Chapter5 the Divine Family: Osiris, Isis and Horus
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Ancient Egyptian Religion I: General Concepts and the Heliopolitan Gods
Ancient Egyptian Religion I: General Concepts and the Heliopolitan Gods Shawn C. Knight Spring 2009 (This document last revised March 18, 2009) 1 The nature of Egyptian religion (intro) The Egyptian idea of \deity" is a difficult one to pin down. The most frequently used word for deity, ' 4 ntr (or nTr), resembles the English word god in that it can be used as either a common noun, referring to one of numerous divine beings, or as a proper noun, referring to the Supreme Being. Much more problematic than the word used, however, are the details of what the gods do and even who they are. Gods become conflated with one another; most notably, there are (at least) two gods named Horus, designated \Elder" and \Younger", and they share a number of traits, often being confused (deliberately or mistakenly). The gods usurp one another's roles, or delegate their roles to others, with astounding frequency. It is Set's role to protect the sun god from the serpent of chaos|except when Horus has that function. The Supreme Being is Re-Atum, except when he is Amun-Re, except when he is simply Re or simply Atum or . Adding still further to the complication is the local character of Egyptian religion. Every nome had a patron god, and while some of the gods patronized more than one nome, there was plenty of variety. We have already considered this to some degree: we have noted Thebes, for example, as having Amun for a patron, and observed that the military rise of the Thebans in the Middle and New Kingdoms were responsible for the enrichment and empowerment of Amun's cult. -
Ancient Egyptian Dieties
Ancient Egyptian Dieties Amun: When Amun’s city, Thebes, rose to power in the New Kingdom (1539-1070 B.C.), Amun became known as the “King of the Gods.” He was worshipped as the high god throughout Egypt. Able to take many shapes, Amun was sometimes shown as a ram or goose, but was usually shown in human form. He is fundamentally a Creator God and his name, Amun, means “The Hidden One.” Amun-Re: Originating in the Middle Kingdom, (2055 - 1650 B.C.), Amun-Re is a fusion of the Gods Amun and Re. He combined the invisible power of creation and the power visible in heat and light. Anubis: Usually represented as a black jackal, or as a human with a canine head, Anubis was a guardian of mummies, tombs, and cemeteries, as well as an escort of the deceased to the afterlife. Atum: According to the most ancient Egyptian creation myths, Atum is the creator of the world. He also brought the first gods Shu (air), Tefnut (water), Geb (earth), and Nut (sky) to Egypt. He is also god of the setting sun. Atum was represented in many forms such as a human, a human with the head of a ram, and a combination of an eel and a cobra. Bastet: Originating as early as Dynasty II (2820-2670 B.C.), Bastet was represented as a cat or a woman with a lioness’s head. She eventually became Egypt’s most important “cat goddess.” If Bastet took the form of a cat she was considered content, but if Bastet was a lioness she was considered an angry goddess. -
Egyptian Temples
Originalveröffentlichung in: Christina Riggs (Hrsg.), The Oxford Handbook of Roman Egypt, Oxford 2012, S. 362-382 CHAPTER 22 EGYPTIAN TEMPLES MARTINA MINAS-NERPEL From the beginning of their rule in Egypt, the Ptolemies initiated a gigantic temple con struction and decoration programme, which the Roman emperors continued well into the second century ce. Temples were still decorated on a much smaller scale into the third and the beginning of the fourth centuries. The last known cartouche of a Roman emperor in a temple was inscribed under Maximinus Daia (305-13 ce) on blocks belonging to the temple of Horus at Tahta (Holbl 2000: 45 n. 177; 114, fig. 157). Otherwise, the latest evidence comes from Esna (Sauneron 1975:65-6, no. 495; 84-7, no. 503), where the temple of Khnum was still being decorated under Decius (249-51 ce). Stelae inscribed in hieroglyphs continued to be set up in Egyptian temples, for example in the Bucheum at Armant, of which the latest is dated to 340, the fifty-seventh year of the era of Diocletian (Holbl 2000:45 n. 178; Goldbrun- ner 2004:78-9,302). The temple of Isis at Philae, where hieroglyphs were carved in the tem ple of Harendotes as late as 394 (Winter 1982:1023), was the last to be kept open, being closed down under Justinian between 535 and 537 (Winter 1982:1026), when it was converted to a church (Dijkstra 2008). The Hellenistic and Roman periods of Egypt are often subsumed under the term ‘Graeco- Roman Egypt’. In his examination of Egyptian society under Ptolemaic and Roman rule, Naphtali Lewis (1970) correctly pointed out that this phrase should not be used to imply con tinuity between the two eras, since the changes in the governmental structure, social pat terns and politics, administration, and the economy were so fundamental in Roman times as to render the term misleading. -
