THE ROLE of MEDIA and MASS COMMUNICATION THEORY in the GLOBAL PANDEMIC Mark DEUZE
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Instructional Communication 8 the Emergence of a Field
Instructional Communication 8 The Emergence of a Field Scott A. Myers ince its inception, the field of instructional communication has Senjoyed a healthy existence. Unlike its related subareas of communi- cation education and developmental communication (Friedrich, 1989), instructional communication is considered to be a unique area of study rooted in the tripartite field of research conducted among educational psychology, pedagogy, and communication studies scholars (Mottet & Beebe, 2006). This tripartite field focuses on the learner (i.e., how students learn affectively, behaviorally, and cognitively), the instructor (i.e., the skills and strategies necessary for effective instruction), and the meaning exchanged in the verbal, nonverbal, and mediated messages between and among instructors and students. As such, the study of instructional com- munication centers on the study of the communicative factors in the teaching-learning process that occur across grade levels (e.g., K–12, post- secondary), instructional settings (e.g., the classroom, the organization), and subject matter (Friedrich, 1989; Staton, 1989). Although some debate exists as to the events that precipitated the emer- gence of instructional communication as a field of study (Rubin & Feezel, 1986; Sprague, 1992), McCroskey and McCroskey (2006) posited that the establishment of instructional communication as a legitimate area of scholarship originated in 1972, when the governing board of the Inter- national Communication Association created the Instructional Communi- cation Division. The purpose of the Division was to “focus attention on the role of communication in all teaching and training contexts, not just the teaching of communication” (p. 35), and provided instructional communication researchers with the opportunity to showcase their scholarship at the Association’s annual convention and to publish their research in Communication Yearbook, a yearly periodical sponsored by the Association. -
B.A. Communication Studies (Public Relations Track) 20-21 Bulletin
B.A. Communication Studies (Public Relations Track) 20-21 Bulletin https://bulletin.oglethorpe.edu/9-major-minor-programs-requirements/ CORE Requirements Freshman Year Sophomore Year Junior Year Senior Year Required Culture Required Math COR 101 ( 4hrs) COR 201 ( 4hrs) COR 301 (4hrs) COR 400 (4hrs) Choose One: COR 314 (4hrs) COR 102 ( 4hrs) COR 202 ( 4hrs) COR 302 (4hrs) COR 103/COR 104/COR 105 (4hrs) Major Overview Major Course Requirements The program in Communication and Rhetoric Studies prepares students to become critically reflective citizens and practitioners Completion of all the following courses: in professions, including journalism, public relations, law, poli- COM 101 Theories of Communication and Rhetoric tics, broadcasting, advertising, public service, corporate commu- nications and publishing. Students learn to perform effectively COM 105 Introduction to Communication Research as ethical communicators – as speakers, writers, readers and Methods researchers who know how to examine and engage audiences, COM 110 Public Speaking from local to global situations. Majors acquire theories, research COM 120 Introduction to Media Studies methods and practices for producing as well as judging commu- COM 270 Principles of Public Relations nication of all kinds – written, spoken, visual and multi-media. The program encourages students to understand messages, au- COM 310 Public Relations Writing diences and media as shaped by social, historical, political, eco- COM 410 Public Relations Theory and Research nomic and cultural conditions. Completion of one of the following: Students have the opportunity to receive hands-on experience COM 240 Introduction to Newswriting in a communication field of their choice through an internship. A COM 260 Writing for Business and the Professions leading center for the communications industry, Atlanta pro- vides excellent opportunities for students to explore career op- COM 320 Persuasive Writing tions and apply their skills. -
Social Scientific Theories for Media and Communication JMC:6210:0001/ 019:231:001 Spring 2014
Social Scientific Theories for Media and Communication JMC:6210:0001/ 019:231:001 Spring 2014 Professor: Sujatha Sosale Room: E254 AJB Office: W331 AJB Time: M 11:30-2:15 Phone: 319-335-0663 Office hours: Wed. 11:30 – 2:30 E-mail: [email protected] and by appointment Course description and objectives This course explores the ways in which media impact society and how individuals relate to the media by examining social scientific-based theories that relate to media effects, learning, and public opinion. Discussion includes the elements necessary for theory development from a social science perspective, plus historical and current contexts for understanding the major theories of the field. The objectives of this course are: • To learn and critique a variety of social science-based theories • To review mass communication literature in terms of its theoretical relevance • To study the process of theory building Textbook: Bryant, J. & Oliver M.B. (2009). Media Effects: Advances in Theory and Research. 3rd Ed. New York: Routledge. [Available at the University Bookstore] Additional readings will be posted on the course ICON. Teaching Policies & Resources — CLAS Syllabus Insert (instructor additions in this font) Administrative Home The College of Liberal Arts and Sciences is the administrative home of this course and governs matters such as the add/drop deadlines, the second-grade-only option, and other related issues. Different colleges may have different policies. Questions may be addressed to 120 Schaeffer Hall, or see the CLAS Academic Policies Handbook at http://clas.uiowa.edu/students/handbook. Electronic Communication University policy specifies that students are responsible for all official correspondences sent to their University of Iowa e-mail address (@uiowa.edu). -
