Homi Wadia Ç”Μå½± Ä¸²È¡Œ (Å¤§Å…¨)

Total Page：16

File Type：pdf, Size：1020Kb

Homi Wadia ç”µå½± ä¸²è¡Œ (å¤§å…¨) Hatim Tai https://zh.listvote.com/lists/film/movies/hatim-tai-18125489/actors Aladdin Aur Jadui Chirag https://zh.listvote.com/lists/film/movies/aladdin-aur-jadui-chirag-18109506/actors Dhoomketu https://zh.listvote.com/lists/film/movies/dhoomketu-18111812/actors 11 O'Clock https://zh.listvote.com/lists/film/movies/11-o%27clock-17414706/actors Hanuman Patal Vijay https://zh.listvote.com/lists/film/movies/hanuman-patal-vijay-18125440/actors Hind Ka Lal https://zh.listvote.com/lists/film/movies/hind-ka-lal-16248925/actors Bambaiwali https://zh.listvote.com/lists/film/movies/bambaiwali-4940454/actors Lutaru Lalna https://zh.listvote.com/lists/film/movies/lutaru-lalna-18127560/actors Punjab Mail https://zh.listvote.com/lists/film/movies/punjab-mail-18209474/actors Bachpan https://zh.listvote.com/lists/film/movies/bachpan-18110051/actors Shri Ganesh Mahima https://zh.listvote.com/lists/film/movies/shri-ganesh-mahima-18209672/actors Hind Kesari https://zh.listvote.com/lists/film/movies/hind-kesari-18125594/actors Char Dervesh https://zh.listvote.com/lists/film/movies/char-dervesh-18111046/actors Toofan Aur Bijlee https://zh.listvote.com/lists/film/movies/toofan-aur-bijlee-18210038/actors Flying Prince https://zh.listvote.com/lists/film/movies/flying-prince-16248406/actors Amar Raj https://zh.listvote.com/lists/film/movies/amar-raj-16246578/actors Hunterwali https://zh.listvote.com/lists/film/movies/hunterwali-16249071/actors Sher-E-Baghdad https://zh.listvote.com/lists/film/movies/sher-e-baghdad-16254141/actors Vanaraja Karzan https://zh.listvote.com/lists/film/movies/vanaraja-karzan-16311515/actors Alibaba and 40 Thieves https://zh.listvote.com/lists/film/movies/alibaba-and-40-thieves-16827231/actors Diamond Queen https://zh.listvote.com/lists/film/movies/diamond-queen-17051858/actors Miss Frontier Mail https://zh.listvote.com/lists/film/movies/miss-frontier-mail-17199084/actors Adventures of Aladdin https://zh.listvote.com/lists/film/movies/adventures-of-aladdin-18109389/actors Balam https://zh.listvote.com/lists/film/movies/balam-18110108/actors Jungle Ka Jawahar https://zh.listvote.com/lists/film/movies/jungle-ka-jawahar-18126402/actors Khiladi https://zh.listvote.com/lists/film/movies/khiladi-18126793/actors Zabak https://zh.listvote.com/lists/film/movies/zabak-18171006/actors Shri Krishna Leela https://zh.listvote.com/lists/film/movies/shri-krishna-leela-18209674/actors Shri Ram Bhakta https://zh.listvote.com/lists/film/movies/shri-ram-bhakta-hanuman-18209678/actors Hanuman Toofani Tarzan https://zh.listvote.com/lists/film/movies/toofani-tarzan-18210042/actors Zimbo https://zh.listvote.com/lists/film/movies/zimbo-18210300/actors Ekta https://zh.listvote.com/lists/film/movies/ekta-25656731/actors Jungle Princess https://zh.listvote.com/lists/film/movies/jungle-princess-6312883/actors.

Copy Link

Recommended publications

The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture.