The Eye of Horus: the Connection Between Art, Medicine, and Mythology in Ancient Egypt
Open Access Review Article DOI: 10.7759/cureus.4731 The Eye of Horus: The Connection Between Art, Medicine, and Mythology in Ancient Egypt Karim ReFaey 1 , Gabriella C. Quinones 2 , William Clifton 1 , Shashwat Tripathi 3 , Alfredo Quiñones- Hinojosa 1 1. Neurosurgery, Mayo Clinic, Jacksonville, USA 2. Art, University of Miami, Miami, USA 3. Neurosurgery, University of Texas at Austin, Austin, USA Corresponding author: Karim ReFaey, [email protected] Abstract Ancient Egyptian civilization is one of the oldest cultures in human history. Ancient Egyptians are well- known for pioneering the fields of art, medicine, and the documentation of discoveries as mythological tales. The Egyptians mastered the integration of anatomy and mythology into artistic symbols and figures. The mythology of Isis, Osiris, and Horus is arguably one of the most recognized mythologies in ancient Egypt. The Eye of Horus was used as a sign of prosperity and protection, derived from the myth of Isis and Osiris. This symbol has an astonishing connection between neuroanatomical structure and function. Artistically, the Eye is comprised of six different parts. From the mythological standpoint, each part of the Eye is considered to be an individual symbol. Additionally, parts of the Eye represent terms in the series 1/2, 1/4, 1/8, 1/16, and 1/32; when this image is superimposed upon a sagittal image of the human brain, it appears that each part corresponds to the anatomic location of a particular human sensorium. In this manuscript, we highlight the possible scientific speculation of the ingenuity of ancient Egyptians’ remarkable insight into human anatomy and physiology. -
Foreign Deities in Egypt
UCLA UCLA Encyclopedia of Egyptology Title Foreign Deities in Egypt Permalink https://escholarship.org/uc/item/7tr1814c Journal UCLA Encyclopedia of Egyptology, 1(1) Author Zivie-Coche, Christiane Publication Date 2011-04-05 Peer reviewed eScholarship.org Powered by the California Digital Library University of California FOREIGN DEITIES IN EGYPT المعبودات اﻻجنبية في مصر Christiane Zivie-Coche EDITORS WILLEKE WENDRICH Editor-in-Chief University of California, Los Angeles JACCO DIELEMAN Editor Area Editor Religion University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Zivie-Coche, 2011, Foreign Deities in Egypt. UEE. Full Citation: Zivie-Coche, Christiane, 2011, Foreign Deities in Egypt. In Jacco Dieleman, Willeke Wendrich (eds.), UCLA Encyclopedia of Egyptology, Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0027fcpg 1011 Version 1, April 2011 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0027fcpg FOREIGN DEITIES IN EGYPT المعبودات اﻻجنبية في مصر Christiane Zivie-Coche Ausländische Götter in Ägypten Dieux étrangers en Égypte The presence of foreign deities in the Egyptian pantheon must be studied in the light of the openness of Egyptian polytheism and as a reflection on cultural identity. Even if Egyptian self- identity was defined as intrinsically opposed to the Other, i.e. the foreigner, Egypt always maintained contact with its neighbors, particularly Nubia and the Near East. These intercultural contacts had an effect on the religion. Since the earliest times, deities like Dedoun, Ha, or Sopdu formed an integral part of the Egyptian pantheon, so much so that their likely foreign origin is not immediately perceptible. -
Gathered Ancient Images of Set, by Joan Ann Lansberry the God Set (Aka Seth) Has Been Much of a Puzzle to Egyptologists
Gathered Ancient Images of Set, by Joan Ann Lansberry The god Set (aka Seth) has been much of a puzzle to Egyptologists. If we go with the attitude of later Egyptians, we find Set blamed for every misfortune that can befall humanity. However, if we go with the attitude of earlier times, in particular the Ramesside period, when Egypt was at its peak in prosperity, we find a completely different picture. For we find a god who was very much adored. Most of the surviving imagery is from that period, although even in Ptolemaic and Roman times we occasionally find a piece that was a part of worship and magical rites. It's my goal to find all his imagery and bring it together, thereby shedding new light on the Dark god. Let’s begin with the earliest images. Chicago’s Oriental Institute recorded a rock carving at Gebel Tjauti along the Theban Desert Road: John Coleman Darnell and Deborah Darnell believe it to be ‘the earliest certain depiction of this beast from the vicinity of Seth's cult center at Ombos.” (http://oi.uchicago.edu/research/pubs/ar/96-97/desert_road.html) H. Te Velde gives another example in his Seth, God of Confusion, (page 12). The 'Scorpion King' mace head, (Ashmolean Museum, Oxford; # AN1896-1908.E3632), features distinct Set animals on the top of tall standards. This piece was created about 3100 BCE, in the period immediately preceding the unification of Upper and Lower Egypt. 1 King Scorpion’s tomb at Abydos had a couple of ivory labels featuring Set animals. -
