Georgetown University Law Center Scholarship @ GEORGETOWN LAW 2015 Ex Post Modernism: How the First Amendment Framed Nonrepresentational Art Sonya G. Bonneau Georgetown University Law Center,
[email protected] This paper can be downloaded free of charge from: https://scholarship.law.georgetown.edu/facpub/1502 http://ssrn.com/abstract=2641027 39 Colum. J.L. & Arts 195 (2015) This open-access article is brought to you by the Georgetown Law Library. Posted with permission of the author. Follow this and additional works at: https://scholarship.law.georgetown.edu/facpub Part of the Constitutional Law Commons, Fine Arts Commons, and the First Amendment Commons BONNEAU, EX POST MODERNISM, 39 COLUM. J.L. & ARTS 195 (2015) Ex Post Modernism: How the First Amendment Framed Nonrepresentational Art Sonya G. Bonneau* TABLE OF CONTENTS Introduction ................................................................................................ 196 I. The Cultural Alliances of Modernism and Free Speech ........................ 200 A. The Politics of Modernism ........................................................ 201 B. The Apolitical Art of American Democracy ............................. 205 II. Postmodern Ideas, Messages, and Politics ........................................... 210 III. Modernism in the Court: A Breakdown .............................................. 215 A. The Artistic Expression Category: Politics to Formalism ........ 216 B. Jackson Pollock’s Painting as Speech, 1995 ............................. 218 C. Ex Post Hurley: