DOCSLIB.ORG

Medical College, Kolkata Is Having the 178Th Foundation Day on the 28Th January, 2012

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Medical College, Kolkata Is Having the 178Th Foundation Day on the 28Th January, 2012 Established: 1835 Type: Medical College and Hospital· Telephone: Principal: 2241-4920 MSVP: 22413989 Student Section : 2864-0469 PBX: 033 2241 4901/02/03/05/08, Fax- College:·033 2241 3929 Hospital: 033 2241 3953 Address: 88, College Street, Kolkata 700073 West Bengal, India Affiliation: West Bengal University of Health Sciences. Website: www.medicalcollegekolkata.org 1 Details of different buildings of Medical College & Hospital, Kolkata No. Name of the Building No. of Total Height (m) Yr of floor area (sq.m) constuction. 1 MCH Main Building 5 17145 1840 2 Eden Hospital Building 4 14807.44 23.05 1885 (Including Basement) 3 Ezra Building 2 2040 1887 4 Shyama Charan Law Infirmary Bldg 2 1666 1891 5 David Hare Block 4 11596 1910 6 Sir John Anderson Casualty Block 3 9210 1928 7 Green Building 6 12044.94 1981 8 RIO 4 7093 9 Administrative Bldg. 3 2883 16 1911 10 Surgical Out Door (NOPD) 1 880 1995 11 J.N. Ghosh Cancer Bldg. 2 812 1975 12 Cobalt Therapy Bldg. 1 241 1990 13 Chemistry Bldg. 3 3444 1898 14 Anatomy Block 2 4624 1905 15 Pathology Bldg. 3 5001 17 1905 16 Animal House 1 135 2.5 1923 17 Hospital Morgue 1 247 4.6 18 Laundry House 1 668 19 Student’s Canteen 2 96 20 Main Kitchen 1 500 1891 21 School of Nursing 2 892 22 Banaphool Hostel 1 3702 On the Roof of Eden 23 Eden Roof Hostel 1 24 Swarnamayee Hostel 3 1692 15.2 25 Lady House Staff Hostel 4 1156 15.5 26 Udayan Hostel Building 2 674.8 11.6 27 Dr. Chammary’s Hostel 4 1225.72 14.4 28 Main Student Hostel 4 5615.2 14.8 29 B.C.Roy Annex Bldg. 3 1341 11 1970 30 Giribabu Lane Students Boys Hostel 3 31 Dr Norman Bethune Students Hostel 3 32 Nurses Hostel Block ‘B’(new) 4 3626.68 12.9 1922 33 Nurses Hostel Block ‘A’(old) 4 8624 1906 34 R.P.Quarters 2 778 1899 35 R.S.Quarters 2 704 1899 36 Staff Quarters (5Nos.) 1 316 37 Service Barrack Block ‘A’ 4 2572.52 15.2 1920 38 Service Barrack Block’B’ 4 2556.48 15.2 1920 39 Service Barrack Block ‘C’ 4 946.8 14.4 1954 40 Service Barrack Block ‘D’ 4 1020 14.4 1954 41 Academic Building (in Process) 3 4,000 42 OPD Building 4 5,000 2010 43 Proposed Super Specialty Building 2 3 Organizing Committee 1. Prof. Siddhartha Chakraborty, M.S.V.P., M.C.H., Kol. 2. Prof. Suddhodhan Batabyal, Dean, Students Affairs, M.C., Kol. 3. Prof. Samir Dasgupta, Head, Dept. of Community Medicine, M.C., Kol. 4. Prof. Plaban Mukherjee, Head, Dept. of C.T.V.S., M.C., Kol. 5. Prof. S.P.Bera, Head, Dept. of E.N.T., M.C., Kol. 6. Prof. Sukanta Chatterjee, Head, Dept. of Paed. Medicine, M.C., Kol. 7. Prof. Gautam Chatterjee, Head, Dept. of Surgical Gastroenterology, M.C., Kol. 8. Prof. Sandipan Gupta, Head, Dept. of Plastic Surgery, M.C., Kol. 9. Prof. Debashish Basu, Head, Dept. of Neurology, M.C., Kol. 10. Prof. Santanu Guha, Head, Dept. of Cardiology, M.C., Kol. 11. Prof. Debabrata Banerjee, Head, Dept. of Dermatology, M.C., Kol. 12. Prof. Sumitra Basu