Stories of the Ancient Greeks
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Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected]
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 2016 Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the European History Commons, History of Religion Commons, and the Music Commons Recommended Citation Van Oort, Danielle, "Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal" (2016). Theses, Dissertations and Capstones. Paper 1016. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. REST, SWEET NYMPHS: PASTORAL ORIGINS OF THE ENGLISH MADRIGAL A thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in Music Music History and Literature by Danielle Van Oort Approved by Dr. Vicki Stroeher, Committee Chairperson Dr. Ann Bingham Dr. Terry Dean, Indiana State University Marshall University May 2016 APPROVAL OF THESIS We, the faculty supervising the work of Danielle Van Oort, affirm that the thesis, Rest Sweet Nymphs: Pastoral Origins of the English Madrigal, meets the high academic standards for original scholarship and creative work established by the School of Music and Theatre and the College of Arts and Media. This work also conforms to the editorial standards of our discipline and the Graduate College of Marshall University. With our signatures, we approve the manuscript for publication. ii ACKNOWLEDGEMENTS The author would like to express appreciation and gratitude to the faculty and staff of Marshall University’s School of Music and Theatre for their continued support. -
Stories of the Ancient Greeks the Gods of Greece Stories of the Ancient Greeks
STORIES OF THE ANCIENT GREEKS THE GODS OF GREECE STORIES OF THE ANCIENT GREEKS BY CHARLES D. SHAW illustrated by GEORGE A. HARKER YESTERDAY’S CLASSICS CHAPEL HILL, NORTH CAROLINA Cover and arrangement © 2008 Yesterday’s Classics, LLC. Th is edition, fi rst published in 2008 by Yesterday’s Classics, an imprint of Yesterday’s Classics, LLC, is an unabridged republi cation of the work originally published by Ginn and Company in 1903. For the complete listing of the books that are published by Yesterday’s Classics, please visit www.yesterdaysclassics.com. Yesterday’s Classics is the publishing arm of the Baldwin Online Children’s Literature Project which presents the complete text of hun dreds of classic books for children at www.mainlesson.com. ISBN-10: 1-59915-269-X ISBN-13: 978-1-59915-269-1 Yesterday’s Classics, LLC PO Box 3418 Chapel Hill, NC 27515 PREFACE The tales in this book are old; some of them, it may be, are even older than we suppose. But there is always a new generation to whom the ancient stories must be told; and the author has spent pleasant hours in trying to retell some of them for the boys and girls of to-day. He remembers what joy it was to him to read about the Greek gods and heroes; and he knows that life has been brighter to him ever since because of the knowledge thus gained and the fancies thus kindled. It is his hope to brighten, if possible, other young lives by repeating for them the immortal fi ctions and the deathless histories which have been delivered to new audiences for thousands of years. -
Loeb Lucian Vol5.Pdf
THE LOEB CLASSICAL LIBRARY FOUNDED BY JAMES LOEB, LL.D. EDITED BY fT. E. PAGE, C.H., LITT.D. litt.d. tE. CAPPS, PH.D., LL.D. tW. H. D. ROUSE, f.e.hist.soc. L. A. POST, L.H.D. E. H. WARMINGTON, m.a., LUCIAN V •^ LUCIAN WITH AN ENGLISH TRANSLATION BY A. M. HARMON OK YALE UNIVERSITY IN EIGHT VOLUMES V LONDON WILLIAM HEINEMANN LTD CAMBRIDGE, MASSACHUSETTS HARVARD UNIVERSITY PRESS MOMLXII f /. ! n ^1 First printed 1936 Reprinted 1955, 1962 Printed in Great Britain CONTENTS PAGE LIST OF LTTCIAN'S WORKS vii PREFATOEY NOTE xi THE PASSING OF PEBEORiNUS (Peregrinus) .... 1 THE RUNAWAYS {FugiUvt) 53 TOXARis, OR FRIENDSHIP (ToxaHs vd amiciHa) . 101 THE DANCE {Saltalio) 209 • LEXiPHANES (Lexiphanes) 291 THE EUNUCH (Eunuchiis) 329 ASTROLOGY {Astrologio) 347 THE MISTAKEN CRITIC {Pseudologista) 371 THE PARLIAMENT OF THE GODS {Deorutti concilhim) . 