Anon(Ymous) a Virtual Study Guide
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Anon(Ymous) By: Naomi Iizuka Directed By: Tyler Mckinney Dramaturgy By: Hannah Simon
Anon(ymous) by: Naomi Iizuka Directed by: Tyler McKinney Dramaturgy By: Hannah Simon Inspired by Refugee Artist Alwy Fadhel TABLE OF CONTENTS Naomi Iizuka's Passport Profile......................................Page 3 There Is No Place Like Home: An Interview with the playwright.......................................................................................Page 4 About the Odyssey................................................................................................Page 6 Adventures of the Odyssey........................................................Page 7 Some things to Think About................................................Page 9 What is it like to be a child refugee?.......Page 10 One Second a Day Video...................................................................Page 11 Refugee Stories.............................................................................................................Page 12 NAME: Naomi Iizuka BORN: April 22, 1965 BIRTHPLACE: Tokyo, Japan OCCUPATION: Playwright SCHOOLING: BA from Yale, MFA in playwriting from University of California Naomi Iizuka wrote Anon(ymous) in 2007. Much like Anon, Iizuka never felt as if she had a home. She grew up not only in Japan, but also Indonesia, The Netherlands, and Washington D.C. As well, Iizuka's mother is American Latina and her father Japanese. Because of her multicultural appearance and background, Iizuka often felt displaced. A lot of Iizuka's work deals with identity and being multicultural. Her works often involve a nonlinear plot line. Meaning, the plot isn't in any sort of chronological order. This often gives her plays a sense of confusion and dysphoria. This is true for Anon(ymous). We can see the nonlinear plot structure in this play and we can see how this sort of structure affects Anon. It makes the story confusing and hard to understand, just as it feels to be displaced as a child. There's No Place Like Home An interview with the playwright by: Dominic P. -
South Bay Musical Theatre Proudly Presents by Naomi Iizuka
South Bay Musical Theatre proudly presents ANON(YMOUS) by Naomi Iizuka based on Homer’s The Odyssey Directed by Vinh G. Nguyen A special Readers’ Theatre presentation streamed live via Zoom on March 26, 2021 Produced through special arrangement with Playscripts, Inc. | www.playscripts.com 1 Director’s Note Welcome! n the 8th century BCE, the great Greek n the middle of our tarting from our very first rehearsal, experience as part Ipoet Homer wrote The Odyssey. It depicted Itwo-week rehearsal SAnon(ymous) has been a production like no of Anon(ymous) the post-Trojan War homecoming journey process, news of the other. The company was asked to share their exemplifies that. of the hero Odyssesus, King of Ithaca, and tragic shooting in stories of immigration and ancestry. It was Certainly, the past his many epic adventures along the way. In Atlanta that took deeply moving to hear the company members year has allowed us 2006, playwright Naomi Iizuka wrote her own the lives of six Asian relate their journey and their connection to time to further reflect, adaptation of ancient Greek myth. But instead American women hit their legacy. develop policies, of a king, her new play Anon(ymous) centered us. Like the rest of the Asian American Pacific expand relationships, and foster creative on the displacement of a lowly, nameless, Islander (AAPI) community, I was devastated, heatre is a space to build empathy and collaboration. present-day refugee and his search for the angry, and disappointed. However, I was Tcommunity, and as such, we strive for all meaning of home in America. -
Backstory Your Guide to Timeline Productions
