Vanity of Thoughts
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Saving America from the Radical Left COVER the Radical Left Nearly Succeeded in Toppling the United States Republic
MAY-JUNE 2018 | THETRUMPET.COM Spiraling into trade war Shocking Parkland shooting story you have not heard Why U.S. men are failing China’s great leap toward strongman rule Is commercial baby food OK? Saving America from the radical left COVER The radical left nearly succeeded in toppling the United States republic. MAY-JUNE 2018 | VOL. 29, NO. 5 | CIRC.262,750 (GARY DORNING/TRUMPET, ISTOCK.COM/EUGENESERGEEV) We are getting a hard look at just what the radical left is willing to do in order to TARGET IN SIGHT seize power and President-elect Donald Trump meets with stay in power. President Barack Obama in the Oval Office in November 2016. FEATURES DEPARTMENTS 1 FROM THE EDITOR 18 INFOGRAPHIC 28 WORLDWATCH COVER STORY A Coming Global Trade War Saving America From the Radical 31 SOCIETYWATCH Left—Temporarily 20 China’s Great Leap Toward Strongman Rule 33 PRINCIPLES OF LIVING 4 1984 and the Liberal Left Mindset The Best Marriage Advice in 22 What Will Putin Do With Six More the World 6 The Parkland Shooting: The Years of Power? Shocking Story You Have Not Heard 34 DISCUSSION BOARD 26 Italy: Game Over for Traditional 10 Why American Men Are Failing Politics 35 COMMENTARY America’s Children’s Crusade 13 Commercial Baby Food: A Formula for Health? 36 THE KEY OF DAVID TELEVISION LOG 14 Spiraling Into Trade War Trumpet editor in chief Gerald Trumpet executive editor Stephen News and analysis Regular news updates and alerts Flurry’s weekly television program Flurry’s television program updated daily from our website to your inbox theTrumpet.com/keyofdavid theTrumpet.com/trumpet_daily theTrumpet.com theTrumpet.com/go/brief FROM THE EDITOR Saving America From the Radical Left—Temporarily People do not realize just how close the nation is to collapse. -
Images of the Divine Vision in the Four Zoas
Oberlin Digital Commons at Oberlin Honors Papers Student Work 1973 Nature, Reason, and Eternity: Images of the Divine Vision in The Four Zoas Cathy Shaw Oberlin College Follow this and additional works at: https://digitalcommons.oberlin.edu/honors Part of the English Language and Literature Commons Repository Citation Shaw, Cathy, "Nature, Reason, and Eternity: Images of the Divine Vision in The Four Zoas" (1973). Honors Papers. 754. https://digitalcommons.oberlin.edu/honors/754 This Thesis is brought to you for free and open access by the Student Work at Digital Commons at Oberlin. It has been accepted for inclusion in Honors Papers by an authorized administrator of Digital Commons at Oberlin. For more information, please contact [email protected]. NATURE, nEASON, and ETERNITY: Images of the Divine Vision in The }1'our Zoas by Cathy Shaw English Honors }i;ssay April 26,1973 In The Four Zoas Blake wages mental ,/Ur against nature land mystery, reason and tyranny. As a dream in nine nights, the 1..Jorld of The Four Zoas illustrates an unreal world which nevertheless represents the real t-lorld to Albion, the dreamer. The dreamer is Blake's archetypal and eternal man; he has fallen asleep a~ong the floitlerS of Beulah. The t-lorld he dreams of is a product of his own physical laziness and mental lassitude. In this world, his faculties vie 'tvi th each other for pOi-vel' until the ascendence of Los, the imaginative shapeI'. Los heralds the apocalypse, Albion rem-Jakas, and the itwrld takes on once again its original eternal and infinite form. -
New Night Thoughts Sightings First Noticed by Bentley in 1980
MINUTE PARTICULAR was desperate for cash, the presence of any plates and other potentially lucrative bibliographic details are carefully not- ed in both categories. It is possible, therefore, that the cat- alogue describes the unillustrated state of Night Thoughts, 6 New Night Thoughts Sightings first noticed by Bentley in 1980. Whether or not this is the case, Mills did know at least one of the Edwardses, and his bookplate is found in a copy of Junius’s Stat nominis umbra, By Wayne C. Ripley 2 vols. (London: T. Bensley, 1796-97), with the inscription “1796 B[ough]t. of Edwards.”7 As Bentley notes, the ini- Wayne C. Ripley ([email protected]) is an associ- tials “J / E”, James Edwards, appear on the inner front cov- ate professor of English at Winona State University in er of the unillustrated Night Thoughts. As my discovery of Minnesota. He is the co-editor of Editing and Reading the advertisements for volume 2 suggests, James may have been more involved in the production and distribution of Blake with Justin Van Kleeck for Romantic Circles. He 8 has written on Blake and Edward Young. the book than has been recognized. Unfortunately, if Mills did, in fact, own the unillustrated copy, the sales catalogue explains neither why he did so nor why the copy was creat- ed in the first place. 1 O my list of catalogue references to Blake’s Night T Thoughts, which was augmented by G. E. Bentley, Jr.,1 3 The second new listing occurs in A Catalogue of Books, for should be added eight new listings. -