[Show full text]
Dtpage01april28.Qxd (Page 1)
DLD‰‰†‰KDLD‰‰†‰DLD‰‰†‰MDLD‰‰†‰C JLo and behold! Priyanka’s new THE TIMES OF INDIA Jen’s childhood Andaaz bowls Monday, April 28, 2003 isn’t a sob story Bollywood over Page 7 Page 8 TO D AY S LUCKY 832 Jim carrey s teeth T ime for fun 841 888 Two fat ladies Two little ducks 822 Your Dambola Ticket available in Delhi Times on 27th April, 2003 OF INDIA Numbers already announced : 27, 39, 50, 71 MANOJ KESHARWANI Metro breaks new ground at CP ARUN KUMAR DAS Sabha, Civil Lines, Kashmere Gate, the Times News Network New Delhi railway station, Barakham- ba Road, Patel Chowk and the Central he 1 km stretch between Patel Secretariat. Chowk and Connaught Place is CP is, of course, the largest of the Tan uninterrupted journey —but underground stations covered by this only if one undertakes the journey via route. ‘‘The CP station will be equipped a tunnel 20 m below the surface of ter- with four subways opening to ticket ha- ra firma. Higher up, on the ground JAISWAL SATISH lls and bearing large roof-like structur- above, there is a frenzy of construction es. The entire area will be landscaped activity.The Delhi Metro Rail Corpora- to impart a grand look,’’ says Dayal. tion (DMRC) is on the job and busy put- ‘‘To ensure that work on the metro is ting CP on the fast track by laying down TUNNEL VISION conducted smoothly,utilities along var- two-way metro tracks. Work on the underground section of the metro is moving on the right track ious routes have been diverted via ‘‘This underground tunnel is being diaphragm walls.’’ constructed with the help of two state- While the DMRC has made slow and ing DU and ISBT; and the second phase While all metro-station platforms of-the art boring machines procured fr- steady progress so far, it still has a long covering the route between ISBT and will be equipped with AC and escala- om Germany at a cost of Rs 40 crore ea- way to go in that the total length of the the Central Secretariat.
[Show full text]
Tarzan the Censored
TARZAN THE CENSORED by Jerry L. Schneider Forward In "Edgar Rice Burroughs: Master of Adventure" by Richard A. Lupoff, the author stated that the Ballantine Books' versions of the Tarzan series were edited (evidently for political correctness), not the "all complete and unabridged" as Ballantine stated on the paperbacks. So, armed with the earliest hardcover editions that I owned in my collection (McClurg, A. L. Burt, Grosset & Dunlap, Burroughs Inc., and Canaveral Press) and post 1969 Ballantine editions, I scanned through them for discrepancies and changes. There were changes from the early hardcovers that I found in some of the paperbacks. Some of the books in the Tarzan series were edited for "political correctness" with regards to ethnicity dialects and derogatory terms. Hard to read dialects (or hard to typeset) were changed to an easier form (i.e. hit's changed to it's, heat to eat, and hour to our), while extremely derogatory terms such as Jew (see Tarzan and the Golden Lion) and nigger were altered or eliminated (not for the betterment of the story as the alteration in the words has lessened the impact the originals imparted to the reader—the level of anger toward the character who spoke the words has been lessened). The term "black" remained in place in some books but removed from others—no rhyme or reason to the changes. Esmeralda's original dialect in "Tarzan of the Apes" remained in place through 1969, then edited downward to an easier and friendlier version. Because of these changes, an in-depth look at the various editions of "Tarzan of the Apes" is shown below, while the other books in the Tarzan series are only compared by using an early hardcover version and the first version that was edited, usually the Ballantine edition.