Thakur, Head, Dept. of Chest Medicine, M.C., Kol. 13. Prof. Sima Mukherjee, Head, Dept. of G. & O., M.C., Kol. 14. Prof. Tapan Lahiri, Dept. of G. & O., M.C., Kol. 15. Prof. Tapas Das, Dept. of Medicine, M.C., Kol. 16. Prof. Saswati Majumder, Dept. of Pathology, M.C., Kol. 17. Prof. Molay Ghoshal, Dept. of Psychiatry, M.C., Kol. 18. Prof. Subhashish Saha, Dept. of Orthopaedics, M.C., Kol. 19. Dr. Ramtanu Banerjee, Assoc. Prof., Dept. of Medicine, M.C., Kol. 20. Dr. Nirjhar Bhattacharyya, Assoc. Prof., Dept. of Surgery, M.C., Kol. 21. Dr. Dibyendu Gautam, Assoc. Prof., Dept. of Surgery, M.C., Kol 22. Dr.. Shibashish Bhattacharyya, Asst. Prof. & Head, Dept. of Medical Oncology, M.C.,Kol. 23. Dr. Siddhartha Mani, Asstt. Prof, Dept. of Medicine, M.C., Kol. 24. Dr. Raja Bhattacharyya, R.M.O. cum Cl. Tutor, Dept. of Medicine, M.C., Kol. 25. Dr. Siwalik Banerjee, R.M.O. cum Cl. Tutor, Dept. of Medicine, M.C., Kol. 26. Dr. Alosikha Barua, Demonstrator, Dept. of Physiology, M.C., Kol. 27. Dr. Kuntal Biswas,Registrar, M.C.H., Kol. 28. Dr. Anup Sadhu, EKO Centre, M.C.H. , Kol. 29. Dr. Avik Ghosh, Sr. Resident, Dept. of E.N.T., M.C., Kol. 30. Prof. Siddhartha Chakraborty, President, MCESA 31. Dr. Asish Basu, Assoc. Prof., Dept. of Endocrinology, Secretary, MCESA. 32. Sri Satyajit Sen, Secretary, M.C., Kol. 33. Sri Sambit Guha, Accounts Officer, M.C., Kol. 34. Smt. Susmita Nag, Asstt. Supdt., M.C.H., Kol. 35. Sri Pradip Bhattacharyya, H.C., M.C., Kol. 36. Sri Jiteshananda Bhattacharyya, H.C.(Students Section), M.C., Kol. 37. Sri Ramen Ghosh, Incharge , Supervisory Grade Typist, M.C., Kol. 38. Smt. Tapati Biswas Chowdhury, UDC, Students Section, M.C., Kol. 39. Smt. Sumita Das, UDC, Students Section, M.C., Kol. 40. Smt. Rupali Saha, UDC, Students Section, M.C., Kol. 41. Smt. Madhuchhanda Kar, UDC, Students Section, M.C., Kol. 42. Sri Suman Sengupta, Store-Keeper, M.C., Kol. 43. Sri Biswajit Paul, P.A. to Principal, M.C., Kol. 44. President, M.C.S.U. 45. Secretary, M.C.S.U. 4 5 Different Sub Committees 1. Souvenir Dr. S.P.Bera, Prof. & Head, Dept. of ENT- Convener Dr. Plaban Mukherjee, Prof. & Head , Dept. of CTVS Dr. S. Guha, Prof. & Head. Dept. of Cardiology Dr. Debabrata Banerjee, Prof. &Head, Dept. of Dermatology Dr. Siddhartha Mani, Asstt. Prof.,Dept. of Medicine Dr. Sudipan Mitra, RMO cum Cl.Tutor, Dept. of Medicine Dr. Kuntal Biswas, Registrar Dr. Subhra Samujjwal Bose, Asst. Prof. Dept. of Community Medicine Dr. Anup Sadhu (In charge of EKO Centre) 2. Reception Dr. Siddhartha Charkraborty, M.S.V.P.- Convener Dr. Sima Mukherjee,Prof. & Head, Dept. of G. & O. Dr. Debashis Basu, Prof. & Head, Dept. of Neurology Dr. Tapas Das, Prof. & Head, Dept. of Medicine Dr. Suhrita Paul, Prof. & Head, Dept. of Pharmacology Dr. Sumitra Basu Thakur, Prof. & Head, Dept. of Chest Med. Dr. Molay Ghosal, Prof., Dept. of Psychiatry Dr. Asis Basu, Assoc. Prof., Dept. of Endocrinology Dr. Ramtanu Bandyopadhyay, Assoc. Prof., Dept. of Medicine Dr. Somajita Chakraborty, Assoc. Prof., Dept. of G. & O. Dr. Alo Sikha Barua, Demonstrator, Dept. of Physiology Dr. Siwalik