Paul Evans: Crossing Boundaries and Crafting Modernism

Total Page:16

File Type:pdf, Size:1020Kb

Paul Evans: Crossing Boundaries and Crafting Modernism Paul Evans: Crossing Boundaries and Crafting Modernism Cabinet (Turning Column) (electronic), ca. 1986 Describe this artwork and all of its details. What do you think this could it be used for? Is this artwork utilitarian or decorative? Or both? Explain. Where do you think this cabinet would be placed? This cabinet is electronic. How do you think it moves? Why? Can you imagine other companion pieces to this one? How would they move? What is the advantage to a cabinet that moves? Do you like this work? Why or why not? About the Artwork: Paul Evans, Cabinet (Turning Column) The electronics of this turning cabinet were (electronic), ca. 1986, Reverse-painted designed by Keith, Paul Evans’s son. This Plexiglas, 84 x 26.5 inches, Private collection. collaboration can be seen in their electronic Photography by Thomas Little. furniture line. Since their studio worked on commission, there were never two pieces alike. A reverse painting on Plexiglas, this turning cabinet has a feather-like texture and exemplifies Evans’s goal to gracefully incorporate devices into the interiors of what he was designing. Paul and Keith sold the electronic furniture line through the Design Institute America, represented at The Merchandise Mart in Chicago. The pair found that the technical challenges of the electronic pieces were difficult, and the line never became a success. Download a copy of these activities on Learn with the Michener: www.Learn.MichenerArtMuseum.org K-12 Activities for Your School Visit and Classroom Visual Arts/Language Arts/Art History/Mathematics Pre-Visit Activities: What is electronic furniture? Research the meaning and share your answers with a classmate. Find examples of furniture that move. Similar to the remote for the TV, consider a chair, sofa, table or lamp that could move. Are there any artists that work in this manner? Take notes in your sketchbook, discuss your ideas with a classmate. Gallery Activities: Paul Evans and his son Keith designed a line of furniture that incorporated electronics. Analyze the turning column in the exhibition. How does it function? What are the advantages of the turning column? What kind of things were stored in the columns shelves? Find another piece of furniture in the galleries. If you could have it move, what would it do? Explain. Write an imaginary story about a family that owns the “Turning Column”. Who are they? What does the rest of their home look like? What kind of other furniture do they have? Post-Visit Activities: Motor homes sometimes rely on electronic devices and furniture to make most efficient use of their space. Draw your own version of the interior of a motor home. What elements would you make electronic? Write a paragraph about your design explaining it elements. Illustrate a room in a home that features electronic furniture. Using perspective, draw two versions of the same interior space. Draw the first with all of the electronic items hiding the remnants of everyday life, and the second showing the sculptural side of each piece. Take notes to compare how each space feels and looks. Paul Evans created an embossed texture on “Turning Column” by using the technique of reverse painting on Plexiglas. Experiment with this technique to create an enlarge- ment of a section of the column. Inspired by the texture Paul Evans designed on his “Turning Column”, create a tile. On a small piece of cardboard, glue flat found objects in a random arrangement; for example, use objects such as a button, pine needles, a piece of lace, a piece of burlap, etc.. Cover the board with a heavy weight tin foil and tape the ends on the back. Using the eraser end of a pencil, rub the foil around the objects glued underneath. Rub black ink into the cracks to emphasize the texture. PA Standards in the Arts and Humanities: 9.1 A, 9.1 B, 9.1 C, 9.1 E, 9.1 F. 9.3 A, 9.3 B, 9.3 D 9.3 F.; National Common Core Standards for ELA: SL.1, 1.6, 1.8, SL.9, 9.1, 9.3, 9.4. Download a copy of these activities on Learn with the Michener: www.Learn.MichenerArtMuseum.org .
