Recoding the Boys' Club
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Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected]
Clemson University TigerPrints All Dissertations Dissertations 12-2016 Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Elrick, Kathy, "Ironic Feminism: Rhetorical Critique in Satirical News" (2016). All Dissertations. 1847. https://tigerprints.clemson.edu/all_dissertations/1847 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. IRONIC FEMINISM: RHETORICAL CRITIQUE IN SATIRICAL NEWS A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Kathy Elrick December 2016 Accepted by Dr. David Blakesley, Committee Chair Dr. Jeff Love Dr. Brandon Turner Dr. Victor J. Vitanza ABSTRACT Ironic Feminism: Rhetorical Critique in Satirical News aims to offer another perspective and style toward feminist theories of public discourse through satire. This study develops a model of ironist feminism to approach limitations of hegemonic language for women and minorities in U.S. public discourse. The model is built upon irony as a mode of perspective, and as a function in language, to ferret out and address political norms in dominant language. In comedy and satire, irony subverts dominant language for a laugh; concepts of irony and its relation to comedy situate the study’s focus on rhetorical contributions in joke telling. How are jokes crafted? Who crafts them? What is the motivation behind crafting them? To expand upon these questions, the study analyzes examples of a select group of popular U.S. -
MIAMI UNIVERSITY the Graduate School
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Bridget Christine Gelms Candidate for the Degree Doctor of Philosophy ______________________________________ Dr. Jason Palmeri, Director ______________________________________ Dr. Tim Lockridge, Reader ______________________________________ Dr. Michele Simmons, Reader ______________________________________ Dr. Lisa Weems, Graduate School Representative ABSTRACT VOLATILE VISIBILITY: THE EFFECTS OF ONLINE HARASSMENT ON FEMINIST CIRCULATION AND PUBLIC DISCOURSE by Bridget C. Gelms As our digital environments—in their inhabitants, communities, and cultures—have evolved, harassment, unfortunately, has become the status quo on the internet (Duggan, 2014 & 2017; Jane, 2014b). Harassment is an issue that disproportionately affects women, particularly women of color (Citron, 2014; Mantilla, 2015), LGBTQIA+ women (Herring et al., 2002; Warzel, 2016), and women who engage in social justice, civil rights, and feminist discourses (Cole, 2015; Davies, 2015; Jane, 2014a). Whitney Phillips (2015) notes that it’s politically significant to pay attention to issues of online harassment because this kind of invective calls “attention to dominant cultural mores” (p. 7). Keeping our finger on the pulse of such attitudes is imperative to understand who is excluded from digital publics and how these exclusions perpetuate racism and sexism to “preserve the internet as a space free of politics and thus free of challenge to white masculine heterosexual hegemony” (Higgin, 2013, n.p.). While rhetoric and writing as a field has a long history of examining myriad exclusionary practices that occur in public discourses, we still have much work to do in understanding how online harassment, particularly that which is gendered, manifests in digital publics and to what rhetorical effect. -
Troll Hunting
For my father, Brian, who taught me to love wor ds. Hell is empty, and all the devils are here. William Shakespeare, The Tempest, Act 1, Scene 2 THIS IS A work of nonfiction, researched and documented to the best of my ability. There were significant security risks in writing this book. I sought expert advice and wrote according to it. Therefore, some of the trolling syndicates mentioned within these pages have been given pseudonyms or go unnamed. Likewise, some of the trolls themselves are discussed only with a pseudonym. A few of the trolls who spoke to me behind the scenes are not named at all and others are composites or have been segmented. Some readers may be critical of the decision to provide anonymity for people who are hurting others so much. However, sometimes access to information comes at a cost – and, all things being equal, the trolls gave me great access. By the same token, some predator-troll victims are in physical danger. This is especially true where domestic violence is involved. In those cases, names and other identifying details may have been altered but the facts of the stories are unchanged. I have worked hard to quote all interviewees verbatim, but for the sake of readability have corrected some spelling errors and syntax. When I’m messaging with trolls in the United States, I use Australian spelling and they use American spelling. For authenticity, I’ve left this as is. This is a book about the internet and how it bleeds into real life. When quoting links and screenshots, I’ve aimed for accuracy. -