Banerjee, R.M.O. cum Cl. Tutor, Dept. of Medicine Dr. Avik Ghosh, Sr. Resident, Dept. of ENT Smt. Susmita Nag, Asstt. Superintendent, M.C.H. Sri Dibyendu Bera, President, M.C.S.U. 3. Medals & Certificates Dr. Suddhadhan Batabyal, Dean, Students Affairs - Convener Sri Jiteshananda Bhattacharyya, Head Clerk, Students Section Smt. Tapati Biswas Chowdhury, UDC, Students Section Smt. Sumita Das, UDC, Students Section Smt. Rupali Saha, UDC, Students Section Smt. Madhu Chhanda Kar, UDC, Students Section. 4. Stage & DecorationDr. Samir Dasgupta, Prof. & Head, Dept. of Com. Med.-Convener Dr. Asis Basu, Assoc. Prof. , Dept. of Endocrinology Dr. Nirjhar Bhattacharyya, Assoc. Prof., Dept. of Surgery Dr. Raja Bhattacharyya, RMO cum Cl.Tutor,Dept. of Medicine Sri Suman Sengupta, Store-Keeper,, M.C.,Kol. Sri Anirban Dolui, Secretary, M.C.S.U. 5, Invitation Affairs Dr. L.K.Ghosh, Dean, WBUHS, & Prof., Dept. of F.S.M. Sri Satyajit Sen, Secretary, M.C., Kol. Sri Sambit Guha, Accounts Officer, M.C., Kol. Sri Pradip Bhattacharjee, Head Clerk, M.C., Kol. Sri Jiteshananda Bhattacharyya, Students Section,M.C.,Kol. Sri Remendra Nath Ghosh, Supervisory Grade Typist, M.C.Kol. Smt. Sadhana Roy, UDC, M.C., Kol. Sri Biswajit Paul, PA to Principal, M.C.,Kol. 6, Security Committee:Dr. Siddhartha Chakraborty, M.S.V.P., M.C.H. Sri Kumar Kanti Mal, Asstt. Supdt., M.C.H. 6 7 GOVERNING BODY, MEDICAL COLLEGE SWASTHYA SAMITY 1. Sri Manish Gupta, Hon’ble MIC, Planning & Development Department, G O W B - Chairman 2. Sri Dilip Ghosh, Commissioner, G O W.B., H & F W Department & Secretary, DHFW, - Member 3. Dr. Abu Ershad, DDHS (Admn.), Govt of W.B., H & F W Department - Member 4. Sri Subhendu Roy Chowdhury, Financial Advisor,W.B. State H & W Samity, - Member 5. Prof. Asim Ghosh, MSVP ,MCH Kolkata-Member 6. Prof. Saswati Majumdar. Dean, Students Affairs-Member 7. Prof. Utpal Chowdhury,Director IHTM,M.C.Kol.-Member 8. Prof. Debashis Basu,HOD of Neurology,M.C. Kolkata.-Member 9. Mrs. Smritikana Mani,Principal, College of Nursing,MCH Kol- Member 10. Sri Sambit Guha, Accounts Officer,M C,Kolkata.- Member 11. Sri Sanjay Banerjee, Accounts Officer MCH,,Kolkata.- Member 12. Sri Jiteshananda Bhattacharya, Head Clerk, M C, Kol.- Member 8 It gives me immense pleasure to know that Medical College, Kolkata is having the 178th Foundation Day on the 28th January, 2012. Founded in 1835, this glorious institute with a very rich heritage is the first Medical College in Asia and has been known over decades to be one of the premier teaching institutes of the country. Dr Bidhan Chandra Roy, the visionary who made Bengal what it is today was a student of this college. And so were many others. Presently this institute is undergoing many up gradations for the benefit of common people, and the Ma-Mati- Manusher Sarkar under the leadership of Hon’ble Chief Minister Shreemati Mamata Banerjee will take the institute to a higher level of distinction. I wish the programme a grand success. Dr Nirmal Maji M.L.A Co-Chairman Assembly Advisory Committee of Health Member of WBMC & WBUHS 9 ROGI KALYAN SAMITY (R.K.S.) OF M.C.H.