Recommended publications
  • Single Family Housing Design Standards
    TEXAS GENERAL LAND OFFICE COMMUNITY DEVELOPMENT AND REVITALIZATION HOUSING DESIGN STANDARDS (SINGLE FAMILY) Revised July 21, 2020 TEXAS GENERAL LAND OFFICE COMMUNITY DEVELOPMENT AND REVITALIZATION DIVISION GLO-CDR HOUSING DESIGN STANDARDS (SINGLE FAMILY) The purpose of the Texas General Land Office Community Development and Revitalization division’s (GLO-CDR) Housing Design Standards (the Standards) is to ensure that all applicants (single family housing applicants) who receive new or rehabilitated construction housing through programs funded through GLO-CDR live in housing which is safe, sanitary, and affordable. Furthermore, these Standards shall ensure that the investment of public and homeowner funds results in lengthening the term of affordability and the preservation of habitability. All work carried out with the assistance of funds provided through GLO-CDR shall be done in accordance with these Standards and the GLO-CDR Housing Construction Specifications as they apply to single family housing applicants and, unless otherwise defined, shall meet or exceed industry and trade standards. Codes, laws, ordinances, rules, regulations, or orders of any public authority in conflict with installation, inspection, and testing take precedence over these Standards. A subrecipient can request a variance for any part of these Standards for a specific project by submitting a written request to GLO-CDR detailing the project location, the need for the variance, and, if required, the proposed alternative. Variance requests can be submitted to: Martin Rivera Jerry Rahm Monitoring & QA Deputy Director Housing Quality Assurance Manager Community Development and Community Development and Revitalization Revitalization Texas General Land Office Texas General Land Office Office 512-475-5000 Office 512-475-5033 [email protected] [email protected] 1700 North Congress Avenue, Austin, Texas 78701-1495 P.O.
    [Show full text]
  • Bases and Support
    BASES AND SUPPORT BASES AND SUPPORT Span Between Table Legs 640 Base Requirements 641 Base Units 645 “L” Adjustable Height Bases 676 “L” Worksurfaces 684 BASES AND SUPPORT NATIONAL OFFICE FURNITURE—CASEGOODS 2 639 BASES AND SUPPORT SPAN BETWEEN TABLE LEGS For leg-based applications, the maximum recommended span 3 of an unsupported 1⁄16" thick worksurface is 48" between legs. 9 The maximum recommended span of an unsupported 1⁄16" thick worksurface is 60" between legs. Additional support is recommended for deflection for longer distances. When using mobile legs with tops that are 60" and greater, undersupport rails are recommended. RECTANGULAR WORKSURFACES RECOMMENDED SPAN BETWEEN LEGS FOR STABILITY AND VISUAL APPEARANCE 3 9 LENGTH 1⁄16" WORKSURFACE 1⁄16" WORKSURFACE C-LEG / T-LEG COLUMN LEG C-LEG / T-LEG COLUMN LEG 96" N/A N/A N/A N/A 84" N/A N/A N/A N/A 72" 48" 48" 48" 48" 66" 48" 48" 48" 48" 60" 42" 48" 42" 48" 54" 36" 46" 36" 46" 48" 30" 40" 30" 40" 42" 24" 34" 24" 34" U-SHAPED WORKSURFACE RECOMMENDED SPAN BETWEEN LEGS 3 9 LENGTH 1⁄16" WORKSURFACE 1⁄16" WORKSURFACE C-LEG / T-LEG COLUMN LEG C-LEG / T-LEG COLUMN LEG 1 1 60" 40" 40⁄16" 40" 40⁄16" 3 1 3 1 48" 28⁄16" 28⁄8" 28⁄16" 28⁄8" See table/base matrix for specific base options (pages 641-644) For leg-based training applications, use Undersurface Support Rail for extra support and deflection on 60", 66" and 72" worksurfaces.
    [Show full text]
  • Destroyers Builders
    studio destroyers builders INTRODUCING THE COLLECTION Inspired by architectural shapes that are foremost functional and all have an elementary character, the collection highlights the field between human and industrial through diverse materials. Exploring architectural and sculptural details and focussing on the beauty in diverse materials. The touchabilty of the surface and the human traces that are still visible in the objects, explain the method of Destroyers/Builders. Both contemporary and classical fragments are the base of the visual language of the furniture pieces. The Bolder Chair and Bolder Seat are inspired by columns. The layering of the chipboard discs refers to columns of stone that are also built up of layers. Cross Vault is a down scaled cross vault built in aluminium, functioning as a low seating element. Bolder Seat is an even more softer reference to columns and elemental shapes. It is a diverse set of furniture, between sculptural and architectural forms. Destroyers/Builders is a Brussels based design studio. With a focus on materiality the studio strives for sensory relevance and cultural value in detail and bigger scale. The works have a sculptural and architectural character, but are always on the edge of contemporary material use and traditional crafts. The studio takes on projects that range from commissions to self-initiated projects, and extends across the realms of both product and interior design. For enquiries on one of the works, the email address below can be used. Linde Freya Tangelder [email protected] www.destroyersbuilders.com +32 494 908946 BOLDER SEAT The soft stool is a continuation of the column based shapes.