Melania and Me: the Rise and Fall of My Friendship with the First Lady
Thank you for downloading this Simon & Schuster ebook. Get a FREE ebook when you join our mailing list. Plus, get updates on new releases, deals, recommended reads, and more from Simon & Schuster. Click below to sign up and see terms and conditions. CLICK HERE TO SIGN UP Already a subscriber? Provide your email again so we can register this ebook and send you more of what you like to read. You will continue to receive exclusive offers in your inbox. To Melania — Prologue — Just Another Lunch “Grab ’em by the pussy.” The sentence that reverberated around the world on October 7, 2016. The quote was an excerpt from a recording that became forever known as “the Access Hollywood tape,” published by the Washington Post and aired on NBC News, a month before the 2016 presidential election. It had been recorded eleven years earlier, in September 2005, on a bus taking Donald Trump to make a cameo on the NBC soap opera Days of Our Lives. Now infamously, Donald told TV host Billy Bush, “I’m automatically attracted to beautiful. I just start kissing them. It’s like a magnet. Just kiss. I don’t even wait. And when you’re a star, they let you do it. You can do anything. Grab ’em by the pussy.” When the story broke about the tape I was deeply immersed in my oldest son, Zach’s, health problems related to his life-threatening food allergies and other issues that required many doctor’s visits and therapies. My middle son, Tyler, was transferring to a new school, and my daughter, Alexi, was adjusting to hers. -
Critical Media Literacies Series
Enough Already! Critical Media Literacies Series Series Editor William M. Reynolds (Georgia Southern University, USA) Editorial Board Peter Appelbaum (Arcadia University, USA) Jennifer Beech (University of Tennessee – Chattanooga, USA) Eleanor Blair (Western Carolina University, USA) Ana Cruz (St. Louis Community College, USA) Venus Evans-Winters (Illinois State University, USA) Julie C. Garlen (Georgia Southern University, USA) Nicholas Hartlep (Berea College, Kentucky, USA) Mark Helmsing (George Mason University, USA) Sherick Hughes (University of North Carolina – Chapel Hill, USA) Danielle Ligocki (Oakland University, USA) John Lupinacci (Washington State University, USA) Peter McLaren (Chapman University, USA) Yolanda Medina (Borough of Manhattan Community College/CUNY, USA) Brad Porfilio (Seattle University, USA) Jennifer Sandlin (Arizona State University, USA) Julie Webber (Illinois State University, USA) Handel Kashope Wright (The University of British Columbia, Canada) William Yousman (Sacred Heart University, USA) VOLUME 4 The titles published in this series are listed at brill.com/cmls Enough Already! A Socialist Feminist Response to the Re-emergence of Right Wing Populism and Fascism in Media By Faith Agostinone-Wilson අൾංൽൾඇ_ൻඈඌඍඈඇ This is an open access title distributed under the terms of the CC BY-NC 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. -
Angry White Men: How Breaking Bad and the Walking Dead Predicted the Trumpian Zeitgeist
ANGRY WHITE MEN: HOW BREAKING BAD AND THE WALKING DEAD PREDICTED THE TRUMPIAN ZEITGEIST Graeme J. Wilson A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2019 Committee: Ellen Gorsevski, Advisor Raymond Swisher Graduate Faculty Representative Lisa Hanasono Thomas Mascaro © 2019 Graeme J. Wilson All Rights Reserved iii ABSTRACT Ellen Gorsevski, Advisor The archetypal protagonist of the modern “Golden Age of Television” is a maladjusted, White male struggling with feelings of marginalization. While this description applies to characters such as Breaking Bad’s Walter White, it is also used by political commentators to characterize what is popularly perceived to be the prototypical male supporter of President Donald Trump. When considering the cultural zeitgeist of the angry White man, are there any cultural and rhetorical connections between White, male Trump supporters who exhibit irrational feelings of marginalization and dramas such as Breaking Bad whose protagonists similarly exhibit and are motivated by such feelings? As a theorist and critical scholar of televised rhetoric and discourses, I am interested in analyzing such programming to determine whether these prestige antihero series invited viewers to contribute to the current masculinist movement under Trump and reassert dominance in response to perceived losses to women and minority groups. The specific episodes that will serve as case studies for this research into the relationship between modern prestige television and the cultural zeitgeist of Trump’s America will be drawn from Breaking Bad and The Walking Dead, due to their cultural influence and visibility. -
Women, Democracy, and the Nineteenth Amendment