417 THE TYRANNICIDE (Tyrannicidj,) 443 DISOWNED (Abdicatvs) 475 INDEX 527 —A LIST OF LUCIAN'S WORKS SHOWING THEIR DIVISION INTO VOLUMES IN THIS EDITION Volume I Phalaris I and II—Hippias or the Bath—Dionysus Heracles—Amber or The Swans—The Fly—Nigrinus Demonax—The Hall—My Native Land—Octogenarians— True Story I and II—Slander—The Consonants at Law—The Carousal or The Lapiths. Volume II The Downward Journey or The Tyrant—Zeus Catechized —Zeus Rants—The Dream or The Cock—Prometheus—* Icaromenippus or The Sky-man—Timon or The Misanthrope —Charon or The Inspector—Philosophies for Sale. Volume HI The Dead Come to Life or The Fisherman—The Double Indictment or Trials by Jury—On Sacrifices—The Ignorant Book Collector—The Dream or Lucian's Career—The Parasite —The Lover of Lies—The Judgement of the Goddesses—On Salaried Posts in Great Houses. -
Names of Botanical Genera Inspired by Mythology
Names of botanical genera inspired by mythology Iliana Ilieva * University of Forestry, Sofia, Bulgaria. GSC Biological and Pharmaceutical Sciences, 2021, 14(03), 008–018 Publication history: Received on 16 January 2021; revised on 15 February 2021; accepted on 17 February 2021 Article DOI: https://doi.org/10.30574/gscbps.2021.14.3.0050 Abstract The present article is a part of the project "Linguistic structure of binomial botanical denominations". It explores the denominations of botanical genera that originate from the names of different mythological characters – deities, heroes as well as some gods’ attributes. The examined names are picked based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012. The names of the plants are arranged in alphabetical order. Beside each Latin name is indicated its English common name and the family that the particular genus belongs to. The article examines the etymology of each name, adding a short account of the myth based on which the name itself is created. An index of ancient authors at the end of the article includes the writers whose works have been used to clarify the etymology of botanical genera names. Keywords: Botanical genera names; Etymology; Mythology 1. Introduction The present research is a part of the larger project "Linguistic structure of binomial botanical denominations", based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012 [1]. The article deals with the botanical genera appellations that originate from the names of different mythological figures – deities, heroes as well as some gods’ attributes. According to ICBN (International Code of Botanical Nomenclature), "The name of a genus is a noun in the nominative singular, or a word treated as such, and is written with an initial capital letter (see Art. -
Ancient Socialism
Baldwin 5/19/06 8:36 PM Page 59 59 Ancient I dedicate this essay to the memory of Ken Coates, scholarly Socialist and quite the Socialism best man I ever knew. More another time on Marxism and the Classics; just one sample here to kick off. Robert Service’s biography of Lenin suggests he ‘first learned from Barry Baldwin Demosthenes how to discern a crack in the wall of an opponent’s argument and prise it open’. A nice link here with Ken Coates’ last Spokesman editorial (no.109), which twice ironically applies the Greek democrat orator’s name to David Laws. Homer’s Iliad has literature’s earliest articulate squaddie. Thersites lambastes Agamemnon for filching the best loot from rank-and-filers who do the fighting and dying, urging his comrades to pack up and go home ‘that he may see how completely he depends on the men’. Since the Iliad was geared to aristocratic audiences, Thersites – ‘ugliest man in the army’ – can’t win. While Agamemnon stands gob-smacked, Odysseus simply knocks the humpbacked agitator down. But, it is notable that the poet felt bound to include this bolshie private to challenge the Greek army brass. In the Odyssey, though, our hero looms paternalistic. The shepherd Eumaeus confidently expects a retirement pension of The author is Emeritus land, cottage, and woman from his grateful Professor of Classics at lord – mutatis mutandis, the Upstairs the University of Calgary Downstairs ethic. Primitive feminism is in Canada. He studied in also adumbrated: Queens Penelope and Nottingham during the Arete both wield philanthropic influence 1950s. -
