without the other. This panel seeks to enrich ethnomusicology by broadening Caged, Songs of the Free. Music and the Vietnamese Refugee Experience. By perspectives on film music in an exploration of films of four diverse types. interacting and conducting interviews with Afghan musicians in Finland, I Existing on a continuum of concrete to abstract, these papers evaluate the have been researching the change of the lives of these music professionals. communicative role of music in relation to filmic image. The first paper The change takes place in a musical environment which is if not hostile, at presents iconic Hollywood Western films from the studio era, assessing the least unresponsive towards their music culture. -
Switzerland 2019 International Religious Freedom Report
SWITZERLAND 2019 INTERNATIONAL RELIGIOUS FREEDOM REPORT Executive Summary The constitution guarantees freedom of faith and conscience, and it and the penal code prohibit discrimination against any religion or its members. The constitution delegates regulation of the relationship between government and religious groups to the 26 cantons. A law in the canton of St. Gallen entered into force barring the wearing of facial concealments in public if deemed a threat to security or peace. A Federal Council decree to provide 500,000 Swiss francs ($518,000) annually to enhance protection of Jewish, Muslim, and other religious minority institutions went into effect in November. In February the state prosecutor in Schaffhausen Canton rejected a complaint against a cantonal police officer who fined a Muslim man for publicly saying “Allahu akbar” while greeting a friend in 2018. In February voters in Geneva Canton approved a law banning the wearing of visible religious symbols in the workplace by cantonal government officials, but a Geneva court exempted cantonal and communal parliamentarians. In March the Zurich High Court upheld a ruling that a Muslim father violated the law when he failed to send his sons to school rehearsals of a Christmas song. In February the same court upheld a lower court’s 2018 conviction of a man for shouting anti-Semitic epithets at an Orthodox Jew, but it reduced his prison sentence and ruled the man’s cry of “Heil Hitler!” did not constitute Nazi propaganda. A University of Fribourg study said politicians approached non-Christian religions, especially Islam, with caution and showed little political will to award minority religions privileges similar to those of Christian churches. -
EASR 2018: Multiple Religious Identities
16 th Annual Conference of the European Association for the Study of Religions EASR 2018: Multiple Religious Identities University of Bern 17–21 June 2018 Regional Conference of the International Association for the History of Religions (IAHR) © Juni 2018, Institut für Religionswissenschaft, Universität Bern Druck und Bindung: Zumsteg Druck AG, 5070 Frick www.buchmodul.ch Papier: 100 g/m² Z-Offset naturweiss (FCS-mixed) Promoting Institutions and Conference Organizers The EASR 2018 conference was realised with the kind support of the: • European Association for the Study of Religions (EASR) • International Association for the History of Religions (IAHR) • Schweizerische Gesellschaft für Religionswissenschaft (SGR) – Socié- té Suisse de Sciences des Religions (SSSR) – Swiss Society for the Study of Religions • University of Bern • Swiss Academy of Humanities and Social Sciences (SAGW) Programme Committee : Jens Schlieter (conference director, University of Bern), Mar- tin Baumann (University of Lucerne), Philippe Bornet (University of Lausanne), Anja Kirsch (University of Basel), Karénina Kollmar-Paulenz (University of Bern), Andrea Rota (University of Bern), Christoph Uehlinger (University of Zurich), Helmut Zander (University of Fribourg) Organizing Committee (University of Bern) : Jens Schlieter, Karénina Kollmar- Paulenz, Anja Kirsch, Andrea Rota Coordination : Eva Tyrell, Oliver Steffen Staff: Rebecca Farner, Kathleen Hellermann, Lucie Jakob, Luzia Kunz, Jana Lehmann, Sophie Meyer, Jenny Nerlich, Janina Sorger-Rachidi, Michaela Wisler -
It Should Be A3 Size Folded to Make 4 X A4 Pages and Printed in Colour