BACKSTORY YOUR GUIDE TO TIMELINE PRODUCTIONS MIDWEST PREMIERE BY NAOMI IIZUKA directed by Lisa Portes YESTERDAY’S STORIES. TODAY’S TOPICS. From Artistic Director PJ Powers a message in Concerning Strange And her bold theatricality Devices from the Distant will keep you guessing, Naomi Iizuka’s writing has a mystery, West, Naomi Iizuka’s sexy piecing things together and puzzle-of-a-play that we speculating about what is intrigue, yearning and sensuality that are thrilled to introduce real, what is imagined and Dear Friends, to Chicago in only its what is fabricated. is both beguiling and entrancing. second production. It had Think back. Way back to Her exploration of the its world premiere in 2010 exotic other-world. Just passed on, carefully crafted We also invite you to join in a time that now seems unknown was quite at Berkeley Repertory as they were curious to to depict a seemingly the photographic odyssey almost incomprehensible— alluring to TimeLine’s Theatre, where our literary learn about that distant accurate snapshot of a time that Naomi ignites. While nearly the last millennium. Company Members when manager Ben Thiem saw it. culture, we explore history and place. taking photos is prohibited we read this play. We too with a similar desire for during the performance Can you recall when you But do we know better now, Born in Japan, Naomi spent are continually trying to understanding. How and inside the theater, didn’t have a camera at your armed with our own crafty much of her life traveling stretch beyond what we’ve did people dress? What more mysteries and images fingertips, seemingly at all new strange devices built the world prior to putting known and tackled before, were their lifestyles, their await you in the lobby, and times, handily embedded in into app-filled smartphones? down roots in her current always trying to take you politics, their romances? we hope you’ll peruse, your cell phone? Is there really such a thing home of California. -
Die Frau Mit Dem Loch Im Bauch Einrichtungen Die Diesjährige Freiluft-Kunstausstellung Spectrale in Luckau Dreht Sich Um Migration –
10 Märkische Allgemeine Zeitung KULTUR Mittwoch, 17. Juni 2020 Mehr Schutz für jüdische Die Frau mit dem Loch im Bauch Einrichtungen Die diesjährige Freiluft-Kunstausstellung Spectrale in Luckau dreht sich um Migration – Magdeburg. Sachsen-Anhalt ver- zwölf Künstler aus der Region Berlin-Brandenburg stellen aus stärkt den Schutz von Synagogen und jüdischen Gemeindeein- Von Mathias Richter richtungen. Im Doppelhaushalt 2020/21 sind dafür in diesem Jahr Luckau. Herbert Schirmer schüttelt insgesamt 890 000 Euro und im energisch den Kopf. „Nein, ich glau- kommenden Jahr 1,535 Millio- be nicht, dass das Rechte waren“, nen Euro eingeplant, wie die sagt der Kurator der Open-Air- Staatskanzlei mitteilte. Die Lan- Kunstausstellung „Spectrale“ in Lu- desregierung habe am Dienstag ckau (Dahme-Spreewald). Die Tä- einer Zusatzvereinbarung zum ter seien wohl eher an dem Material Staatsvertrag mit der jüdischen des Kunstwerkes interessiert gewe- Gemeinschaft in Sachsen-Anhalt sen, glaubt er. Und doch ist es ein be- zugestimmt, die Finanzmittel für sonderer Affront. Wenige Tage vor Maßnahmen vorsieht, die das der Eröffnung der diesjährigen Landeskriminalamt (LKA) emp- Kunstschau wurde das Werk von fiehlt. Darüber hinaus enthält die Roland Schefferski gestohlen – die Zusatzvereinbarung die pau- Arbeit eines polnischen Künstlers, schalierte Förderung von Bewa- die speziell für eine Ausstellung ge- chungsleistungen innerhalb von fertigt wurde, die den provokanten Synagogen oder Einrichtungen, Titel trägt „Flüchtlinge – ein zeitlo- wie die Staatskanzlei weiter mit- ses Feindbild!?“. teilte. Pro Jahr und Einrichtung Die Freiluftkunstschau Spectrale werden dafür bis zu 50 000 Euro findet in diesem Jahr zum neunten bereitgestellt. Mal in Luckau statt. Zwölf in Berlin Sachsen-Anhalts Innenminis- und Brandenburg lebende Künstler ter Holger Stahlknecht (CDU) haben sich mit dem vorgegebenen sagte: „Der Anschlag in Halle am Thema Migration auseinanderge- 9. -
Reaching New Audiences from School to Career
Volume LV Number 1 • Winter 2014 • $8.00 INSIDE: 2014 College, University & Professional Training Program Directory Reaching New Audiences Site-Specific Theatre: The Place Is the Thing Younger Artists ‘Make Theatre Happen’ From School To Career 10 Things Emerging Artists Need to Know ... BFA Design and theatre technology | BFA Production and stage Management Design Your Future BA theatre | BFA theatre Performance and Musical theatre Act now! Photo: 2010 Production of Machinal, by Sophie Treadwell, Directed by Heather May. Contact: C OLLEGE OF L IBERAL A RTS Department of Theatre Dr. scott Phillips, chair, Department of theatre tel [email protected] 334.844.4748 