Load more

Recommended publications
  • The Actresses of the Public Theatre in Calcutta in the 19Th & 20Th Century
    Revista Digital do e-ISSN 1984-4301 Programa de Pós-Graduação em Letras da PUCRS http://revistaseletronicas.pucrs.br/ojs/index.php/letronica/ Porto Alegre, v. 11, n. esp. (supl. 1), s113-s124, setembro 2018 http://dx.doi.org/10.15448/1984-4301.2018.s.30663 Memory and the written testimony: the actresses of the public theatre in Calcutta in the 19th & 20th century Memória e testemunho escrito: as atrizes do teatro público em Calcutá nos séculos XIX e XX Sarvani Gooptu1 Netaji Institute for Asian Studies, NIAS, in Kolkata, India. 1 Professor in Asian Literary and Cultural Studies ABSTRACT: Modern theatrical performances in Bengali language in Calcutta, the capital of British colonial rule, thrived from the mid-nineteenth at the Netaji Institute for Asian Studies, NIAS, in Kolkata, India. https://orcid.org/0000-0003-1564-1225 E-mail: [email protected] century though they did not include women performers till 1874. The story of the early actresses is difficult to trace due to a lack of evidence in primarycontemporary material sources. and the So scatteredthough a researcher references is to vaguely these legendary aware of their actresses significance in vernacular and contribution journals and to Indian memoirs, theatre, to recreate they have the remained stories of shadowy some of figures – nameless except for those few who have left a written testimony of their lives and activities. It is my intention through the study of this Keywords: Actresses; Bengali Theatre; Social pariahs; Performance and creative output; Memory and written testimony. these divas and draw a connection between testimony and lasting memory.
    [Show full text]
  • Prospectus 2021
    Ramakrishna Mission Vidyamandira Belur Math, Howrah-711202 A Residential Autonomous College affiliated to University of Calcutta College with Potential for Excellence DST-FIST sponsored College, Funded by DBT- Star College Scheme, NIRF India Ranking 2020 (College Category) – 7th Contents 1. History and Objective 1 2. Units of Ramakrishna Mission Saradapitha 2 3. Courses of Study 3 4. Programme Outcomes (PO) 42 5. Rules of Admission 44 6. Rules for Payment of Dues 45 7. Examination 46 8. Stipends and Scholarships 57 9. Library 57 10. Computer Laboratory & Internet Kiosk 59 11. Smart Classrooms & Language Laboratory 59 12. ‘Swami Vivekananda Research Centre’ (SVRC) 59 13. Internal Quality Assurance Cell 59 14. Placement & Career Counselling Cell 60 15. College and Hostel Dress Code 61 16. Hostel 61 17. Co-curricular Activities 62 18. Anti-ragging Cell 64 19. Discipline 65 20. Vidyamandira Vidyarthi Samsad 67 21. Visits by Guardians 68 22. Health 68 23. Administrative & Faculty Members 68 24. Administrative & Academic Support Staff (College) 81 25. Administrative & Academic Support Staff (Hostel) 86 26. Academic Medals & Prizes 88 27. Donations 105 28. Fees Structure 113 29. Withdrawals 116 30. Daily Routine 121 31. Contact 122 1 1. History and Objective: What is today the Ramakrishna Mission Vidyamandira, traces its origin to the educational ethos of Swami Vivekananda. True education, according to Swami Vivekananda, must enable a person to manifest all that is best in him by a harmonious development of head, hand, and heart. Such an education would not only combine in it the best elements of Eastern and Western culture but would at the same time hold aloft the Indian ideals of devotion, wisdom and morality so that it might meet the national temperament at every point.