    [Show full text]
  • 30” Built-In Refrigerator Column (Right-Hand Door Swing)
    30” BUILT-IN REFRIGERATOR COLUMN (RIGHT-HAND DOOR SWING) Signature Features JBRFR30IGX OVER 250 TRINITY COOLING REMOTE ACCESS CONFIGURATIONS Revel in the trinity of food Open door. Power outages. Freezer or refrigerator. Left- preservation: three zones, three Filter changes. Connect to WiFi hand or right-hand swing. One, precision sensors, calibrated for real-time notifications and two, three columns in a row. every second. Fortified by an control your columns from Four different widths. With 12 exposed air tower, you can anywhere. Tap and swipe on one-unit options, 75 two-unit conquer humidity levels and both iOS and Android devices. combinations and over 250 three- customize the temperature of <sup>1</sup><br><sup>1 unit combinations, configuration each zone to your deepest Appliance must be set to remote is where bespoke begins. desires. enable. WiFi & app required. Features subject to change. For ECLIPTIC LIGHTING DARING OBSIDIAN details and privacy statement, INTERIOR visit jennair.com/connect.</sup> Live beyond the shadow. Abandoning the dark spots cast Inspired by the beauty of SOLID GLASS AND METAL by dated puck lighting, over 650 volcanic glass, this industry- LEDs frame and fill your exclusive dark finish erupts with All-metal bin and shelf frames. column, coming alive at a touch reflective, high-contrast style. Thick, naturally odor-resistant of the controls. Each zone Reject the unfeeling, lifeless solid glass. A forcefield at the awakens and pulses as you mold vessel of harsh steel. Let fine edge that prevents spillovers. To your column to your desires. foods and beverages emerge hell with cheap plastic in luxury from the interior of your door bins, shelves and liners.
    [Show full text]
  • Tour Booklet (PDF)
    Tour Booklet WNB FINANCIAL MORE THAN A BANK Exploring our Historic Downtown treasured heritage. Office Tour 204 Main Street General Information: 507-454-8800 Toll Free: 1-800-546-4392 Museum Hours: Monday – Friday, 8:30 a.m. – 5:00 p.m. www.WNBFinancial.com Follow us on: Explore our treasured heritage. INANCIAL WNMOREB T FHAN A BANK 8/18 Tiffany Studios created the center ceiling cove from George Maher sketches. The Prairie design style appears in the ceilings of the upper level meeting rooms. The stepped design echoes the patterns in the furniture that was custom built for those rooms. Furniture Decorative cove (above) The chairs and and Prairie style molding. Welcome tables both reflect Thank you for touring the Prairie School influences. These original furniture Downtown office of pieces were carefully restored in 1991 during the WNB Financial. building’s last major renovation. You will find many interesting Thank You! artistic and architectural We hope you enjoyed your tour of WNB features on the tour. Financial’s Downtown We hope you enjoy your visit! building. If you would like to arrange a group tour, please call at least one day in advance (507-454-8800 or 1-800-546-4392 if calling from outside the Winona area). WNB Financial gratefully acknowledges the Winona County Historical Society for the use of its resources Prairie School-inspired The completed building in 1916. in the publication of furniture. this book. 2 11 Staircases A Brief History of the Bank The white marble’s The bank was formed as the Winona Savings strength and Bank and began business in July 1874.
    [Show full text]
  • HOME OFFICE SOLUTIONS Hettich Ideas Book Table of Contents
    HOME OFFICE SOLUTIONS Hettich Ideas Book Table of Contents Eight Elements of Home Office Design 11 Home Office Furniture Ideas 15 - 57 Drawer Systems & Hinges 58 - 59 Folding & Sliding Door Systems 60 - 61 Further Products 62 - 63 www.hettich.com 3 How will we work in the future? This is an exciting question what we are working on intensively. The fact is that not only megatrends, but also extraordinary events such as a pandemic are changing the world and influencing us in all areas of life. In the long term, the way we live, act and furnish ourselves will change. The megatrend Work Evolution is being felt much more intensively and quickly. www.hettich.com 5 Work Evolution Goodbye performance society. Artificial intelligence based on innovative machines will relieve us of a lot of work in the future and even do better than we do. But what do we do then? That’s a good question, because it puts us right in the middle of a fundamental change in the world of work. The creative economy is on the advance and with it the potential development of each individual. Instead of a meritocracy, the focus is shifting to an orientation towards the strengths and abilities of the individual. New fields of work require a new, flexible working environment and the work-life balance is becoming more important. www.hettich.com 7 Visualizing a Scenario Imagine, your office chair is your couch and your commute is the length of your hallway. Your snack drawer is your entire pantry. Do you think it’s a dream? No! Since work-from-home is very a reality these days due to the pandemic crisis 2020.
