19-12-22 CHAN Festive Cantatas Gabrieli
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ODLUMBROWN.COM Odlum Brown Limited is Proud to Support Early Music Vancouver’s Festive Cantatas – Christmas In Gabrieli’s Venice For over 96 years, Odlum Brown has been one of BC’s most respected investment firms by helping investors achieve their financial goals for generations. Odlum Brown is a full-service investment firm providing disciplined investment advice and objective, value-based research with a singular focus on clients. For all your investment needs including financial, retirement and estate planning,* call 604-669-1600, toll free at 1-888-886-3586 or visit odlumbrown.com for more information. Wishing everyone a wonderful holiday season, and a joyous new year! Member-Canadian Investor Protection Fund Odlum Brown Limited @Odlum_Brown Odlum Brown Community OdlumBrown *Offered through our wholly owned subsidiary, Odlum Brown Financial Services Limited. 2 Early Music Vancouver 2019 | 2020 Festive Cantatas: Christmas in Gabrieli’s Venice [email protected] the artists programme Bruce Dickey hodie christus natus est director & cornetto Christmas in Gabrieli’s Venice, ca. 1615 See page 5 for a listing All works composed by Giovanni Gabrieli and published in Venice in 1615 of the participating musicians unless otherwise indicated. Canzon 5 duodecimi toni a 8 (1597) Hodie Christus natus est a 7 (Giovanni Bassano) Quem vidistis pastores a 8 (Andrea Gabrieli) Canzon V a 7 Hodie nobis de caelo a 2 (Alessandro Grandi) generously supported by O Jesu mi dulcissime a 8 The Drance Family in honour of José Verstappen and Betty Drance, Dr. Katherine E. Paton, Canzon 8 duodecimi toni a 10 (1597) and an Anonymous Donor Hodie Christus natus est a 8 In association with Gloria in altissimus Deo a 7 (Gio. Battista Fergusio) Chan Endowment Fund at the University of British Columbia interval Canzon 9 duodecimi toni a 10 (1597) Special thanks to Hodie Christus natus est a 10 (1597) Prism Printing and Digital Centre for contributing the printing of the full- Angelus ad pastores a 8 (Bassano) colour covers for tonight’s Christmas concert programme. Natività di Christo, per canto solo da cantarsi nel Chitarone (Biagio Marini) Pre-concert chat with host Matthew White at 6:45: Jesu dulcissime a 6 (Ms. Kassel) Bruce Dickey Salvator noster a 15 Canzon VI a 7 THE UNAUTHORISED USE OF ANY VIDEO OR AUDIO RECORDING DEVICE IS STRICTLY PROHIBITED In ecclesiis a 14 earlymusic.bc.ca Festive Cantatas: Christmas in Gabrieli’s Venice Early Music Vancouver 2019 | 2020 3 partners Early Music Vancouver gratefully acknowledges the assistance and support of: GOVERNMENT SUPPORT board of directors Chris Guzy president We acknowledge the support of the Province of British Columbia Fran Watters vice president Ron Kruschen treasurer FOUNDATIONS Tony Knox past president THE BRENNAN SPANO Ilia Korkh FAMILY FOUNDATION secretary THE DRANCE FAMILY Spencer Corrigal cpa,ca EARLY MUSIC VANCOUVER FUND Sherrill Grace 2019-20 PRODUCTION PARTNERS Melody Mason Tim Rendell cpa,ca EMV’s performances at the Chan Centre are presented in partnership with the Chan Centre for the Johanna Shapira Performing Arts, with the support of the Chan Endowment Fund at the University of British Columbia. Ingrid Söchting pacific baroque Vincent Tan orchestra alexander weimann ÷ MUSIC director José Verstappen cm artistic director emeritus ÷ staff Matthew White executive & artistic director Nathan Lorch business manager Michelle Herrewynen PRODUCTION PARTNERS IN VICTORIA BC development manager Jonathan Evans production manager Laina Tanahara CORPORATE SUPPORT marketing & volunteer coordinator Jan Gates Rosedale on Robson Suite Hotel event photographer VANCOUVER, BC Tony Knox Barrister & Solicitor, Arbitrator Tel: 604 263 5766 Cell: 604 374 7916 Fax: 604 261 1868 Email: [email protected] Murray Paterson 1291 West 40th Avenue, Vancouver, B.C. V6M 1V3 Canada www.knoxlex.com Marketing Group We also gratefullyKnox & Co. denotes D.A.Knox Lawacknowledge Corporation the generosity of our many donors and volunteers. marketing & media relations Trevor Mangion thank you! and The Chan Centre Box Office Staff emv ticket office: 604.822.2697 You can be in good company too! The corporate sponsors of Early Music Vancouver give back to their community through the support of our performances and education & outreach programmes. Their efforts 1254 West 7th Avenue, make a meaningful difference for concertgoers and musicians alike. Vancouver BC, V6H 1B6 tel: 604.732.1610 Our wide range of activities offers unique sponsorship opportunities for both large and fax: 604.732.1602 small companies to support us while also reaching their corporate goals. A range of sponsorship advantages is available, including logo recognition, complimentary tickets for [email protected] your clients, employee discounts, and many other benefits tailored to your specific needs. earlymusic.bc.ca Call Michelle Herrewynen to discuss how our audience profile may fit with your company’s objectives: 604 732 1610. 4 Early Music Vancouver 2019 | 2020 Festive Cantatas: Christmas in Gabrieli’s Venice [email protected] the artists Bruce Dickey Bruce Dickey director and cornetto director & cornetto Bruce Dickey is one of a handful of musicians 0 worldwide who have dedicated themselves to Arwen Myers reviving the cornetto – once an instrument of great soprano virtuosi, but which lamentably fell into disuse in the Danielle Sampson 19th century. The revival began in the 1950s, but it soprano was largely Bruce Dickey, who, from the late 1970s, Vicki St. Pierre created a new renaissance of the instrument, alto allowing the agility and expressive power of the cornetto to be heard once again. Nicholas Burns alto His many students, over more than 30 years of Ross Hauck teaching at the Schola Cantorum Basiliensis, have tenor helped to consolidate and elevate the status of this once forgotten instrument. For his achievements Colin Balzer the Historic Brass Society awarded him in 2000 tenor the prestigious Christopher Monk Award for Sumner Thompson “his monumental work in cornetto performance, baritone historical performance practice and musicological scholarship.” In 2007 he was honoured Martin Auclair by British conductor and musicologist Andrew Parrott with a “Taverner Award” as one of 14 bass musicians whose “significant contributions to musical understanding have been motivated 0 by neither commerce nor ego.” Bruce Dickey In the course of his long career as a performer and recording artist he has worked with most of cornetto the leading figures in the field of early music, including the legendary pioneers of historically Matthew Jennejohn informed performance, Gustav Leonhardt, Frans Brüggen and Nikolaus Harnoncourt. He was cornetto a member for over ten years of Jordi Savall’s Hespèrion XX , and has frequently and repeatedly Etienne Asselin collaborated with Ton Koopman, Monica Huggett, Philippe Herreweghe and many others. Of cornetto special importance has been his long-time friendship and collaboration with Andrew Parrott, and in more recent years with Konrad Junghänel. Tekla Cunningham violin Bruce Dickey can be heard on countless recordings. His solo CD (“Quel lascivissimo Marc Destrubé cornetto…”) on Accent with the ensemble Tragicomedia was awarded the Diapason d’or. His violin second solo CD, entitled “La Bella Minuta”, has just been released on the Passacaille label. Sample tracks can be heard, and the CD purchased, on the website of the record label at Catherine Motuz passacaille.be. alto sackbut In addition to performing, Bruce Dickey is much in demand as a teacher, both of the cornetto Maximilien Brisson tenor sackbut and of seventeenth-century performance practice. In addition to his regular class at the Schola Cantorum he has taught at the Royal Conservatory in The Hague, the Accademia Chigiana Jeremy Berkman in Siena, and the Early Music Institute at Indiana University, as well as master classes in tenor sackbut the United States, Canada, Europe and Japan. He is also active in research on performance Linda Pears practice, and has published, together with Michael Collver, a catalogue of the surviving bass sackbut cornetto repertoire, and, together with trumpeter Edward Tarr, a book on historical wind Christina Hutten articulation. In 1997, together with his wife Candace Smith, he founded Artemisia Editions, a organ small publishing house which produces editions of music from 17th-century Italian convents. Natalie Mackie In 1981, Bruce Dickey moved to Italy, partly to be closer to the origins and source materials violone for his instrument and its music. He currently lives with his wife and daughter in a country John Lenti house, surrounded by vineyards, outside of Bologna, home of the original Concerto Palatino. lute brucedickey.com earlymusic.bc.ca Festive Cantatas: Christmas in Gabrieli’s Venice Early Music Vancouver 2019 | 2020 5 Arwen Myers Danielle Sampson Vicki St. Pierre Nicholas Burns Arwen Myers soprano piece “Concepción Picciotto” for the Earshot Jazz Festival. She performed in Boston Early Music Festival’s Monteverdi Trilogy A versatile artist known for her flexibility and mastery of a wide in 2015 as Melanto in Il ritorno d’Ulisse in patria and as Virtù range of vocal colours & styles, Arwen Myers has performed and Pallade in l’incoronazione di Poppea. Her upcoming season major works with Portland Baroque Orchestra, Early Music includes the Messaggera in Monteverdi’s Orfeo with Baroque Vancouver, Pacific MusicWorks, and Indianapolis Symphony Chamber Orchestra of Colorado, Handel’s Samson with Pacific Orchestra, among