Rituals Related to Animal Cults
UCLA UCLA Encyclopedia of Egyptology Title Rituals Related to Animal Cults Permalink https://escholarship.org/uc/item/6wk541n0 Journal UCLA Encyclopedia of Egyptology, 1(1) Author Dodson, Aidan Publication Date 2009-07-16 Peer reviewed eScholarship.org Powered by the California Digital Library University of California RITUALS RELATED TO ANIMAL CULTS الطقوس المتعلقة بطوائف الحيوانات Aidan Dodson EDITORS WILLEKE WENDRICH Editor-in-Chief University of California, Los Angeles JACCO DIELEMAN Editor Area Editor Religion University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Dodson, 2009, Rituals Related to Animal Cults. UEE. Full Citation: Dodson, Aidan, 2009, Rituals Related to Animal Cults. In Jacco Dieleman, Willeke Wendrich (eds.), UCLA Encyclopedia of Egyptology, Los Angeles. ttp://digital2.library.ucla.edu/viewItem.do?ark=21198/zz001nf7d0 1027 Version 1, July 2009 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz001nf7d0 RITUALS RELATED TO ANIMAL CULTS الطقوس المتعلقة بطوائف الحيوانات Aidan Dodson Tierkulte Cultes des animaux Two kinds of cult animal existed in ancient Egypt: specific faunal representatives of a given deity that lived in a temple and were ceremonially interred, and creatures killed and mummified to act as votive offerings. The former are attested from the earliest times, while the latter date from the Late Period and later. عرف نوعان من طوائف الحيوانات بمصر القديمة: فكانت تمثل الحيوانات اﻵلھة وتسكن بالمعبد وتدفن بشكل مراسمي. وعرف ھذا من أول العصور المصرية، والنوع الثاني ھو قتل الحيوانات وتحنيطھا لتكون قرابين نذرية وھي عادة ظھرت بالعصر المتأخر وما بعده. hile there continues to be debate which reflected the deities’ iconic over precise definitions (cf. -
An Egyptian Priestess Reborn
An Egyptian Priestess Reborn: Scenes from the 21st Dynasty Coffin of Iwesemhesetmwt by Carolyn Graves-Brown 2013 This booklet is dedicated to Kate Bosse-Griffiths who cared for and researched the coffin as honorary curator of the Wellcome Collection at Swansea until 1993. The outline drawings are based on those made by Emyr Davies prior to 1984 . Contents Introduction ......................................................................................... 1 Right Side of Coffin The Sycamore Goddess .............................................................. 2 The Weighing of the Heart.......................................................... 3 I am Pure, I am Pure!.................................................................. 4 The Procession to the Throne of Osiris...................................... 5 The Enthroned Osiris................................................................. 6 Osiris on the Mound.................................................................. 7 Two Animal-headed Deities....................................................... 8 Left Side of Coffin The Celestial Cow....................................................................... 9 Three Gods in a Snake................................................................ 10 Presentation Before Osiris......................................................... 11 The Falcon................................................................................... 12 The Separation of Heaven and Earth.............................................13 The Chantress -
Temple Festivals of the Ptolemaic and Roman Periods
UCLA UCLA Encyclopedia of Egyptology Title Temple Festivals of the Ptolemaic and Roman Periods Permalink https://escholarship.org/uc/item/4cd7q9mn Journal UCLA Encyclopedia of Egyptology, 1(1) Author Coppens, Filip Publication Date 2009-01-29 Peer reviewed eScholarship.org Powered by the California Digital Library University of California TEMPLE FESTIVALS OF THE PTOLEMAIC AND ROMAN PERIODS مھرجانات المعابد البطلمية والرومانية Filip Coppens EDITORS WILLEKE WENDRICH Editor-in-Chief University of California, Los Angeles JACCO DIELEMAN Editor Area Editor Religion University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Coppens, 2009, Temple Festivals of the Ptolemaic and Roman Periods. UEE. Full Citation: Coppens, Filip, 2009, Temple Festivals of the Ptolemaic and Roman Periods. In Jacco Dieleman and Willeke Wendrich (eds.), UCLA Encyclopedia of Egyptology, Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz001nfbfz 1018 Version 1, January 2009 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz001nfbfz TEMPLE FESTIVALS OF THE PTOLEMAIC AND ROMAN PERIODS مھرجانات المعابد البطلمية والرومانية Filip Coppens Tempelfeste ptolemäischer und römischer Zeit Les fêtes de temple des époques ptolémaïques et romaines Egyptian temples of the Ptolemaic and Roman periods provided the setting for the dramatic performance of various cultic activities, such as festivals. This overview describes the nature, distribution (national; regional; -
