Dickinson College Dickinson Scholar Faculty and Staff Publications By Year Faculty and Staff Publications Winter 2016 Lynd Ward’s Modernist “Novels in Woodcuts”: Graphic Narratives Lost Between Art History and Literature David M. Ball Dickinson College Follow this and additional works at: https://scholar.dickinson.edu/faculty_publications Part of the American Studies Commons, Art and Design Commons, Creative Writing Commons, and the English Language and Literature Commons Recommended Citation Ball, David M. "Lynd Ward’s Modernist “Novels in Woodcuts”: Graphic Narratives Lost Between Art History and Literature." Journal of Modern Literature 39, no. 2 (2016): 126-143. https://muse.jhu.edu/article/ 614026 This article is brought to you for free and open access by Dickinson Scholar. It has been accepted for inclusion by an authorized administrator. For more information, please contact
[email protected]. Lynd Ward’s Modernist “Novels in Woodcuts”: Graphic Narratives Lost Between Art History and Literature David M. Ball Dickinson College Lynd Ward’s “novels in woodcuts” — long-form narratives Ward pioneered in America between 1929 and 1937 and composed entirely in the medium of sequential wood engravings — have been widely neglected in both art historical and literary critical scholarship despite engaging crucial questions in American modernism and anticipating the contemporary rise of graphic narrative. Ward’s oeuvre here is viewed through his sustained ambivalence toward the commercialization of the arts, both in his texts and his work as a publisher. His critical erasure is as much a function of modernist scholarship’s continued irresolution toward the relationship between high art and popular culture as it is of the singularly hybrid status of his texts.