The Ambiguity of “Weeping” in William Blake's Poetry
Central Washington University ScholarWorks@CWU All Master's Theses Master's Theses 1968 The Ambiguity of “Weeping” in William Blake’s Poetry Audrey F. Lytle Central Washington University Follow this and additional works at: https://digitalcommons.cwu.edu/etd Part of the Liberal Studies Commons, and the Scholarship of Teaching and Learning Commons Recommended Citation Lytle, Audrey F., "The Ambiguity of “Weeping” in William Blake’s Poetry" (1968). All Master's Theses. 1026. https://digitalcommons.cwu.edu/etd/1026 This Thesis is brought to you for free and open access by the Master's Theses at ScholarWorks@CWU. It has been accepted for inclusion in All Master's Theses by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. ~~ THE AMBIGUITY OF "WEEPING" IN WILLIAM BLAKE'S POETRY A Thesis Presented to the Graduate Faculty Central Washington State College In Partial Fulfillment of the Requirements for the Degree Master of Education by Audrey F. Lytle August, 1968 LD S77/3 I <j-Ci( I-. I>::>~ SPECIAL COLL£crtoN 172428 Library Central W ashingtoft State Conege Ellensburg, Washington APPROVED FOR THE GRADUATE FACULTY ________________________________ H. L. Anshutz, COMMITTEE CHAIRMAN _________________________________ Robert Benton _________________________________ John N. Terrey TABLE OF CONTENTS CHAPTER PAGE I. INTRODUCTION 1 Method 1 Review of the Literature 4 II. "WEEPING" IMAGERY IN SELECTED WORKS 10 The Marriage of Heaven and Hell 10 Songs of Innocence 11 --------The Book of Thel 21 Songs of Experience 22 Poems from the Pickering Manuscript 30 Jerusalem . 39 III. CONCLUSION 55 BIBLIOGRAPHY 57 APPENDIX 58 CHAPTER I INTRODUCTION I. -
William Blake and Sexuality
ARTICLE Desire Gratified aed Uegratified: William Blake aed Sexuality Alicia Ostriker Blake/Ae Illustrated Quarterly, Volume 16, Issue 3, Wieter 1982/1983, pp. 156-165 PAGH 156 BLAKE AS lLLUSTHMLD QUARTERLY WINTER 1982-83 Desire Gratified and Ungratified: William Blake and Sexuality BY ALICIA OSTRIKEK To examine Blake on sexuality is to deal with a many-layered But Desire Gratified thing. Although we like to suppose that everything in the Plants fruits of life & beauty there (E 465) canon "not only belongs in a unified scheme but is in accord What is it men in women do require? with a permanent structure of ideas,"1 some of Blake's ideas The lineaments of Gratified Desire clearly change during the course of his career, and some What is it Women do in men require? others may constitute internal inconsistencies powerfully at The lineaments of Gratified Desire (E 466) work in, and not resolved by, the poet and his poetry. What It was probably these lines that convened me to Blake I will sketch here is four sets of Blakean attitudes toward sex- when I was twenty. They seemed obviously true, splendidly ual experience and gender relations, each of them coherent symmetrical, charmingly cheeky —and nothing else I had read and persuasive if not ultimately "systematic;" for conven- approached them, although I thought Yeats must have pick- ience, and in emulation of the poet's own method of per- ed up a brave tone or two here. Only later did I notice that the sonifying ideas and feelings, I will call them four Blakes. -
G a L L E R Y B L a K E I N C O L O R