www.auburnuniversitytheatre.org www.auburn.edu | Auburn University is an equal opportunity educational institution/employer. PLAY WEST PLAY TRE HEA CO T M G PA W N U Y UWG THEATRE COMPANY Exceptional Training in a Professional Environment P LAY WEST NAST Accredited Bachelor of Arts Degree in Theatre UWG THEATRE OFFERS: • Access to professional theatre artists Call 678-839-4700 or • Access to industry standard software in theatrical sound, lighting, costume, e-mail [email protected] and scenic design • Performance and design opportunities starting in freshman year for more information. • Design lab, lighting lab, sound recording studio, large scene shop, and new costume shop www.westga.edu/~theatre • Internship programs (local, national, international) • Practical experience in all facets of theatrical production • Student scripts from playwriting course are produced in regular -
Show #1330 --- Week of 7/6/20-7/12/20
Show #1330 --- Week of 7/6/20-7/12/20 HOUR ONE--SEGMENTS 1-3 SONG ARTIST LENGTH ALBUM LABEL________________ SEGMENT ONE: "Million Dollar Intro" - Ani DiFranco :55 in-studio n/a "Waiting For The Sun"-The Jayhawks 4:00 Rainy Day Music (deluxe) American "If I Have A Son"-Ruth B 3:50 single only Downtown Records "Mother Of Muses"-Bob Dylan 4:25 Rough And Rowdy Ways Columbia "Paper thin"-Lianne La Havas (in-studio) 4:50 in-studio n/a ***MUSIC OUT AND INTO: Outcue: " in-studio guests The Jayhawks." TOTAL TRACK TIME: 19:29 ***PLAY CUSTOMIZED STATION ID INTO: SEGMENT TWO: "I Put A Spell On You"-Kandace Springs 3:55 The Women Who Raised Me Blue Note ***INTERVIEW & MUSIC: THE JAYHAWKS – Gary Louris (from Minneapolis, MN) ("This Forgotten Town," "Ruby") in-studio interview/performance n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** Leon Speakers/"The Leon Loft" (:30) Outcue: " at LeonSpeakers.com." TOTAL TRACK TIME: 20:38 SEGMENT THREE: "Storm Cloud"-Natalia Zuckerman (SongWriter podcast) 3:20 single only self-released "Say Goodbye"-Beck 3:25 Morning Phase Capitol "Guess I’m Doing Fine"-Beck (in-studio) 4:45 in-studio n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** The Ark/"COVID-19 Update" (:30) Outcue: " TheArk.org." TOTAL TRACK TIME: 14:51 TOTAL TIME FOR HOUR ONE – 54:58 acoustic café · p.o. box 7730 · ann arbor, mi 48107-7730 · 734/761-2043 · fax 734/761-4412 [email protected] ACOUSTIC CAFE, CONTINUED Page 2 Show #1330 --- Week of 7/6/20-7/12/20 HOUR TWO--SEGMENTS 4-6: SONG ARTIST LENGTH ALBUM LABEL________________ SEGMENT FOUR: -
Collaborative Costume Design April Emily Andrew University of South Carolina - Columbia
University of South Carolina Scholar Commons Theses and Dissertations 2014 Collaborative Costume Design April Emily Andrew University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Theatre and Performance Studies Commons Recommended Citation Andrew, A. E.(2014). Collaborative Costume Design. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/ 2657 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Collaborative Costume Design by April Emily Andrew Bachelor of Arts Furman University, 2010 _____________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Master of Fine Arts in Theatre College of Arts and Sciences University of South Carolina 2014 Accepted by: Lisa Martin-Stuart, Director of Thesis Jim Hunter, Reader Robert Richmond, Reader Lacy Ford, Vice Provost and Dean of Graduate Studies © Copyright by April Emily Andrew, 2014 All Rights Reserved ii DEDICATION For my parents and my professors. Thanks for all the love and support! iii ABSTRACT This thesis explores my portfolio of graduate work as a costume designer, covering four diverse theatrical works. 27 Wagons Full of Cotton, a self proclaimed “Mississippi Delta Comedy” by Tennessee Williams examines the themes of domestic violence, isolation, and desire in rural America. Polaroid Stories, a modern poetic play by Naomi Iizuka, blends the harsh realities facing today’s street youth with classical mythology to create a unique and theatrical world. Jeffrey Hatcher transported us back to the spectacle, scandal, and upheaval of King Charles II’s English Restoration in Compleat Female Stage Beauty, following actor Edward Kynaston, who famed diarist Samuel Pepys acclaimed the most beautiful woman on the English stage, and his fall from celebrity into obscurity. -
