MURRAY HILL SUITE, 2ND FLOOR, HILTON NEW YORK

ARTsllHce is a conference within the conference, tailored to the needs and interests of practicing artists but open to all conference attendees. It includes a session space, set theater~style. and a lounge for video programming and other events,

All ARTspace sessions are included in the chronological listing of Sessions.

All ARTspace events are held in the Murray Hill Suite, 2nd floor, Hilton New York, unless otherwise noted.

R 14

7:30 AM-9:00 AM

Morning coffee, tea, and juice.

9:00 AM-5 :00 AM

Video programming: Parsons, New Schoo! of Design: Selections 2005

9:30 AM-12:00 PM

Artists' Chairs: Elizabeth Conner; Caitlin Strokosch, Alliance of Artists Communities An artist and three residency-program staff give an overview of available residencies, with an emphasis on new opportunities and international residencies. Metropolitan New York residencies will also be highlighted.

12:30-2:00 PM

Out of the Frame: and Chair: Amy V. Grimm

Working from the Perimeter Willie Ray Parish, University of Texas, EI Paso

Between Collage and CIJaos Hana Hillerova, University of Texas, Austin

Hillbilly Happiness: The Barnstormers' Pilgrimage Down SOUtfl David J. Brown, Southeastern Center for Contemporary Art

From tile Big Picture to tile Small Object Kate Bonansinga, University of Texas, EI Paso

Beautiful Losers Christian Strike, Atelier Nair, Iconoclast Editions

ARTspace CAA NYC 2007 25 2:30-5:00 PM 12:00 PM-5:00 PM

Visual Power: An Exhibition of Native American Video programming: Diane lander Mason, All Dressed in White Work: Artists/Schol"rs; A the US of Stete A,t Emerging Definitions of Mardage, 2006 alld Cnltllre I'nJlH'3!1lS Chairs: Duane Slick, Rhode Island School of Design; Phoebe Farris, Purdue University 12:30 PM-2:00 PM

CAA SERVICES TO ARTISTS COMMITTEE Fostering Diversity of American Cultural Diplomacy Abroad Does the Art World Iiave a Political Bias? Evangeline J. Montgomery, Office of Citizen Exchanges, Bureau of Chairs: Elin O'Hara Slavick, University of North Carolina, Chapel Hill; Thomas Educational and Cultural Affairs, Washington, DC Kleese, University of Wisconsin, Richland Gail Tremblay, Evergreen State University Hegemony Cricket: The Voice of One Crying in the Wilderness International Relations via OUf Shared Solstice Sun over This World Thomas Kleese, University of Wisconsin, Richland and the 50·Foot Outdoor Circular Oenver Sculpture Wheel SeparatilJg the Sheep from the Goals; Ot; How I Learned to Stop Edgar Heap of Birds, University of Oklahoma Worrying and Love Ihe Art World Devotional Art for the Feminine Divine James Panero, The New Criterion magazine; Martha Rosier, Rutgers, State Nadema Agard, Red Earth Studio Consulting/Productions University of New Jersey

2:30-5:00 PM R 15 "DllllcuW Con!e,,! 111 tile Public Rellim Chairs: Elizabeth Conner; Janet Kaplan, Moore College of Art

7:30-9:00 AM Catherine de Zegher

Morning coffee, tea, and juice. Discussant: Norie Sato, independent artist. Seattle

Other participants to be announced. 7:30 AM-12:00 PM

Video programming: leslie Raymond, Potter-Belmar labs; Jason Jay Stevens, Potter-Belmar labs, 3 & 3, selections, 2004-6 I R 16 9:30 AM-12:00 PM 7:30-9:00 AM and PI"rAdiIV' Schisms, ~Isms, and the of Morning coffee, tea, and juice. Definition Chairs: Brian Bishop, University of Alabama; Lance Winn, University of Delaware 7:30 AM-12:00 PM

High Times, Hard Times: New York PaintilJg, 1967-75 Video programming: Michelle Manseau, Excerpts: Puff, Hum. and Long Road, Katy Siegel, Hunter College, City University of New York 2005-6

Invisible -ism Robert Mertens, University of Wisconsin, Whitewater 9:30 AM-12:00 PM

Luc Tuymans and the Use Value of Irony Reversal: Artists Talk about Art George Anastasias MagaJios, independent artist Chair: Reva Wolf, State University of New York, New Paltz

Discussant: Barry Schwabsky, independent critic and poet Reading Art History,' A New York Story Peter Halley, Yale University

26 CAA NYC 2007 Conference Program Inevitable Liminality: Oscillations of Sense il1the Historical 9:30 AM-12:00 PM George Quasha, Station Hill Press Hazards for the Artist and the Art Institution Why Some People Make Art and Otllers Write about It Chair: Duane Slick, Rhode Island School of Design Faith Ringgold, University of California, San Diego Art and the Agelle;e.: OSHA. EPA. CPSC, and More 12:00 PM-5:00 PM Monona Rosso!, Arts, Crafts, and Theater Safety The "Art" of Federal Environmental Enforcement Video programming: Willie Varela, His Burning World, 2002-3 Garl F. Ploss!, US Environmental Protection Agency

12:30-2:00 PM 12:30-2:00 PM African Art: Forward, Back; of tile Artis! Lecture the African Art Chair: Patricia C. Phillips, State University of New York, New Paltz Chair: Odili Oonald Odita, Tyler School of Art Isolde Brielmaier, Rotunda Gallery, Vassar College 2:30-5:00 PM OIu Oguibe, University of Connecticut, Storrs Art and the TVI(1l1''''" of Preservation Barbara Pollack, independent artist. critic, and curator Chair: Allyson Purpura, George Washington University

Claude Simard, Jack Shainman Gallery Performance al1d Documentation: (Re)Presel1til1g Ana Mendieta Beth Nardella, West Virginia University Carol Thompson, High Museum of Art Limil1ality, Memory, and tlw Ephemeral 2:30-5:00 PM Michele Brody, independent artist, New York From Ruil1 to Rise: Tile Contradictions of Gordol1 Matta-Clark's Annua! Artist Interviews Building Fragments Hans Haacke will be interviewed by Dennis Adams. A second interview will Ellen Moody, Pomona College be announced. Refreshments will be served after the event. Acquisition, Alteratiol1, and Ambivalence: The Preservation of the Noah Purifoy Sculpture Park 6:00-8:00 PM linda lui, independent scholar, Alameda, California

AilS Very Large Collections and Ephemeral Art: The Joseph Selle EAST BALLROOM FOYER, THIRD FLOOR, HILTON NEW YORK Collectiol1 of Street Vendor Photography CASH BAR Andrew Eskind, Visual Studies Workshop; David Mount, Visual Studies Arts Exchange is an open portfolio session where artist mem­ eM Workshop bers are offered tables to show drawings, prints, photographs, small paintings, and works on laptop computers. The session is open to the public and free of charge. Sale of works is not permitted.

R FE 11

7:30-9:00 AM

Morning coffee, tea, and juice.

9:00 AM-5:00 PM

Video programming: Artpix, Diverse Dialogue, selections, 2003

ARTspace CAA NYC 2007 27

s s

Italia barbara: "Primitives" from Piero to Pa:solilli ParI I FE R 14 MERCURY BAllROOM, 3RD FLOOR, HILTON NEW YORK Chairs: Emily Braun, Hunter College. Graduate Center, City University of New York; Michelangelo Sabatino, University of Houston 9:30 AM-12:00 PM The Otl,er Africa Vivien Greene, Solomon R. Guggenheim Museum

ART HISTORY OPEN SESSION Waitillg for tllB Barbarians: The Futurist Myth of African Primitivism The of 1300~1700, Pari I Lucia Re, University of California, los Angeles WEST BALLROOM, 3RD FLOOR, HILTON NEW YORK Longhi, Ventllri, and 'he Italian Primitives Chair: Carmen C. Bambach, Metropolitan Museum of Art Andree Hayum, Fordham University Pietro da Corlona's Corpus of Drawings after the Antique Italia barbara al feminile: Anna Magnalli and the Experience of tile Jorg Martin Merz, Universitat Wien "Primitive WitMa" Camelis Dusart's Use of Copying Witllin His Own Corpus Sharon Hecker, independent scholar, Milan Susan Anderson Turning Backward aad Inward: Appropriations of 'he Vernacular ;11 COTfeggio or Rondan;: On the Attribution of Drawings and Its Significance the Neighborhoods of Ina-Casa Mary Vaccaro, University of Texas, Arlington Stephanie Pilat, University of Michigan

Paolo Veronese and Ora wing Practice in RenaisS81JCe Verona Diana Gisolfi. Pratt Institute China's Bronze Art and of Benef MADISON SUITE, 2ND FLOOR, HILTON NEW YORK From Design to Disegno: Drawing Modes in the Work of Friedrich Sustris Chair: Elizabeth Childs-Johnson, independent scholar, Norfolk, Virginia Susan Maxwell. University of Wisconsin, Oshkosh Origins of Masking in Bronze Age China The Place of Drawings ill tile ATt Patronage of Giulio de' Medici (Pope Elizabeth Childs-Johnson, independent scholar, Norfolk, Virginia Clement VII) Sheryl E. Reiss, University of California, Riverside Context allll Sigllificance of Sanxingdui Bronze Masks Kimberley Te Winkle. Institute of Archaeology, University College, london

Safeguarding/Masking the Deceased in Late Brollze Age China

DESIGN STUDIES FORUM Susan N. Erickson, University of Michigan, Dearborn Collahoration and in Practice aml Education Antlered Tomb Monsters of tllB Chu GRAMERCY B, 2ND FLOOR, HILTON NEW YORK Cortney E. Chapin, University of Pennsylvania Chairs: John Bower, School of the Art Institute of Chicago; Karen White, University of Arizona STUDIO ART OPEN SESSION Transformation: Moving from Cooperative to Collaborative Learning in Design Education PETIT TRIANON, 3RD FLOOR, HILTON NEW YORK Kelly Leslie, University of Arizona Chair: David Cohen, New York Studio School The New Designers: Enabling Identity, Building Community Tom Hapgood, University of Arkansas

Sticks & Stones: A Collaborative Exchallge Examining Labeling and ARTspace Stereotyping Artists' Residencies/Wodd-Wide Opportunities Audra Buck, University of Alabama, Birmingham MURRAY HILL SUITE, 2ND FLOOR, HILTON NEW YORK Chairs: Elizabeth Conner; Caitlin Strokosch, Alliance of Artists Communities Collaborative Methods and Strategies: A Case Study in Commullity Awareness Andrea Marks, Oregon State University

Muneera U. Spence, Oregon State University

Dawn Hachenski, James Madison University

Program Sessions CAA NYC 2007 29 Dialectics of Mendicant Art in latin America, and Africa Artisls' Periodicals: 19451990 SUTTON PARLOR NORTH, 2ND fLOOR, HILTON NEW YORK CLINTON SUITE, 2ND fLOOR, HILTON NEW YORK Chairs: Delia Cosentino, DePaul University; Justine Andrews, University of Chair: Stephen E. Perkins, University of Wisconsin, Green Bay New Mexico Azimuth, Zero, and the Network: Rethinking Communication and Dialogue or Polemic? The Case 01 the Kalenderl1ane Fresco of Consumption St. Francis Stephen Petersen, University of Pennsylvania Paroma Chatterjee, University of Chicago Akasegawa Genpei's Print Intervention: The Sakura Illustrated Mendicant Art for Private Devotion: The Paradoxes 01 a 15th-Century (1970-111 Case Study Reiko Tomil, independent scholar, New York Margaret Hadley The Art Magazine as New Media: Aspen, 1965-1971 Discourse and Discord: The Colonial Interpretations 01 Gwen Allen, Maine College of Aft the Genealogical Imagery at Santiago Apostol in Cui/apan, The Fligllt into "eality: Oe-col//age and lis Arlisls, 1962-69 Mexico Benjamin lima, Yale University Sara Taylor Think of This Magazine as a Nonmagazine: The Bay Area Dadaists' Sebastian and the Chichimecas: Franciscan Images of Concordia Dadazines in the Utopian Landscape Emily Hage, Philadelphia Museum of Art Julie Shean

Images, Catechism, and the Shaping 01 Doctrine: Capuchin Missionary Methods and the Making 01 Kongo Christianity in Ii 00 1110 Harm: The Role 01 fhe Curator Early Modern Central Alrica BEEKMAN PARLOR, 2ND FLOOR, HILTON NEW YORK CecHe Fromont Chair: Steven Rand. apexart

Elizabeth Schlatter, University Museums, University of Richmond Modernism TRIANON BALLROOM, 3RD flOOR, HILTON NEW YORK Olga Kopenkina, independent curator, Brooklyn Chair: Robert S. lubar, Institute of Fine Arts, New York University Joshua Deeter, independent curator and critic, New York

Restaging Modernism Jenny Anger. GrineH University a FOllndation for the 21st CmlllJl(V Modernizing Witholll Modemism: Asger Jom's Modifications SUTTON PARLOR SOUTH, 2ND fLOOR, HILTON NEW YORK Karen Kurczynski. Museum of Modem Art Chairs: Stuart Steck, Art Institute of Boston: Arlene Grossman, Art Institute Is Realism "Just" Kitsch? Realist Practice as Avant-Garde in Early of Boston 20lh-Century China Tile Baby and the Bathwater: Developing a Foundations Curriculum Francesca Dallago, Leiden University lor a Pluralistic Era Georges Bataille and the Limits 01 Modernism Sherry Stone Clifton, Herron School of Art and Design, Indiana University Raymond Spiteri, Victoria University of Wellington Taming tile Beast: Bridgillg Critical Theory with Studio Art Retooling Constructivism i11l0 Constructivity: The Trallslormations of Kelly Phillips, Emily Carr Institute Modemism in Early Stalinist Russia Call't We Just Be Artists? Juan ledezma, Columbia University David Kamm, Luther College

Rethinking Foundations: From Start to Finish Mary Stewart, Northern Illinois University Open Session II Affiliated Society Session m Drawing and Design in the Digital Age; or, AddiJlg the Two-Button D Offsite Session liE-Session Wireless Mouse to Your Tool Box g Practicum II Museum Session Peet Cocke, Cuesta College

:lO CM NYC 2007 Conference Program of War in Ancient Greece and Rome 12:30 PM-2:00 PM GIBSON ROOM, 2ND FLOOR, HILTON NEW YORK Chair: Katherine Welch, New York University

Cavalry and Cult in Early Greece CM EDUCATION COMMITIEE Erin Walcek Averett, University of Missouri, Columbia Pel:iO!lO(IV ill!"e Arts: Now Models lor R The Roman Fornix: Development of a Triumphal Monument World Anne Hrychuk, Institute of Fine Arts, New York University GRAMERCY B, 2ND flOOR, HILTON NEW YORK Chair: Jacki Apple, Art Center College of Oesign The Severan Battle Frieze of Cyrene: A Study in the Architectural Framing of War From Collecting to Collaboration James F. O. Frakes, University of North Carolina, Charlotte Kermit Bailey, North Carolina State University

The Urban Iconography of Flavian Victory: Domitian's Restoration of Inter-Classrooms: Interdisciplinary, Multidepartmental, the Triumphal Processional Route Interinstitutional Art History Projects Michael L Thomas, Tuhs University Hannah Higgins, University of Illinois, Chicago

Centum Homines: The Prototype of the Alexander Mosaic and the Food Always Brings People Together: Art and History as Military Museum ill the Hellenistic World Social Action Peter E. Nulton, Rhode Island School of Design Bernard l. Herman, University of Delaware

The Trophy Tableau Monument in Rome: From Marius to Caecilia Concept Maps and Complex Questions: New Approaches to Metel/a Media Design, Technology, and Cultural History lauren Kinnee, Institute of Fine Arts, New York University Conrad Gleber, LaSalle University

The Iconography of Divine Warfare in the Dura-Europos Synagogue Frescoes FOUNDATIONS IN ART: THEORY AND EDUCATiON Kara l. Schenk, Maryland Institute College of Art Session BEEKMAN PARLOR, 2ND FLOOR, HILTON NEW YORK Chair: Scott Betz, Winston-Salem State University Lal,e·MI(le Modernism sunON PARLOR CENTER, 2ND FLOOR, HILTON NEW YORK Chair: Marek Wieczorek, University of Washington ARTspace Ou' o! the framo, and Is Bonnard a Modernist? MURRAY HILL SUITE, 2ND flOOR, HILTON NEW YORK Karen Stock, Winthrop University Chair: Amy V. Grimm

Lale-Style Mondrian Working (rom the Perimeter Marek Wieczorek, University of Washington Willie Ray Parish, University of Texas, E! Paso

Arrested Development? George Grosz's Late Montages Between Col/age and Chaos Michael White, University of York Hana Hillerova, University of Texas, Austin

The Fate of Automatism: Late Surrealism and tile Problem of Style Hillbilly Happiness: The Barnstormers' Pilgrimage Neil Matheson, School of Media, Arts and Design, University of Westminster Down South

The Tortoise Who Wins: Myron Stout's Abstract Paintings of tile 1950s David J. Brown, Southeastern Center for Contemporary Art and 1960s From the Big Picture to the Small Object Alison Green, Central St. Martins College of Art and Design Kate Bonansinga, University of Texas, EI Paso