2013 Virginia Senior Classical League State Finals Certamen Level III NOTE to MODERATORS: in Answers, Information in Parentheses Is Optional Extra Information
2013 Virginia Senior Classical League State Finals Certamen Level III NOTE TO MODERATORS: in answers, information in parentheses is optional extra information. A slash ( / ) indicates an alternate answer. Underlined portions of a longer, narrative answer indicate required information. ROUND ONE 1. TOSSUP: From what Latin noun, with what meaning, do the words ignition and igneous ultimately derive? ANS: IGNIS, FIRE BONUS: From what Latin verb, with what meaning, do the words coherent and adhesion derive? ANS: HAEREŌ, STICK/CLING 2. TOSSUP: According to Livy and Plutarch, what legendary Roman triumphed four times, was dictator five times, was never once consul, was honored with the title “Second Founder of Rome,” and conquered the city of Veii in 396 BC? ANS: (M. FURIUS) CAMILLUS BONUS: Following the victory over Veii, for what accusation did his political adversaries impeach Camillus? ANS: EMBEZZLEMENT 3. TOSSUP: According to Hesiod, what moon titan, the daughter of Ouranos and Gaia, bore Leto from the union with her brother Coeus? ANS: PHOEBE BONUS: According to Hesiod, what Star goddess was also the daughter of Phoebe and Coeus and the mother of Hecate? ANS: Asteria 4. TOSSUP: What fifteen-book work of Ovid ends with the apotheosis of Julius Caesar? ANS: METAMORPHOSES BONUS: What other work of Ovid, consisting of epistolary poems written by mythological heroines, allowed him to claim that he had created a new genre of mythological elegy? ANS: HEROIDES rd 5. TOSSUP: Give the 3 person singular, pluperfect active subjunctive of noceō, nocēre. ANS: NOCUISSET nd BONUS: Now give the 2 person plural present subjunctive of morior, morī. -
Alexander the Great (356-323 B.C.E.) by Louis Godbout
Alexander the Great (356-323 B.C.E.) by Louis Godbout Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2004, glbtq, inc. Reprinted from http://www.glbtq.com An ancient bust of Alexander the Great. Photograph by Andrew King of Macedonia and conqueror of a kingdom extending from Greece to Persia, Egypt Dunn. and India, Alexander the Great is one of the most fascinating men of all times. He was Image appears under the not only a great soldier, but he was also renowned for his love of his comrade-in-arms Creative Commons Hephaestion. Attribution ShareAlike License. The handsome and courageous Alexander was already, in antiquity, the subject of many histories, some written by people who had known him, most unfortunately lost. The irrefutable achievements of his short life are so extraordinary that they seem almost legendary. It is therefore difficult to distinguish the truth from the many myths that coalesced around such an appealing figure. Alexander's father Philip was himself a brilliant general who had greatly strengthened his kingdom and brought it to dominate the Greek city-states; his dream was to lead them against the Persian Empire, the arch-rival under whose rule Greek colonies on the coast of Asia had fallen. Philip undoubtedly felt very early on that his son, who was born in 356 B.C.E., had exceptional potential, for he hired Aristotle to be the boy's tutor, even though the cost incurred was the rebuilding of Stagira, the philosopher's hometown, which had been razed and its population sold into slavery. Examples of Philip's trust in Alexander's abilities abound. -
The Phokikon and the Hero Archegetes (Plate54)