T H E W I L L I A M B L A K E G A L L E R Y B L A K E I N C O L O R facsimile plates from THE TRIANON PRESS presented by J O H N W I N D L E A N T I Q U A R I A N B O O K S E L L E R 49 Geary Street, Suite 205, San Francisco, CA 94108 williamblakegallery.com johnwindle.com T H E W I L L I A M B L A K E G A L L E R Y TERMS: All items are guaranteed as described and may be returned within 5 days of receipt only if packed, shipped, and insured as received. Payment in US dollars drawn on a US bank, including state and local taxes as ap- plicable, is expected upon receipt unless otherwise agreed. Institutions may receive deferred billing and duplicates will be considered for credit. References or advance payment may be requested of anyone ordering for the first time. Postage is extra and will be via UPS. PayPal, Visa, MasterCard, and American Express are gladly accepted. Please also note that under standard terms of business, title does not pass to the purchaser until the purchase price has been paid in full. ILAB dealers only may deduct their reciprocal discount, provided the account is paid in full within 30 days; thereafter the price is net. J O H N W I N D L E A N T I Q U A R I A N B O O K S E L L E R 49 Geary Street, Suite 233 San Francisco, CA 94108 T E L : (415) 986-5826 F A X : (415) 986-5827 C E L L : (415) 224-8256 www.johnwindle.com www.williamblakegallery.com John Windle: [email protected] Chris Loker: [email protected] Rachel Eley: [email protected] Annika Green: [email protected] Justin Hunter: [email protected] -
Articles "Blake, Thomas Boston, and the Fourfold Vision" (Blake 19 [1986]: 142) and "'W —M Among the Footnotes That Irritate Me Most (I Shall Call
MINUTE PARTICULAR The Orthodoxy of Blake Footnotes Michael Ferber Blake/An Illustrated Quarterly, Volume 32, Issue 1, Summer 1998, pp. 16-19 If any readers in 1830 considered these affinities between The Orthodoxy of Blake Footnotes Blake and Hogg, they may also have recalled the cryptic allusion to "W — m B — e, a great original," in the ending BY MICHAEL FERBER of Hogg's greatest novel, six years earlier.22 Yet in spite of tempting evidence, none of the reviews of Cunningham in the Edinburgh Literary Journal can be proved he disheartening experience of reading the footnotes to to be Hogg's. The most that may safely be claimed is that TBlake's poems in recent student anthologies has Hogg probably saw, and enJoyed, those reviews, and he prob- launched little theories in my head. Is it a case of horror vacuP. ably read their comments on Blake. Like some readers of Some annotators seem unable to let a proper name go by the Journal, he may also have noticed the similarities be- without attaching an "explanation" to it; any explanation tween himself and Blake which that passage seems to sug- will serve, it seems, but preferably an "etymology." Or is it gest. the return of the repressed? Many of these notes have been refuted or strongly questioned for many years now. Is it a medieval deference to "authority"? If so, it is a selective def- erence, only to those with a loud, confident manner, such as Harold Bloom. Is it mere laziness? We need a note on "north- ern bar" so let's see what the last couple of anthologies said about it .. -
A Reply to Irene Chayes
DISCUSSION A Reply to Irene Chayes John Beer Blake/An Illustrated Quarterly, Volume 4, Issue 4, Spring 1971, pp. 144-147 144 Page 61 In TLS 13 September 1957, 547, Kathleen Raine asked if anyone could i- dentify the source of the quotation from Dryden on this page of the Note-Book, "At length for hatching ripe he breaks the shell." Just in case she never received an an- swer, Blake is quoting Fables Ancient and Modem, "Palamon and Arcite," Bk. Ill, line 1069. Page 72 Compare the sketch to the figure running over the waves on the title page Of Visions of the Daughters of Albion. Page 74 The woman standing over a supine child, upper left, is the preliminary for the same figures above the text of "Holy Thursday" in songs of Experience. I suspect that this volume will be rendered nearly useless when Erdman's new fac- simile edition of the Note-Book appears from the Clarendon Press (announced in Blake Newsletter, Fall, 1970, p. 36). Until then, the reprint is all we have available. DISCUSSION "With intellectual spears, & long winged arrows of thought" JOHN BEER: PETERHOUSE, CAMBRIDGE A Reply to Irene Chayes Since my letter replying to John E. Grant appeared alongside a review of Blake's vision- ary universe [see the Blake Newsletter, 4 (Winter 1971), 87-90] which raises further points about my reading of Blake's visual designs, I should like to renew the discussion briefly. I was disappointed that Mrs. Chayes reviewed the illustrations and the section of commentary in isolation instead of (as I had hoped) studying both in the context of the book s argument, but this approach is consistent with her general "direct" view of Blake's art. -
The Metaphysical Grounds of Oppression in Blake's Visions of the Daughters of Albion