[Show full text]
Download File
ArtConnect corrected_Layout 3 6/24/2013 5:29 PM Page 43 The poster of Zabak (1961) directed by Homi Wadia. Out of Sight: Archiving Hidden Histories of Practice Debashree Mukherjee All photographs courtesy Priya Paul Our understanding of Indian cinema would remain incomplete until we acknowledged its supporting cast of hairdressers, poster painters, costume designers, still photographers, makeup artists and numerous other specialists invisible to the public eye. In January 2013, Debashree Mukherjee curated an exhibition of Hindi film memorabilia titled ‘Maya Mahal’, which featured artefacts from the private collection of Priya Paul, Chairperson of Apeejay Surrendra Park Hotels. In this essay, Mukherjee uses examples from the collection to point to hidden histories of work and practice, and to give us a fragmented view of low-budget films, lost genres and the wage-workers who mark each film with their individual skills. ArtConnect corrected_Layout 3 6/24/2013 5:29 PM Page 44 ArtConnect: The IFA Magazine, Volume 7, Number 1 eterodox in its scope and the elemental contract of cinema range, Priya Paul’s itself: to deliver sensory excitement, Hcollection of film voyeuristic delight and magical memorabilia represents an eccentric worlds. Thus, the exhibition mix of films. There are archives larger showcased genres, practitioners and than this, there are archives that are aesthetics that are often forgotten in more systematic, but the pleasure of a bid to celebrate auteurs and ‘classics’. serendipity springs from This is an alternative history of juxtaposition, not from order and Hindi cinema—one that is decidedly expanse. Comprising approximately excessive, melodramatic, even 5,000 paper artefacts, the Priya Paul utopian.
[Show full text]
30April-DT1.Qxd (Page 1)
DLD‰‰‰†‰KDLD‰‰‰†‰DLD‰‰‰†‰MDLD‰‰‰†‰C Halle and hearty: 98.3 FM: Delhi THE TIMES OF INDIA Berry’s daughter has the hots for Wednesday, April 30, 2003 gets beauty tips Radio Mirchi! Page 7 Page 3 TO D AY S LUCKY 849 Rise and shine Right on line 859 866 All the sixes Five Dozen 860 Your Dambola Ticket available in Delhi Times on 27th April, 2003 OF INDIA Numbers already announced : 27, 39, 50, 71, 32, 41, 88, 22, 55, 15, 30, 43 PRASHANT NAKWE No thorns for Delhi’s roses ARUN KUMAR DAS itable for the growth of these hi-tech, new Times News Network varieties developed here.’’ Among the various breakthroughs ma- rose is a rose is a ro- de at the IARI are high-prote- se... but a rose without in wheat; Basmati rice whi- A thorns? It’s different. ch is both larger in size and As is the orange-coloured ca- different in aroma from what pscicum and seedless cucum- is currently available; cauliflowers ber. Well, the fact of the matt- which are more leafy; and mangoes er is that these hi-tech variati- which are of export quality.Most im- ons of the usual suspects are portantly,all these hi-tech crops have all set to take root in the met- already received the government’s ro’s market. okay to be grown on a large scale ‘‘A number of hi-tech cro- in the Capital. ps, including roses minus th- ‘‘These crops, developed to meet orns and orange-coloured ca- NEELABH high parameters of quality,will off- psicum have been developed er the consumer more value for mo- at the Indian Agriculture Res- BLOOM TIME ney,’’reveals an IARI scientist, ‘‘The earch Institute
[Show full text]
Stardom: Industry of Desire 1