THE PHOKIKON AND THE HERO ARCHEGETES (PLATE54) A SHORT DISTANCE WEST of the Boiotian town of Chaironeia the Sacred Way I Lcrossed the border into Phokis. The road went past Panopeus and on toward Daulis before turning south toward the Schiste Odos and, eventually, Delphi (Fig. 1). To reach the famous crossroads where Oidipos slew his father, the Sacred Way first had to pass through the valley of the Platanias River. In this valley, on the left side of the road, was the federal meeting place of the Phokians, the Phokikon.1 This is one of the few civic buildings from antiquity whose internal layout is described by an eyewitness.2 Pausanias says, Withrespect to size the buildingis a largeone, and withinit thereare columnsstanding along its length; steps ascend from the columnsto each wall, and on these steps the delegatesof the Phokianssit. At the far end there are neithercolumns nor steps, but a statuegroup of Zeus, Athena, and Hera; the statueof Zeus is enthroned,flanked by the goddesses,with the statueof Athenastanding on the left (1O.5.2).3 Frazersuggested that the interior of the building resembledthe Thersilion at Megalopolis.4 The location of a federal assembly hall so close to the border with Boiotia, an often hostile neighbor, seems puzzling, but given the shape of the entire territory of Phokis, the position of the Phokikonmakes sense (Fig. 2). As Philippson noted, "Die antike Landschaft Phokis ist nicht nattirlichbegrenzt und kein geographisch einheitliches Gebiet."5 Ancient Phokis was dominated by Mount Parnassos, and the Phokians inhabited two distinct 1 An earlier draft of this paper was delivered at the 92nd Annual Meeting of the Archaeological Institute of America (San Francisco 1990; abstract, AJA 1991, pp. -
Mechanical Miracles: Automata in Ancient Greek Religion
Mechanical Miracles: Automata in Ancient Greek Religion Tatiana Bur A thesis submitted in fulfillment of the requirements for the degree of Master of Philosophy Faculty of Arts, University of Sydney Supervisor: Professor Eric Csapo March, 2016 Statement of Originality This is to certify that to the best of my knowledge, the content of this thesis is my own work. This thesis has not been submitted for any degree or other purposes. I certify that the intellectual content of this thesis is the product of my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. Tatiana Bur, March 2016. Table of Contents ACKNOWLEDGMENTS ....................................................................................................... 1 A NOTE TO THE READER ................................................................................................... 2 INTRODUCTION ................................................................................................................ 3 PART I: THINKING ABOUT AUTOMATION .......................................................................... 9 CHAPTER 1/ ELIMINATING THE BLOCAGE: ANCIENT AUTOMATA IN MODERN SCHOLARSHIP ................. 10 CHAPTER 2/ INVENTING AUTOMATION: AUTOMATA IN THE ANCIENT GREEK IMAGINATION ................. 24 PART II: AUTOMATA IN CONTEXT ................................................................................... 59 CHAPTER 3/ PROCESSIONAL AUTOMATA ................................................................................ -
Sea Scenarios
SEA SCENARIOS ellas is said to be a land of a thousand islands, so warbands Determine the Scenario: The player in the Sea realm rolls a d6. often must necessarily travel by sea in pursuit of their For each battle that the player has won since his warband has been Hgoals. A warband that has entered the realm of the Sea has at Sea, the player adds 1 to the result. If the player’s last battle was loaded their men, horses, and equipment into penteconters – small a loss, the player subtracts 1 from the total. The final result is the warships with a single sail and fifty oars. In these ships they sail the player’s Scenario: waters of the Middle Sea, travelling ever further from their homes 1. (or less) Fresh Water in the city-states of Hellas. Each Sea Scenario represents an en- 2. The Hostage counter on one of the islands where the warband stops to resupply, 3. Shipwrecked and some even contain valuable Clues to be found that will guide 4. Defend the Ship them closer to their goal. The Scenarios are organized by number, 5. Safe Passage with the lower numbers representing early encounters close to the 6. The Isle of Torment safe waters of home, and the higher numbers are distant, mysteri- 7. Isle of the Cyclopes ous islands with strange and dangerous inhabitants. 