Colby Quarterly Volume 20 Issue 3 September Article 6 September 1984 The Metaphysical Grounds of Oppression in Blake's Visions of the Daughters of Albion Mark Bracher Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 20, no.3, September 1984, p.164-176 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Bracher: The Metaphysical Grounds of Oppression in Blake's Visions of the The Metaphysical Grounds of Oppression in Blake's Visions of the Daughters of Albion by MARK BRACHER T IS generally recognized that the central doctrine of Blake's thought, I in many ways, is the sovereignty of the individual. And it is also generally recognized that virtually all of Blake's poetry is an attempt to free individuals from the "mind forg'd manacles" that prevent them from exercising their sovereignty-mind-forg'd manacles being the pro scriptive legal and moral codes which fetter desire and imagination. What is not so generally understood, however, is the way in which, in Blake's view, these legal and moral fetters are themselves the result of restricted metaphysical perspectives-perspectives which glimpse part of existence and fancy that the whole. Since (to paraphrase Blake's observation in The Marriage ofHeaven and Hell) everything we see is owing to our metaphysics, every action and feeling, every goal and desire that we have is ultimately grounded in and conditioned by our most fundamental metaphysical assumptions assumptions which are usually only tacitly or unconsciously held. -
Xerox University Microfilms 300 North Zeob Road Ann Arbor, Michigan 48106 I I 73-26,873
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W. Blake: Tiriel and the Book of Thel
W. Blake: Tiriel and 密 The Book of Thel 教 - A Passage to Experience- 文 化 Toshikazu Kashiwagi (1) When Blake completed Songs o f Experience in 1794, he bound it to- gether with Songs of Innocence (1789) and published them in one volume under the full title of Songs of Innocence and of Experience Shelving the Two Contrary States of the Huinan Soul. Songs of Experience is, as it were, an antithesis to Songs of Innocence. The one is in a sharp contrast with the other. It is, however, a serious mistake to overlook the transitional phase from Innocence to Experience. We cannot exactly know when he got an idea of showing the contrary state to Innocence' but he was probably conscious of the necessity to show the contrary state to Innocence before he published Songs of Innocence. For a few Songs of Innocence show us the world of Experience and their author transferred them to Songs of Experience later. My aim in this paper is, however, to examine the transitional phase from Innocence to Experience in special reference to Tiriel (c. 1789) and The Book of Thel (1789). I Early critics and biographers of Blake, including A. Gilchrist and A. C. Swinburne, pay little attention to Tirriel and with some reason, for this allegorical poem is rather a poor and unsuccessful one and the author himself abandoned its publication and it was not printed till (2) 1874, when W. M. Rossetti included it in his edition. But in my present study it bears not a little importance because it shows what kind of problems Blake was concerned with during the transitional period from Innocence to Experience, It is quite significant that Myratana, who was once the Queen of all the western plains, is dying at the outset of Tiriel. -
Blake's London: Times & Spaces Author(S): Paul Miner Source: Studies in Romanticism, Vol
Blake's London: Times & Spaces Author(s): Paul Miner Source: Studies in Romanticism, Vol. 41, No. 2, The Once and Future Blake (Summer, 2002), pp. 279-316 Published by: Boston University Stable URL: http://www.jstor.org/stable/25601560 Accessed: 18-09-2016 07:32 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Boston University is collaborating with JSTOR to digitize, preserve and extend access to Studies in Romanticism This content downloaded from 203.255.172.36 on Sun, 18 Sep 2016 07:32:14 UTC All use subject to http://about.jstor.org/terms PAUL MINER Blake's London: Times & Spaces WILLIAM Street,BLAKE what IN I bothfERUSALEM see and hear DECLARED/ In regions of "iHumanity, WRITE in IN SOUTH MOLTON Londons opening streets," and in the bio-celestial atmospheres of "The Mental Traveller" Blake "traveld thro a Land of Men ... & Women too / And heard & saw [my emphasis] such dreadful things / As cold Earth wan derers never knew," phrasing which reflects Swedenborg's Heaven and Hell (a work annotated by Blake), whose extensive title mentions uthe Wonderful Things Therein, as Heard and Seen, by Emanuel Swedenborg." "A walk