Letter from the Director: Nkbci Covid-19 Coping Plan
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Maintaining a Musical Tradition in Arab-America: an Oral History of Abdel Karim Bader
MAINTAINING A MUSICAL TRADITION IN ARAB-AMERICA: AN ORAL HISTORY OF ABDEL KARIM BADER By Igor Nunes Houwat A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Musicology 2011 ABSTRACT MAINTAINING A MUSICAL TRADITION IN ARAB-AMERICA: AN ORAL HISTORY OF ABDEL KARIM BADER By Igor Nunes Houwat Abdel Karim Bader, a cosmopolitan oud performer and teacher, was born in the Arab world in the early 1920s and immigrated to the United States of America in the early nineteen seventies. This thesis is an oral history that explores Bader as a carrier of an Arabic musical tradition, tarab, through three topics: biography, pedagogy, and improvisation. Bader’s biography unveils a rich social and musical persona which is understood through the lens of tarab musicianship and values. He favors a pragmatic apprenticeship method, common to tarab musicians, that heavily relies on oral methods to transmit ideas, repertoire, and stylistic subtleties. Finally, Bader’s improvisatory thought is influenced by both his knowledge of Arabic music theory and his performance experience, and it is exposed through examples from my lessons and an analysis of a solo improvisation. I have been Bader’s apprentice since January 2010 and view this study as a contribution to a little-known facet of Arab-American identity and cultural practice. Copyright by IGOR NUNES HOUWAT 2011 To Abdel Karim Bader iv TABLE OF CONTENTS LIST OF FIGURES......................................................................................................................vii -
AMERICAN UNIVERSITY of BEIRUT CONTRIBUTORS REPORT 2020 July 1, 2019 – June 30, 2020
AMERICAN UNIVERSITY OF BEIRUT CONTRIBUTORS REPORT 2020 July 1, 2019 – June 30, 2020 Hand in hand we make it happen AMERICAN UNIVERSITY OF BEIRUT CONTRIBUTORS REPORT 2020 July 1, 2019 – June 30, 2020 AMERICAN UNIVERSITY OF BEIRUT CONTRIBUTORS REPORT 2020 3 إشعار بعدم التمييز NOTICE OF NON-DISCRIMINATION تماشيا مع التزامها بمبدأ تكافؤ الفرص في التعليم والتوظيف، تحمي سياسات In line with its commitment to the principle of equal opportunity in الجامعة اﻷميركية في بيروت من التمييز ُالمرتكز على الخصائص المحمية، بما education and employment, AUB policies protect from discrimination في ذلك ّالتحرش التمييزي والتحرش الجنسي. on the basis of protected characteristics, including discriminatory harassment and sexual harassment. Protected characteristics الخصائص المحمية تشمل: العرق، اللون ، الدين ، العمر، الجنسية، الهوية اﻻثنية، ,include: race, color, religion, age, national or ethnic identity, sex الجنس، الجندرأوالهوية الجندرية، الميل الجنسي، الحمل، الوضع العائلي، اﻹعاقة، gender or gender identity, sexual orientation, pregnancy, marital اﻻستعداد الوراثي أو حالة السمة ّالوراثية، اﻷصل اﻷجنبي أو وضع ّالمواطنية، status, disability, genetic predisposition or carrier status, alienage واﻻنتماء السياسي. .or citizenship status, and political affiliation تنطبق هذه السياسات على جميع أعضاء الجامعة اﻷميركية في بيروت بما في ,The policies are applicable to all the AUB Community including: officers ذلك: المسؤولون وأعضاء هيئة التعليم والموظفون ّوالمعينون اﻷكاديميون faculty, staff, academic appointees, students (including medical والطﻻب )بمن فيهم ّاﻷطباء ّالداخليين والمقيمين( والطﻻب الزائرون والخريجون ,interns and residents), visiting students, alumni, trainees, visitors ّوالمتدربون والزوار والمتعاقدون والمتعاقدون الفرعيون ّوالموردون contractors, subcontractors, suppliers, located on campus and at AUB الموجودون في حرم الجامعة وفي المركز ّالطبي التابع للجامعة ّاﻷميركية في Medical Center, Advancing Research Enabling Communities Center بيروت، وكذلك في المركز الزراعي للبحث والتعليم، أو ّأي منشأة أخرى أو برنامج .AREC), or any other facility or program affiliated with the University) تابعين للجامعة. -
Recorridos Por La Musica De Camara