Beautiful Losers Christian Strike, Atelier Nair, Iconoclast Editions

Program Sessions CAA NYC 2007 31 2:30 PM-5:00 PM

NATIONAL ENDOWMENT FOR THE HUMANITIES Funding Sources from the National tmlowrnsnt for the Selves: al1d the Oriol1/ liumanitins: New and on Grants in Art ill the 18th ~p,,,fon' RlH'i Museum Exhibitions WEST BALLROOM, 3RD FLOOR, HILTON NEW YORK REGENT PARLOR, 2ND FLOOR, HILTON NEW YORK Chairs: Nebahat Avcioglu, Institute for Scholars, Columbia University; Finbarr Chair: lisa Kahn, National Endowment for the Humanities Barry Flood, New York University Clay lewis, National Endowment for the Humanities Jean-Etienne liotard, the Turkish Painter Usa Kahn, National Endowment for the Humanities Kristel Smentek, Frick Collection

Piranesi, the Aesthetic of Eclecticism, and His Stile Egiziano Sarah lawrence, Cooper-Hewitt National Design Museum VOLUNTEER LAWYERS FOR THE ARTS Ask the am! Business Issues for Arts James Gillray's Cl1ina: A late Mercantile Critique Professionals Douglas Fordham, University of Virginia SUTTON PARLOR NORTH, 2ND FLOOR, HILTON NEW YORK Contesting the Exotic: Taste, Collecting, Empire, 1750-95 Chair: Elena M. Paul, Esq., Volunteer Lawyers for the Arts Natasha Eaton, University College, london Ask tfle lawyer Performing Cross-Cultural Encounters in 18th-Century Venice: Andrea Elena M. Paul, Esq., Volunteer la~vyers for the Arts; Alexei Auld, Esq., Brustolon's Allegorv of Strength Volunteer lawyers for the Arts Erin Campbell, University of Victoria

On Seeing and Viewing in Early 18th-Century Isfahan Renata Holod, UniverSity of Pennsylvania ;' NATIONAL COUNCil ON EDUCATION FOR THE CERAMIC ARTS Noles from the Paleolilhic Tile floo"","I,,,,,)e!'" of Desire The 01 Caribbean Art GIBSON ROOM, 2ND FLOOR, HILTON NEW YORK NASSAU SUITE, 2ND FLOOR, HILTON NEW YORK Chair: Hunt Prothro, Sidwell Friends School Chairs: Judith Bettelheim, San Francisco State University; Kristine Juncker, Vassar College

ARTSTOR Arriving at the Caribbean: Visual Representation of Transatlantic and Information Transculttlral Experience SUTTON PARLOR CENTER, 2ND FLOOR, HILTON NEW YORK Allison Thompson, Barbados Community College Chair: Inna Stolyarova, JSTOR The Birth of Haitian Art as a "ReliaissalJce" legrace Benson, Arts of Haiti Research Project

DESIGN STUDIES FORUM Writing about Art ilJ the Caribbean: Issues of Representation and Business Reception within tfle Region MADISON SUITE, 2ND FLOOR, HILTON NEW YORK Veerle Po up eye, Emory University

Curaling witlt/out a Jamaican Accent INTERNATIONAL SURVEY OF JEWISH MONUMENTS Catherine Amidon, Plymouth State University Business SUTTON PARLOR CENTER, 2ND FLOOR, HILTON NEW YORK

Open Session Affiliated Society Session MID AMERICA COLLEGE ART ASSOCIATION m lit! Business M"e/lIl" Il Offsite Session D E-Session CLINTON SUITE, 2ND FLOOR, HILTON NEW YORK Il1I Practicum i1 Museum Session

:12 CM NYC 2007 Conference Program Hispanophone Caribbean Art in the US: Between the Museum and the Tile Studio as Test Site: Bruce Nauman Classroom MaryJo Marks, School of Visual Arts Edward Sullivan. New York University Back to tile Studio: The Making 01 the Male Artist Discussant: Judith Bettelheim. San francisco State University Julia Gelshorn, Centre Allemand d'Histoire de l'Art, Paris, and University of Zurich

11 [(m"111 10 11 of Glassical alld Gothic Machines in the Studio: Olafur Eliasson and the Globalized Art World Architecture and Communities Philip Ursprung, University of Zurich GRAMERCY A, 2ND FLOOR, HILTON NEW YORK Discussant Kirsten Swenson, Case Western Reserve University Chair: Deidre Brown. University of Auckland

On PainUng Architecture Black Michaellinzey. University of Auckland NEW MEDIA CAUCUS Maya Baroque Facades Difference: New Media Art Carol Ventura. Tennessee Technological University MERCURY BALLROOM, 3RD FLOOR, HILTON NEW YORK Chairs: Juliet Davis, University of Tampa; Jeff Warmouth. Fitchburg State The Gothic and Cross-Cultural Revival of Hybrid Churches of Samoa College lama Tone. University of Auck!and Three Pleasures of the Medium Worship Aesthetics and the Employment of Western Forms and Will Pappenheimer, Pace University Materials in 19th-Century Maori Ecclesiastical Architecture Richard A. Sundt. University of Oregon When the Sitter Is the User: New Media and the Static Body Michele White, Tulane University Rangiatea: Gothic Provocations Robin Skinner. Victoria University of Wellington New Forms of Fragmentation: Samples, Cycles, and Elements in Motion Roberto Bocci, Georgetown University

Western Art Sllldies ill 11 Middle Eastern Cootext Early Generative Aesthetics and Contemporary Art Movements CLINTON SUITE, 2ND FLOOR, HILTON NEW YORK Christoph Klutsch, International University, Bremen Chair: Judy Bullington. University of Sharjah Collaboration in New Media Modeling Visual Learning between East and West Patrick Lichty, Columbia College, Chicago Ann Shafer. American University in Cairo

Martin Luther King Lived in the Renaissance: Teaclling Art History in Datar New on tim Ita!ian Honuissance 1400-1000. Jochen Sokoly. Virginia Commonwealth University School of the Arts. Oatar SUnON PARLOR CENTER, 2ND FLOOR, HILTON NEW YORK Chairs: Maria OePrano, Washington State University; Stephanie Miller, Present (Re)Present: Toward a Contemporary Regional Identity University of Wisconsin, Whitewater Chris Klenke. Savannah College of Art and Design The Kitchen as Exemplary Space from Renaissance Treatise to Western Art Studies in Turkey: Art on a Pale Blue Dot Period Room IIgim Veryeri Alaca, Bilkent University Deborah Krohn. Bard Graduate Center for Decorative Arts, DeSign, and Culture Grids Meet the Arabesque: DeSign Education in Doha, Datar The Venetian "Portego": Family Piety and Public Prestige Mary Mclaughlin, Virginia Commonwealth University School of the Arts, Oatar Margaret Morse, Washington and lee University

A Richly Ornate Space: Abbess Giovanna da Piacenza's Residence in The Filii of tile Swdio: tilo atelie, [!'artisle ill the Renaissance Parma Post~Stlldio Em Giancarla Periti, Center for Advanced Study in the Visual Arts, Nationa! GRAMERCY B, 2ND FLOOR, HILTON NEW YORK Gallery of Art, Washington, DC Chairs: Wouter Davidts, Ghent University; Kim Paice, University of Cincinnati Ethical and Practical Considerations in Uniting Fragments from The Studio after Reconstruction: The Atelier Brancusi as Model Disparate Italian Renaissance Domestic Interiors Jon Wood, Henry Moore Institute Susan Wegner, Bowdoin College Studio Vertigo: Mark Rothko Discussant: Beth Holman, Center for Medieval Studies. Fordham University Morgan Thomas, University of Canterbury

Program Sessions eM NYC 2007 33 Mo!ro Poles: Curr"n! I\,! a! the limits Integrating Art Studio, History, and Theory: A Pedagogical and GIBSON ROOM, 2ND flOOR, HILTON NEW YORK Practical Approach Chair: Erin Donnelly. lower Manhattan Cultural Council Barbara Yontz, St. Thomas Aquinas College

Mott Haven: A Case Study in Gentrification A Case Study: Combined Departments of Art Practice and Art History. Edwin Ramoran, longwood Arts Project, Bronx Council on the Arts Cohabitation or Colonialism Sandra lotte Esslinger, Mt. San Antonio College Off the Grid: Connecting Creative Corridors Erin Donnelly, lower Manhattan Cultural Council Teach Art History? I Can 00 That Robert Sites, Norfolk State University The Guestion Is the Tension among Various Poles Heng-Gil Han, Jamaica Center for Arts and learning The Column of Traian Reconsidered and Viewed by a Double-Headed Creature Bertha Steinhardt Gutman, Delaware County Community College Art after Communism MADISON SUITE, 2ND FLOOR, HILTON NEW YORK Discussant: Beth Stewart, Mercer University Chair: Sabine Eckmann, Washington University. St. louis

Pawel A/thamer and Kala/zyna Kozyra, Performing New Realities Paulina Pobocha WOMEN'S CAUCUS FOR ART Tile Art 01 Glollal: Iniernationol A,! ollnlemali"n"1 Beyond Freedom or beyond Democracy? Artists Piotr Piotrowski, Adam Mickiewicz University PETIT TRIANON, 3RD flOOR, HILTON NEW YORK House of Hollies/Chambers of Death: Emp/acing a Politics of Time in Chair: Laurie E. T. Hall, Albert Einstein College of Medicine the Age of German Normality Dizz/placement: Half Moon Eyes Richard langston, University of North Carolina, Chapel Hill Mina Cheon, Maryland Institute College of Art Expanding the Present: Michael Wesely and the Intractability of Time The New areat Game: The New Colonization in Globalization lutz Koepnick, Washington University, St. louis Sarina Khan Reddy, Eastman Kodak Company Research laboratories Affective Interruptions: Mapping with Transition Plays Well witll Otllers: Opportunity lor Artists in the Global Village Clare Pritchard Daria Dorosh, University of East london

Compassionate Actions: Art Envisions a World without Borders lisa Marie Kaftori. independent artist, Israel; Joan Giroux, Co!umbia College, CAA PROFESSIONAL PRACTICES COMMIITEE Chicago Double Headon Crealures: Professors Who Teaeil Boll1 Art "IHI Art and the Combined of Art Practice and Speaking into the Silence Art Karen Frostig, Lesley University BEEKMAN PARLOR, 2ND flOOR, HILTON NEW YORK Chairs: DeWitt A. Godfrey, Colgate University; Bertha Steinhardt Gutman, Delaware County Community College HISTORIANS OF EIGHTEENTH-CENTURY ART AND ARCHITECTURE Challenges and Models: A Very Briel History 01 Studio Art and Art Ellll0IlJe",III,t ill the 18tl1 History in American Colleges and Universities SUTTON PARLOR SOUTH, 2ND flOOR, HILTON NEW YORK Usa De Boer, Westmont College Chair: Cathie C. Kelly, University of Nevada, las Vegas

Roman Obsequies lor Pet.r II (1707) and John V (1751) 01 Portugal John E. Moore, Smith College

Political Fireworks: The Chinea of 1745 liD Open Session mAffiliated Society Session Jill Deupi e Offsite Session liE-Session Fragonard's Trees between Scenic Artifices and Metaphors II Practicum iii Museum Session Patrick Caue, University of Pennsylvania

34 CAA NYC 2007 Conference Program Jailhouse Rocks: Pierre-Franfois Palloys Movable Monuments ARTspace Richard Taws, McGill University Visual Power: An Exhibition of Native American Artists/Scilolars, A the US 01 State Art The Short Life of Neoclassical Chairs and Gultu,e Pnar!!'",,)s Ethan Lasser, Yale University MURRAY Hill SUITE, 2ND FLOOR, HILTON NEW YORK Chairs: Duane Slick, Rhode Island School of Design; Phoebe Farris, Purdue University

The Business of Art Fostering Diversity of American Cultural Diplomacy Abroad RENDEZVOUS TRIANON, 3RD FLOOR, HILTON NEW YORK Evangeline J. Montgomery, Office of Citizen Exchanges, Bureau of Chair: Jennifer Milam. University of Sydney Educational and Cultural Affairs, Washington, DC

The Artist's Agenda: Navigating Our Own Entrepreneurial Success Gail Tremblay, Evergreen State University Debra Grall, Northern Illinois University International Relations via Our Shared Solstice Sun over This World No Strings Attached: Why 00 Corporations Give to the Arts? and the 50-Fool Outdoor Circular Denver Sculpture Wheel Joanna Spitzner, Syracuse University Edgar Heap of Birds, University of Oklahoma

The Art of Corporate Restoration Devotional Art for tile Feminine Divine Denise M. Budd, Rutgers. State University of New Jersey Nadema Agard, Red Earth Studio Consulting/productions The Business Behind tile Buzz: New York's Mosllnlluential Contemporary Art Galleries Sebastien Delat, Institut National d'Histoire de r Art, Universite de Rennes; Gustave Oore: a Onco"ramed Artist Val·de·Marne Museum of Contemporary Art REGENT PARLOR, 2ND flOOR, HILTON NEW YORK Discussant Jennifer Milam, University of Sydney Chairs: lisa Small. Dahesh Museum of Art; Eric Zafran, Wadsworth Atheneum

A,t and Edllcation at the Eud of tile of en'.e,," Ooro in America: Recent Discoveries SUDON PARLOR NORTH, 2ND FLOOR, HILTON NEW YORK Eric Zafran, Wadsworth Atheneum Chair: Saul L Ostrow, Cleveland Institute of Art "Plus Dante iIIustro par Ooro, c'est Dare iIIustro par Dante": The American Idol and the Rise of Mediocrity Innovations and Influence of Dares Illustrations for Danle's Divine Peet Cocke, Cuesta College Comedy Aida Audeh, Hamline University Critique as Critical Reflection Mariah Doren, University of Michigan "Our misfortune is immensel and our anguish terrible": Gustave Dare and The Black Eagl. of Prussia The Enhancement of Critical Thinking through Critique lisa Small. Dahesh Museum of Art Neil Matthiessen, Arkansas State University Oore and Gerome: Classical Sculptors? Who Is the Programmer? Leanne M. Zalewski. Graduate Center, City University of New York Jere Williams, St, Paul's School Van Gogh Remembering (with) Doro Discussant: Elaine King, Carnegie MeHon School of Art Judy Sund, Queens College and Graduate Center, City University of New York

Gustave Dare and Ille Graphic Novel Patricia Mainardi, Graduate Center, City University of New York STUDIO ART OPEN SESSION in TRIANON BAllROOM, 3RD FLOOR, HILTON NEW YORK Chair: Elena Sisto, School of Visual Arts Pier Consagra Diana Cooper David Humphrey James Siena

Program Sessions CAA NYC 2007 35 RS 15 High Times, Hard Times: New York Painting, 1967-75 Katy Siegel. Hunter College, City University of New York

Invisible ~ism 7:30 AM-9:00 AM Robert Mertens, University of Wisconsin, Whitewater

LUG Tuymans and the Use Value of Irony George Anastasias Magalios, independent artist

COMMUNITY COLLEGE PROFESSORS OF ART AND ART HISTORY Discussant Barry Schwabsky, independent critic and poet Business GIBSON ROOM, 2ND flOOR, HILTON NEW YORK

eAA ADVOCACY SESSION UNESCO: with Global Cult"," 9:30 AM-12:00 PM MERCURY BALLROOM, 3RD FLOOR, HILTON NEW YORK Chairs: Caroline Boyle-Turner, Pont-Aven School of Art; Christopher Pearson, Ouest University louise Oliver, US Mission to UNESCO, Paris ART HISTORY OPEN SESSION Renaissance and Bronzes~ Art Christina Cameron, Canadian Delegation to the World Heritage Committee and Helene-Marie Gosselin, Director, UNESCO Office in New York OFFSITE, FRICK COLLECTION RayWanner, Americans for UNESCO I EAST 70TH STREET. MAN HAnAN Chairs: Denise Allen, Frick Col/ection; Betsy Rosasco, Princeton University Art Museum What's Love Got to Do with It? Tho Myth and Politics ollovo in Art aod Art A Roman Antiquity among Henry Clay Frick's Renaissance Bronzes? EAST BALLROOM, 3RD FLOOR, HILTON NEW YORK Assessing IsslIes of Historicity Chairs: Norma Broude, American University; Mary 0, Garrard, American Joaneath Spicer, Walters Art Museum University Building upon Technique: Continuing Research into the Bronzes of The Malevolent Eros and the Imperial Jupiter: The Portrayal 01 Power Severo da Ravenna in the Renaissance Court 01 Love Dylan T. Smith, National Gallery of Art, Washington, DC Leatrice Mendelsohn, independent scholar, New York The Small Bronzes of Severo Calzetta da Ravenna: New Means of The Artist as Lover in 18th· Century France: The Case 01 Fragonard Connoisseurship Melissa Hyde, University of Florida Richard E. Stone, Metropolitan Museum of Art Leaving Home, Losing Love: J.-L. David's Farewell 0/1818 Discussant: Francesca Bewer, Straus Center for Conservation, Harvard Issa Lampe, American University University Art Museums Rebecca J. DeRoo, Washington University, St. louis

ARTspace Alt and Eros: Love as Politics in the 1960s and PI,,,",,,,,,, SClhi

HISTORIANS OF BRITISH ART Open Session Affiliated Society Session m Em A Nation of 1I1110vatiol1 aod the Art Ma,ket ill I! Offsite Session liE-Session Great Britain II Practicum iii Museum Session SUTTON PARLOR CENTER, 2ND FLOOR, HILTON NEW YORK Chair: Pamela Fletcher. Bowdoin College

36 eAA NYC 2007 Conference Program Goupil at the Intersection of the London and Parisian Art Markels, c, 1857-1901 Anne Helmreich, Case Western Reserve University interactive and Ihe Face of