    [Show full text]
  • Journal of Bengali Studies
    ISSN 2277-9426 Journal of Bengali Studies Vol. 6 No. 1 The Age of Bhadralok: Bengal's Long Twentieth Century Dolpurnima 16 Phalgun 1424 1 March 2018 1 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Journal of Bengali Studies (ISSN 2277-9426), Vol. 6 No. 1 Published on the Occasion of Dolpurnima, 16 Phalgun 1424 The Theme of this issue is The Age of Bhadralok: Bengal's Long Twentieth Century 2 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 ISSN 2277-9426 Journal of Bengali Studies Volume 6 Number 1 Dolpurnima 16 Phalgun 1424 1 March 2018 Spring Issue The Age of Bhadralok: Bengal's Long Twentieth Century Editorial Board: Tamal Dasgupta (Editor-in-Chief) Amit Shankar Saha (Editor) Mousumi Biswas Dasgupta (Editor) Sayantan Thakur (Editor) 3 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Copyrights © Individual Contributors, while the Journal of Bengali Studies holds the publishing right for re-publishing the contents of the journal in future in any format, as per our terms and conditions and submission guidelines. Editorial©Tamal Dasgupta. Cover design©Tamal Dasgupta. Further, Journal of Bengali Studies is an open access, free for all e-journal and we promise to go by an Open Access Policy for readers, students, researchers and organizations as long as it remains for non-commercial purpose. However, any act of reproduction or redistribution (in any format) of this journal, or any part thereof, for commercial purpose and/or paid subscription must accompany prior written permission from the Editor, Journal of Bengali Studies.
    [Show full text]
  • Setting the Stage: a Materialist Semiotic Analysis Of
    SETTING THE STAGE: A MATERIALIST SEMIOTIC ANALYSIS OF CONTEMPORARY BENGALI GROUP THEATRE FROM KOLKATA, INDIA by ARNAB BANERJI (Under the Direction of Farley Richmond) ABSTRACT This dissertation studies select performance examples from various group theatre companies in Kolkata, India during a fieldwork conducted in Kolkata between August 2012 and July 2013 using the materialist semiotic performance analysis. Research into Bengali group theatre has overlooked the effect of the conditions of production and reception on meaning making in theatre. Extant research focuses on the history of the group theatre, individuals, groups, and the socially conscious and political nature of this theatre. The unique nature of this theatre culture (or any other theatre culture) can only be understood fully if the conditions within which such theatre is produced and received studied along with the performance event itself. This dissertation is an attempt to fill this lacuna in Bengali group theatre scholarship. Materialist semiotic performance analysis serves as the theoretical framework for this study. The materialist semiotic performance analysis is a theoretical tool that examines the theatre event by locating it within definite material conditions of production and reception like organization, funding, training, availability of spaces and the public discourse on theatre. The data presented in this dissertation was gathered in Kolkata using: auto-ethnography, participant observation, sample survey, and archival research. The conditions of production and reception are each examined and presented in isolation followed by case studies. The case studies bring the elements studied in the preceding section together to demonstrate how they function together in a performance event. The studies represent the vast array of theatre in Kolkata and allow the findings from the second part of the dissertation to be tested across a variety of conditions of production and reception.
    [Show full text]
  • The Political Theater of Utpal Dutt
    Theater Arts Faculty Works Theater Arts 2012 Rehearsals for a Revolution: The Political Theater of Utpal Dutt. Arnab Banerji Loyola Marymount University Follow this and additional works at: https://digitalcommons.lmu.edu/thea_fac Part of the Theatre and Performance Studies Commons Recommended Citation Banerji, Arnab. “Rehearsals for a Revolution: The Political Theater of Utpal Dutt.” South Eastern Review of Asian Studies (2012). This Article is brought to you for free and open access by the Theater Arts at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Theater Arts Faculty Works by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. Southeast Review of Asian Studies Volume 34 (2012), pp. 222–30 Rehearsals for a Revolution: The Political Theater of Utpal Dutt ARNAB BANERJI University of Georgia During the mid-1960s, when communist politics were beginning to gain significant ground in Bengal, the playwright, actor, and director Utpal Dutt উৎপল দত্ত (1924–93) experimented with theatrical forms in the hope of creating a political theater and fomenting a proletarian social revolution. This essay examines his concept of the “revolutionary theater” and its underlying elements, which include traditional forms of theater like jatra and both Piscatorian and Brechtian techniques. Utpal Dutt উৎপল দত্ত (1924–93) is one of the best known and most respected figures in the history of modern Bengali theater. A committed leftist, Dutt wrote, directed, and acted in commercially successful and politically challenging plays during a career of nearly fifty years from the early 1940s until his death in 1993.