MAYA BEISER, violonchelo (Estados Unidos) Miércoles 27 de febrero de 2013 ·7:30p.m. Bogotá, Sala de Conciertos Biblioteca Luis Ángel Arango '"'t 1\ Ji/-/: t ···· -\BANCO DE LA REPÚBLICA 11 1 1\ I. IOT I-. CA I U I ~ ANC EL AR r\ NCO Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. TOME NOTA Los conciertos iniciarán exactamente a la hora indicada en los avisos de prensa y en el programa de mano. Llegar con media hora de antelación le permitirá ingresar al concierto con tranquilidad y disfrutarlo en su totalidad. Si al momento de llegar al concierto éste ya ha iniciado, el personal del auditorio le indicará el momento adecuado para ingresar a la sala de acuerdo con las recomendaciones dadas por los artistas que están en escena. Agradecemos se abstenga de consumir comidas y bebidas, o fumar durante el concierto, con el fin de garantizar un ambiente adecuado tanto para el públi co como para los artistas. Durante el transcurso del concierto por favor mantenga apagados sus equipos electrónicos, in cluyendo teléfonos celulares, buscapersonas y alarmas de reloj. Esto ayuda a crear un ambiente propicio para disfrutar la música. Por respeto a los derechos de autor de los compositores e intérpretes, no está permitido realizar grabaciones de audio o video ni tomar fotografias durante el concierto. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. D: w tn -w m Maya Beiser, violonchelo; Bassam Saba, ud y nay; Shane Shanahan, percusión; Matt Kilmer, percusión y Dave Cook, diseño sonoro. -
Simon Shaheen and Qantara
UMS Youth Education03/04 Simon Shaheen and Qantara TEACHER RESOURCE GUIDE About UMS UMS celebrates its 125th Season! One of the oldest We would like to give special thanks performing arts presenters in the country, UMS serves to the sponsors and supporters of the diverse audiences through multi-disciplinary perform- UMS Youth Education Program: ing arts programs in three distinct but interrelated areas: presentation, creation, and education. Ford Motor Company Fund Michigan Council for Arts and Cultural Affairs With a program steeped in music, dance, and the- University of Michigan ater, UMS hosts approximately 80 performances and 150 free educational activities each season. UMS Association of Performing Arts Presenters also commissions new work, sponsors artist residen- Arts Partners Program cies, and organizes collaborative projects with local, Borders Group national, and international partners. Charles Reinhart Company, Realtors Community Foundation for Southeastern Michigan While proudly affiliated with the University of Michi- Doris Duke Charitable Foundation UMS Youth Education gan and housed on the Ann Arbor campus, UMS is DTE Energy Foundation a separate not-for-profit organization that supports itself from ticket sales, grants, contributions, and Ford Foundation endowment income. Forest Health Services/Mary and Randall Pittman Maxine and Stuart Frankel Foundation Gelman Educational Foundation UMS Education and Audience Heartland Arts Fund Development Department JazzNet KeyBank UMS’s Education and Audience Development Depart- MASCO Corporation ment seeks to deepen the relationship between audi- THE MOSAIC FOUNDATION (of R. and P. Heydon ences and art, as well as to increase the impact that National Dance Project of the the performing arts can have on schools and com- New England Foundation for the Arts munity. -
COVID-19 Chronological Eulogies