Negotiating a Reputation: Whistler. Rossetti, and the Art Market, GRAMERCY B, 2ND FLOOR, HILTON NEW YORK 1860-1900 Chair: Dana Ezzell Gay, independent graphic designer Patricia de Montfort, University of Glasgow Nuances: Understanding tile Fundamentals of Motion Design Sculplurallnnovation and the Market lor Statuettes in Late 19th­ Sarah lowe, University of Tennessee Century Britain Martina Oroth, Henry Moore Institute Reshaping the Meaning of Type with Sound and Motion Bonnie Blake, Ramapo College of New Jersey The Chenil: An Artis's' Colony lor Chelsea Ysanne Holt, University of Northumbria Application of a Sketchbook to a Motion Grapflics Project Ravinder Basra, University of San Francisco Strategies of Display and Modes of Visuality in London Art Galleries in the Interwar Years We Don't Have'o Reinven, the Wheel: Applying Film Theory to - Andrew Stephenson, University of East london Motion Graphics Design Chris Corneal, Michigan State University

Disruptive Creative Process in the Interactive Classroom Constructed Realities: Diorama as Art Kim Grable, University of North Texas GIBSON ROOM, 2ND FLOOR, HILTON NEW YORK Chair: Diane H. Fox, University of Tennessee, Knoxville

The Habitat Diorama and the Integration of Academic Art for Science Studio IIrl within tile Liberal IIr!s Whal Ilo We Oller? Kevin J. Avery, Metropolitan Museum of Art CLINTON SUITE, 2ND flOOR, HILTON NEW YORK Chair: Nevin Mercede, Antioch College Seeing and Believing: Dioramas in the Thyer-Roosevelt Debates Matthew Brower, York University Book Arts: A Tool for Liberal-Arts Learning in the Studio Anne E. Beidler. Agnes Scott College Double Take: Dioramas, Photography, Representation Robert SlIberman, University of Minnesota Going Beyond the Studio Walls: A Liberal-Arts PartnersIJ/p Pamela Flynn, Holy Family University Myths of Nature in Art, Science, and Religion: From Dioramas to Dogmas Katerina lanfranco, independent artist, New York Art Education in the Liberal Arts: Key Components 01 a Contemporary Model Mark Klassen. Beloit College Art and Nationa! Socialist A Reevaluation NASSAU SUITE, 2ND FLOOR, HILTON NEW YORK Fisll out of Water? Casting Reflections on Teaching Studio Art at a Chair: Christian Fuhrmeister, Zentralinstitut fOr Kunstgeschichte Rural Liberal Arts University in Alabama Jessica l. Smith, University of West Alabama The Art-Historical Use 01 the Baroque under National Socialism Evonne levy, University of Toronto Comparative Art-Educational Experiences from Community Col/ege to Graduate School "Gestalt," "Liveliness," and "Physiognomy": Keywords and Concepts Natalie Funk of German Art-Historical Writing in the Thirties and Forties Daniela Bohde, Kunstgeschichtliches Institut, Goethe-Universitat, Frankfurt Career Preparation in tile Bachelor of Arts Degree in General Studio Art at Delaware State University Painterly Formalism and National Socialism: Wolff/in and Greenberg Roberta Tucci, Delaware State University Daniel Adler, University of Guelph

Tile Legacies 01 National Socialist Art Policies in tile British Zone of The Slatus of ill Art Germany, 1945-50 WEST BALLROOM, 3RD FLOOR, HILTON NEW YORK Veronica Davies, Open University Chair: Robert S. Nelson, Yale University Discussant: Paul B. Jaskot, DePaul University The Thinking Image: Beyond Interpretation Hanneke Grootenboer, University of Amsterdam

Progfam Sessions CAA NYC 2007 31 Desire and the Body without Organs: Rereading Magrille's Le Viol The Mechanics of SigM and Moral Choice in Pieter Bruegel the through the Philosophy of Gilles De/euze and Feliz Guallari Elder's Blind Leading the Blind lisa lipinski, Corcoran College of Art and Design Charles Peterson, University of California, Santa Barbara

Return to Damisch Sight, Science, and the Still-life Paintings of Juan Sanchez ColBn Kent Minturn, Sarah lawrence College Mindy Nancarrow, University of Alabama

Just Noticeable Difference and the Thresholds of Artistic Perception Joan Hart, Indiana University The "Globalization of Tasto": Coltural Historiography SVllGreti"m, and Artistic Production ill Asia, !berla, and the Elizabeth Sears, University of Michigan Ii:wrial1 w thnericHIl COIO!lies SUTTON PARLOR SOUTH, 2NO flOOR, HILTON NEW YORK Chair: Sofia Sanabrais, los Angeles County Museum of Art

ASSOCIATION OF HISTORIANS OF AMERICAN ART A Taste for the New: Collecting Chinese Ceramics in Renaissance Spain The ;11 lis Cultural Coulex!: Promises ana Perils Maite Alvarez, J. Paul Getty Museum, and Mendoza Research Project, TRIANON BALLROOM, 3RO FLOOR, HILTON NEW YORK University of Southern California Chair: Kathleen Pyne, University of Notre Dame Chinese "Gewgaws and Ornaments of lillie Value": Trading Anxieties Close Reading in Manila, Mexico, and Latin American Art History Alexander Nemerov, Yale University Dana Leibsohn, Smith College Interpretation in the Age of the Digital Zoom Nanban Art between Nagasaki, Macao, and Acapulco Michaelleja, University of Pennsylvania Alexandra Curve 10, Centro de Historfa de Alem Mar, Universidade Nova de The Single-Artist Museum: Problems and Solutions Usboa Barbara Buhler Lynes, Georgia O'Keeffe Museum, Georgia O'Keeffe Museum "Nuestro joven": San Felipe de Jesus: Syncretism and Innovation in Research Center the Martyr Murals at Cuernavaca Cathedral Object lessons Sara K. Klein, independent scholar, Chicago Sylvia Yount, High Museum of Art Sublime Passion: Translating Text and Image in a 19th-century Philippine Colonial Manuscript in Valladolid The Themal!,"!;o" of tho Sellses in Art Florina H. Capistrano-Baker, Ayala Museum SUTTON PARLOR NORTH, 2NO FLOOR, HILTON NEW YORK Discussant: Thomas DaCosta Kaufmann, Princeton University Chair: lisa M. Rafanelli, Manhattanville College

A Touching Compassion: Dlirer's Haptic Theology ill lie Shira Brisman, Yale University PETIT TRIANON, 3RD flOOR, HILTON NEW YORK Chair: Steve Shipps, Emerson College The Collector's Caress: The Tactile Allure of Sculpture in Early Modern Italy Rang de Nil. (Color Me Blue) Geraldine A. Johnson, Oxford University Siona 8enjamin-Kruge

Perspective, Optics, and Vision in EI Greco's Christ Healing the Blind In the Pandemonium of Image: Derek Jarman's Blue Andrew Casper, University of Pennsylvania Ignaz Cassar, University of leeds

Blue Jeans: America's National Pants Nan Freeman, Schoo! of the Museum of Fine Arts, Boston

The Blue G/ass Cure Joanna Merwood-Salisbury, Parsons, New School for Design mOpen Session mAffiliated Society Session D Offsite Session DE-Session Weeping Virgins and Wailing Women: Examining Grief and Piety in the Middle Ages Practicum Museum Session II IliI Vibeke Olson, University of North Carolina, Wilmington

38 eM NYC 2007 Conference Program Experiential Blue and the Architecture of the Swimming Pool The Praclice 01 ami the Construction of Jada Schumacher, University of Wisconsin, Stout Arlistic BEEKMAN PARLOR, 2ND FLOOR, HILTON NEW YORK Post-Partum Blues Chair: Alicia Weisberg-Roberts, Yale University Mariangeles Soto·Diaz, Hampshire College Anatomical Drawings and Florentine Identity ill the 16'" Century Jennifer Bird, Bryn Mawr College Time "Primitivism" in Africa REGENT PARLOR, 2ND flOOR, HilTON NEW YORK Wily Robert Hooke Stopped Drawing Chair: Z. S. Strother, University of California, los Angeles Matthew C. Hunter, University of Chicago

Picasso: Relooking at Africa Drawing, Performance, and Salon Sociability in EarlY-19th-Century Suzanne Preston Blier, Harvard University France Daniel Harkett, Columbia University Metropolitan Fetish: African Sculpture in tile Spaces of French Modernism Contesting Identity and the Meta-praxis of Drawing John Monroe, Iowa State University Anthony Auerbach -

Primitivism on Trial: The "Picasso and Africa" Exhibition in Discussant Pamela H. Smith, Columbia University South Alrica Julie l. McGee, Bowdoin College Re-Presen!ation of and the Feminine in East Asian The Legacy of Primitivism in Contemporary Senegal: Art, Politics, Societies and Institutional Discourses since the 1990s GRAMERCY A, 2ND FLOOR, HilTON NEW YORK Maureen Murphy, Universite Paris I Sorbonne Chair: Aida Yuen Wong, Brandeis University

Cultural Heritage and the Popularity of Primitivism The Endogamous Eugenic Japanese Nude: Koide Narashige Peter M. Probst, Tufts University Bert Winther-TamakL University of California, Irvine Discussant: Steven Nelson, University of California. Los Angeles Finding Beauty in tile House Functional: Class, Gender, and Beauty in Design Discourse in Modern Japan Sarah Teasley, University of Massachusetts, Dartmouth Tradition IJl1bol1"d: to Art's Past, Part I Virtuous Beauty or Beautified Virtue? MADISON SUITE, 2ND FLOOR, HILTON NEW YORK Seokyung Han, Binghamton University Chairs: Murtaza Vali, Institute of Fine Arts, New York University; Anna Sloan, Moba Moga (Modern Boy, Modern Girl) in Colonial Korea: 1910-45 Mount Holyoke College Shim Chung, New York University Political Pols and Contentious Clay: A Postmodern Reading of Conflicting Perspectives: He-Presenting Feminine Beauty in Contemporary Ceramic Art 20th-Century CMnese Art Tamsin Whitehead, independent scholar, Northwood, New Hampshire Sandy Ng, University of Hong Kong Elaine Reichek's Modern-Day Samplers Paula J. Birnbaum, University of San Francisco and End of Public Art Prllie,,,!, An Ambivalent ReappearaIJce of the OrientaUst Hamam RENOEZVOUS TRIANON, 3RD FLOOR, HilTON NEW YORK Michel Oren, California State University, Fullerton Chair: Elyn Zimmerman

Sacred Love and Sexual Devotion in the Late "Gay" Paintings of Alice Aycock, independent artist. New York Bhupen Khakhar Julian laVerdiere, independent artist, New York Karin J. Zitzewitz, University of Chicago Harriet Senie, Graduate Center, City University of New York Ra-Presenting Tradition: Strategies of Transnational Contemporary Artists in the International Exhibitions Network Joe Martin Hill, Institute of Fine Arts, New York University

Program Sessions CAA NYC 2007 39 12:30 PM-2:00 PM LEONARDO EDUCATION FORUM VS, WEST BAllROOM, 3RO FLOOR, HilTON NEW YORK HISTORIANS OF GERMAN AND CENTRAL EUROPEAN ART AND ARCHITECTURE flGCEA 0110 Chair: Gabriel Harp, University of Michigan GIBSON ROOM, 2ND FLOOR, HILTON NEW YORK Chair: Peter Chametzky, Southern Illinois University Dam VISUAL RESOURCES ASSOCIATION GETTY RESEARCH INSTITUTE Practical for the Classroom Illstruotor: Get What Vou Wallt and Ritual from Tools BEEKMAN PARLOR, 2ND FLOOR, HILTON NEW YORK MERCURY BAllROOM, 3RD FLOOR, HilTON NEW YORK Chairs: Thomas Crow, Getty Research Institute; Charles Salas, Getty Chair: Trudy Jacoby, Princeton University Research Institute Practical Applications for Managing Personal Digital/mage Collections Virginia Hall, Johns Hopkins University The Tipping Poinl: Finally, Ihe Oigilal Classroom! (MOI02) ASSOCIATION FOR TEXTUAL SCHOLARSHIP IN ART HISTORY Kathe Hicks Albrecht American University "",atllnu Cultllre in 191h Boslol1: Bille Prints ill Should aualily Maller? The Grilly Trulh about Images and Art Arls and Letters Christine Sundt, visual resources consultant EAST BAllROOM, 3RD FLOOR, HilTON NEW YORK Chair: Alicia Faxon, Simmons College

"Borgo Allegro": Art in the Letters of Isabella Gardner ASSOCIATION OF HISTORIANS OF NINETEENTH-CENTURY ART Margaret Hanni. Simmons College New Directions in Art MADISON SUITE, 2ND FLOOR, HilTON NEW YORK Commercial Art and the Making of an Artist Chair: Mark ledbury, Sterling and Francine Clark Art Institute Sister Ellen Gavin, Emmanuel College Tramping tile Boulevard: Tile Beggar, Masculinity, and Public Space Religious Symbolism in Medieval Arl and Architecture Temma Balducci, Arkansas State University Allyson Sheckler, Stonehill College The Homoerolics of Bacchus: John Gibson and Simeon Solomon in Victorian Rome Roberto Ferrari, Graduate Center, City University of New York NATIONAL ENDOWMENT FOR THE ARTS Granl in tile liisual Arls A Hysterical Reading of Auguste Rodin's The Gates of Hell SUTTON PARLOR NORTH, 2ND FLOOR, HilTON NEW YORK Natasha Ruiz Gomez, University of Pennsylvania Chairs: Robert Frankel, National Endowment for the Arts; Wendy Clark, National Endowment for the Arts The Artist and the Alienists: Portraits and Painters in the Victorian Asylum Eleanor Stansbie, Birkbeck College, University of London

Bodies of Evidence: The Rhetoric and lIfustralive Apparatus of the 19lh-Century Anatomical Atlas DOWIl tilo Walls: Cindy Stelmackowich, Binghamton University

NASSAU SUITE, 2NO FLOOR, HilTON NEW YORK eAA COMMITTEE ON WOMEN IN THE ARTS Chair: David Getsy, School of the Art Institute of Chicago Women and Their Artist DallJfllllolrs Angela Rosenthal, Dartmouth College GRAMERCY A, 2NO FLOOR, HilTON NEW YORK Chair: Carolyn H. Manosevitz, Colorado Mountain College Lowery Stokes Sims, Studio Museum in Harlem Julian Stallabrass, Courtauld Institute of Art Lap Swimmer, Crossing Anne Wagner, University of California, Berkeley Micaela Amato Amateau, Penn State University

The Beauty of Disorder Cara Judea Alhadeff, independent artist

40 eAA NYC 2007 Conference Program Reflections of a Second Generation: The Grass Is Always Greener Animate Objects and the Evocation of Empathy Deborah Rader, independent artist John Slepian, Wesleyan University

Joumey into the Past The Beautiful and the Terrifying Carolyn H. Manosevitz, Colorado Mountain College Gail Wight, Stanford University

ART SPACES ARCHIVES PROJECT Tho Iransi!ioll/New Directors and Old INTERNATIONAL ASSOCIATION OF WORD AND IMAGE STUDIES Greative to Arl 01 the the M(}dern~-Postm(}dern Divide: Toward a of 1970s to the Present \lis,," I RENDEZVOUS TRIANON, 3RD FLOOR, HILTON NEW YORK REGENT PARLOR, 2ND FLOOR, HILTON NEW YORK Chair: David Platzker, Art Spaces Archives Project Chair: lauren S. Weingarden, Florida State University

Alice Pasternak, Creative Time Parody,. or. The auandary of Place: Conservative Reactions to Debra Singer, The Kitchen Modernism in Late 19th· Century Spain Matthew Higgs, White Columns Oscar E. Vazquez, University of Illinois, Urbana-Champaign Benjamin Weil, Artists Space Sellrat's Gravity Richard A. Shiff, University of Texas, Austin

Fictions of Facial Representation: Paul Klee's "Portraits"

ASSOCIATION OF ART MUSEUM CURATORS Charles W. Haxthausen, Williams College Curators' War IV: The Rellirn of the Discussant: linda Hutchan, University of Toronto PETIT TRIANON, 3RD FLOOR, HILTON NEW YORK Chair: George T. M. Shackelford

ASSOCIATION OF HISTORIANS OF AMERICAN ART ARTspace Business CAA SERVICES TO ARTISTS COMMITIEE SUTTON PARLOR CENTER, 2ND FLOOR, HILTON NEW YORK [loes the Ar! World Have a Political Bins? MURRAY HILL SUITE, 2ND FLOOR, HILTON NEW YORK Chairs: Elin O'Hara Slavick, University of North Carolina, Chapel Hill; Thomas

Kleese, University of Wisconsin, Richland ASSOCIATION FOR LATIN AMERICAN ART Business ,"""""" Hegemony Cricket: The Voice of One Crying in tile Wildemess CLINTON SUITE, 2NO flOOR, HILTON NEW YORK Thomas Kleese, University of Wisconsin, Richland

Separating the Sheep from the Goats; 01, How I Leamed to Stop Worrying and Love the Art World CAA PROFESSIONAL PRACTICES COMMITIEE James Panero, The New Criterion magazine; Martha Rosier, Rutgers, State Business University of New Jersey GRAMERCY B, 2ND FLOOR, HILTON NEW YORK

NEW MEDIA CAUCUS RADICAL ART CAUCUS Can Geeks Be HmlHHlists? Business TRIANON BALLROOM, 3RO FLOOR, HILTON NEW YORK SUTTON PARLOR SOUTH, 2ND FLOOR, HILTON NEW YORK Chair: Marcia Tanner, independent curator, Berkeley