STARDOM What makes a star? Why do we have stars? Do we want or need them? Newspapers, magazines, TV chat shows, record sleeves—all display a proliferation of film star images. In the past, we have tended to see stars as cogs in a mass entertainment industry selling desires and ideologies. But since the 1970s, new approaches have explored the active role of the star in producing meanings, pleasures and identities for a diversity of audiences. Stardom brings together some of the best recent writing which represents these new approaches. Drawn from film history, sociology, textual analysis, audience research, psychoanalysis and cultural politics, the essays raise important questions for the politics of representation, the impact of stars on society and the cultural limitations and possibilities of stars. STARDOM Industry of Desire Edited by Christine Gledhill LONDON AND NEW YORK First published 1991 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge a division of Routledge, Chapman and Hall, Inc. 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” © 1991 editorial matter, Christine Gledhill; individual articles © respective contributors All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
[Show full text]
Westminsterresearch Bombay Before Bollywood
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch Bombay before Bollywood: the history and significance of fantasy and stunt film genres in Bombay cinema of the pre- Bollywood era Thomas, K. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Prof Katharine Thomas, 2016. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] BOMBAY BEFORE BOLLYWOOD: THE HISTORY AND SIGNIFICANCE OF FANTASY AND STUNT FILM GENRES IN BOMBAY CINEMA OF THE PRE-BOLLYWOOD ERA KATHARINE ROSEMARY CLIFTON THOMAS A thesis submitted in partial fulfilment of the requirements of the University Of Westminster for the degree of Doctor of Philosophy by Published Work September 2016 Abstract This PhD by Published Work comprises nine essays and a 10,000-word commentary. Eight of these essays were published (or republished) as chapters within my monograph Bombay Before Bollywood: Film City Fantasies, which aimed to outline the contours of an alternative history of twentieth-century Bombay cinema. The ninth, which complements these, was published in an annual reader. This project eschews the conventional focus on India’s more respectable genres, the so-called ‘socials’ and ‘mythologicals’, and foregrounds instead the ‘magic and fighting films’ – the fantasy and stunt genres – of the B- and C-circuits in the decades before and immediately after India’s independence.
[Show full text]
Junglee Tarzan Dual Audio Eng Hindi 1080P
Junglee Tarzan Dual Audio Eng Hindi 1080p 1 / 4 Junglee Tarzan Dual Audio Eng Hindi 1080p 2 / 4 3 / 4 [DOWNLOAD] Rango 2011 Dual Audio [Hindi Eng] BRRip 720p 900mb .... [DOWNLOAD] Mowgli Legend of the Jungle 2018 Dual Audio 720p .... Download 480p 720p HD 300MB Hindi Dubbed Dual Audio worldfree4u Movies. ... Tamil Dubbed Movie; Jumanji: Welcome to the Jungle . co. ..... news,Bollywood movies,Hollywood movies,Kannada movies,Telugu movies Tarzan-X Shame .... Machete (2010) Dual Audio 720p BluRay Hindi-English ESubs Posted by ... {Hindi} 1080p by The Legend of Tarzan English Movie Dual Audio Hindi (2016) HD ..... Download 480p Deep In The Jungle 2008 WEB-DL 300MB Hindi Dual Audio .... called back to his former home in the jungle to investigate the .. Online Shopping at ... The Legend Of Tarzan 2016 720p Esub BluRay Dual Audio. English Hindi .... Visit Our New Site 8xmovies Vanamagan 2017 Dual Audio 720p UNCUT HDRip x264 [Hindi . Tarzan The Heman 2018 Hindi . English 720p .... Red Cliff (2008) Dual Audio 720p BluRay x264 [Hindi – English] ESubs Hermano .... The Legend Of Tarzan 2016 BluRay 350MB Hindi Dual Audio ORG 480p Ishq .... BRRip 480p Dual Audio ESubs Shin Chan Bungle in the Jungle (2011) .... (2009) Dual Audio Hindi English Brrip 720p, The Jungle Book (2016) 720p Hd ... The Legend Of Tarzan 2016 Hdts 720p - Hindi, Dual Audio Dubbed Movies -.. Election Year 2016 BRRip 1080p Dual Audio In Hindi English ESub; ... The Legend of Tarzan 2016 Hindi Dubbed Full Movie To Watch Online.to watch online ... in the jungle to Main Hoon Na 2 Full Movie In Hindi DownloadPyasi Aatma 5 Free ...