    [Show full text]
  • Chapter 37 Definitions Adopted 09/24/96 Lehi City Development
    Chapter 37 Definitions Adopted 09/24/96 CHAPTER 37 Adjacent - All properties immediately contiguous to a development site, including those that are separated DEFINITIONS from the site only by a road or other right-of-way or (Amended 5/27/97; 5/25/99; 3/26/02; 7/09/02; easement. 2/14/06; 3/11/08; 3/25/08; 4/22/08; 7/08/08; 7/29/09; 12/08/09; 4/27/10; 7/27/10; 11/15/11; 4/24/12; Adult Day Care - A non-medical facility for the day- 5/22/12) time care of adult persons, and not exceeding twelve (12) hours, who due to age or disability require assis- Abandon or Abandonment - To leave, desert, or dis- tance, companionship, association and or supervision continue a use for a period of at least twelve (12) during the day by staff members. months. Agriculture (Horticultural) - An establishment de- Accessory - Refers to a minor use or structure that is voted to the tilling of the soil, the raising of crops, pas- clearly subordinate to a principal use or structure that ture, horticulture, orchards and gardens, but not includ- has been issued a permit under this Code; includes ing any agricultural industry or business such as fruit signs. packing plants, canneries or agricultural processing facilities. Agriculture (horticultural production) in- Accessory Apartment – A completely independent cludes agricultural support housing, including the oc- dwelling, occupied by a separate family/housekeeping cupancy of any dwelling unit by the owner or agricul- unit, that is located within or added to an existing tural employees and their families, without regard to dwelling, and that contains all of the following fea- duration, which occurs exclusively in association with tures: the performance of agricultural labor.
    [Show full text]
  • Mobile Column Lift System Is the Faster and Easier Choice for Your Maintenance Facility
    MobileHEAVY DUTY Column LIFTING SYSTEMS Ergonomic FLEETVersatile Performance Productive Reliable FAST Dependable Mobile Buy America World Best Techs TM Legendary TM Red FireLRemoteE controlledADERHEAVY DUTY Battery Efficient MACHCareer Extender ENVIRONMENTALLY FRIENDLY TM EmployeeWireless Retention Patented Flex Innovative Adjustable www.rotarylift.com A Shown: MCHM419U1A00 / Wireless remote-controlled model N D D E VALIDAT TM WIRELESS CONTROLS FLEXMAX NO CABLES / NO CORDS REMOTE-CONTROLLED LIFTING Unmatched lifting versatility and flexibility with the mobility to monitor and adjust your columns anywhere in your shop. Premium FLEXMAXTM lifts provide wireless, remote-controlled flexibility LIFT UP TO 150,400 LBS. plus added operational controls at each column giving technicians the choice to work in the most comfortable, productive and efficient way possible. Ergonomic, wireless hand-held remote control walks the technician through the system set up. Status lights indicate standby or paired columns. Controller features include: • On/off power button with info screen • 2-speed joystick control with auto resume FLEXMAX419 • Single lower-to-lock button with E-stop control A N D 18,800 lbs. capacity column D TE VALIDA • Remote battery indicator Shown: MCHM419U100 • Press ProtectTM eliminates accidental button presses • Audible warning when operator is out of range TM Rotary FLEXMAX feature column capacities at • 99 system IDs eliminate communication interference 18,800 lbs. and 14,000 lbs. in multiple configurations. • Height and weight digital display gauge displays Service everything from light-duty passenger vehicles to • Software upgrades can be made wirelessly heavy-duty trucks. This electro-hydraulic system with WATCH THE adjustable lifting forks can be operated in both odd and PRODUCT VIDEO See how fast and even groups of columns.
    [Show full text]
  • Houses and Apartments
    UNIT 3 Houses and Apartments The “fronds” of the $14-billion Palm Jumeirah— the first of three planned resort islands in Dubai, United Arab Emirates—jut into the Persian Gulf. 26 026__00_u03_026-037 26 5/7/14 5:04 PM Look at the picture, 1 Where are these houses? 2 Are these houses like answer the questions: your house? UNIT 3 GOALS 1. Identify places in a home 2. Describe your house 3. Identify household objects 4. Compare houses 27 027__00_u03_026-037 27 5/7/14 5:04 PM A GOAL 1: Identify Places in a Home Vocabulary A Label the rooms in the floor plan of the apartment. B Complete the sentences about the house in the picture. swimming pool Use the words in the box. backyard garage downstairs swimming pool bedroom garage bedroom bathroom 1. The kitchen is . closet 2. The is in the backyard. upstairs 3. The is upstairs. downstairs 4. The car is in the . living room kitchen dining room Grammar: There is/ There are stairs Statement Questions Answers garden front yard Is there a Yes, there is. There is a garage. closet? No, there isn’t. There are three Are there two Yes, there are. bedrooms upstairs. bathrooms? No, there aren’t. *The contraction of there is = there’s. Singular nouns Plural nouns 1 house 2 houses 1 bedroom 2 bedrooms *Add an -s at the end of the word to make it plural. 28 Unit 3 028__00_u03_026-037 28 5/7/14 5:04 PM A Complete the sentences with the correct form: there is or there are.