Intimacy in New Media Art Open Session III Affiliated Society Session Andrea Ackerman, independent artist and psychiatrist m Offsite Session E-Session Claudia Hart, Pratt Institute, and lehman College, City University of New York I! II II Practicum iii Museum Session Beyond Functional: Embedding Responsive Art into Human Systems Sabrina Raaf, School of Art and Oesign. University of Illinois, Chicago

Program Sessions CM NYC 2007 41 2:30 PM-5:00 PM

POSTER AREA, SOUTH CORRIDOR, 2ND flOOR, HILTON NEW YORK The Tios Thai Bind? Homosnci,,1 Collaboration in American Arl Poster Sessions are informal presentations for small groups WEST BALLROOM, 3RD flOOR, HILTON NEW YORK displayed on poster boards by an individual. The poster display is Chairs: Alexis L. Boylan, University of Tennessee; Elizabeth lee, Dickinson usually a mixture of a brief narrative paper intermixed with College illustrations, tables or graphs, and other presentation materials. With a few concisely written areas of focus, the poster display Toward an Understanding of Washington Allston and Samuel Taylor communicates the essence of the presenter's research, synthe­ Coleridge sizing its main ideas and research directions. Poster displays will Todd Smith. Gibbes Museum of Art be on view for the duration of the conference, beginning on Thursday morning. On Thursday and Friday, from 12:30 to 2:00 A Shared Artistic life: James Suydam, His Art Collection and PM, presenters will be available at the Poster area. The following His Collaborative Circle are Poster Sessions: Katherine Manthorne, Graduate Center, City University of New York

An Introduction to Jua Kali Art from Kenya Violet Oakley and Edith Emerson Kristina Dziedzic Wright, University of Illinois, Chicago Bailey van Hook, Virginia Polytechnic Institute and State University

Two Artists/public School Art Teachers Who Successfully Homage to Twombly: Hauschenberg's Thirtv-Four Illustrations for Maintained Their Artistic Agendas and Identities Dante's Inferno Paula Eubanks, Georgia State University Anna Kamplain, Boston University

Big Red Thing: Civic Spectacle and Public Art in Grand Rapids, General Idea's Exquisite Corpse: Configuring the Collaborative Body Michigan Deborah Barkun, Millersville University of Pennsylvania Jennifer Geigel Mikulay, University of Wisconson, Madison

Map Curtain: Beverly 10 Blue Island/Chicago's South Side, 2005, and ARTspace Mapping the Chicago Area's Public High Schools and Public Golf "Difficult" Content in Ille Publie Realm Courses, 2006, with Accompanying Charts and Maps MURRAY Hill SUITE, 2ND HOOR, HILTON NEW YORK Jayne Hileman, Saint Xavier University Chairs: Elizabeth Conner; Janet Kaplan, Moore College of Art Catherine de Zegher Threshold Edwin Jager, University of Wisconsin, Oshkosh; John O. Smith, University Discussant: Norie Sato, independent artist, Seattle of Wisconsin, Stevens Point Other participants to be announced.

Heframing Invisible Histories and Postcolonial Moments: Teaching Drawing in India in the 19th Century Globalism and its: Discontents Ami Kantawala, Teachers College, Columbia University TRIANON BALLROOM, 3RD FLOOR, HILTON NEW YORK Chairs: Aruna D'Souza, Binghamton University; Tom McDonough, Frances Benjamin Johnston and The Ladies' Home Journal Visit the Binghamton University Country of Sheridan's Ride Geraldine Kiefer. Shenandoah University Where We Come From: Mobility and Belonging in Contemporary Art T. J. Demos, University College, london The Politics of Col/age: Collage Art as Social Commentary in Ihe 20th Century GOing Astray: Network Transformations and the Asymmetries of Jennifer Lemish, City Coliege, City University of New York Globalization Helge Mooshammer, Thinkarchitecture; Peter Mortenbock, Goldsmiths College, University of london

Collectivity and /Is Discontents: Hetl1inking the Global and the Local mOpen Session III Affiliated Society Session in Current Art Practice Il Offsite Session D E·Session Grant Kester, University of California, San Diego II Practicum iii Museum Session

42 CAA NYC 2007 Conference Program Discontinuous States: Art on the Border The Count Duke 01 Olivares, Politics, and the Cult 01 St. Dominic Krista Genevieve lynes, San Francisco Art Institute Soriano at the Court of Philip IV Marta Bustillo, National Coilege of Art and Design, Dublin From Nomadism to Cosmopolitanism James Meyer, Emory University The Portrait of Juan Rana, King of Comedy, at the Court of Philip IV laura R. Bass, Tulane University

Discussants: Jonathan Brown, Institute of Fine Arts, New York University; Ellgagillg vea"aOI1IV: Ul1d'''grad,wle Art ami Active John Elliott, Oxford University RENDEZVOUS TRIANON, 3RD fLOOR, HILTON NEW YORK Chairs: Kimberly l. Dennis, Rollins College; Kristin Huffman lamoni, Duke Beat Terrains in 2007 University PETIT TRIANON, 3RD FLOOR, HilTON NEW YORK Building an Understanding of Architectural History Chair: Helen C. Frederick, George Mason University Craig Eliason, University of St. Thomas TI1e Weight of an Expressive Silence Student Curators: A New Approach to Active Learning through Rie Hachiyanagi, Mount Holyoke College Museum and Library Partnerships The Mummy's Curse lana A. Burgess, Florida State University Sandy Kinnee Engaging Masquerades: Ritual Performance in the Classroom Paper Dolls: Women Sculptors and t/IB Body in Pulp Carol Magee, University of North Carolina, Chapel Hill Virginia Maksymowicz, Franklin and Marshall College Service Learning Projects: Connecting Student Research with tile Empire on Course Needs 01 Community Partners Eve Ingalls William Stargard, Pine Manor College Paper Keeps the Pace The Visual Essay Project: Thinking Visually, Conceptually, and Synthetically Rachel Foullon, Public-Holiday Projects Janice Simon, lamar Dodd School of Art, University of Georgia

Crealive Fuillres: Is the MBA Us? BEEKMAN PARLOR, 2ND fLOOR, HILTON NEW YORK Chairs: Stephanie Ellis, San Francisco Art Institute; Stacy Garfinkel, San Francisco Art Institute

Why tile PhD Studio? Naren Barfield, Glasgow School of Art; laura Gonzalez, Glasgow School of Art

Ante Magazine: What Are the Stakes? Nicholas Herman, independent artist New York; Dmitri Siegel. Sundance Channel

1957 Brain Rush Stephanie Ellis, San Francisco Art Institute; Stacy Garfinkel, San Francisco Art Institute

The COrl,t of III SUTTON PARLOR SOUTH, 2ND fLOOR, HILTON NEW YORK Chairs: Jesus Escobar, Fairfield University; Amanda Wunder, University of New Hampshire

Vetazquez's First Portrait of Philip IV and the Sources of Courtly Success Tanya J. Tiffany, University of Wisconsin, Milwaukee

Uncovering the Role 01 Queen Isabella of Bourbon in Spanish Baroque Art Iraida Rodriguez-Negron, Institute of Fine Arts, New York University

Program Sessions CM NYC 2007 43 EV'BrI'w,heire and Nowhere: Americalloess in AnH:rican Art Inchoala Roma Forma leon is: An Augustan Model for Imperial MERCURY BALLROOM, 3RD FLOOR, HILTON NEW YORK Propaganda at the Forum of Mussolini Chairs: Heather Hole, Georgia a'Keeffe Museum Research Center; Kristin Valentina Folio, University of Pennsylvania Ann Schwain, University of Missouri, Columbia Building the Tropical World of Tomorrow: The Construction of Elsewhere as Nowhere: Color. Vision, and the Void in Titian Ramsay Brasilidade at the 1939 New York World~ Fair Peale's Kilauea Pendant Aleca Le Blanc, University of Southern California Wendy Ikemata, Harvard University Spectacular Nation: Expo '67, Prime Minister L. B. Pearson and the "Unquestionably a picture": George Seeley's Winter Landscape Photographic Promotion 01 Canada of 1909 Carol Payne, Carleton University Sarah Caylor, Duke University

Native Spirits and Racial Souls: African American Artists and the Work ill Pm"",",' Presentations by CAA Prolessional Rhetoric of "Distinctive Contribution" Mary Ann Cala, Colgate University CONCOURSE F, HILTON NEW YORK Chair: Stacy Miller, CAA American in Spite of Himself: Joseph Cornell, 811 Imaginary Expatriate Kirsten Hoving, Middlebury College Christopher Lowtoer, Indiana University

Discussant: Angela L Miller, Washington University, SI. louis Amy Vao, Yale University

Legions in Mourning: Reconstructing Communities in the Roman Provinces lessons: at Museums and Universities Alvaro Ibarra, University of Texas, Austin NASSAU SUITE, 2ND FLOOR, HILTON NEW YORK Art without Objects: Michael Asher's Empty Spaces Chairs: David E. little, Museum of Modern Art Elizabeth Rodini, Johns Jennifer King, Princeton University Hopkins University Michael Hatt, Yale Center for British Art Dymaxicrat Architecture: Buckminster Fulfer at Black Mountain Col/ege Daniel H. Weiss, Lafayette College Eva Diaz, Princeton University Kimerly Rorschach, Nasher Museum of Art, Duke University The Notion of Family: Family Work 2002-6 Jessica Stockholder, Yale University LaToya Frazier, Syracuse University

"It's not an archive": Christian Boltanski's Les Archives de C. B. Art, Politicians, al1d Ihe 01 a Kate Palmer, Princeton University Nation MADISON SUITE, 2ND FLOOR, HILTON NEW YORK Chair: Karen E. Milbourne, Baltimore Museum of Art IJIl;a.,llly alld Visual Ciliture GRAMERCY B, 2ND flOOR, HILTON NEW YORK Designing "Empire" in Early Imperial China (221 BCE-220 CE) Chair: Nicholas D. Mirzoeff, New York University Hsin-Mei Agnes Hsu, Brown University "What is that ghastly lady doing there?" Marc Quinn's Alison Lapper Hadrian's Hydraulic Vision of Roman Cultural Identity Pregnant and the Ability of Art Brenda longfellow, University of Iowa Christopher Bedford, J. Paul Getty Museum

Matters of Fluency Erica Duffy, University of Northern Iowa

Disability as Divine: Special Bodies in Ancient American Art Rebecca Rollins Stone, Emory University lIm Open Session ED Affiliated SOciety Session D Offsite Session DE-Session Aesthetics of Accessibility Jon Berge, independent artist. Columbus, Ohio II Practicum iii Museum Session

44 CAA NYC 2007 Conference Program Seeing Disability Can You Hold a Pixel in Your Hand? Rethinking tllB Photograph as a W. J. T. Mitchell, University of Chicago Physicaf Object Richard Turnbull, Fashion Institute of Technology Play It Again, Sam; and Again; a nd Again: Obsession in Art lennard Davis, University of Illinois, Chicago Vale Photography Geoffrey Batehen, Graduate Center, City University of New York

Making French History, 1300 to 1500 That Was Then, This Is Now: A Radical Reorganization of Process GIBSON ROOM, 2ND FLOOR, HILTON NEW YORK Wendy 8abeox, University of South Florida Chairs: Elizabeth Morrison, J. Paul Getty Museum; Anne D. Hedeman, Parallel Universes: Making 00 and Getting By + Thoughtless Acts University of Illinois, Urbana· Champaign (Mapping 'he Quotidian from Two Perspectives) Romans or Estoire? Late Capelian Hislory as Imagined for Ille Queen Kevin Henry, Columbia College, Chicago Tracy Chapman Hamilton, Sweet Briar College

Old Age and Glory: The History and Romance of the Family Saint­ Art and the Mathematical Instinc! Fforet CLINTON SUITE, 2ND FLOOR, HILTON NEW YORK Amanda luyster, College of the Holy Cross Chairs: Peter Spooner, Tweed Museum of Art, University of Minnesota. Duluth; John Sims, independent artist, Sarasota Crusade History at the Court of Pllilip VI of Valois: British Library Royal Ms. 190 I Mathematics, Metaphors, and Digital Maps Maureen Quigley, Saint Louis University Brian Evans, University of Alabama, Tuscaloosa

Drawing upon tile Past: Historical Romances Illustrated by the Wavrin From Dust to Dust: A Mathematical and Digital Analysis of the Master Arabesque Design of Shaykh Luft Allah Mosque Stephen Perkinson, Bowdoin Coilege Mahbobe Ghods, Columbia University

Connections Revealed: Artistic Biology and Mathematical Art Fairfield Porler: His Work and Patricia Olynyk, University of Michigan SUTTON PARLOR CENTER, 2ND FLOOR, HILTON NEW YORK Mathematical Series in Minimalism Chair: Hearne Pardee, UniverSity of California, Davis Adrian Kohn, University of Texas, Austin Fairfield Porler and the "American Cramp" Discussant: John Sims, independent artist, Sarasota Ted leigh, independent artist and scholar, York, Pennsylvania

The Interwoven World of Fairfield Porter The Miniaturized Urban Desire, Anxietv, and Time George Rush, Yale School of Art GRAMERCY A, 2ND FLOOR, HILTON NEW YORK Porter tile Painter, Illuminated by His Short Reviews Chairs: Nancy Stieber, UniverSity of Massachusetts, Boston; Mary N, Anne Devaney, University of Missouri. Kansas City Woods, Cornell University

The Art and Writings of Fairfield Porter Memory, Actuality, and Aspiration in Reuwich's View of Jerusalem Mario Naves, New York Observer (1486) Elizabeth Ross, University of Florida Fairfield Porter: Memoir David Shapiro, independent poet and critic, Riverdale, New York The Memory Sees More than the Eyes: Collapsing Past and Present in Renaissance Imagery of Rome Jessica Maier, Columbia University "From is dead": The Paradox of PIHltOtHalll,,"s life alld Death Panoptic Visions of LOl1don: PosseSSing 'he Metropolis REGENT PARLOR, 2ND FLOOR, HILTON NEW YORK Dana R. Arnold, University of Southampton Chair: Gary D. Sampson, Cleveland Institute of Art The Tempo of Modernity: Manhattan's Rising Skylil1e and Its Striking Affinities: The Combination and the Conspiracy in Early Metaphors Photograpllic Culture Mardges Bacon, Northeastern University Jordan Bear, Columbia University Discussant: Max Page, University of Massachusetts, Amherst

Program Sessions CM NYC 2007 45 The Witness Report: An Installation Exploring the Spiritual Aftermath of Ground Zero HISTORIANS OF GERMAN AND CENTRAL EUROPEAN ART AND ARCHITECTURE Robin Masi, Varo Registry of Women Artists Follow the Red Brick Road SUTTON PARLOR NORTH, 2NO flOOR, HILTON NEW YORK Celebrating the Sacred Feminine: Installations, Digital Works. Earthworks Chairs: Katja Zelljadt, Getty Research Institute; Maiken Umbach, University Kyra Belan, Broward Community College of Manchester Diligent Peace Industrial. Ecclesiastical, Monumental? The Use of Brick in 19th­ Carol Prusa, Florida Atlantic University Century Hungarian and Central European Architecture Installation Design J6zsef Sisa, Research Institute for Art History of the Hungarian Academy of Nofa Dixon, University of North Florida Sciences

Backstein oder Putzbau? The Architectural Physiognomy of Kommunale Berlin NATIONAL ART EDUCATION ASSOCIATION Jennifer Reed Dillon, Duke University l'e'UaIIOIIV Issues Forum II: The Art 01 Art Bernhard Hoetger's Niedersachsenstein: Fantasies of National Rebirth MERCURY BAllROOM, 3RD FLOOR, HilTON NEW YORK and the Use of Brick in Monumental Sculpture after World War I Chairs: David Burton, Virginia Commonwealth University; Melody Milbrandt, Arie Hartog, Gerhard~Marcks-Haus, Bremen Georgia State University

Brick as Bauedelstein The Teacher: Personal Dualities and Professional Responsibilities Claudia Turtenwald, UniversiUH Bielefeld Amy Brook Snider, Pratt Institute

Mesopotamian. Hanseatic, or Modern? Arguing about Brick in Planning: Research and Preparation Germany around 1900 Renee Sandell, George Mason University Maikan Umbach, University of Manchester Instruction: Engaging the Students Melody Milbrandt. Georgia State University 5:30 PM-7:00 PM Assessment: Feedback and Evaluation David Burton, Virginia Commonwealth University

SOCIETY OF ARCHITECTURAL HISTORIANS Architecillmi Ooline: The of DESIGN STUDIES FORUM Research and Publication Mind the The 01 and Product PETIT TRIANON, 3RD FLOOR, HilTON NEW YORK Chair: Hilary Balian, Columbia University CLINTON SUITE, 2NO FLOOR, HILTON NEW YORK Chairs: Kristin U. Fedders, University of Saint Francis; Michael J. Golec, Iowa State University

COALITION OF WOMEN IN THE ARTS ORGANIZATION The Changing Face of Packaging Nature, and Socia! Issues: Instaiiations and Hsiao-Yun Chu, Buckminster Fuller Collection E",",iime'llls ill Mend the Gap: Elevating Visual Rhetoric in Design Artifacts NASSAU SUITE, 2NO FLOOR, HilTON NEW YORK leslie Atzmon, Eastern Michigan University Chair: Kyra Belan, Broward Community College Consumer Connections: Nostalgia in 1980s Hong Kong Design D. J. Hupatz, Pratt Institute

An Empowering and Constraining Experience: A Multidisciplinary DB Open Session II' Affiliated Society Session Student Design Collaborative Carolina Gill, Ohio State University; Peter Chan, Ohio State University; D Offsite Session IJ E-Session Blaine lilly, Ohio State University II Practicum iii Museum Session