8. All Men Are Pigs 9. Isle of the Lotus Eaters The Beach: In practical terms, the main difference between Land 10. Beyond the Pillars of Heracles and Sea Scenarios is that the Sea Scenarios always take place next Once a player progresses to Scenario #10 and wins, the player’s to the ocean – one table edge will always represent a beach. -
The Function of Pantagruelion in Rabelais's Quart Livre
[Expositions 11.2 (2017) 1–33] Expositions (online) ISSN: 1747–5376 The Function of Pantagruelion in Rabelais’s Quart Livre TIMOTHY HAGLUND Ashbrook Center at Ashland University ABSTRACT The praise of the famous Pantagruelion herb that occupies the last four chapters of Rabelais’s Tiers Livre bears on the narrative of the Quart Livre. Although apparently frivolous or superfluous, the use of Pantagruelion as a blow-tube places it in the same class of beings as the other physeter in Rabelais’s text—the whale that later appears in chapters 33 and 34 of the Quart Livre. Pantagruel’s preparedness for the whale, compared with the misplaced fear of Panurge and overconfidence of the Pantagruelic artillery, rests in part on his knowledge that physeters are governed by necessities, by natures. Connecting Pantagruelion to the whale in this way reveals an order in nature, one that requires belief despite appearances. Pantagruelion supplies or inspires such belief. Nature and the Pantagruelion Herb φύσις: origin, growth, nature, constitution φυσητήρ: a blowpipe or blowtube, the blowhole or spiracle of a whale Like many of Rabelais’s passages, the praise of Pantagruelion that closes the Tiers Livre has a generative capacity, encouraging interpretation. There Rabelais cryptically describes the plant to be brought on board in preparation for the search for the Dive Bouteille, which supposedly holds the final answer to Panurge’s marriage question, initially raised with the end of the war against the Dipsodians and the onset of political peace in the Tiers Livre. The plant’s qualities seem to have little to do with this quest. -
A Dictionary of Mythology —
Ex-libris Ernest Rudge 22500629148 CASSELL’S POCKET REFERENCE LIBRARY A Dictionary of Mythology — Cassell’s Pocket Reference Library The first Six Volumes are : English Dictionary Poetical Quotations Proverbs and Maxims Dictionary of Mythology Gazetteer of the British Isles The Pocket Doctor Others are in active preparation In two Bindings—Cloth and Leather A DICTIONARY MYTHOLOGYOF BEING A CONCISE GUIDE TO THE MYTHS OF GREECE AND ROME, BABYLONIA, EGYPT, AMERICA, SCANDINAVIA, & GREAT BRITAIN BY LEWIS SPENCE, M.A. Author of “ The Mythologies of Ancient Mexico and Peru,” etc. i CASSELL AND COMPANY, LTD. London, New York, Toronto and Melbourne 1910 ca') zz-^y . a k. WELLCOME INS77Tint \ LIBRARY Coll. W^iMOmeo Coll. No. _Zv_^ _ii ALL RIGHTS RESERVED INTRODUCTION Our grandfathers regarded the study of mythology as a necessary adjunct to a polite education, without a knowledge of which neither the classical nor the more modem poets could be read with understanding. But it is now recognised that upon mythology and folklore rests the basis of the new science of Comparative Religion. The evolution of religion from mythology has now been made plain. It is a law of evolution that, though the parent types which precede certain forms are doomed to perish, they yet bequeath to their descendants certain of their characteristics ; and although mythology has perished (in the civilised world, at least), it has left an indelible stamp not only upon modem religions, but also upon local and national custom. The work of Fruger, Lang, Immerwahr, and others has revolutionised mythology, and has evolved from the unexplained mass of tales of forty years ago a definite and systematic science.