    [Show full text]
  • Actresses on Bengali Stage—Nati Binodini and Moyna: the Present Re-Imagines the Past
    Actresses on Bengali Stage—Nati Binodini and Moyna: the Present Re-imagines the Past Madhumita Roy and Debmalya Das. Visva Bharati, Santiniketan. India. Abstract The Bengal Renaissance ushered in the process of multifaceted modernization resulting in the major reshaping of the theatrical space both in terms of convention and praxis. Abandoning the convention of cross–dressing (where the earlier male actors were dressed as women to represent female characters), this new theatrical space began to accommodate the women actors for the representation of female characters. Parallel with the emergence of the “New Woman” in the upper middle class society of the nineteenth century, the women actors also constituted a segregated sphere of the emancipated women. Although “free” to encounter the public sphere, they were denied the degree of social acceptability/status that was otherwise available to the then upper middle class “New Women.” This paper tries to locate the experience of a female actor of nineteenth century: Binodini Dasi: as is rendered in her two short autobiographical writings and the re-imagination of that experience in the twentieth century play Tiner Taloar by Utpal Dutt. Dutt uses the historical material to explore the consolidation and redefinition of the feminine space in his contemporary theatre. [Keywords: theatre, actress, performance, prostitution, protest, commodification, liberty.] The Bengal Renaissance ushered in the process of multifaceted modernization resulting in the major reshaping of the theatrical space both in terms of convention and praxis. Abandoning the convention of cross–dressing (whereas the earlier male actors were dressed as women to represent female characters), this new theatrical space began to accommodate the women actors for the representation of female characters.
    [Show full text]
  • Bengali Theatre Overview: India Utpal K Banerjee 3 Bengali Theatre Overview: Bangladesh Mumtajuddin Ahmed 9
    CONTENTS I—PROLOGUE 1 Bengali Theatre Overview: India Utpal K Banerjee 3 Bengali Theatre Overview: Bangladesh Mumtajuddin Ahmed 9 II—BENGALI THEATRE: LEGACY 19 My Statement Binodini Dasi 21 Golapsundari: The First Actress Debashis Roy Chowdhury 29 Rakhaldas Banerjee: Pioneer Theatre Critic Durga Dutta 33 Girish Chandra Ghosh: Actor and Playwright Samik Bandyopadhyay 37 Girish Chandra and Mythical Plays Samik Bandyopadhyay 41 Views of Sisir Kumar on Theatre Debnarayan Gupta 45 HI—BENGALI THEATRE: EVOLUTION 47 Old Calcutta's English Theatres Kironmoy Raha 49 Nabanna' and Mainstream Theatre Kumar Roy 54 The Theatre of the Post-Thirties Purabi Mukherjee 63 Proscenium Theatre of Bangladesh Ramendu Majumder 65 Changing Role of Theatre in Society Rustam Barucha 72 Evolution Behind the Theatre Curtain Suresh Dutta 78 IV—BENGALI THEATRE: PLURALITY 83 Innovation and Experimentation in Theatre Utpal Dutt 85 Bengali Theatre: The Folk and The Foreign Bibhas Chakraborty 92 The Hijack of Yatra Rudraprasad Sengupta 96 My Narrative Theatre Saoli Mitra 102 Theatre of Politics, Protest and Commitment Bishnupriya Pal 109 Commercial Stage and Group Theatre: Similarities and Contrasts Meghnad Bhattacharjee 120 Bengali Puppet Theatre Sampa Ghosh 125 V—BENGALI THEATRE: EXPRESSION 133 The Sailboat of Fantacy Shyamal Ghosh 135 The Actress: Down the Ages Shova Sen 139 Acting in Multiple Media Mohammad Zakaria 143 Acting and Transcendental Time Debashis Majumdar 147 Advent of New Playwrights Manoj Mitra 153 Terms of Our Art-Form Khaled Choudhury 158 A Tradition of Stagecraft Durga Dutta 170 The Luminous Beginning Tapas Sen 172 VI—INTERACTIONS WITH BENGALI THEATRE 181 The Expanded Theatre Mrinal Sen 183 Bengali Theatre: Persons and Performances J.N.