46 CM NYC 2007 Conference Program CAA ANNUAL CONFERENCE COMMITTEE AMERICAN SOCIETY FOR EIGHTEENTH-CENTURY STUDIES How to a Session for the CAA Annual Conference Worlds 01 Goods: Cross-Cul!ural all GRAMERCY B, 2ND flOOR, HILTON NEW YORK Chair: Emmanuel Lemakis, CAA SUTTON PARLOR CENTER, 2ND flOOR, HilTON NEW YORK Chair: Stacey Sloboda, Southern Illinois University

18lh~Ce1Jlury Ottoman Princesses as Collectors: From Chinese to SOUTHEASTERN COLLEGE ART CONFERENCE Europeall Porcelaill Art witilam Walls: tile Artistic Ganon Tulay Artan, Sabanci University RENDEZVOUS TRIANON, 3RD flOOR, HILTON NEW YORK Painted Indians and Painted Ladies: The Transatlantic Consumption Chair: Heather McPherson, University of Alabama, Birmingham of Vermilion Canonical Complexity and the Aztec Calendar Stone Beth Fowkes-Tobin, Arizona State University Annabeth Headrick, Vanderbilt University COllsuming Culture: Art in the Gazeta de Mexico Embracing a Patriarchal Canon: Normative Aestlwtics, Feminism, and Kelly Donahue-Wallace, University of North Texas Gender Identity in a 17th~Century Convent Christina Morris McOmber, Cornel! College

The "Heroic Generatioll": Fictional Socialist Realist Painters ill the AMERICAN SOCIETY FOR HISPANIC ART HISTORICAL STUDIES Work of lIya Kabakov Business Wendy Koenig, Middle Tennessee State University Off SITE, HISPANIC SOCIETY, AUOUBON TERRACE 613 WEST 155TH STREET. MANHATTAN Discussant: Joy Sperling, Denison University

ASSOCIATION OF HISTORIANS OF NINETEENTH-CENTURY ART ASSOCIATION OF RESEARCH INSTITUTES IN ART HISTORY Business A Plea for tendency: and Fees for MADISON SUITE, 2ND fLOOR, HILTON NEW YORK Publications GIBSON ROOM, 2ND flOOR, HILTON NEW YORK

Chair: Inge Reist, Frick Art Reference Library HISTORIANS OF ISLAMIC ART ASSOCIATION Business SUTTON PARLOR NORTH, 2ND flOOR, HILTON NEW YORK

CAA STUDENT AND EMERGING PROFESSIONALS COMMITTEE Nota Bene II: the Work of Sindonis ami

"While People Like My MOlhers Rugs": Gerald Nailor and Ihe Display of Navajo Commerce, 1937-43 QUEER CAUCUS FOR ART Rachel Leibowitz, University of Illinois, Urbana-Champaign Business Un workings of a Binary System BEEKMAN PARLOR, 2ND flOOR, HILTON NEW YORK Lori Hepner, State University of New York College, Cortland

Paul Klees Lale Work Gabriele Hoffmann, independent scholar VISUAL CULTURE CAUCUS Business SUTTON PARLOR SOUTH, 2ND flOOR, HilTON NEW YORK

Program Sessions CAA NYC 2007 47 R 16 Ar! alld rs""c!liv,,, Irom to Iho Comic WEST BALLROOM, 3RO fLOOR, HILTON NEW YORK 7:30 AM-9:00 AM Chair: Laurie Schneider Adams, John Jay College, City University of New York Freud on a Visual Obsession: The Psychoanalytic Meaning of the Baubo Gesture in Ancient Art Larissa Bonfante, New York University COMMUNITY COLLEGE PROFESSORS OF ART AND ART HISTORY Similarities, Differences: the Dysfunctional Holy Families: Loss, Rage, and Desire in Renaissance Diverse Universe of Commul1ity College Arl PflJut'anlS Images of the Virgin and Child GIBSON ROOM, 2ND FLOOR, HILTON NEW YORK Bradley Isham Collins, Parsons, New School for Design Chair: Thomas Morrissey, Community Coilege of Ahode Island Fragmentation, Transformation, and Self-Realization: Marcel Duchamp and the Formation of the Creative Imago Bradley Bailey, Stephen f. Austin State University ITALIAN ART SOCIETY Pollock's Breakthrough: Psychohistory and the Origins of Style Business Carroll Janis, Sidney Janis Gallery SUTTON PARLOR CENTER, 2ND fLOOR, HILTON NEW YORK Psychoanalysis, Metaphysics, and the Comic Art Form: An Olltology of Sequential Art Scott Contreras-Koterbay, East Tennessee State University PACIFIC ARTS ASSOCIATION Business NASSAU SUITE, 2ND fLOOR, HILTON NEW YORK Vermeer EAST BALLROOM, 3RD fLOOR, HILTON NEW YORK Chair: Benjamin Binstock, Queens College

9:30 AM-12:00 PM The Subjective TUrns ill Vermeer and Descartes Mary Wiseman, City University of New York

Astrology alld History in Rembrandt's Faust alld Vermeer's Astronomer HISTORIANS OF NETHERLANDISH ART Paul Crenshaw, Washington University, St.louis The PresenCE! of the Persistenco of Time SUTTON PARLOR SOUTH, 2ND fLOOR, HILTON NEW YORK Vermeer's Allegorv of Faith Chairs: Ann Jensen Adams, University of California, Santa Barbara; Elizabeth David R. Smith. University of New Hampshire Alice Honig, University of California, Berkeley Family Secrets: The Apprenticeship of Maria Vermeer Hieronymus Bosch's Cosmogony Benjamin Binstock, Queens College Margaret D. Carroll, Wellesley College

Time Out 01 Joint: Pieter Bruegel's Peasant History AMERICAN COUNCil FOR SOUTHERN ASIAN ART Stephanie Porras, Courtauld Institute of Art Rock RENDEZVOUS TRIANON, 3RO flOOR, HILTON NEW YORK The Paradox of Time in Pieler Bruegel's Christ Carrying the Cross Chairs: Pia Brancaccio, Drexel University; Frederick M. Asher, University of Jurgen MOiler, University of Dresden Minnesota

History as Style in the Adriaen PlODS Familv Epitaph and Hendrick ter Seeillg into Stone: Early Buddhist alld Pre-Buddhist Carvings in langskar Brugghen's Crucifixion Rob linrothe, Skidmore College Natasha Seaman, Berklee College of Music

News and Good News: Kairos and Chronos at Work in Communion Open Session Affiliated Society Session lisa J. De Boer, Westmont College m II D Offsite Session DE-Session II Practicum riI Museum Session

48 CM NYC 2007 Conference Program Carving tile Divine/Carving the Liberated: Articulations of "Presence" Space 1026: Reflections on Printmaking as a Shared Practice in Ellora's Hindu lind Jain Cave Temples Jesse Goldstein, Space 1026 Lisa Nadine Owen

How the Monastic Communities of Kucha, Xinjiang, Used Their Rock Whon Is Central 10 Part I Cliff Caves BEEKMAN PARLOR, 2ND FLOOR, HILTON NEW YORK Angela Howard, Rutgers, State University of New Jersey Chairs: Janet Koptos, Art in America magazine; Bruce Metcalf, artist and independent scholar, Bala Cynwood, Pennsylvania Living Rocks and the Special Dead: Stupa Reliefs in Medieval China Sunkyung Kim, Duke University Muddy Miracles: Meaning and Technique ill Agnes Martin's Paintings Christina Bryan Rosenberger, Center for the Technical Study of Modern Art, King of Kings of Iran and Non-Iran: The Monumental Rock Relief in Harvard University Art Museums SasBnian Iran between East and West Matthew Canepa, College of Charleston Bu-re, Bo-ke Photogrllphy and Subverting tile Eye/Le/ls Distinction: The Shooting Method of Provoke Photographers Yuko Teshima, Graduate Center, City University of New York

ASSOCIATION OF HISTORIANS OF NINETEENTH CENTURY ART Weaving, New Technology, and Content Now Atl and of Roalisl Art ill Ihe 19th Lia Cook, California College of the Arts REGENT PARLOR, 2ND FLOOR, HILTON NEW YORK Making Difficulties Chair: Therese Dolan, Tyler School of Art, Temple University Kim Grant. University of Southern Maine Realismo and the RisorgimelJto: Gioacchino Toma's Luisa Sanfelice and Late-Century Disillusionment Ceramics: F!ve Artists the laura Watts Sommer, Daemen College GIBSON ROOM, 2ND FLOOR, HILTON NEW YORK Victorian Realism, Material Culture, and Aesthetic Commodities Chair: Walter McConnell, New York State College of Ceramics, Alfred University Julie F. Cadell. Arizona State University Courting Risk Realism from the Margins: Redefining Realism from a Belgian linda Sormin, Rhode Island School of Design Perspective Conspicuous COJJsumption Sura levine, Hampshire College John Byrd, University of South Florida Strategy and Fortune of Realist Art: Courbet and Germany Toward Incol1gruel1cy Stephane Laurant. University of Paris I Pantheon Sorbonne Michael Jones McKean, Virginia Commonwealth University Redefining Realism FUJJctiolJal Lal1guages Michelle Facos, Indiana University Anders Ruhwald. independent artist. London and Copenhagen Discussant: Linda Nochlin, Institute of Fine Arts, New York University On Function and Content Sanam Emami. New York State College of Ceramics, Alfred University The Practice altho Prillt NASSAU SUITE, 2ND FLOOR, HILTON NEW YORK Discussant Mary Drach Mcinnes, New YOlk State College of Ceramics, Chair: Anita Jung, University of Iowa Alfred University

Altering Substrates Patricia Villalobos-Echeverria, Indiana University of Pennsylvania ITALIAN ART SOCIETY Encounters: Memory, Multiplicity, and Skepticism 011 the Shoulders of Giants or Shootiny at Fafhar's Sang-Mi Yoo, Texas Tech University ~n""">?Tho Hislory of Italian Thon ami Now Print Polyvalence GRAMERCY A, 2ND FLOOR, HILTON NEW YORK Enrique leal. Universidad de Castilla La Mancha Chairs: Julia I. Miller, California State University, Long Beach: Anne Derbes, Hood College Yankee Queer Joel Seah, University of Southern Maine 'To lighten the dead weight of familiarity" John Paoletti, Wesleyan University

Program Sessions CM NYC 2007 49 I

Hagiolatry, Manuscripts, and Painting: Edward 8. Garrison and the Etchings vs. Engravings: A Publisher's Choice for Book Illustrations Study of late Medieval Italian Art Karen l. Bowen Jessica Richardson. Courtauld Institute of Art Italian Prints for the Dutch and Flemish Market: Antonio Tempesta's Trecento Studies during the 1930s: The Italiall Commune through the Cooperation with Pieter de Jode Lens of Economic Turmoil Eckhard leuschner, Universitat Passau Patricia A. Emison, University of New Hampshire Activist Discourses: Inside the Lab Context The Gendering of Libert as and the International Gothic: Carlo Christopher Etheridge, Harvard University Crivelli's Ascoli Annunciation TImothy D. McCall, Villanova University

Gender and Homosexuality: Finding OUf Grandparents, Teaching OUf Transformations of Time amI Place in MllV;Il,,-IIl'. Work ill Parents Ihe /lgo, ParI I James M. Saslow, Queens College. Graduate Center, City University of New York SUTTON PARLOR NORTH, 2ND fLOOR, HILTON NEW YORK Chair: Melissa Ragona, School of Art, Carnegie Mellon University

reo'!V[IOS of Women: Evil Pari I Site Specificity and the Moving Image CLINTON SUITE, 2ND fLOOR, HilTON NEW YORK Andrew V. Uroskie, Georgia Institute of Technology Chair: Elizabeth K. Mix, Butler University Information Visualization: Condensing Time in New Media Works Amy Cutlers New Feminine Mystique Melissa Ragona, School of Art. Carnegie Mellon University lisa Freiman, Indianapolis Museum of Art Disjunctures in Institutional Time: The Museum and the Loop as a Bathroom Tales: Sugar, Spice, and Everything Nice Temporal Form Nikki Renee Anderson Margot Bouman. Parsons, New School for Design

Subverting the Tyranny of Polykleitos The Digital Public Sphere and Experience Jo-Ann Morgan, Coastal Carolina University frazer Ward, Smith College

Disguised Image Control Erin V, Sotak ART HISTORY OPEN SESSION Stereotype Sabotage A,ts of the Islamic World Simone Paterson, Virginia Polytechnic Institute and State University MERCURY BAllROOM, 3RO flOOR, HILTON NEW YORK Chair: Marianna Shreve Simpson, independent scholar. Baltimore The /I,! and Bnsiness of ill 1400-1800 From Textiles to Algorithms: Revising an Islamic Aesthetic Paradigm SUTTON PARLOR CENTER, 2ND fLOOR, HilTON NEW YORK Carol Bier. Textile Museum Chair: Nadine M. Orenstein, Metropolitan Museum of Art Reinventing the Ahl al-bayt: SUllni Patrons and Shi'ite Shrines in Hopfer's Designs for a Tabernacle for the Holy Sacramelll: Two Sides Medieval Aleppo of a Confessional Debate Stephennie Mulder. University of Pennsylvania Freyda Spira Multiple Visiolls: Official and Unofficial Illustrated Ottoman Histories Preparatory Drawings for Prints by Stradanus: A Personal Creative Emine Fetvaci, Stanford University Act or a Workshop's Method of Work in Late Renaissance Printmaking? Invented Traditions: Uses of the Past in the Samallid Mausoleum at Alessandra Baroni, University of Siena Bukhara Melanie MichaiJidis, Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC mOpen Session mAffiliated Society Session Mugl1al and Rajput Architecture: Reconsidering the Borders of Islamic Art History D Offsite Session DE-Session D. Fairchild Ruggles, University of Illinois, Urbana-Champaign II Practicum II Museum Session

50 eAA NYC 2007 Conference Program the Waters: Homoeroticism and the Politics of ill Black \/is"al Culture The Unethical Art Muscu", PETIT TRIANON, 3RD FLOOR, HILTON NEW YORK TRIANON BALLROOM, 3RD FLOOR, HILTON NEW YORK Chair: James Smalls, University of Maryland, Baltimore County Chairs: Alan Wallach, College of William and Mary; Sally Anne Duncan, A Roman Catholic's Closet: Another Look at Richmond BarthtVs Plymouth State University Male Nudes "The Congo, I Presume": Tepid Revisionism and Belgian "Colonial Margaret Rose Vendryes, York College, Graduate Center, City University of Times" at the Royal Museum of Central Africa, Tervuren, 2005 New York Debora Silverman, University of California, los Angeles Eye-to-Eye: Transmissibility and the Black Male Gaze: The The Louvre's Galerie Espagnole (1838-48) and the Politics of Photography of Rotimi Fani-Kayode and Alex Hirst Acquisition David Dibosa, Wimbledon School of Art Alisa luxenberg, lamar Dodd School of Art, University of Georgia If I'd Had a Cock I Would've Surely Had an Ereclion: aueering Adrian Museum Ethics vs. Vanity and Desperation Piper's Mylhic Being Elaine King, Carnegie Mellon University John p, Bowles, Indiana University The Ethical Art Museum Afro-Latino Critique of a Kanlian Enwhitened Idealism: Miguel James Cuno, Art Institute of Chicago Algarin's Nuyorican Angels of Night Maria DeGuzman, University of North Carolina, Chapel Hill

Rockin' Ihe Baal: lIIegalldenlilies, lIIegalldentilicalions Robert Henri and "The , A Preeentennia! Reassessment Robert Summers, University of California, los Angeles GRAMERCY B, 2ND FLOOR, HILTON NEW YORK Chair: laural Weintraub, Fashion Institute of Technology, State University of ""on"e'"" a,," the Arts New York MADISON SUITE, 2ND FLOOR, HILTON NEW YORK Henri Encounters Chase: A Clash of Realisms Chairs: Aron Vinegar, Ohio State University; Bronwen Wilson, McGill Kimberly A. Orcutt, Bruce Museum University, University of British Columbia Alternative Realities: Prendergast, Cezanne, and Early Film in 1908 Caravaggio, the Skeptical Painter,' Montaigne, the Tenebrist Nancy Mowll Mathews, Williams College Museum of Art Philosopher: Knowledge, Visibility, and Darkness around 1600 Itay Sapir, Amsterdam School for Cultural Analysis, University of Amsterdam, Unearthing the Modern: George Bellows's Excavation Series and Ecole des Hautes Etudes en Sciences Sociales Sarah Newman, National Gallery of Art

Emanuel Maignan, Antiskepticism, and Anamorphosis Will the Real John Sloan Please Siand Up? lyle Massey, Northwestern University Sascha Scott, Rutgers, State University of New Jersey

Irresistible Dictation: Matisse and Personnalit6 Discussant: Barbara Haskell, Whitney Museum of American Art Todd Cronan, University of California, Berkeley

In the Face of Skepticism: Giacomelli, Portraiture, and Alterity ARTspace leo Costello, Rice University Reversal: Artists Talk about Art The Crying Game: Skeptical Reflections on Bill Viola's MURRAY HILL SUITE, 2ND FLOOR, HILTON NEW YORK Chair: Reva Wolf, State University of New York, New Paltz The Passions Francis Chung, University of California, Berkeley Reading Arl History: A New York Siory Peter Halley, Yale University

Inevitable Liminality: Oscillations of Sense in the Historical George Quasha, Station Hill Press

Why Some People Make Art and Others Write about II Faith Ringgold, University of California, San Diego

Program Sessions eAA NYC 2007 51 12:30 PM-2:00 PM Constructing Victory: Iraqi Visual Culture after 2003 Nada Shabout, University of North Texas