Features of Media Multitasking Experiences
WP2 MEDIA MULTITASKING D2.3.3.6 FEATURES OF MEDIA MULTITASKING EXPERIENCES Media Multitasking D2.3.3.6 Features of media multitasking experience s Authors: Maria Viitanen, Stina Westman, Teemu Kinnunen, Pirkko Oittinen Confidentiality: Consortium Date and status: August 31st , 2012, version 0.1 This work was supported by TEKES as part of the next Media programme of TIVIT (Finnish Strategic Centre for Science, Technology and Innovation in the field of ICT) Next Media - a Tivit Programme Phase 3 (1.1.–31.12.2012) Version history: Version Date State Author(s) OR Remarks (draft/ /update/ final) Editor/Contributors 0.1 31 st August MV, SW, TK, PO Review version {Participants = all research organisations and companies involved in the making of the deliverable} Participants Name Organisation Maria Viitanen Aalto University Researchers Stina Westman Department of Media Teemu Kinnunen Technology Pirkko Oittinen next Media www.nextmedia.fi www.tivit.fi WP2 MEDIA MULTITASKING D2.3.3.6 FEATURES OF MEDIA MULTITASKING EXPERIENCES 1 (40) Next Media - a Tivit Programme Phase 3 (1.1.–31.12.2012) Executive Summary Media multitasking is gaining attention as a phenomenon affecting media consumption especially among younger generations. From both social and technical viewpoints it is an important shift in media use, affecting and providing opportunities for content providers, system designers and advertisers alike. Media multitasking may be divided into media multitasking which refers to using several media together and multitasking with media, which consists of combining non- media activities with media use. In this deliverable we review research on multitasking from various disciplines: cognitive psychology, education, human-computer interaction, information science, marketing, media and communication studies, and organizational studies. -
Media Studies and Production Diploam Program Guide
Media Studies and Production Diploma - 31 credits Program Area: Media Studies (Fall 2019) ***REMEMBER TO REGISTER EARLY*** Program Description Required Courses This program is designed to Course Course Title Credits Term prepare the graduate for a wide MCOM 1400* Intro to Mass 3 Communication variety of positions in media MCOM 1420* Digital Video 3 production. Graduates are trained Production for jobs ranging from highly visible MCOM 1422* Audio for the Media 3 on-the-air assignments to positions ENGL 1106* College Composition I 3 on production or news teams. MCOM 1424 Digital Video Editing 3 Graduates can also gain skills MCOM 1426 Project/Production 3 needed for careers in multimedia, Management DVD authoring, film style MCOM 1428* Interactive Media 3 production, and media project & Production MCOM 1795* Portfolio Production 1 production management. Lake MCOM 1797* Media Studies 3 Superior College media studies Internship students receive valuable hands- Electives 6 on experience in LSC’s own audio (refer to Table 1) and video studios, as well as Total credits 31 through internships and *Requires a prerequisite or instructor’s consent experiences at local broadcast stations and media agencies. Program Outcomes Upon graduation, students will be able to: • Shoot and edit single camera media productions using both analog and digital equipment. • Participate in cooperative media production teams. • Voice, record, edit, and produce audio projects, promotions, and commercials using both analog and digital equipment. • Use terms and techniques common to media production and process. Pre-program Requirements Successful entry into this program requires a specific level of skill in the areas of English, mathematics, and reading. -
Journalism, Advertising, and Media Studies (JAMS)
Journalism, Advertising, and Media Studies Interested in This Major? Current Students: Visit us in Bolton Hall, Room 510B, call us at 414-229-4436 or email [email protected] Not a UWM Student yet? Call our Admissions Counselor at 414-229-7711 or email [email protected] Web: uwm.edu/journalism-advertising-media-studies JAMS at UWM Career Opportunities Media has never been more dynamic. The worlds JAMS students have a wide range of career paths open of journalism, advertising, public relations and film to them. Many seek careers in media, marketing, and are changing and growing at a rapid pace, and the communication. Others go on to pursue graduate work in the Department of Journalism, Advertising, and Media social sciences, humanities, and law. Studies (JAMS) is a great place to learn about them. Our alumni can be found in many prestigious organizations: Whether students see themselves working in news, entertainment, social media, advertising, public • Groupon • SC Johnson relations, or are fascinated by media, JAMS courses • Boston Globe • Milwaukee Brewers enable students to customize their education and • Milwaukee Journal • A.V. Club (Onion, Inc.) prepare for their chosen careers. Sentinel • WI Air National Guard Students choose courses to gain a broad • TMJ4 • United Nations understanding of the media’s place in society and • Foley & Lardner University culture, but also concentrate more closely in one of • Vice News • Boys & Girls Clubs of three areas: • WI State Legislature Greater Milwaukee Journalism. The Journalism concentration emphasizes • Bader Rutter writing, information gathering, critical thinking • New England Journal and technology skills in courses taught by media of Medicine • HSA Bank professionals. -
