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  • The Tarzan Series of Edgar Rice Burroughs
    I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture.
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    DLD‰‰†‰KDLD‰‰†‰DLD‰‰†‰MDLD‰‰†‰C JLo and behold! Priyanka’s new THE TIMES OF INDIA Jen’s childhood Andaaz bowls Monday, April 28, 2003 isn’t a sob story Bollywood over Page 7 Page 8 TO D AY S LUCKY 832 Jim carrey s teeth T ime for fun 841 888 Two fat ladies Two little ducks 822 Your Dambola Ticket available in Delhi Times on 27th April, 2003 OF INDIA Numbers already announced : 27, 39, 50, 71 MANOJ KESHARWANI Metro breaks new ground at CP ARUN KUMAR DAS Sabha, Civil Lines, Kashmere Gate, the Times News Network New Delhi railway station, Barakham- ba Road, Patel Chowk and the Central he 1 km stretch between Patel Secretariat. Chowk and Connaught Place is CP is, of course, the largest of the Tan uninterrupted journey —but underground stations covered by this only if one undertakes the journey via route. ‘‘The CP station will be equipped a tunnel 20 m below the surface of ter- with four subways opening to ticket ha- ra firma. Higher up, on the ground JAISWAL SATISH lls and bearing large roof-like structur- above, there is a frenzy of construction es. The entire area will be landscaped activity.The Delhi Metro Rail Corpora- to impart a grand look,’’ says Dayal. tion (DMRC) is on the job and busy put- ‘‘To ensure that work on the metro is ting CP on the fast track by laying down TUNNEL VISION conducted smoothly,utilities along var- two-way metro tracks. Work on the underground section of the metro is moving on the right track ious routes have been diverted via ‘‘This underground tunnel is being diaphragm walls.’’ constructed with the help of two state- While the DMRC has made slow and ing DU and ISBT; and the second phase While all metro-station platforms of-the art boring machines procured fr- steady progress so far, it still has a long covering the route between ISBT and will be equipped with AC and escala- om Germany at a cost of Rs 40 crore ea- way to go in that the total length of the the Central Secretariat.
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  • Tarzan the Censored
    TARZAN THE CENSORED by Jerry L. Schneider Forward In "Edgar Rice Burroughs: Master of Adventure" by Richard A. Lupoff, the author stated that the Ballantine Books' versions of the Tarzan series were edited (evidently for political correctness), not the "all complete and unabridged" as Ballantine stated on the paperbacks. So, armed with the earliest hardcover editions that I owned in my collection (McClurg, A. L. Burt, Grosset & Dunlap, Burroughs Inc., and Canaveral Press) and post 1969 Ballantine editions, I scanned through them for discrepancies and changes. There were changes from the early hardcovers that I found in some of the paperbacks. Some of the books in the Tarzan series were edited for "political correctness" with regards to ethnicity dialects and derogatory terms. Hard to read dialects (or hard to typeset) were changed to an easier form (i.e. hit's changed to it's, heat to eat, and hour to our), while extremely derogatory terms such as Jew (see Tarzan and the Golden Lion) and nigger were altered or eliminated (not for the betterment of the story as the alteration in the words has lessened the impact the originals imparted to the reader—the level of anger toward the character who spoke the words has been lessened). The term "black" remained in place in some books but removed from others—no rhyme or reason to the changes. Esmeralda's original dialect in "Tarzan of the Apes" remained in place through 1969, then edited downward to an easier and friendlier version. Because of these changes, an in-depth look at the various editions of "Tarzan of the Apes" is shown below, while the other books in the Tarzan series are only compared by using an early hardcover version and the first version that was edited, usually the Ballantine edition.
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  • Beasts of Tarzan by Edgar Rice Burroughs
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  • Tarzan, Lord of the Jungle
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  • Jungle Tales of Tarzan by Edgar Rice Burroughs
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