    [Show full text]
  • SOHO Design in the Near Future
    Rochester Institute of Technology RIT Scholar Works Theses 12-2005 SOHO design in the near future SooJung Lee Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Lee, SooJung, "SOHO design in the near future" (2005). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Rochester Institute of Technology A thesis Submitted to the Faculty of The College of Imaging Arts and Sciences In Candidacy for the Degree of Master of Fine Arts SOHO Design in the near future By SooJung Lee Dec. 2005 Approvals Chief Advisor: David Morgan David Morgan Date Associate Advisor: Nancy Chwiecko Nancy Chwiecko Date S z/ -tJ.b Associate Advisor: Stan Rickel Stan Rickel School Chairperson: Patti Lachance Patti Lachance Date 3 -..,2,2' Ob I, SooJung Lee, hereby grant permission to the Wallace Memorial Library of RIT to reproduce my thesis in whole or in part. Any reproduction will not be for commercial use or profit. Signature SooJung Lee Date __3....:....V_6-'-/_o_6 ____ _ Special thanks to Prof. David Morgan, Prof. Stan Rickel and Prof. Nancy Chwiecko - my amazing professors who always trust and encourage me sincerity but sometimes make me confused or surprised for leading me into better way for three years. Prof. Chan hong Min and Prof. Kwanbae Kim - who introduced me about the attractive
    [Show full text]
  • The Art of Architecture
    LEARNING TO LOOK AT ARCHITECTURE LOOK: Allow yourself to take the time to slow down and look carefully. OBSERVE: Observation is an active process, requiring both time and attention. It is here that the viewer begins to build up a mental catalogue of the building’s You spend time in buildings every day. But how often visual elements. do you really look at or think about their design, their details, and the spaces they create? What did the SEE: Looking is a physical act; seeing is a mental process of perception. Seeing involves recognizing or connecting the information the eyes take in architect want you to feel or think once inside the with your previous knowledge and experiences in order to create meaning. structure? Following the steps in TMA’s Art of Seeing Art™* process can help you explore architecture on DESCRIBE: Describing can help you to identify and organize your thoughts about what you have seen. It may be helpful to think of describing as taking a deeper level through close looking. a careful inventory. ANALYZE: Analysis uses the details you identified in your descriptions and LOOK INTERPRET applies reason to make meaning. Once details have been absorbed, you’re ready to analyze what you’re seeing through these four lenses: OBSERVE ANALYZE FORM SYMBOLS IDEAS MEANING SEE DESCRIBE INTERPRET: Interpretation, the final step in the Art of Seeing Art™ process, combines our descriptions and analysis with our previous knowledge and any information we have about the artist and the work—or in this case, * For more information on the Art of Seeing Art and visual literacy, the architect and the building.
    [Show full text]
  • Preloading Approach to Column Removal in an Existing Building by Pratik Shah, P.E., LEED AP
    ® Copyright Figure 2. Preloading Approach to Column Removal in an Existing Building By Pratik Shah, P.E., LEED AP 475 Fifth Avenue is an existing building near Bryantmagazine Park at the The building’s structural system is a steel moment frame. The gravity intersection of 41st Street andS Fifth AvenueT inR New York U City. The C system consistsT ofU a cinder concreteR toppingE slab over a wire mesh 24-story, 1920s era building recently underwent a major renovation reinforced concrete slab supported by steel beams spanning between that required structural engineering designs to support the building’s girders. The girders are connected to the columns in both directions architectural elements and to accommodate changes to the mechanical with moment connections, to resist lateral loads. All existing shear and system. The structural scope for the project included strengthening moment connections were riveted, as is typical for buildings of this the second-level flooring system for retail loading; framing of new age. The original structural drawings for the building were unavail- mechanical penthouse; framing of new floor and wall openings to able, so all information necessary for design was obtained in the field. accommodate MEP ductwork and louvers; framing of new canopy, new stair crossover and closing abandoned shafts and openings. One Exploratory Phase challenging aspect of the project was to remove an existing column between Levels 1 and 2 located in the middle of the redesigned lobby Since no structural drawings existed, DeSimone performed exhaustive (Figure 1). This column removal is the primary focus of this article. exploratory work, including structural probes, walkthroughs, and field Figure 1.
    [Show full text]