D4d78cb0277361f5ccf9036396b
critical terms for media studies CRITICAL TERMS FOR MEDIA STUDIES Edited by w.j.t. mitchell and mark b.n. hansen the university of chicago press Chicago and London The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. Published 2010 Printed in the United States of America 18 17 16 15 14 13 12 11 10 1 2 3 4 5 isbn- 13: 978- 0- 226- 53254- 7 (cloth) isbn- 10: 0- 226- 53254- 2 (cloth) isbn- 13: 978- 0- 226- 53255- 4 (paper) isbn- 10: 0- 226- 53255- 0 (paper) Library of Congress Cataloging-in-Publication Data Critical terms for media studies / edited by W. J. T. Mitchell and Mark Hansen. p. cm. Includes index. isbn-13: 978-0-226-53254-7 (cloth : alk. paper) isbn-10: 0-226-53254-2 (cloth : alk. paper) isbn-13: 978-0-226-53255-4 (pbk. : alk. paper) isbn-10: 0-226-53255-0 (pbk. : alk. paper) 1. Literature and technology. 2. Art and technology. 3. Technology— Philosophy. 4. Digital media. 5. Mass media. 6. Image (Philosophy). I. Mitchell, W. J. T. (William John Th omas), 1942– II. Hansen, Mark B. N. (Mark Boris Nicola), 1965– pn56.t37c75 2010 302.23—dc22 2009030841 The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ansi z39.48- 1992. Contents Introduction * W. J. T. Mitchell and Mark B. N. Hansen vii aesthetics Art * Johanna Drucker 3 Body * Bernadette Wegenstein 19 Image * W. -
MDST) Is a Distinct Track Within the Umbrella Phd in Media Research and Practice (MDRP)
Ph.D. in Media Studies I. Program Overview The PhD in Media Studies (MDST) is a distinct track within the umbrella PhD in Media Research and Practice (MDRP). Drawing largely from contemporary cultural and critical theory, the Media Studies PhD program focuses on interactions among the major components of modern communication — media institutions, their contents and messages, and their audiences or publics — as a process by which cultural meaning is generated. It examines that process on an interdisciplinary basis through social, economic, political, historical, legal/policy/regulatory and international perspectives, with a strong emphasis on issues involving new communication technology and policy. Students graduate from the program with broad knowledge of the intellectual history of media studies as an important interdisciplinary field of research—its origins; its perennial questions and controversies; its evolution in response to technological, political, economic and cultural change; the full range of methods it employs, both humanistic and social scientific – and a demonstrated capacity to design and execute original and socially significant research about media and their historical and contemporary power and importance. The program strives to produce graduates who demonstrate intellectual leadership, nationally and internationally, in the area(s) of research specialization they choose and/or pioneer, and an interest in and aptitude for generating public awareness and conversation about their scholarship. An important part of doctoral -
COMMUNICATION STUDIES 20223: Communication Theory TR 11:00-12:20 AM, Moudy South 320, Class #70959
This copy of Andrew Ledbetter’s syllabus for Communication Theory is posted on www.afirstlook.com, the resource website for A First Look at Communication Theory, for which he is one of the co-authors. COMMUNICATION STUDIES 20223: Communication Theory TR 11:00-12:20 AM, Moudy South 320, Class #70959 Syllabus Addendum, Fall Semester 2014 Instructor: Dr. Andrew Ledbetter Office: Moudy South 355 Office Phone: 817-257-4524 (terrible way to reach me) E-mail: [email protected] (best way to reach me) Twitter: @dr_ledbetter (also a good way to reach me more publicly) IM screen name (GoogleTalk): DrAndrewLedbetter (this works too) Office Hours: TR 10:00-10:50 AM & 12:30 PM-2:00 PM; W 11:00 AM-12:00 PM (but check with me first); other times by appointment. When possible, please e-mail me in advance of your desired meeting time. Course Text: Em Griffin, Andrew Ledbetter, & Glenn Sparks (2015), A First Look at Communication Theory (9th ed.). New York: McGraw-Hill. Course Description From TCU’s course catalog: Applies communication theory and practice to a broad range of communication phenomena in intrapersonal, interpersonal and public communication settings. You are about to embark on an exciting adventure through the world of communication theory. In some sense, you already inhabit this “world”—you communicate every day, and you may even be very good at it. But, if you’re like me, sometimes you might find yourself wondering: Why did she say that? Why did I say that in response? What there something that I could have said that would have been better? How could I communicate better with my friends? My parents? At school? At work? If you’ve ever asked any of these questions—and it would be hard for me to believe that there is anyone who hasn’t!—then this course is for you! By the end of our time together, I hope you will come to a deeper, fuller understanding of the power and mystery of human communication. -