    [Show full text]
  • Abstract Book
    Abstract Book Summary of Lectures Delivered at 71 st Orientation Programme November 19 - December 18, 2018 UGC-Human Resource Development Centre Jadavpur University Programme Coordinator Nandan Bhattacharya Assistant Director UGC-HRDC, JU i Published By UGC-Human Resource Development Centre, Jadavpur University, Kolkata Published in November, 2018 Conceptualized by Rajat Acharyya Director (Additional Charge), UGC-HRDC, & Professor of Economics Jadavpur University Editorial Team Nandan Bhattacharya Chaitali Mukherjee Prabir Kr. Chatterjee Printed By Amar Ekushe ii Director’s Note The UGC-Human Resource Development Centre, Jadavpur University, is organizing the 71 st Orientation Programme, the last among the four such programmes sanctioned by the UGC in the session 2017-18. Like the previous Orientation Programmes, we have organized a study tour at Satyajit Ray Film and Television Institute (SRFTI) Kolkata, for the participants of 71 st Orientation Programme. In this study tour the participants would get first-hand experience in direction, sound, cinematography, editing and animation through a guided tour of different units of SRFTI, which they would thereafter document in terms of reports. My sincere thanks go to Debamitra Mitra, Director of SRFTI Kolkata and Ashok Viswanathan, Dean, SRFTI Kolkata, for arranging such an important study tour for the participants of the 71 st Orientation Programme. While selecting topics of the lecture sessions, three criteria have been kept in mind: topics of current affairs of national as well as international importance (such as Disaster management); topics of general interest for moral, psychological and professional development (such as lectures on IQAC, Gender issue, stress management, research methodology, CAS/service matters, general financial rules); and topics of cross-discipline and multi-discipline in nature (such as lectures on, philosophy and history of science, Law, Media Studies).
    [Show full text]
  • JETIR Research Journal
    © 2019 JETIR May 2019, Volume 6, Issue 5 www.jetir.org (ISSN-2349-5162) Reshaping Canon:- William Shakespeare and The Bengali Theatre of the 19th Century Calcutta Mr. Arghya Chakraborty Assistant Professor CDC Department Parul University, Vadodara, Gujarat(India) Abstract: Bengali Theatre primarily refers to theatre performed in the Bengali Language. Bengali Theatre is produced mainly in West Bengal, and in Bangladesh. Bengali Theatre has its Origins in British Rule. It began as a Private Entertainment in the early 19th Century. But, William Shakespeare came in the Bengali Theatre in the 19th Century through the hands of Girish Ghosh, a remarkable Personality in the Bengali Theatre. My Paper deals with “William Shakespeare and the Bengali Theatre in the 19th Century Calcutta”. The Central Arguments of My Dissertation includes three things:- The “Indianization” of William Shakespeare. William Shakespeare as a Heterogeneous One rather than being a Homogeneous One, and The Liberties that the Bengali Theatre have taken to adapt William Shakespeare in their own Language(Bengali). Keywords: Bengali Theatre, Private Entertainment, Indianization, Heterogeneous. Contents 1. Inroduction. 2. Objective, Methodology and Scope. 3. History of Bengali Theatre (Rimli Bhattacharya). 4. William Shakespeare in the history of Bengali Theatre. 5. Why Shakespeare was adapted in Bengali Theatre. 6. Forms of these various Bengali Theatric adaptations of William Shakespeare. 7. William Shakespeare and the Bengali Theatre:- “Bhanumati Chittavilash”: “The Merchant of Venice”. “Bhranti Bilas”: “The Comedy of Errors”. 8. Conclusion. 9. Bibliography. Introduction Bengali Theatre primarily refers to the theatre performed in the Bengali Language. Bengali theatre is produced mainly in West Bengal, and in Bangladesh.