[Show full text]
100 Years of Indian Cinema
REGD. NO: KARENG/2009/29264 ISSN 0975 - 5810 ArtConnect An IFA Publication An IFA Publication Volume 7, Number 1 January-June 2013 Volume 7 Number 1 ArtConnect January-June 2013 Contents Rs.150 EDITORIAL 3 100 Years of Indian Cinema GOING UNDERGROUND: NOTES ON AN UNCONTROLLED CINEMA Ashim Ahluwalia 4 Volume 7, Number 1 7, Number Volume WRITING HISTORY IN THE DARK: FATMA BEGUM IN CONVERSATION WITH MS KITTY Rashmi Sawhney 20 OUT OF SIGHT: ARCHIVING HIDDEN HISTORIES OF PRACTICE Debashree Mukherjee 42 January-June 2013 January-June SOUNDBAAZI: SPACE, PLACE AND MEANING IN THE HINDI FILM SOUNDTRACK Gautam Pemmaraju 60 FOLLOWING FANS: THE CURIOUS CASE OF THE MAN FROM JAPAN Lawrence Liang 82 India Foundation for the Arts ‘Apurva’ Ground Floor, No 259, 4th Cross Raj Mahal Vilas IInd Stage, IInd Block, Bangalore-560 094 Phone/Fax: 91- 80 - 2341 4681/82 Email: [email protected] www.indiaifa.org ArtConnect corrected_Layout 3 6/24/2013 5:27 PM Page 1 Contents EDITORIAL 3 GOING UNDERGROUND: NOTES ON AN UNCONTROLLED CINEMA Ashim Ahluwalia 4 WRITING HISTORY IN THE DARK: FATMA BEGUM IN CONVERSATION WITH MS KITTY Rashmi Sawhney 20 OUT OF SIGHT: ARCHIVING HIDDEN HISTORIES OF PRACTICE Debashree Mukherjee 42 SOUNDBAAZI: SPACE, PLACE AND MEANING IN THE HINDI FILM SOUNDTRACK Gautam Pemmaraju 60 FOLLOWING FANS: THE CURIOUS CASE OF THE MAN FROM JAPAN Lawrence Liang 82 ArtConnect corrected_Layout 3 6/24/2013 5:27 PM Page 2 ArtConnect An IFA Publication Volume 7 Number 1 January-June 2013 Editor C.K. Meena Design Mishta Roy Printed by B Narahari, published by Anmol Vellani on behalf of India Foundation for the Arts and printed at Manipal Press Ltd., Press Corner, Tile Factory Road, Manipal, Udipi, Karnataka - 576 104 and published at India Foundation for the Arts, 'Apurva', Ground Floor, No 259, 4th Cross, Raj Mahal Vilas IInd Stage, IInd Block, Bangalore - 560 094.
[Show full text]
Blurring the Binaries, Blending the Gender: a Transition from Male Masculinity to Emale Androgyny in Hindi Cinema
© Media Watch 8 (2) 287-294, 2017 ISSN 0976-0911 e-ISSN 2249-8818 DOI: 10.15655/mw/2017/v8i2/49019 Blurring the Binaries, Blending the Gender: A Transition from Male Masculinity to emale Androgyny in Hindi Cinema SIMRAN PREET KAUR & VANDANA SHARMA Shri Mata Vaishno Devi University, India The notion of gender identity as immutable has prompted a renewed focus on the rethinking of issues pertaining to the representation of women in Hindi cinema. The most pronounced effect of reconfiguring gender can be seen through the transformation of women identity in the recent decades because of the restructuring of gender relations that it has arguably initiated. Renewed forms of autonomy and reflexivity as critical awareness of oneself have emerged which no longer take into consideration the dichotomy between male domination and female subordination. Drawing upon the insights of Halberstam and Butler, the paper is an attempt to analyze the deconstruction of gender binaries and re-visioning of female masculinity in the portrayal of celluloid females in the action movies Gunday and Mardaani. Emerging with all the outstanding traits, the contemporary portrayal of androgynous females is no doubt nuanced and distinctive but the analysis is based on as to whether such exceptional platform provides better representation, and moreover, whether such representations offer inherent multiplicity within the homogeneous classification of femininity with respect to Indian cinema. Keywords: Gender, autonomy, androgynous, multiplicity The notion of gender identity as immutable has prompted a renewed focus on the rethinking of issues pertaining to the representation of women in Hindi cinema. Since its inception, Hindi cinema has portrayed women as marginalized identities defined within the domain of patriarchal socio-cultural frameworks, struggling to break free from the shackles of ideological stereotypes which denied their self-hood and identity.