Cloning Terror: The War of Images, 9/11 to Abu Ghraib W. J. T. Mitchell, University of Chicago AMERICAN SOCIETY FOR HISPANIC ART HISTORICAL STUDIES Recent Work of Photo Grao! RENDEZVOUS TRIANON, 3RO FLOOR, HILTON NEW YORK

Chair: Mickey Abel. University of North Texas CAA INTERNATIONAL COMMITIEE International Rosidencies for Artists: Nuts "nd Bolts 11th· Century Spanish Signatures MADISON SUITE, 2ND FLOOR, HILTON NEW YORK lisandra Estevez, Rutgers, State University of New Jersey Chair: Anna Calluori Holcombe, Kansas State University Christ Is in the Details: A Closer Look at Cristos Yacentes The "How To" for International Residencies Ilenia Colon Mendoza, Penn State University Anna Calluori Holcombe, Kansas State University Portraiture and Performance at the Court of Phillip /I Global Exchanges and Their Impact Alejandra Gimenez-Berger, Temple University Linda Lighton, lighton International Exchange Program, Kansas City Artists Coalition

Foreign Residencies: The Duestions to Ask when Choosing ITALIAN ART SOCIETY Caroline Boyle-Turner, Pont-Aven Schoo! of Art Cloisters: Urban Polilics alld the Monastic Ideal sunON PARLOR CENTER, 2ND flOOR, HILTON NEW YORK Chairs: Kathleen G. Arthur, James Madison University; Amber A. McAlister,

University of Pittsburgh, Greensburg ASSOCIATION OF HISTORIANS OF AMERICAN ART tila! 11145 Bnrder and The Dead Come to Town: Episcopal Burial Cloisters in the Medieval in American Art Italian City SUTTON PARLOR NORTH, 2ND FLOOR, HILTON NEW YORK Caroline A. Bruzelius, Duke University Chair: Ellen Wiley Todd, George Mason University Cloister, Control, and Community: Art and Observance at the Margaret C. Conrads, Nelson-Atkins Museum of Art Florentine Badia (1419-39) Stephanie Fay, University of California Press Anne Leader, City University of New York Frances Pohl, Pomona College The Cloister of the Abbey of Monte Oliveto Maggiore (Siena) and Its Frescoes Kurt Sundstrom, Currier Museum of Art ARTS COUNCIL OF THE AFRICAN STUDIES ASSOCIATION A!ric"n Art "ml Visu,,1 Culture: from Classroom to Museum VISUAL CULTURE CAUCUS PETIT TRIANON, 3RD flOOR, HILTON NEW YORK Visual CUlium in the War on Terror Chairs: Christa Clarke, Newark Museum; Kim Miller, Wheaton College GRAMERCY A, 2ND FLOOR, HILTON NEW YORK Chair: Zainab Bahrani, Columbia University Representing Africa in the Classroom: Teaching African Issues and African Art Target America-the Exhibit: The Implication of Visual Images in the Kim Miller, Wheaton College War on Terrorism Hashim al Tawil, Henry Ford Community College Wrestling with Geography, Ethnicity, and Culture in the African Survey: Views from a Nonspecialist Renee Ater, University of Maryland riD Open Session mAffiliated Society Session Enriching the Museum Visitor Experience with African Art III Offsite Session DE-Session Heather Nielsen, Denver Art Museum III Practicum Iii Museum Session

52 CM NYC 2007 Conference Program Reaching Multiple Audiences through Temporary Exhibitions of African Ar' Christa Clarke, Newark Museum PACIFIC ARTS ASSOCIATION Cullural Pacific Arts NASSAU SUITE, 2ND FLOOR, HILTON NEW YORK Chair: Haidy Geismar, New York University CAA MUSEUM COMMITTEE Records of the Past New Electronic Resou,ces from the Anita Herle, Cambridge Museum of Archaeology and Anthropology S"wklyu Museum ami the Museum 01 Fioe Arts, Boslou Huhana Smith, Museum of New Zealand Te Papa Tongarewa CLINTON SUITE, 2ND FLOOR, HILTON NEW YORK Chair: Katherine Crum, independent curator, New York Joshua Bell, University of East Anglia

New Technologies Applied to Old Digs by the HaTvard-Museum of Jade Baker, Canterbury University Fine Arts Expeditions to the Giza Pyramids Discussant: Mark Busse, University of Auckland Peter der Hanuelian, Giza Archives, Museum of Fine Arts, Boston; Peter Janosi, Institute of Egyptology, University of Vienna

The Culin Archives and Records of an Innovative 1923 Exhibition on CAA COMMITTEE ON INTEllECTUAL PROPERTY African Art Fair Use in Hm Trenches: When to Seek Permission aml When Not to Deirdre laurence, Brooklyn Museum; Helen M. Shannon, independent GRAMERCY B, 2ND FLOOR, HILTON NEW YORK scholar Chair: David Green, Knowledge Culture

Fair Use: Lessons from the Past to Help with Present Decisions Siva Vaidhyanathan, New York University

RADICAL ART CAUCUS Legal Perspectives of Art, of Torture Gretchen Wagner, ARTstor REGENT PARLOR, 2ND FLOOR, HILTON NEW YORK Chairs: Stephen Eisenman, Northwestern University; Greg Sholette, inde­ Fair Use and Visual Resource Collections pendent artist. New York Benjamin Kessler, visual resources professional, Chicago

Torture and Masculinity in George Grosz's Drawings of 1934-35 James van Dyke, Reed College INTERNATIONAL SCULPTURE CENTER Theaters of Duress: Leon Golub's White Squads Educational of the Internalional ~culpt"'o Conter Amber Travis, Northwestern University TRIANON BAllROOM, 3RO FLOOR, HILTON NEW YORK

Star Gazing Chairs: Johannah Hutchison, International Sculpture Center; Paul Hubbard, Hans Haacke, independent artist Moore School of Art and Design, and International Sculpture Center

Glenn Harper, International Sculpture Center, and Sculpture magazine

CAA COMMITTEE ON DIVERSITY PRACTICES Dawn Molignano, International Sculpture Center "'V8""'" io Stodio GIBSON ROOM, 2NO FLOOR, HILTON NEW YORK Chair: Coco Fusco, Columbia University SOUTHERN GRAPHICS COUNCil Analysis of Studio Critique Discourse Prints aml the Revolution: A Conversation about Anoka Faruqee, California Institute of the Arts; Pepan Osorio, Temple Art uo University: Terry Adkins, University of Pennsylvania MERCURY BALLROOM, 3RD FLOOR, HILTON NEW YORK Chair: Traci Molloy, independent artist. Brooklyn The Ethnography of Student Experience in Critique Peter Nesbitt, Art on Paper magazine Coco Fusco, Columbia University Ousica Kirjakovic, lower East Side Printshop Franklin Sirmans, Menil Collection

Program Sessions CAA NYC 2007 53 WOMEN'S CAUCUS FOR ART Fu,u,e-Minded: 0" the 01 Feminism in A" POSTER AREA, SOUTH CORRIDOR, 2NO FLOOR, HILTON NEW YORK SUTTON PARLOR SOUTH, 2ND FLOOR, HILTON NEW YORK Poster Sessions are informal presentations for small groups Chair: Dena Muller displayed on poster boards by an individual. The poster display is usually a mixture of a brief narrative paper intermixed with illustrations, tables or graphs, and other presentation materials. ARTspace With a few concisely written areas of focus, the poster display Airican A,t: Forward, Bacl,; communicates the essence of the presenter's research, synthe­ the of African Art sizing its main ideas and research directions. Poster displays will MURRAY HILL SUITE, 2ND FLOOR, HILTON NEW YORK be on view for the duration of the conference, beginning on Chair: Odili Donald Odita, Tyler School of Art Thursday morning. On Thursday and Friday, from 12:30 to 2:00 Isolde Brielmaier, Rotunda Gallery, Vassar College PM, presenters will be available at the Poster area. The following Olu Oguibe, University of Connecticut, Storrs are Poster Sessions: Barbara Pollack, independent artist, critic, and curator An Introduction to Jua Kali Art from Kenya Claude Simard, Jack Shainman Gallery Kristina Dziedzic Wright, University of Illinois, Chicago Carol Thompson, High Museum of Art Two Artists/Public School Art Teachers Who Successfully Maintained Their Artistic Agendas and Identities Paula Eubanks, Georgia State University HISTORIANS OF GERMAN AND CENTRAL EUROPEAN ART AND ARCHITECTURE Business Big Red Thing: Civic Spectacle and Public Art in Grand Rapids, BEEKMAN PARLOR, 2NO FLOOR, HILTON NEW YORK Michigan Jennifer Geigel Mikulay, University of Wisconson, Madison

Map Curtain: Beverly to Blue Jsland/Chicago~ South Side, 2005, and Mapping the Chicago Areas Public High Schools and Public Golf Courses, 2006, with Accompanying Charts and Maps Jayne Hileman, Saint Xavier University

Threshold Edwin Jager, University of Wisconsin, Oshkosh; John O. Smith, University of Wisconsin, Stevens Point

Heffaming Invisible Histories and Postcolonial Moments: Teaching Drawing in India in the 19th Century Ami Kantawala, Teachers College, Columbia University

Frances Benjamin Johnston and The Ladies' Home Journal Visit the Country of Sheridan's Ride Geraldine Kiefer, Shenandoah University

The Politics of Collage: Collage Art as Social Commentary in the 20th Century Jennifer Lemish, City College, City University of New York

mOpen Session mAffiliated Society Session e Offsite Session D E·Session II Practicum ImiI Museum Session

54 CM NYC 2007 Conference Program 2:30 PM-5:00 PM The Problematic of tile Signature: Reexamining Appropriation in Contemporary Indigenous Art and Cultural Heritage Tressa Berman, San Francisco Art Institute 35 Veal's later: Feminist Art Practice after Womanhouse From Appropriation to Postproduction REGENT PARLOR, 2NO FLOOR, HILTON NEW YORK Jaimey Hamilton, University of Hawai'i, Manoa Chairs: Sacca Albee, City College, City University of New York; Tammy Rae Carland, Calilornia College of the Arts William Patry, Google

The Big He/ad (ro)EncDunter: Beyond Dismissiveness Jeanine Oleson, Sarah lawrence College; laurie Jo Reynolds, Columbia or Modern Art ill Frallce, College, Chicago 1850-1921 SUTTON PARLOR CENTER, 2ND flOOR, HILTON NEW YORK LTTR Chair: Maura Coughlin, Brown University Ginger Brooks Takahashi. independent artist. Brooklyn Jules Micilelet, Modern Mother Mary, and the Catholic Left Feminist Skill Sharing: An Introduction to Pro Tools Joyce C. Polistena, Pratt Institute Kathleen Hanna, independent artist and musician, New York Piety, Propaganda, and Pognon: The Life of Our Savior Jesus Christ by Work in Progress James Tissot Ava Johnson, independent artist, Durham, North Carolina Judith Oolkar!, Brooklyn Museum Making and Breaking News: New Report in Conversation Stirring up Passions: The Reception of Mih8/y Munkacsky's Christ Wynne Greenwood, independent artist; K8 Hardy, independent artist Paintings in Late 19th-Century France Laura Morowitz, Wagner College ",nonltv Postures to and Primitives and Believers: Debating Style and Spirituality in Early of Outsider Art ami tlte 20th-Century Frencil Art GRAMERCY A, 2ND FLOOR, HILTON NEW YORK Neil McWilliam, Duke University Chairs: Brooke Davis Anderson, Contemporary Center, American Folk Art Museum; Colin Rhodes, Sydney College of the Arts Matter and Mass at Monet's Orangerie Jane Kallir. Galerie st. Etienne James D. Herbert. University of California, Irvine

Contemporary Postures to Meaning, Reception, and Integration of Discussant: Emily Gephart, Massachusetts Institute of Techoology, and Outsider Art and the Academy Massachusetts College of Art Gregory Amenoff, Columbia University

Kevin Sampson, independent artist, Newark Virtualities: AI! between Fact "nd Fic!ion MERCURY BALLROOM, 3RO flOOR, HILTON NEW YORK Discussants: Bernard Herman, University of Delaware; lowery Stokes Chairs: T. J. Demos, University College, london; Margaret Sundell, Sims, Studio Museum in Harlem independent critic, New York

Touching Pictures David Joselit, Yale University Tho the Law, ant! Parll Staging an Archive BEEKMAN PARLOR, 2ND FLOOR, HILTON NEW YORK Vered Maimon, Columbia University Chairs: Martha Buskirk, Montserrat College of Art; Virginia Rutledge, Compression Cravath, Swaine & Moore llP Tim Griffin, Artforum International magazine Pierre N. Leval, United States Court of Appeals for the Second Circuit Fictiollis the Only Way to Penetrate Reality: On Pierre Huygfle's A Inappropriate? Copying in the Renaissance Journey That Wasn't Usa Pon, Meadows School of the Arts, Southern Methodist University Mark Godfrey, Slade School of Fine Art, University College, London Utopia as the Real in "Real Virtuality" and other Improbable Fictions Hannah Feldman, Northwestern University

Program Sessions CAA NYC 2007 65 Comic Relief: flumor's in Art Art History and Anthropology: Aura and Action WEST BAllROOM, 3RD flOOR, HILTON NEW YORK Ian Verstegen, independent scholar, Philadelphia Chair: Douglas Dreishpoon, Albright-Knox Art Gallery

Jane Hammond Att ami tile Process, 1200-1520 Jeanne Silverthorne SUTTON PARLOR NORTH, 2ND FLOOR, HILTON NEW YORK Fred Tomaselli Chairs: Jacqueline E. Jung, Yale University; Mitchel! B. Merback, DePauw University Janina Antoni Charles long Introduction: Norbert Elias, the Civilizing Process, and Art History Mitchell B. Merback, DePauw University

Double Tako: Now Forms in ilnd Se"I",lm'A Rogier van der Weyden's Portraits of the Civilized Individual NASSAU SUITE, 2ND flOOR, HilTON NEW YORK Jessica Buskirk, University of California, Berkeley Chairs: Carson Fox, Adelphi University; Cynthia Thompson, Memphis College of Art The Spectacle of Sociability: The Loggia as Theater of Urbanitas The Graphic Unconscious: Prints at the Core of COIJtemporary Artistic Kim S. Sexton, University of Arkansas Production Civilizing Sex? Erotic Genre Painting in North Italy. c. 1520 Jose Raca, Philagrafika Chriscinda Henry, Yale University

The Repetitive Gesture: From Image to Form and Back Again Lost in Self-Contra/? Urs Graf's Images of Masculinity Patricia Olynyk, University of Michigan Maike Christadler, UniversiUit Basel

Intersection: Established and Emerging Forms of New Media Response: Medieval Art and the Civilizing Process Mark Johnson. New York University Jacqueline E. Jung. Yale University

Ruins ART HISTORY OPEN SESSION CLINTON SUITE, 2ND FLOOR, HILTON NEW YORK Renaissance and Ar! Chairs: Padma Kaimal. Colgate Un'lversity: Janice Leoshko. University of Texas TRIANON BAllROOM, 3RD FLOOR, HILTON NEW YORK Chair: David Freedberg, Columbia University From Knife Blades to Credit Cards: Penetrating Inka Ruins Carolyn Dean, University of California, Santa Cruz Whose Cult (of) Images? Art and Idolatry in the 16th Century and Now Claire Farago, University of Colorado, Boulder Recycling Ruins: Fountains Abbey, Studley Royal, and the Question of Authenticity Living Images: The Concept of Impetus in Italian Renaissance Art Sarah Thompson, Rochester Institute of Technology Frank Fehrenbach, Harvard University A Clean Sweep: The Ruins of Postwar London Between Phenomenology and Culture: The Places of Renaissance Deborah Lewittes, Tufts University Mapping Francesca Fiorani, University of Virginia Decrepitude and Memory in Post-Unification Berlin Daniela Sandler, Rhode Island School of DeSign Montezuma's Portraits: Semblance and Colonialism in the Early Modern Hispanic World Locations of Longing: The Ruins of Old Lahore Michael Schreffler, Virginia Commonwealth University Saleema Waraich, University of California, los Angeles

Visual Music GIBSON ROOM, 2ND FLOOR, HilTON NEW YORK Chair: Cornelia Lund, Fluctuating Images Contemporary Media Art Era Open Session mAffiliated Society Session The Silent Music Is Finally Heard: Early Experiments in Visual Music Lorettann Gascard, Franklin Pierce CoJlege I! Offsite Session DE-Session III Practicum rmiI Museum Session Designing in Time Brian Evans, University of Alabama

56 eAA NYC 2007 Conference Program Nicolas Schoeffer's Visual Music: The Regulation of All the Senses How Folk Artists Become Great Masters: Museum Exhibitioll and/as Herve Vanel, Brown University Global Marketing Mary K. Coffey, Dartmouth College Performing Pictures/Picturing Performance: Some Efforts to Distinguish Visual Music from Music Videos Discussant: Hans Van Miegroet Matthias Weiss, Freie Universitat, Berlin

11 You Could See It, Then You'd Understand: Visual Musician Mark The Middle Patll? Between and Cullural in Romanek and Colriplay's Speed of Sound Chinese Henry Keazor, UniversitiH Frankfurt Institut fOr Kunstgeschichte GRAMERCY B, 2ND FLOOR, HILTON NEW YORK Chairs: Kathleen M. Ryor, Carleton College; Jennifer G. Purtle, University of Toronto