    [Show full text]
  • A Study in 19Th Century Bengali Theatre
    Article-6 Global Media Journal-Indian Edition/ISSN 2249-5835 Sponsored by the University of Calcutta/www.caluniv.ac.in Winter Issue/December 2013/Vol. 4/No. 2 COMMUNICATION THROUGH PUBLIC STAGE: A STUDY IN 19TH CENTURY BENGALI THEATRE Moloy Rakshit Assistant Professor Department of Bengali Presidency University Kolkata - 700 073, West Bengal. India Email: [email protected] Website :www.presiuniv.ac.in Introduction The strength of theatre as a medium of communication lies in the fact that as a lively and kinetic media it can communicate to people to an extent which cannot be matched by any other idiom of art and literature. Theatre was established in Bengal as an ancillary of the British colonial rule and its culture. Theatre is not Bengal’s own culture like Jatra-Lokantya-Thumer-Sang Nach-Half Akhrai-Khemta etc. Cronically, when Kolkata was becoming important in the 19th Century as British India’s capital and a centre of trade and administration, it was the European import of theatre and not the ethnic forms, became the favourite medium of cultural practice of the educated intelligentia. The quintessential bengali ‘Babu’, enlightened with European education and culture, accepted theatre primarily as a mode of entertainment and secondarily, as a platform to prove to the British that they were no less to the latter in terms of capitality in modern cultural practice. This particular class of ‘Anglicised’ Bengalis wanted to creat a class of their own district from the common Bengalis who were fond of ethnic cultural forms mentioned earlier. Thus it may be inferred that European theatre which got a hold in Kolkata due to imitating efforts of a few learned Babu’s, was from its inception, a minority culture.
    [Show full text]
  • Annual Report for the Year 2012- 2013
    ANNUAL REPORT FOR THE YEAR 2012- 2013 THE BENGAL CHAMBER OF COMMERCE AND INDUSTRY ‘Royal Exchange’, 6 Netaji Subhas Road, Kolkata 700 001 Tel: 91-33-2230 3711 / 3733 / 3746 Fax: 91-33-2230 1289 Email: [email protected] Website: www.bengalchamber.com Activities of the Bengal Chamber held between 29th September 2012 and 10th September 2013 have been reported. (Some events in September 2012, not covered in the earlier year’s Annual Report, have been covered in this Report.) Annual Report 2012- 2013 CONTENTS Annual General Meeting 2012 • Annual General Meeting of The Bengal Chamber, 28th September 2012, Chamber premises Corporate Social Responsibility • The Bengal Chamber supporting Aidias Consulting Group on the Human Rights Day Seminar on “CSR and Grass-roots Transformation – Making the Twain Meet”, 10th December 2012, Chamber premises • The Bengal Chamber supported The IGEP Foundation, in association with the Business Social Compliance Initiative (BSCI), in their Round Table on CSR / Social Compliance, 12th December 2013, Chamber premises • The Bengal Chamber Serving Humanity Forum presents a Workshop on “Road Emergencies and Our Response” on the occasion of World CSR Day 2013, 18th February 2013, Chamber premises • Together We Rise – An evening with Vidya Balan also featuring Anjan Dutta for the special children of IICP, 13th July 2013, Town Hall, Kolkata Economic Affairs • Union Budget Viewing Session, 28th February 2013, Chamber premises • Post Budget Seminar on “Union Budget 2013-14: A Thorough Analysis” with KPMG,
    [Show full text]
  • The 9Th June, 2018
    WEST BENGAL DENTAL COUNCIL Preliminary Electoral Roll for Election to be held under section 21(a) and 3(a) of the Dentists Act, 1948 (XVI of 1948), to fill the vacancy in the West Bengal Dental Council on the expiration of the term of all the members of this Council. The 9th June, 2018 The following list of persons (Registered Dentists in Part-A) of whose new registeration / renewal for the period upto 31-12-2018 was made within 31st May, 2018, qualified to vote under section 21(a) and 3(a) of the Dentists Act, 1948 (XVI of 1948), is published as the Preliminary Electoral Roll under Rules 3(3) under the Election Rules in W.B. Govt. Notification No.Medl.4818/2D-24/50 dated 14th October 1950 and clause 3 under Chapter-II of Dental Council (Election) Regulations, 1952 framed by Dental Council of India. It is also notified herewith that claims and objections relating to the entries or omission in the Preliminary Electoral Roll will be received by the Returning Officer up to 20th June, 2018 and every such claim or objection shall have to be made by an application in writing which must reach the office of the Returning Officer at Purta Bhavan, 3rd Floor, Room No.303, DF-Block, Salt Lake, Sector-I, Kolkata-700091, not later than 3 p.m. on dated 20th June, 2018. List of persons qualified to vote under Section 21(a) and 3(a) of the Dentists Act, 1948 (XVI of 1948) [See clause (3) of Rules (3) and clause (3) under Chapter-II] Sl.
    [Show full text]