[Show full text]
Beasts of Tarzan by Edgar Rice Burroughs
The Beasts of Tarzan by Edgar Rice Burroughs To Joan Burroughs CONTENTS CHAPTER PAGE 1 Kidnapped . 1 2 Marooned . 9 3 Beasts at Bay . 18 4 Sheeta . 28 5 Mugambi . 37 6 A Hideous Crew . 46 7 Betrayed . 55 8 The Dance of Death . 64 9 Chivalry or Villainy . 73 10 The Swede . 82 11 Tambudza . 90 12 A Black Scoundrel . 98 13 Escape . 107 14 Alone in the Jungle . 115 15 Down the Ugambi . 123 16 In the Darkness of the Night . 132 17 On the Deck of the "Kincaid" . 140 18 Paulvitch Plots Revenge . 147 19 The Last of the "Kincaid" . 158 20 Jungle Island Again . 162 21 The Law of the Jungle . 172 Chapter 1 Kidnapped "The entire affair is shrouded in mystery," said D'Arnot. "I have it on the best of authority that neither the police nor the special agents of the general staff have the faintest conception of how it was accomplished. All they know, all that anyone knows, is that Nikolas Rokoff has escaped." John Clayton, Lord Greystoke--he who had been "Tarzan of the Apes"-- sat in silence in the apartments of his friend, Lieutenant Paul D'Arnot, in Paris, gazing meditatively at the toe of his immaculate boot. His mind revolved many memories, recalled by the escape of his arch-enemy from the French military prison to which he had been sentenced for life upon the testimony of the ape-man. He thought of the lengths to which Rokoff had once gone to compass his death, and he realized that what the man had already done would doubtless be as nothing by comparison with what he would wish and plot to do now that he was again free.
[Show full text]
The Tropic Trapeze: Circus in Colonial India
The Tropic Trapeze: Circus in Colonial India Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophie an der Ludwig- Maximilians-Universität München vorgelegt von Anirban Ghosh Kolkata, India 2014 1 Erstgutachter: Prof. Dr. Christopher Balme Zweitgutachter: Prof. Dr. Tobias Döring Datum der mündlichen Prüfung: 24.01.2014 2 Acknowledgements No labour of love is achieved single-handedly and this dissertation needed a lot of blessings from a lot of wonderful (if not exotic) people. Firstly, I would like to thank my supervisor Prof. Dr. Christopher Balme for his immense patience and generosity in handling my requests. His written suggestions were invaluable along with the conversations we had over these three years. Nic, the Co-ordinator for our project, was a genie for all of us. I would also like to thank Gero for innumerable evenings of serious discussions. Lisa, who is going to be the one of the best performance studies scholars, I thank for being my soul sister among other things. This dissertation is truly transnational because of its constant travels to Munich including the final stages of writing and no amount of gratitude can alleviate my debt towards Louisa in this regard. Atig, Anirban, Amitava and Neha and Priyanka were my pillars of strength (despite their cynicism). I would like to thank the numerous curators in the archives and museums where I worked. Special mention should also be made of Dr. William Rodenhuis who helped me navigate the labyrinths of Haartman’s Circus Collection in Amsterdam. Mr. Gille, from the Hagenbeck archive, was very helpful in locating exact Indian themes in the archive.
[Show full text]