The Apis Cult from the New Kingdom to the Ptolemaic Period
Institutionen för arkeologi och antik historia The Apis cult from the New Kingdom to the Ptolemaic Period Ida Kingo Fig. 1. Apis bull statuette. BA thesis 15 credits in Egyptology Spring term 2020 Supervisor: Andreas Dorn Abstract Kingo, I. 2020. The Apis cult from the New Kingdom to the Ptolemaic Period. Kingo, I. 2020. Apiskulten från det Nya Riket till den Ptolemaiska perioden. In this thesis the main goal is to present a general overview of the development of the cult of Apis in a chronological perspective from the New Kingdom until the end of the Ptolemaic Period, as this has not been done in a condensed form with the different aspects of the cult and the venerated animal present. Classical theories, such as those used in archaeology, is not very applicable for this thesis, instead it will address and connect several aspects such as time, geographical space, religion and ideology of kingship to the Apis cult. The Apis cult is interesting because it was one of the more important animal cults in ancient Egypt. The time period chosen is the c. 1500 years between the New Kingdom and the Ptolemaic Period, because it was during this time that the cult experienced the most developments and had its golden era. The Apis cult ties together several important aspects of the ancient Egyptian society; the political, religious, ideology of kingship and the cultural sphere. The cult of Apis was one strongly connected to the ruling power, one such example is during the Persian conquer by king Cambyses II in c. 526 B.C.E., when his role as the regent in Egypt was not seen as entirely legitimate by the Egyptians until he had participated in the burial ceremonies of the Apis bull. -
The Story of Osiris and Isis
The Story of Osiris and Isis Historical Context: Mythology exists in every culture as a method of telling the important stories of where we came from, why things happened that way, who our heroes are, and what we believe as a group. These stories often blend the local landscape, flora, and fauna into tales of heroics and magic to entertain and tell the story. Ancient Egypt was no different. These tales were entertaining and memorable, but also change over time. Ancient mythology was part of an oral tradition, retold not written down. The main ideas and lessons stay true, while other details may change to suit the teller’s place and time. This is a version of the myth of Osiris and Isis. Time Frame: Two class periods (40 minutes each) Correlation to Standards: World History, Reading for Literacy Materials Needed: One copy of “The Story of Osiris and Isis” for each pair of students. blank storyboard sheet. Comprehension Questions for each student. Objectives: Students Will Be Able To: Read and understand the story of Osiris and Isis. Summarize the main points of the story both in written and graphic forms. Understand the meaning behind the story, and how it helped to explain parts of Ancient Egyptian culture. Task: Teacher will partner students for a paired reading exercise. They must be seated so they can read quietly to each other without being disruptive to their classmates. Each partner will have one copy of the story of Osiris and Isis to share (this ensures they are paying attention to their partner) and a sheet on which to write their summary. -
The Story of Osiris and Isis
The Story of Osiris and Isis A long time ago, the god Osiris came to Egypt to rule as king. He brought the Egyptian people new laws and taught them how to farm well and live peacefully in their villages. Osiris was a very wise and powerful king, and was loved and respected by the Egyptian people. Unfortunately, his brother Seth, was very jealous of his brother’s power in Egypt, and began to form a plan to kill Osiris and take over his throne. Late one night, Seth tiptoed into Osiris’s bedroom. Careful to not wake up Osiris, or his queen, the goddess, Isis, Seth measured Osiris’s body from top to bottom and from side to side. The next morning, Seth took the measurements to a carpenter who made a beautiful wooden chest decorated with bright paint and sheets of gold. That night, Seth threw a huge party, and invited Osiris as the guest of honor. The night was spent feasting, singing, dancing, and playing games. For the final game, Seth brought out the huge wooden chest. He announced that the first person to fit perfectly into the chest would be allowed to keep it. One by one, each of Seth’s friends climbed into the chest. Unsurprisingly, no one was able to fit into the chest, which was made perfectly for Osiris. Finally, Seth and his friends convinced Osiris to try his luck with the chest. Osiris stepped into the chest and lay down. The chest fit him perfectly, just as Seth had planned. Just as Osiris lay down, Seth slammed the lid and sealed it shut.