Dylan Review, Summer 2020
DYLAN REVIEW, SUMMER 2020 MASTHEAD CO-EDITORS Raphael Falco, University of Maryland, Baltimore County Paul Haney, University of Massachusetts, Boston Lisa O'Neill Sanders, Founder DR, Saint Peter's University Shelby Nathanson, Digital Editor Nicole Font, Assistant to the Editors EDITORIAL BOARD Mitch Blank, New York City Michael Gilmour, Providence University College (Canada) Nina Goss, Fordham University Charles O. Hartman, Connecticut College Jonathan Hodgers, Trinity College, Dublin Robert Reginio, Alfred University Christopher Rollason, Luxembourg Richard Thomas, Harvard University Dylan Review 2.1 (Summer 2020) DYLAN REVIEW, SUMMER 2020 TABLE OF CONTENTS SPECIAL TOPIC: CALL FOR SUBMISSIONS………………….……………………………..2 REVIEWS Charles O. Hartman, Rough and Rowdy Ways: Containing History….………....3 John Hunt and Tim Hunt, Travelin’ Thru ...…………………..……………………....16 THE DYLANISTA………………………………………………………………………………28 ARTICLES Richard F. Thomas, “And I Crossed the Rubicon”: Another Classical Dylan....35 Graley Herren, Young Goodman Dylan: Chronicles at the Crossroads..……..65 SONG CORNER Anne Margaret Daniel, “Murder Most Foul”….…………………………………….83 INTERVIEWS Mark Davidson…………………………………………………………………………... 95 LETTERS………………………………………………………………………………….…...106 CONTRIBUTORS…………………………………………………………………….………107 BOOKS RECEIVED………………………………………………………………………….109 BOB DYLAN LYRICS, COPYRIGHT INFORMATION……………………………………110 1 Dylan Review 2.1 (Summer 2020) SPECIAL TOPIC: CALL FOR SUBMISSIONS THE COPS DON’T NEED YOU AND MAN THEY EXPECT THE SAME For the next issue of the Dylan Review, Winter 2.2, the Editors invite articles and Song Corner essays on the special topic of political authority and race in Dylan’s work. Up on Housing Project Hill It’s either fortune or fame You must pick one or the other Though neither of them are to be what they claim If you’re lookin’ to get silly You better go back to from where you came Because the cops don’t need you And man they expect the same This familiar stanza from “Just Like Tom Thumb’s Blues” sets the tenor for the Editors’ special topic. -
Bio Dept Invites Speaker Tied to Jeffrey Epstein
VOL. 27 ISSUE 5 THE KNIGHT NEWS OCT 14, 2020 BIO DEPT INVITES SPEAKER TIED TO JEFFREY EPSTEIN QC Biology Dept Colloquium SEE PAGE 3 Outrage stirs amongst the QC community over Robert Trivers’ connection to Jeffrey Epstein Photo by 123rf.com QC LIBRARY HOSTS BLM PANELS CAREER CENTER GOES VIRTUAL LIVE ACTION MULAN DEBUTS SEE PAGE 4 SEE PAGE 4 SEE PAGE 12 Queens Memory project hosts series of The Knight News sits down with Director Disney’s Mulan revived on Disney+ panels about diversity at QC Zavi Gunn to talk transition to virtual life. streaming service theknightnewsqc the knight news theknightnews.com 2 OP-ED OP-ED: The unfortunate A message from the Editor in Chief: Dear Readers, reality of an online October’s finally here, just a few more months until the conclusion of the fall semes- ter. Like many Americans, I was deeply sad- college education dened by the passing of Justice Ruth Bader Ginsburg. Justice Ginsburg fought tirelessly for Daniel Lubofsky Asynchronous classes have been women’s rights, gender equality and on behalf Managing Editor an invaluable workaround to the varying of the LGBT community. Justice Ginsburg schedules of QC students, but those lectures showed the American public that it is possible Whether it be from dining room also require time and energy students to be friends with someone who does not agree tables turned work desks or the comfort have become responsible to find on their with you, as her friendship with the late Justice of one’s own bed, students in own. Rather than having a set schedule Antonin Scalia was proof. -
Goodbye Jimmy Reed