Twenty-Six Eulogies for Victims of Covid On March 14th, 2021, Zen Mountain Monastery held a memorial service marking a year since the beginning of the shutdown, the official start of the pandemic. At that point, Covid-19 had claimed 2.6 million lives around the world. One aspect of the memorial was the reading of eulogies for 26 of the dead; people we identified through various news sources and, in some cases, word of mouth. Here, briefly, are their stories. Liu Shouxiang died of the coronavirus on Feb. 13, 2020 in Wuhan, at the age of 61. Mr. Liu studied and went on to teach at the Hubei Institute of Fine Arts, where he helped establish a watercolor major, and eventually, a stand-alone department dedicated to the medium. Though widely respected by colleagues, he didn’t seek a reputation for his work, fearing it wasn’t good enough to put on display. Regardless, the Wuhan Art Museum gave him a solo show—his first—in 2019, just months before the pandemic began. A close friend of his, Wang Chenghao, said that Liu Shouxiang's paintings "still had not met his own high requirements." Manu Dibango was born in Cameroon but lived most of his life in France. Although Mr. Dibanjo started training in classical piano at 15, he was drawn to jazz, and began playing saxophone in his 20s. Ten years later, he was the frontman of his own band in Paris. Mr. Dibanjo’s prolific musical output ranged from jazz to reggae, pop, and hip-hop. He is best known for the single “Soul Makossa,” which became immensely popular at the start of the disco era. -
Duke Ellington Orchestra
PACIFIC SYMPHONY’S AMERICAN COMPOSERS FESTIVAL 2013 Plus, Composer-in-Residence Daniel Schnyder FESTIVAL EVENTS Thursday-Saturday, May 16-18, 8 p.m. Hal and Jeanette Segerstrom Family Foundation Classical Series DUKE ELLINGTON ORCHESTRA Renée and Henry Segerstrom Concert Hall Carl St.Clair, conductor Daniel Schnyder, composer and saxophone David Taylor, trombone Kenny Drew Jr., piano Duke Ellington Orchestra Pacific Symphony A celebration of American composers is incomplete without mention of Duke Ellington, and this year, Pacific Symphony isn’t just mentioning him, but presenting the ensemble that carries his name and has been playing together in one form or another for eight decades. Plus, composer-in-residence, saxophonist Daniel Schnyder presents his reflections on music inspired by Ellington, Jimi Hendrix and the instrument, the bass trombone. Sunday, May 19, 3 p.m. Classical Connections DUKE ELLINGTON REVEALED Renée and Henry Segerstrom Concert Hall Carl St.Clair, conductor Duke Ellington Orchestra Pacific Symphony The ensemble founded by Duke Ellington himself shines as Music Director Carl St.Clair and Pacific Symphony explore why Ellington influenced so many other composers of the 20th and 21st centuries. The concert includes pieces Ellington made famous including “Take the ‘A’ Train,” “Caravan,” “Satin Doll” and “It Don’t Mean a Thing (If it Ain’t Got That Swing).” Sunday, May 19, 7 p.m. FAUST Samueli Theater Daniel Schnyder, composer and saxophone David Taylor, bass trombone Kenny Drew Jr., piano Fascinated by Friedrich Murnau’s famous silent movie Faust from 1926, composer and saxophonist Daniel Schnyder has created music linking the saga about seduction and destruction of the human soul to its traces in European musical history. -
Berklee College of Music Video Services Event Recordings, 1979-2005 BCA-018 Finding Aid Prepared by Amanda Axel; with Sofía Becerra-Licha
Berklee College of Music Video Services Event Recordings, 1979-2005 BCA-018 Finding aid prepared by Amanda Axel; with Sofía Becerra-Licha This finding aid was produced using the Archivists' Toolkit December 07, 2018 Describing Archives: A Content Standard Third edition Berklee Archives 2014/07/30 Berklee College of Music 1140 Boylston St Boston, MA, 02215 617-747-8001 Berklee College of Music Video Services Event Recordings, 1979-2005 Table of Contents Summary Information ................................................................................................................................. 3 Biographical/Historical note.......................................................................................................................... 4 Scope and Contents note............................................................................................................................... 4 Arrangement note...........................................................................................................................................4 Administrative Information .........................................................................................................................5 Related Materials ........................................................................................................................................ 