Schola Gregoriana of Cambridge Newsletter May 2010 INTRODUCTION Merger with The Gregorian Association The proposed merger of The Gregorian Association with The Schola Gregoriana of Cambridge was voted upon and approved at the recent AGM of The Gregorian Association. A merger with the Schola Gregoriana of Cambridge by means of a transfer of the assets and liabilities of the Association to the Schola were confirmed in order that the Association may be dissolved as a registered charity. The Gregorian Association began in 1870 with the aim of improving the standard of singing in the Church of England through plainchant. They achieved their aim very effectively, substantially influencing the content of the English Hymnal, now New English Hymnal, which with the Manual of Plainsong containing the psalms and canticles set to Sarum chant, is still widely used in our cathedrals and larger parish churches. The Gregorian Association has a long and distinguished history, especially as a publisher of plainsong music for the liturgy. The financial assets that the GA would transfer are substantially more than the outstanding, major liability, which is to pay Peter Wilton to edit a new edition of the Manual of Plainsong in order to include the antiphons proper for daily prayer in accordance with Common Worship, set to traditional (Prayer Book) texts.This is still widely used in cathedrals. He is also editing chant settings of the modern texts as recommended in Daily Prayer. The idea is to publish this revised Manual of Plainsong on the internet so that anyone can copy it free of charge. It is therefore proposed that the name “The Gregorian Association” should be retained at least for publication purposes, although it will be made clear that it is a part of The Schola Gregoriana of Cambridge. -
4. Ottoman Traditions of Music Writing 135
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Writing Music in Nineteenth-Century Istanbul Ottoman Armenians and the Invention of Hampartsum Notation Olley, Jacob Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 04. Oct. 2021 Writing Music in Nineteenth-Century Istanbul Ottoman Armenians and the Invention of Hampartsum Notation Jacob Olley PhD in Music King’s College London 2017 1 2 Abstract This thesis describes the invention and adoption of a new notation system, known today as ‘Hamparsum notası’ or ‘Hay ardi jaynagrut‘iwn’ (‘modern Armenian notation’), in nineteenth- century Istanbul. -
The Case of Syriac Chant
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Universidade de Brasília: Portal de Periódicos da UnB LOCAL SOURCES AND THE LIMITS OF MUSIC SCHOLARSHIP: THE CASE OF SYRIAC CHANT Tala Jarjour Institute of Sacred Music, Yale University, New Haven talajarjour@googlemail com Abstract Throug! a critical reading of two twentiet!"century sources on a living musical tradition whic! has #arly $hristian origins, this article o%ers a reading of how local musicology fashions an e&tra"musical framing of et!nic religiosity 'y the very means of musical"theoretical detail Drawing on su'tly concealed senses of nationhood, the article shows how this fashioning was achieved in the case of Syriac music It does so 'y engaging wit! the com)le&ities t!at defeat suc! la'els as local*#uro)ean and sacred/secular, and t!at ultimately u)set the 'asis of the distinction us/them wit! res)ect to the creation of +nowledge and sources The article also underlined ways in whic! inconsistencies within scholarshi) may , and do , form the means 'y whic! a scholarshi), when dee)ly engaged wit! local matters, )ushes the limits of its own )remises, and rede-nes its categories and the conce)tual 'ases u)on which it should 'e understood Keywords. Nation, #thnicity, /eligion, Middle #ast, Syria Res !o 0trav1s de uma leitura cr2tica de duas fontes do s1culo 33 so're uma tradi45o musical viva 6ue tem origens crist5s antigas, este artigo oferece uma leitura de como a musicologia local modela um en6uadramento e&tra"musical da religiosidade 1tnica )or meio de detalhes te7rico"musicais $om 'ase em sentimentos sutilmente ocultos de nacionalidade, o artigo mostra como essa modelagem foi alcançada no caso da m8sica sir2aca #la o fa9 envolvendo"se com as com)le&idades 6ue derru'am r7tulos como local/euro)eu e sagrado/secular, e 6ue, em 8ltima inst:ncia, )ertur'aram a 'ase da distinç5o nós/eles em rela45o ; cria45o de conhecimento e fontes < Tala Jarjour, =ocal Sources and t!e =imits of Music Sc!olars!i).