Introduction to Communication Theory ❖ ❖ ❖
01-Dainton.qxd 9/16/2004 12:26 PM Page 1 1 Introduction to Communication Theory ❖ ❖ ❖ recent advertisement for the AT&T cellular service has a bold A headline that asserts, “If only communication plans were as simple as communicating.” We respectfully disagree with their assess- ment. Cellular communication plans may indeed be intricate, but the process of communicating is infinitely more so. Unfortunately, much of popular culture tends to minimize the challenges associated with the communication process. We all do it, all of the time. Yet one need only peruse the content of talk shows, classified ads, advice columns, and organizational performance reviews to recognize that communication skill can make or break an individual’s personal and professional lives. Companies want to hire and promote people with excellent communi- cation skills. Divorces occur because spouses believe that they “no longer communicate.” Communication is perceived as a magical elixir, one that can ensure a happy long-term relationship and can guarantee organizational success. Clearly, popular culture holds paradoxical views about communication: It is easy to do yet powerful in its effects, simultaneously simple and magical. 1 01-Dainton.qxd 9/16/2004 12:26 PM Page 2 2 APPLYING COMMUNICATION THEORY FOR PROFESSIONAL LIFE The reality is even more complex. “Good” communication means different things to different people in different situations. Accordingly, simply adopting a set of particular skills is not going to guarantee success. Those who are genuinely good communicators are those who under- stand the underlying principles behind communication and are able to enact, appropriately and effectively, particular communication skills as the situation warrants. -
Communication Studies Associate in Arts for Transfer
COMMUNICATION STUDIES ASSOCIATE IN ARTS FOR TRANSFER The Communication Studies major analyzes processes of communication, commonly defined as the sharing of symbols over distances in space and time. Hence, communication studies encompasses a wide range of topics and contexts ranging from face-to-face conversation to public speeches to mass media outlets such as television broadcasting and film studies. Communication Studies, as a discipline, is also interested in how audiences interpret information from the political, cultural, economic, and social dimensions of speech and language. There are many areas of specialization offered within the Communication Studies majors including Advertising, Public Relations, Journalism, Digital Media, Organizational Communication, Intercultural Communication, Interpersonal Communication, Rhetoric, and Media Studies. Studying communication will also enhance any career, but a few specific careers include business, public relations, human resources, law [after law school], advertising arts, teaching, social services, human services, and entertainment industries are all suited for graduates with a Communication Studies degree. Finally, students who are interested in the field of Communication Studies but do not wish to complete a Baccalaureate degree in the discipline may pursue a terminal two-year course of study. Such study will prepare them to understand diverse communication messages and practice excellent communication skills in a variety of settings. For more information contact: Dr. Amy Edwards (805) -
Media Influence: Communication Theories
MEDIA INFLUENCE: COMMUNICATION THEORIES Hypodermic Needle Agenda Setting Reinforcement Theory Uses & Gratification Encoding/Decoding Theory Function Theory Theory YEAR 1920 - 1940 1972 1960 1974 1980 THEORIST Various Maxwell McCombs Joseph Klapper Jay Blumler Stuart Hall Donald Shaw Elihu Katz OVERVIEW A linear communication theory This theory suggests that the Klapper argued that the The Uses and Gratification Stuart Hall’s which suggests that the media media can’t tell you what to media has little power to Theory looks at how people Encoding/Decoding Theory has a direct and powerful think but it can tell you what influence people and it just use the media to gratify a suggests that audience influence on audiences, like being to think about. Through a reinforces our pre-existing range of needs – including derive their own meaning injected with a hypodermic process of selection, omission attitudes and beliefs, which the need for information, from media texts. These needle. and framing, the media have been developed by personal identity, meanings can be focuses public discussion on more powerful social integration, social dominant, negotiated or particular issues. institutions like families, interaction and oppositional. schools and religion entertainment. organisations. AUDIENCE Audiences are passive and Audiences are active but, Audiences are active and Audiences are active and Audiences are active in homogenous, this theory does not when it comes to making exist in a society where they can have power over the decoding media account for individual differences. important decisions like who are influenced by important media. If people don’t messages. They can to vote for, they draw on social institutions.