6 Controlled Access Headings..........................................................................................................................6 Collection Inventory..................................................................................................................................... -
Spring Fling Open House 3 May 10, 2014
The Center For Arabic Culture Presents Spring Fling Arabic Cultural Showcase for All Open House Food and Fun ◆ Dance and Music May 10, 2014 11 am - 5:30 pm Center for the Arts at the Armory Somerville, MA Co-Sponsored by NETWORK OF ARAB-AMERICAN PROFESSIONALS - BOSTON Website: www.naaponline.org/boston Facebook: www.facebook.com/NAAPBoston Twitter: @NAAP_Boston OH-booklet-final copy.indd 1 4/29/14 11:25 AM RESIDENTIAL MORTGAGES PURCHASES REFINANCES JUMBOS Program Outline 203K’S USDA VA CONDOS 11:30 am - 12:15 pm Mirza Dance Ensemble FHA MULTIFAMILY 12.20 -12.50 pm BPFF Film Screening #1: “Ismail” Opening Windows of Opportunity 1:00 - 1:25 pm CAC Children’s Choir: “Sound of Spring” for Homeowners 1:30 - 2:00 pm BPFF Film Screening #2: “Ismail” since 1988. 2:15 - 3:00 pm Moroccan and Egyptian Music Duo: Karim Nagi and Boujemaa Razgui NMLS #22330 Naela Sharuk 3:15 - 3:50 pm Tarab Chorus Senior Loan Officer Office (508) 850-4215 Cell (781) 640-6324 4:30 - 5:30 pm Bassam Saba and the [email protected] Arabic Music Ensemble www.mortgagemaster.com/nsharuk MA LIC#MLO22330/NJ LIC#22330/CT LIC#LO-22330/ Healing Syrian Refugee Children NY LIC#22330/RI LIC#22330/CA LIC#CA-DOC22330/ through Art NH LIC#NH22330/VA LIC#MLO-18804VA/IN LIC#23634 Calligraphy Corner by Hajj Wafaa Special Artist Exhibit 102 Elm Street, Walpole, MA 02081 Mortgage Master, Inc., NMLS # 4251/MA Lender/Broker MC4251/Licensed by the NJ Dept. of Banking and Insurance/Licensed Mortgage Banker - NYS Banking Dept./RI Licensed Lender/Loan Broker/Licensed by the NH Banking Dept. -
Revolution and Disenchantment : Arab Marxism and the Binds of Emancipation / Fadi A
REVOLUTION AND DISENCHANT- MENT Theory in Forms A Series Edited by Nancy Rose Hunt and Achille Mbembe REVOLUTION Arab Marxism and AND the Binds of Emancipation DISENCHANT- MENT Fadi A. Bardawil Duke University Press Durham and London 2020 © 2020 Duke University Press. This work is licensed under the Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. Printed in the United States of Amer i ca on acid- free paper ∞ Cover designed by Drew Sisk Typeset in Garamond Premier Pro by Westchester Publishing Services Library of Congress Cataloging- in- Publication Data Names: Bardawil, Fadi A., [date] author. Title: Revolution and disenchantment : Arab Marxism and the binds of emancipation / Fadi A. Bardawil. Description: Durham : Duke University Press, 2020 | Series: Theory in forms | Includes bibliographical references and index. Identifiers: lccn 2019028452 (print) lccn 2019028453 (ebook) isbn 9781478006169 (hardcover) isbn 9781478006756 (paperback) isbn 9781478007586 (ebook) Subjects: lcsh: New Left—Lebanon—History. | Socialism—Lebanon—History. | Lebanon—Politics and government—1946– Classification: lcc hx378.a6 b37 2020 (print) | lcc hx378.a6 (ebook) | ddc 320.53/15095692—dc23 lc record available at https://lccn.loc.gov/2019028452 lc ebook record available at https://lccn.loc.gov/2019028453 Cover art: Socialist Lebanon, Issue 5, April 1967 Publication of this open monograph was the result of Duke University’s participation in TOME (Toward an Open Monograph Ecosystem), a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries. TOME aims to expand the reach of long-form humanities and social science scholarship including digital scholarship.