WOMEN, DEMOCRACY, AND THE NINETEENTH AMENDMENT PAULA A. MONOPOLI CONTENTS INTRODUCTION ............................................................................................. 1728 I. THE CURRENT STATE OF WOMEN’S PARTICIPATION IN FORMAL AND INFORMAL GOVERNANCE ........................................... 1730 II. GENDERED CONSTITUTIONAL DESIGN CHOICES ............................... 1734 III. LIBERAL RIGHTS OF SPEECH AND ASSOCIATION ............................... 1742 IV. FREE AND FAIR ELECTIONS ............................................................... 1745 CONCLUSION ................................................................................................. 1747 Sol & Carlyn Hubert Professor of Law, University of Maryland Carey School of Law; Visiting Scholar, Møller Institute, Churchill College, University of Cambridge. The author would like to thank Professor Linda McClain for her comments and Anamika Roy for her research assistance. 1727 1728 BOSTON UNIVERSITY LAW REVIEW [Vol. 100:1727 INTRODUCTION One hundred years ago, in the wake of a global pandemic and a world war, suffragists succeeded in having a nineteenth amendment added to the U.S. Constitution.1 To bolster support for involving the United States into World War I, President Woodrow Wilson argued that joining the war in Europe was necessary to protect democracy.2 But suffragists responded that this was a hollow battle cry when half the adult population at home could not participate in democratic governance.3 Their picketing and lobbying played a significant role in finally persuading President Wilson to support the woman suffrage amendment.4 In January 1918, President Wilson declared that the federal amendment was a “war measure.”5 In September 1918, he emphasized that the amendment was “essential to the successful prosecution of the great war of humanity in which we are engaged.”6 In so doing, he acknowledged what the suffragists had said all along—that a more perfect democracy required the full participation of women in governance. -
Seizing the Means of Prediction: Interrogating Populist Technologies in the Emerging Asocial
Seizing the Means of Prediction: Interrogating Populist Technologies in the Emerging Asocial Society Arun Jacob, Dipl.T, B.A. (Honours), MPC, M.A. A Major Research Project Submitted to the School of Graduate Studies In Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University Hamilton, Ontario, Canada by Arun Jacob, September 2019 Jacob 1 MASTER OF ARTS (2019) McMaster University (Cultural Studies and Critical Theory) Hamilton, Ontario TITLE: Seizing the Means of Prediction: Interrogating Populist Technologies in the Emerging Asocial Society AUTHOR: Arun Jacob, Dipl.T (Mohawk College), B.A. Honours (McMaster University), MPC (Ryerson University), M.A. (McMaster University) SUPERVISOR: Dr. Clifton van der Linden NUMBER OF PAGES: iii, 67 Jacob 2 Abstract By enabling the compilation of ‘big data’ from which knowledge of our patterns of thought, consumption, and action can be drawn, social media platforms give state and non-state actors private access to our political imaginations and thus expose the fault lines within our collective consciousness. This paper investigates how emerging and disruptive populist technologies automate the manufacturing of consent on social media platforms and the impact these technologies are having on our civil discourse and democratic sovereignty. Populist technologies can be understood as the dialectical Other of techno-neoliberalism. Where techno-neoliberalism functions as an assemblage of the political power of the state, the market power of corporations and the scientific know-how of technocrats, we can see populist technologies suturing old hatreds with new technologies. While populist media technologies have been analyzed as software and engineering technologies, they have yet to be considered from a psychoanalytic political theory perspective. -
Enough Already! Critical Media Literacies Series
Enough Already! Critical Media Literacies Series Series Editor William M. Reynolds (Georgia Southern University, USA) Editorial Board Peter Appelbaum (Arcadia University, USA) Jennifer Beech (University of Tennessee – Chattanooga, USA) Eleanor Blair (Western Carolina University, USA) Ana Cruz (St. Louis Community College, USA) Venus Evans-Winters (Illinois State University, USA) Julie C. Garlen (Georgia Southern University, USA) Nicholas Hartlep (Berea College, Kentucky, USA) Mark Helmsing (George Mason University, USA) Sherick Hughes (University of North Carolina – Chapel Hill, USA) Danielle Ligocki (Oakland University, USA) John Lupinacci (Washington State University, USA) Peter McLaren (Chapman University, USA) Yolanda Medina (Borough of Manhattan Community College/CUNY, USA) Brad Porfilio (Seattle University, USA) Jennifer Sandlin (Arizona State University, USA) Julie Webber (Illinois State University, USA) Handel Kashope Wright (The University of British Columbia, Canada) William Yousman (Sacred Heart University, USA) VOLUME 4 The titles published in this series are listed at brill.com/cmls Enough Already! A Socialist Feminist Response to the Re-emergence of Right Wing Populism and Fascism in Media By Faith Agostinone-Wilson අൾංൽൾඇ_ൻඈඌඍඈඇ This is an open access title distributed under the terms of the CC BY-NC 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. -