SOCIETY OF ARCHITECTURAL HISTORIANS Yu Controlling tile Flood: Ecology, Emperorsllip, and 11th-Century The Politics 01 Modernisl11; Architectu," ami Power ill tho ClJillese Painting Postwar Decades Heping liu. Wellesley College SUnON PARLOR SOUTH, 2NO flOOR, HILTON NEW YORK Murals witiJOut Manuscripts: Style, Substance, and Social Constructs Chairs: Alona Nitzan-Shiftan, Israel Institute of Technology; Juliana Maxim, in tile DUlllwang Caves University of San Diego Winston Kyan, Macalester College

Tensions in Postwar Italian Architecture: Receptions and Rejections Yan Liben and the Authoritative Documentary Style in Chinese of American Modemism during the Cold War Painting History Paolo Scrivano, University of Toronto Julia K. Murray, University of Wisconsin, Madison

Monumentality by the Linear Foot: The Temporary Headquarters for A Tale of Two Scholars: Rhetorical Exigencies and Strategies ill tile UN and NATO in Paris, 1951-59 Callill and Fong lucia Allais, Massachusetts Institute of Technology Jason C. Kuo, University of Maryland Sea, Sun, and Modemism: Leisure as a Political Strategy in Socialist Discussant: Anne Burkus-Chasson, University of Illinois, Urbana-Champaign Romania Carmen Popescu

A Constitutional Modemism: Law, Planning, and Architecture in QUEER CAUCUS FOR ART Postwar Cuba Timothy Hyde, Harvard University RENDEZVOUS TRIANON, 3RO FLOOR, HilTON NEW YORK Chairs: Tina Takemoto, California College of the Arts; Elizabeth Stephens, Alvar Aalto, the Discourse of Universal Humanist Architecture, and University of California, Santa Cruz Finland's Geopolitical Dilemma after the Second World War Eeva-liisa Pelkonen, Yale University linda Montano, independent artist. Saugerties, New York Tania Katan, independent plaY\wight. Phoenix Angela Ellsworth, Arizona State University The Art Markot as Medium 01 Cultu,al Trallsfers Tina Takemoto, California College of the Arts MAOISON SUITE, 2ND FLOOR, HilTON NEW YORK Elizabeth Stephens, University of California, Santa Cruz Chairs: Michael North, University of Greifswald; Christian Huemer Annie Sprinkle. independent artist. San Francisco On the Cusp of Global Prominence: The New Vanguard of Illdian Contemporary Art Art alH! Arshiya Mansoor lokhandwala PETIT TRIANON, 3RD FLOOR, HILTON NEW YORK The Merchant Made Maecenas: Joseph Duveen and the Translation of Chair: Joe A. Thomas, Clarion University of Pennsylvania the Art Dealer Into Museum Pllilanthropist Art vs. Pomograplly? On the Discursive Limits of Sexual Christopher R. Marshall Representation Examining the Economics of Art: The Rise of Leo Castelli Gal/ery and Annamari VanskiL University of Helsinki Its Global Effect Midori Yamamura

Program Sossions CAA NYC 2007 57 Henry Fuse/i's "Pornographic" Drawings: Difficult Viewing Material? 5:30 PM-7:00 PM Gamilla Smith, University of Birmingham

Media Exposure and Celebrity Intimacy: Jeff Koons's Made in Heaven Beck Feibelman, University of Pennsylvania ART HISTORIANS OF SOUTHERN CALIFORNIA Digital Appropriation and Pornography in Reverse Feminist Art in Southern Calif Orilla Kelly Dennis, University of Connecticut CLINTON SUITE, 2ND flOOR, HILTON NEW YORK Chair: Betty Ann Brown, California State University, Northridge Discussant: Alyce Mahon, University of Cambridge Southern California Feminists and Body Image: A Perlormative Response Stacy Schultz, California State University, Northridge

Beyond Essentialism and Social Construction: Femaleness and Feminism in Post-Postmodernity Marlena Donohue, Otis Col/ege of Art and Design

ART LIBRARIES SOCIETY OF NORTH AMERICA The (leali!ies of IIrt Publications GRAMERCY B, 2ND FLOOR, HILTON NEW YORK Chair: Susan Ghun, Metropolitan Museum of Art Kraig Binkowski, Yale Center for British Art Max Marmor, ARTstor Sharon Helgason Gailagher, D.A.P. Distributed Art Publishers

ART HISTORIANS INTERESTED IN PEDAGOGY AND TECHNOLOGY ! nnovative Course BEEKMAN PARLOR, 2ND FLOOR, HILTON NEW YORK Chair: Kelly Donahue-Wallace, University of North Texas

AMERICAN COUNCIL FOR SOUTHERN ASIAN ART HoumitalJle: Our Methods, Part II: SUTTON PARLOR NORTH, 2ND FLOOR, HILTON NEW YORK Chair: Alla Patel

Questioning Our Methods: Past, Present, and Future Alla Patel

The Problem of Gandharan Style: Colonialism and Chronology Kurt Behrendt, Metropolitan Museum of Art

Rethinking Style in Indian Temple Architecture Tamara I. Sears, New York University

Conceiving Style in Rajput Painting Molly Emma Aitken, independent scholar liD Open Session mAffiliated Society Session D Offsite Session liE-Session Oeconstructing "Style" through Practice: Contemporary Art from Pakistan II Practicum iii Museum Session Anna Sloan, Mount Holyoke Coilege

58 eM NYC 2007 Conference Program ARTS COUNCIL OF THE AFRICAN STUDIES ASSOCIATION Business M"ellill!] MADISON SUITE, 2ND FLOOR, HILTON NEW YORK

HISTORIANS OF BRITISH ART Business NASSAU SUITE, 2NO FLOOR, HILTON NEW YORK

NATIONAL ART EDUCATION ASSOCIATION Business SUTTON PARLOR CENTER, 2ND FLOOR, HILTON NEW YORK

WOMEN'S CAUCUS FOR ART Business SUTTON PARLOR SOUTH, 2ND FLOOR, HILTON NEW YORK

Program Sessions CAA NYC 2007 59 R R 17 Prolessional COllcerns 01 Studio I\rt 1\ Second look TRIANON BALLROOM, 3RD FLOOR, HILTON NEW YORK 9:30 AM-12:00 PM Chair: Michael Aurbach, Vanderbilt University Joe Deal, Rhode Island School of Design ill Ruth Weisberg, University of Southern California Private Passions as Public Emma Amos, Rutgers, Stale University of New Jersey BRYANT SUITE, 2ND FLOOR, HILTON NEW YORK Carmon Colangelo, Sam Fox School of Design and Visual Arts, Washington Chair: K. Porter Aichele, University of North Carolina, Greensboro University, St. louis In Storage: George Gustav Heye, His Col/ection, and the National Museum of the American Indian Jeffrey Abt, Wayne State University ART HISTORY OPEN SESSION Reexamining a National Gift: The Philanthropy of Samuel H. Kress Tile of 1300-1700, Part II and the Passage of Italian Art into Middle America OFFSITE, METROPOLITAN MUSEUM OF ART Roger J. Crum. University of Dayton GRACE RAINEY ROGERS AUDITORIUM 1000 5TH AVENUE AT 82ND STREET, MANHATTAN Brahmin Fantasies: Japanese Collections in Boston Chair: Carmen C. Bambach, Metropolitan Museum of Art Christopher Reed, lake Forest College Leonardo da Vinci's Giant Crossbow Samuel Bancroft's Pre-Raphaelite Col/eeliolJ at the Delaware Art Matthew landrus, Rhode Island School of Design Museum: A Case Study . .. In Progress Margaretta S. Frederick, Delaware Art Museum Bramante's Disegno Grandissimo: Raising UA 287 Henry Dietrich Fernandez, Rhode Island School of Design American and Modern: Edward W Root and the Munson-Williams­ Proctor Arts Institute Antwerp Mannerist Drawings and the Goal of Connoisseurship Mary E. Murray, Munson-Williams-Proctor Arts Institute Yao-Fen You, Fogg Art Museum, Harvard University; William Robinson, Fogg Art Museum, Harvard University

Drawing in the Art of the Young Guido Reni The (eViler! of Hands-Oil St"dio lea"n,,,": and Rachel Kordonowy McGarry, Institute of Fine Arts, New York University Praxis An Important Collector in Madrid: Francisco de Solis MADISON SUITE, 2ND flOOR, HILTON NEW YORK Lisa Banner, Hispanic Society of America Chairs: Rebecca AIm, Minneapolis College of Art and Design; Carol Padberg, Hartford Art School. University of Hartford The Making of John Talman's Col/ection Cinzia Sicca BursilJ-Hal/, Universi!a di Pisa Doing the Same Thing Differently; The Impact of Technology in Teaching Painting, Drawing, and Design

Rebecca Aim, Minneapolis College of Art and Design; Carol Padberg, STUDIO ART OPEN SESSION Hartford Art School, University of Hartford and Functions of Narrative WEST BALLROOM, 3RD FLOOR, HILTON NEW YORK The Accessibility of Labor: Rethinking the Pedagogy of the Digital Chairs: Robert Berlind, Purchase Col/ege, State University of New York; Jenny Curriculum Dubnau, independent altist, New York Stephan Hillerbrand, University of Houston Robert Colesecott Mobile Mapping for Everyday Spaces Eric Fischl Kevin Hamilton, University of Illinois, Urbana-Champaign; M. Simon Levin Mernet Larsen A Pedagogy for Computational Studio Practice Judith Linhares Janis Jefferies, Goldsmiths College, University of London Beverly Mciver Discussant: Craig Smith, Goldsmiths College, University of London

60 CAA NYC 2007 Conference Program hOien",",,"v ill al1d abollt the Middle East When the "Minor" Arts Are Major: From Jewelry to Ships in PETIT TRIANON, 3RD flOOR, HILTON NEW YORK Scandinavia Chairs: Frederick Bohrer. Hood College; David Prochaska, University of Nancy l. Wicker, University of Mississippi Illinois, Urbana-Champaign Cloths of Conquest: The Bayeux Tapestry and the Coronation Ottoman Snaps Cloak of Roger /I Nancy Micklewright, Getty Foundation lisa Reilly, University of Virginia

New Eyes: Postcards of the Holy Land, Geographic and Imagined Adorning Heaven 011 Earth: The Materials 01 the Reliquary of Otto I Shelley Hornstein, York University Eliza Garrison, Middlebury College

Photography and the Per/o1lnance of Middle-Classness in Interwar Egypt The Relief Icon: On the Tactility 01 Vision in Byzantium lucie Ryzova, St. John's College, Oxford Bissera V. Pentcheva, Stanford University

Photography, Taxonomy. and Irony: Strategies of the Arab Image Discussant: Ilene H. Forsyth, University of Michigan Foundation Alexandra Karentzos, University of Trier Whafs So Senses of Humor in -C,,,lIl"v American lIisu,,1 Cultum MERCURY BALLROOM, 3RD FLOOR, HILTON NEW YORK New Grol1l1!! or Conmct ollilterest: All Examination Chairs: Sarah Burns, Indiana University; Jennifer Greenhill. Yale University 01 Ethical Practices ill tho \lisl1al Arts Dirty Laundry: Dark Humor in Raphaelle Peale's Venus Rising BEEKMAN PARLOR, 2ND fLOOR, HILTON NEW YORK from the Sea-A Deception Chair: Hilary Braysmith, University of Southern Indiana Lauren lessing, Nelson-Atkins Museum of Art; Mary Schafer, The flhics of Contracts with Persons: Life Models in the Nelson-Atkins Museum of Art University Studio UA Striking Likeness": Politics, Pugilism, and Pictorial Humor in Sherry Lee Short, Minnesota State University Antebellum America The Intersection of Art, Ethics, and Biotechnology Ross Barrett, Boston University Ellen K. Levy, independent artist, New York Photography's Blacks and Whites: Racial Humor in 19th-Century Ethical Models: How Buddhism Inlorms Public Practices Photographic Discourse Suzanne Lacy, Otis College of Art and Design Tanya Sheehan, Columbia University

Tile Field Weighs In: Identifying EtlJical Concerns and Solutions in the Undermil1ing the Foundations: Architecturer Caricature, Modernity Visual Arts-A Facilitated Discussion Preston Thayer, Radford University Art Museum Hilary 8raysmith, University of Southern Indiana Laughing Matters: Caricature and Criticism in American Discussant: Gail Levin, Baruch College, and Graduate Center, City University Art Schools of New York Heather Campbell Coyle, University of De!aware

INTERNATIONAL CENTER OF MEDIEVAL ART ART HISTORY OPEN SESSION The 01 of Medieval "Millor" A,!s New 011 !he Pre-Columbia" Arts of Central GRAMERCY B, 2ND FLOOR, HILTON NEW YORK Mexico, Oaxaca, and Veracruz Chair: Brigitte Buettner, Smith College GRAMERCY A, 2ND fLOOR, HILTON NEW YORK Chairs: Diana Fane, Brooklyn Museum; Emily Umberger, Arizona State University

Old Men and Fire: The Place of Huehueteotl in Central Mexican Art Open Session Affiliated Society Session m m Matthew H. Robb, Yale University Offsite Session E-Session Ii! n Cacaxtla Figural Ceramics III Practicum mI Museum Session Debra Nagao, Columbia University

Program Sessions CAA NYC 2007 61 Cacaxt/a Figural Ceramics Heavenly Rome in the Apse Mosaic of Santa Pudenziana Claudia Brittenham. Yale University Marice Rose, Fairfield University

New Perspectives on the Art of Eastern Nahua, Mixtec, and Aesthetic Decisions in the 4th-Century City Wall of Aphrodisias Zapotec Confederacies, 1300-1521 Peter De Staebler, Institute of Fine Arts, New York University John M. D. Pohl. Princeton University Art Museum; Virginia Fields, los A 4th· Century Villa at Constantinople Angeles County Museum of Art Orgu Dalgic, Institute of Fine Arts. New York University Written in the Flesh: Huastec Sculpture and the Cult of the Spinning the Self: Spindle Whorls, Sword Beads, and the Construction Feathered Serpent of Late Antique Identity Kim Richter, University of California, los Angeles Genevra Kornbluth, University of Maryland Pictures Silenced by Words: Rethinking the Problem of Aztec Picture-Writing The Relevance of the Renaissance PaleUe Janice lynn Robertson. independent scholar. New York REGENT PARLOR, 2ND flOOR, HILTON NEW YORK Chair: Michael Price, independent artist, New York Art "n" Transn"tionalism in China ami Its Nei[lilho 900-1300 The Use of Traditional Pigments in Conjunction with Contemporary GIBSON ROOM, 2ND FLOOR, HILTON NEW YORK Binding Media and Techniques Chairs: Shih-shan Susan Huang, Rice University; Hsueh-man Shen. Michael Skalka, National Gallery of Art, Washington, DC University of Edinburgh, and National Museums of Scotland The Effect of Different Binding Media on the Color of Azurite Paints Metal Crowns of the Liao (907-1125) Khitan during Aging Hiromi Kinoshita, British Museum Shuya Wei, Vienna University of Technology Xi Xia Buddhist Woodcut Prints Excavated in Khara Khoto: An The Preparation of Red Pigments, Cinnabar, Purple, Carmine, and Example of Transculturation in East Asia Madder Lake Compared with the New Products Anne Saliceti-Collins. University of Washington Georg Kremer, Kremer Pigments Exhaustive Explorations of Muqi: Noami's Ink Bird-and-Flower The Myth of the Secret Juice of the Flemish Masters Screen Michael Price, independent artist. New York Xiaojin Wu, Princeton University

Staging an Archive Architecture: Ouestions of Evhfence in Arehitectun'd Chang Qing. Ackland Art Museum, University of North Carolina, Chapel Hill

Discussant: Franf(ois louis, Bard Graduate Center for Studies in the SUTTON PARLOR CENTER, 2ND flOOR, HILTON NEW YORK Decorative Arts, Design, and Culture Chairs: Charles Rice, University of Technology, Sydney; Barbara Penner, UniverSity College, london

Detecting Architecture: Duestions of Evidence in Architectural ART HISTORY OPEN SESSION History La!e Art Barbara Penner, University College. london SUTTON PARLOR NORTH, 2ND FLOOR, HILTON NEW YORK On the Observation of Trifles Chair: Ann Kuttner, University of Pennsylvania laura J. Miller, Harvard University Hierarchical Pluralism and the Semiotics of Late Antique Ornament Lexicon for an Architectural Subject: Subjectivity, Experience, and Benjamin Anderson. Bryn Mawr College the Intimate Encounter lilian ehee, National University of Singapore

Secondhand Sight liD Open Session iii Affiliated Society Session Mitchell Schwarzer, California College of the Arts e Offsite Session II E·Session II Practicum II Museum Session

62 CAA NYC 2007 Conference Program 12:30 PM-2:00 PM

ASSOCIATION OF ART EDITORS Arl Theil all" Now NASSAU SUITE, 2ND FLOOR, HILTON NEW YORK CREATIVE CAPlTAl Chairs: Susan F. Rossen, Art Institute of Chicago; Martha M. Ward, Grant Informfltion Session University of Chicago GRAMERCY A, 2ND FLOOR, HILTON NEW YORK An Ivory CaTvers Life and Works: An Early Calalogue Raisonne? Chair: Sean Elwood, Creative Capital Foundation Malcolm C. Baker, University of Southern California