WORDS FILL MY HEAD Rough And Rowdy Ways Lyrics as sung by Bob Dylan on the released album and transcribed by Daniel Mackay. I Contain Multitudes Today and tomorrow and yesterday too The flowers are dyin’ like all things do Follow me close, I’m going to Bally-na-lee I’ll lose my mind if you don’t come with me I fuss with my hair and I fight blood feuds I contain multitudes Got a tell-tale heart like Mr. Poe Got skeletons in the walls of people you know I’ll drink to the truth and to things we said I’ll drink to the man that shares your bed I paint landscapes and I paint nudes I contain multitudes Red Cadillac and a black moustache Rings on my fingers that sparkle and flash Tell me what’s next, what shall we do? Half my soul, baby, belongs to you I rollick and I frolic with all the young dudes I contain multitudes I’m just like Anne Frank, like Indiana Jones And them British bad boys, the Rolling Stones I go right to the edge, I go right to the end I go right where all things lost are made good again I sing the songs of experience like William Blake I have no apologies to make Everything’s flowing all at the same time I live on a boulevard of crime I drive fast cars and I eat fast foods I contain multitudes WORDS FILL MY HEAD – Rough And Rowdy Ways Pink pedal pushers, red blue jeans All the pretty maids and all the old queens All the old creeds from all my past lives I carry four pistols and two large knives I’m a man of contradictions, I’m a man of many moods I contain multitudes You greedy old wolf, I’ll show you my heart But not all of -
Goodbye Jimmy Reed
WORDS FILL MY HEAD Rough And Rowdy Ways Lyrics as sung by Bob Dylan on the released album and transcribed by Daniel Mackay. I Contain Multitudes Today and tomorrow and yesterday too The flowers are dyin’ like all things do Follow me close, I’m going to Bally-na-lee I’ll lose my mind if you don’t come with me I fuss with my hair and I fight blood feuds I contain multitudes Got a tell-tale heart like Mr. Poe Got skeletons in the walls of people you know I’ll drink to the truth and to things we said I’ll drink to the man that shares your bed I paint landscapes and I paint nudes I contain multitudes Red Cadillac and a black moustache Rings on my fingers that sparkle and flash Tell me what’s next, what shall we do? Half my soul, baby, belongs to you I rollick and I frolic with all the young dudes I contain multitudes I’m just like Anne Frank, like Indiana Jones And them British bad boys, the Rolling Stones I go right to the edge, I go right to the end I go right where all things lost are made good again I sing the songs of experience like William Blake I have no apologies to make Everything’s flowing all at the same time I live on a boulevard of crime I drive fast cars and I eat fast foods I contain multitudes WORDS FILL MY HEAD – Rough And Rowdy Ways Pink pedal pushers, red blue jeans All the pretty maids and all the old queens All the old creeds from all my past lives I carry four pistols and two large knives I’m a man of contradictions, I’m a man of many moods I contain multitudes You greedy old wolf, I’ll show you my heart But not all of -
By Naomi Iizuka
By Naomi Iizuka War NINg:Profanity, nudity, and adult situations Polaroid Stories by Naomi Iizuka directed by Walton Jones Scenic Design by Maggie Seymour Costume Design by Erica McClellan with special kudos to Meghan Connor Lighting Design by Meghan Gray Projection Design by Meghan Gray & Benjamin Wasser Sound Design by Price Johnston Production Dramaturg by Robyn Duyle Hair & Makeup Design by Chelsea Case Production Stage Manager: Dan Minzer Assistants to the Director: Sean Cummings, Cally Hale Assistant Scenic Designer: Taylor Webster Assistant Costume Designer: Meghan Connor Assistant Lighting Designer: Parker Stegmaier Assistant Sound Designers: Lizie Ackerman, Sean Cummings Assistant Stage Managers: Deidre Raph, Morgan Dingle Many of the projection images projected on the stage (and displayed in the lobby) are from sketchbooks the cast created as part of their preparation for their roles. Cast (in order of speaking) Philomel . Kat Springer D . Luke N. Peckinpaugh Eurydice . Christina Fontana Eurydice . Phoebe Rae Piper* Persephone, also Semele . Caty Pucci Persephone, also Semele . Danielle Dickey* Orpheus, also Tereus . Scott Sharp Narcissus . Jeff Garland Echo . Sophia M. Guerrero-Murphy Echo . Sarah Navratil* Skinhead Girl . Caitlin Melby Skinhead Boy . Nick Holland G . Amadeus Waters Toyota Tercel . Alice *(Performs on 4/15, 4/17, 4/23, and 4/25) Three of the women’s roles have been double cast, performing on different nights. This decision was made to give more women greater opportunities to perform in this play. Time: Very recent past Place: Abandoned train tunnels under New York City One 10-minute intermission Produced by special arrangement with THE DRAMATIC PUBLISHING COMPANY of Woodstock, IL Production Team Production Manager .