His People Patricia Lockwood His Politics
michelle dean: The feminist awakening of Adrienne Rich P.58 MAY 2016 Why Ted Cruz is What teen girls David Chang’s The Hum: You’ll Chasing after more dangerous really want on newest venture is a know it when Vladimir Nabokov’s than Trump P.18 social media P.69 movable feast P.6 you hear it P.50 butterfliesP.78 HIS PEOPLE PATRICIA LOCKWOOD HIS POLITICS BRIAN BEUTLER HIS CULTURE JEET HEER PoliticalPhilosophy_NewRepublic_4C.qxp_Layout 1 3/18/16 10:01 AM Page 1 What is Justice? he goal of political philosophy is to deter- T mine the standards by which we judge different institutions good or bad, just or un- just. Political Philosophy: An Introductionserves as a primer on some of the major theories of justice, to the arguments philosophers have made for and against these theories, and, ulti- mately, to how to be more thoughtful and rig- orous in your own thinking. EBOOK: $3.99 olitical Philosophy is the latest in a series of self-paced, P online guides from Libertarianism.org. These guides— videos and accompanying text—are taught by top professors and experts. They introduce the basic ideas and principles of a free and flourishing society and serve as a path to further learning. See details at Libertarianism.org/Guides. AVAILABLE AT CATO.ORG/STORE AND EBOOK RETAILERS NATIONWIDE. A PROJECT OF THE CATO INSTITUTE contents MAY 2016 18 Beyond Good and Evil 28 The virtues of being Ted Cruz. Lost in Trumplandia BY CLANCY MARTIN It’s his country now—we just vote in it. -
Identity: Hashtagging Race, Gender, Sexuality, and Nation
Revised Pages #identity Revised Pages Revised Pages #identity Hashtagging Race, Gender, Sexuality, and Nation Abigail De Kosnik and Keith P. Feldman, Editors University of Michigan Press • Ann Arbor Copyright © 2019 by Abigail De Kosnik and Keith P. Feldman Some rights reserved This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 International License. Note to users: A Creative Commons license is only valid when it is applied by the person or entity that holds rights to the licensed work. Works may contain components (e.g., photographs, illustrations, or quotations) to which the rightsholder in the work cannot apply the license. It is ultimately your responsibility to independently evaluate the copyright status of any work or component part of a work you use, in light of your intended use. To view a copy of this license, visit http://creativecommons.org/ licenses/by-nc/4.0/ Published in the United States of America by the University of Michigan Press Manufactured in the United States of America Printed on acid- free paper First published April 2019 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication data has been applied for. ISBN: 978- 0- 472- 07415- 0 (Hardcover : alk paper) ISBN: 978- 0- 482- 05415- 2 (Paper : alk paper) ISBN: 978- 0- 472- 12527- 2 (ebook) ISBN: 978- 0- 472- 90109- 8 (ebook Open Access) https://doi.org/10.3998/mpub.9697041 This title is freely available in an open access edition with generous support from the Library of the University of California, Berkeley. -
June-2017.Pdf
“A treasure. Books about “A brilliant book . How a whip- grief are rarely funny and smart young girl handles the loss of adorable—this one is.” her mother and the reorientation of —PEOPLE MAGAZINE, her family; charming and Book of the Week beautifully written.” —KIRKUS, Starred “In Hartnett’s winning debut, a memorable young narrator’s desire “With this novel, for rationality wrestles with her [Hartnett has] become one grief. Affecting.” of my favorite writers.” —PUBLISHERS WEEKLY, —KEVIN WILSON, New York Times Starred Review bestselling author of The Family Fang “Funny and heartfelt, Rabbit Cake “This is a truly terrific and original manages adult questions with a novel about grief, family, and tween’s sense of wonder.” finding hope in the aftermath.” —MARIE CLAIRE —BOOKLIST “Darkly funny and endlessly smart.” “The most enjoyable novel I’ve —PLOUGHSHARES, read since Mr. Penumbra’s “Must-Reads for 2017” 24-Hour Bookstore!” —PETE MOCK, McIntyre’s Books available wherever books are sold · www.tinhouse.com contents JUNE 2017 UP FRONT 6 Russia’s Weaponized Fake News 22 Inside the Kremlin’s ongoing political influence campaign. BY LAURA RESTON 8 Trump the Job Killer Why is the self-proclaimed economic savior firing people? BY BRYCE COVERT 9 The Trump Tweetometer A highly precise quantitative analysis of last month’s presidential tweets. 10 The New Star Wars Our next global conflict may be fought in outer space. BY SHANNON STIRONE 12 Not So Fast, Blue Cities How Republicans are blocking efforts to raise the minimum wage. BY CLIO CHANG COLUMNS 14 The Great Democratic Divide Can elite liberals learn to embrace middle America? BY MICHAEL TOMASKY 16 The Miseducation of Liberals Don’t like Betsy DeVos? Blame the Path of Most Resistance Democrats.