Calalogues of Today: An Endangered Species? Susan F. Rossen, Art Institute of Chicago QUEER CAUCUS FOR ART Art Parlilors: Tile Emties of Collaboration 1930s Soviet Museum Catalogues SUTTON PARLOR NORTH, 2ND FLOOR, HILTON NEW YORK Konstantin Akinsha, Florida Slate University Chairs: Tirza latimer, Yale University; Harmony Hammond, independent artist, Galisteo, New Mexico The Catalogue as CriticallnleTvention Martha M. Ward, University of Chicago Kim Anno and Anne Carson, Collaboration Kim Anno The Power of the Word in the Early Age of Mechanical Reproduction Matthias Waschek, Pulitzer Foundation for the Arts Finger in the Dyke Productions Shawna Dempsey, Lori Millan

Carrie Moyer and Sheila Pepe, Collaboration ARTspace Carrie Moyer, Sheila Pepe Hazards lor tl10 Artis! I1nd fhe Alt Instilution MURRAY HILL SUITE, 2ND FLOOR, HILTON NEW YORK LTTR Chair: Duane Slick, Rhode Island School of Design Ulrike Mueller, Ginger Takahashi

Art and the Agencies: OSHA EPA, CPSC, and More Monona Rosso!. Arts, Crafts, and Theater Safety SOCIETY FOR THE STUDY OF EARLY MODERN WOMEN The "Art" of Federal Environmental Enforcement Sex Acts: Performance and Perversion in late Morlieva! and Carl F. Plossl, US Environmental Protection Agency Modem SUTTON PARLOR SOUTH, 2ND FLOOR, HILTON NEW YORK Deuo,ll1rizilHI American Modernism, 1915-40 Chair: Allison Levy, Wheaton College SUTTON PARLOR SOUTH, 2ND FLOOR, HILTON NEW YORK Gay Kisses/OueeT Wishes: Enactments of Sodomy in Ihe Bible Chairs: Kristina Wilson, Clark University; Baird Jarman, Carleton College moralisee Tradition Robert Mills, King's College, London ClOss-Pollinating Modernism: Stuart Davis and Marcel Duchamp Timothy G. Andrus, Virginia Commonwealth University Embodying Women: The Relationship between the Body of the Cleric and the Imagery English Medieval Misericords American Art in Black and White: Depolarizing the 1930s of Erin Griffey, University of Auckland Phoebe Wolfskill, Dartmouth College Witness and Wit: The Visual Culture Erotic Humor in Renaissance A Modern Reality: Audrey Buller in Retrospect of Italy Susan J. Baker, University of Houston, Downtown; Mark Cervenka, Patricia Simons, University of Michigan University of Houston, Downtown

Beyond Modernist Histories: Rethinking the Marketplace for American Modernisl Art Andrea Pappas, Santa Clara University HISTORIANS OF ElGHTEENTH-CENTURY ART AND ARCHITECTURE Politics, and the Sell ill Art The Polarization of American Modernism at the American Arl Today BRYANT SUITE, 2ND FLOOR, HILTON NEW YORK Exhibition at the 1939 New York WoTld's Fair Chair: Jennifer Milam, University of Sydney Michele Greet George Mason University

Program Sessions CAA NYC 2007 63 Play in the Garden in 18lh-Century Venice Sally Grant University of Sydney INTERNATIONAL ASSOCIATION OF ART CRITICS The NatioJJal Elysee: Franfois Gerard's Portrait of Louis-Marie A Fallstian Artists, Critics, ami the Market Revelliere-Lepeaux aJJd the Politics a/landscape Portraiture during BEEKMAN PARLOR, 2ND FLOOR, HILTON NEW YORK the French RevolutioJJ Chair: Amei Wallach, independent critic and filmmaker, New York Amy Freund, Center for Advanced Study in the Visual Arts, National Gallery of Jeffrey Deitch, Deitch Projects Art, Washington, DC Mira and Don Rubell, private collectors, Miami Marie-Genevieve Bouliar (1763~t825) and the Invention of Self in Jerry Saltz, critic. Village Voice Revolutionary France Peter Plagens, independent artist and critic, New York Yudko Anne 8acon, Ecole du Louvre Paris X

ARTspace 01 the Artist Lecture ASSOCIATION FOR LATIN AMERICAN ART "I Sacrifice and Identity in MURRAY HILL SUITE, 2ND FLOOR, HILTON NEW YORK to tile Present Clla'lr: Patricia C, Phillips, State University of New York, New Paltz MADISON SUITE, 2ND FlOOR, HILTON NEW YORK Chairs: Juliet Wiersema, University of Maryland; Pamela Huckins, Institute of Fine Arts, New York University CAA PUBLICATIONS COMMIITEE Aztec Royal Bloodletting and the Poslbellum Reinvention a/a Issues !n Art SculplUral Genre GRAMERCY B, 2ND flOOR, HILTON NEW YORK William L Barnes, Saginaw Valley State University Chairs: Catherine Soussloff, University of California, Santa Cruz; William Tronzo, Stanford Humanities Center The Significance 0/ Extreme Violence in Franciscan Marlyr Portraits Mariet Westermann, Institute of Fine Arts, New York University Chad Alvarez, Harvard University

Susan 8ielstein, University of Chicago Press Blood as Symbol 0/ Sacrifice and Redemption in Codex Deli/ah Patricia Rubin, Courtauld Institute of Art Ann Marie Leimer, University of Redlands David Stuart

ADVANCED PLACEMENT PROGRAM ART HISTORY

lerIChil11l the Art Course FOUNDATIONS IN ART: THEORY AND EDUCATION GIBSON ROOM, 2ND flOOR, HILTON NEW YORK Business Chair: Joy Sperling, Denison University REGENT PARLOR, 2NO FLOOR, HILTON NEW YORK Strategies o/lnclusioJJ: The Nonwestern Challenge Susan Aberth, Bard Co liege

Merging Contemporary Art into the Curriculum throughout the Year NEW MEDIA CAUCUS Business Doug Darracott, Plano West Senior High School SUTTON PARLOR CENTER, 2ND FLOOR, HILTON NEW YORK Teaching to tlte Exam: Teaching Away from the Exam John Nici, Lawrence High School

lIm Open Session II Affiliated Society Session Il Offsite Session DE-Session II Practicum iii Museum Session

64 CAA NYC 2007 Conference Program 2:30 PM-5:00 PM The Reign of the Quotation-Appropriation and Its Audience Johanna Burton, Princeton University

Art alld Part II: 20th-Century Art Appropriation and Identity Sharon Matt Atkins, Currier Museum of Art GRAMERCY A, 2ND FLOOR, HILTON NEW YORK Chair: Laurie Schneider Adams, John Jay College, City University of New York Art and Activism: The Xingwei of Wang Hai and Zhao Bandi Winnie Wong. Massachusetts Institute of Technology Doppelganger: Ernst Ludwig Kirchner's Self-Self Object Relationship Scott Budzynski, Justus-Uebig University Discussant: Arindam Dutta

Childhood and Eros: Parallels between Paul Klee and Sigmund Freud Jonathan Perkins. University of Illinois, Springfield

STUDIO ART OPEN SESSION Jackson Pollock, Psychological Projection, end the Virtuality of Screening Book Arts Francis V. O'Connor, independent scholar, New York SUnON PARLOR CENTER, 2ND FLOOR, HILTON NEW YORK In Memory of My Feelings: Jasper Johns, Psychoanalysis, and the Chair: Steve Clay, Granary Books Expressive Gesture TBlespin: On Making Artist's Books Seth McCormick, Columbia University Susan Bee, School of Visual Arts Narrative or Episodic Self-Consciousness? The View from NeuroaBslhetics Clifton Meador's Memory lapse and The Nameless Dead: In[ter/ven­ Barbara Maria Stafford. University of Chicago tions of the Travel Momoir Betty Bright, independent curator. Deephaven. Minnesota lIalia barbara: "Primitives" from Piero to Pasoli,,;, Part II If It Works, It's Obsolete: Retrieving Marshall McLuhan PETIT TRIANON, 3RD FLOOR, HILTON NEW YORK Harry Reese, University of California, Santa Barbara Chairs: Emily Braun, Hunter College. Graduate Center, City University of New York; Michael Sabatino, University of Houston Books of the MKimberly Press Mare Blocker, University of Idaho Brigands fOI Hire: Painting, Politics, and Sexuality in Leopold Robert's Post-Napoleonic Italy Outside of What? Tracing the Aesthetic, Economic, and Political Crawford Alexander Mann III. Yale University Strategies 01 Contemporary Do-It- Yourself Culture Dora Boehme, School of the Art Institute of Chicago Aphorism and Primitivism: De Chirico's The Evil Genius of a King between the Antedeluvian and the Posthuman Ara Merjian, University of California, Berkeley

CAA MUSEUM COMMITTEE Tho Photographic Vision of Architettura rurale italiana MUselim Coullter-CullIlre: The History of Universitv Art Lindsay Harris, Institute of Fine Arts, New York University Museums in America Archaic Mediterranean: Sicily, the Land of Myth in the Films of NASSAU SUITE, 2ND FLOOR, HILTON NEW YORK Vittorio de Seta and the Novels of Elio Vittorini Chair: Bonnie G. KeIrn, independent scholar, Ventura, California Maria Antonietta Malleo, Universita degli Studi di Palermo The College Art Gallery, the Museum, and the Student Room: Reading Cultural Revolution/Culture Clash: Arte Povera as "Guerilla War" Photographs of Art at Harvard and Smith, c, 1900 Nicholas Cullinan, Courtauld Institute of Art Dorothy Moss, University of Delaware

Maori Art in the Ivy League: The Early Collection and Display of Maori Art at the University of Pennsylvania Museum of Archaeology Bnd Anthropology O""yom;",;,," Appropriation: The Copy, the Law, and Beyond, Part II Jennifer Wagelie, National Gallery of Art, Washington, D.C. BEEKMAN PARLOR, 2ND FLOOR, HILTON NEW YORK A Movable Aft: University Exhibitions 01 the Societe Col/ection, 1942-52 Chairs: Martha Buskirk, Montserrat College of Art: Virginia Rutledge, Susan Greenberg Fisher. Yale University Art Gallery Cravath, Swaine & Moore UP Neuberger Museum 01 Art: Rethillking Its Role as a College Museum Stopped Making Sense: Appropriation as a 1970s Social Tracy Fitzpatrick. Neuberger Museum of Art, Purchase College, State Phenomenon University of New York Sarah Evans. Cornell University

Program Sessions CAA NYC 2007 65 When Is Gentral to Meaning? Part II Hannah Arendt vs. Immanuel Kant: Banality or Radical Evil? The MERCURY BAllROOM, 3RD FLOOR, HILTON NEW YORK Political Responsibility of Artists in the Face of Three Historical Chairs: Janet Koplos, Art in America magazine; Bruce Metcalf. artist and Episodes of Genocide independent scholar. Bala Cynwood. Pennsylvania Gary Laurence Nickard, University at Buffalo, State University of New York Bruce Metcalf. artist and independent scholar, Bala Cynwood, Pennsylvania Mia Reinoso Genoni, University of Richmond Ste'rer}!vloes 01 Women: Evil by Part II Virginia S. Spivey, University of North Carolina, Asheville BRYANT SUITE, 2ND FLOOR, HilTON NEW YORK Chair: Elizabeth K. Mix, Butler University

lost and Found Five Things Created Subject to Frailty sunON PARLOR NORTH, 2ND FLOOR, HilTON NEW YORK Kimberly Hylton, Purdue University Chair: Jessica Levin Martinez, University of Chicago The Spin on Models of Femininity and Female IICulture" in the Art of lost on the Borderlands: Destroying Art in Roman Germany Janine Antoni Rachel Kousser, Brooklyn College, City University of New York Stephanie Karamitsos, School of the Art Institute of Chicago

The Missing Chief's House of Hilimondregeraya Village, South Nias Embodying Conflict: The Cheryl Yun Collection, lingerie and Jerome Feldman, Hawai'j Pacific University Swimwear Series Cheryl Yun, Purdue University Lost and Found Dada Objects (and Subjects): George Grosz's Germany: A Winter's Tale and Hannah Hoch's Cut with the Kitchen Knife Dada, The Geisha Within? History and Translatability in Miwa Yanagi's My and German Jewish Identity Grandmothers Peter Chametzky, Southern Illinois University Miriam Wattles, University of California, Santa Barbara

The Theft of Caravaggio's Palermo Nativity Purging the Criminal Compulsion-The Ritualization of Deviant Danielle Carrabino, Courtauld Institute of Art Female Acts Catherine E. Bell, Monash University Revealing Richard Prince Michael Lobel, Purchase College, State University of New York

WEST BAllROOM, 3RD flOOR, HilTON NEW YORK Sides: The Role 01 the Artist in Conliict Situations Chairs: Stephen C. Pinson, New York Public Library; Andres Mario Zervigon, sunON PARLOR SOUTH, 2ND FLOOR, HILTON NEW YORK Rutgers, State University of New Jersey Chair: Conar McGrady, independent artist. Brooklyn Douglas Crimp, University of Rochester Male Fantasies: alto Dix's Soldier Selves Liz Deschenne, independent artist Elizabeth Otto, State University of New York, Buffalo Natasha Egan, Museum of Contemporary Photography Cultural Collaboration: Artists in the Service of Global Oil Douglas Nickel. Center for Creative Photography, University of Arizona Kevin Noble, New York City College of Technology Joel Snyder, University of Chicago War Is Surreal: Lee Miller's Photodocumentation of World War 1/ Caitlin S. Davis ARTspace Loyal Enemy Alien: Yasuo Kuniyoshi and US Anti-Japan Propaganda Art and the 01 Preservalion ShiPu Wang, University of California, Merced MURRAY HilL SUITE, 2ND flOOR, HilTON NEW YORK Chair: Allyson Purpura, George Washington University

Performance and Documentation: (RejPresenting Ana Mendieta Beth Nardella, West Virginia University

III Open Session Em Affiliated Society Session Liminality. MemorYI and the Ephemeral I] Offsite Session liE-Session Michele Brody, independent artist. New York II Practicum Ii Museum Session

66 eAA NYC 2007 Conference Program From Ruin to Rise: The Contradictions of Gordon Matta-Clark's Overseas: Best Practices in Abroad Building Fragments il1 the \lisual Aris Ellen Moody, Pomona College GIBSON ROOM, 2ND flOOR, HILTON NEW YORK Chairs: Jean Robertson. Herron School of Art and Design, Indiana University; Acquisition, Alteration, and Ambivalence: The Preservation of the Craig McDaniel, Herron School of Art and Design, Indiana University Noah Purifoy Sculpture Park linda lui. independent scholar. Alameda. California Time, Space and Inspiration: The Lessons of Study Abroad Timothy Emlyn Jones, Burren College of Art Very Large Colleelions and Ephemeral Art: The Joseph Selle ColIBetion of Street Vendor Photography Safe and Sound: Sifting through Current International Studies Andrew Eskind. Visual Studies Workshop; David Mount, Visual Studies Experiences Workshop Ginger Sheridan. Jacksonville University; Scott Tayloe, Jacksonville University

MICA Korea: Intercultural and Interdisciplinary Program Transfo,mations 01 Time an" Place in Work in Mina Cheon, Maryland Institute College of Art the Age, rartll Ecstasy in silU: The Discovery of Baroque Art on Study Abroad GRAMERCY B, 2ND FLOOR, HILTON NEW YORK Terry Kirk, American University of Rome Chair: Melissa Ragona. School of Art. Carnegie Mellon University Discussant: Nevin Brown. International Partnership for Service-learning and Divorced Horizons: Form, Effect, and Notions of Documentary leadership Benjamin Gerdes. Massachusetts Institute of Technology

The Simultaneity of Time in New Media Art: The Work of Melik Tradition Unhound: In Art's Past, Par! II Ohanian MADISON SUITE, 2ND FLOOR, HILTON NEW YORK Christine Ross Chairs: Murtaza Vali, Institute of Fine Arts, New York University; Anna Sloan. "In All Its Ouantized Splendor": Gary Hill from Pixel to Grid Mount Holyoke College Zabet Patterson, University of California. Berkeley Then and Now/Here and There: Nomadism and Poetry in the Art of Digitalization, Installation, and Contradiction: Approaching the Digital Francesco Clemente as Concept Anna Mecugni, Graduate Center. City University of New York Michael Graham, Sheffield Hallam University WeI/spring or Dam? The Politics of Tradition in Contemporary Art in Iran Alisa Elmen, Minnesota State University, Mankato

Between the Traditional and the Modern: Contemporary Art in India STUDIO ART OPEN SESSION and Nigeria The Field 01 Abstraction and the Thickness 01 Paint Margaret Richardson, Virginia Commonwealth University REGENT PARLOR, 2ND flOOR, HILTON NEW YORK Chair: lane Relyea, Northwestern University Revisiting Tradition in Contemporary African Art Kimberly Allen-Kattus. Northern Kentucky University When Action Painting Is a Monochrome Annika Marie, University of Texas. Austin Global Africa: Contemporary Art of the Black Atlantic World Carol Thompson. High Museum of Art From Depth to Surface: Material, Rhetorical, and Historical Dimensions of Loss Jennifer Way. University of North Texas and Ethics of Art I Science TRIANON BALLROOM, 3RD FLOOR, HILTON NEW YORK Expedient Facture: Ryman, Nozkowski, and lurier Chair: Victoria Vesna, University of California, los Angeles, ArtlScience Center Vittorio Colaizzi, St. Mary's College of Maryland Activist Discourses: Inside the Lab Context Trend Report Jill Scott. Hochschule fOr Gestaltung und Kunst, ZUrich; Daniel Bisig, Artificial Joanne Greenbaum, independent artist, New York Intelligence lab. University of Zurich Electric Orange Paisley Morphing Art and Science Labs: Negotiating Unknown Terrain Mark Harris, University of Cincinnati James Gimzewski, University of California, los Angeles

Program Sessions CAA NYC 2007 67