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Doris Mccarthy: a Century of Roughing It in the Bush
FEATURES / / Doris McCarthy: A Century of Roughing It in the Bush Doris McCarthy painting in Grise Fjord, Nunavut 1976 JUNE 30, 2010 BY CANADIAN ART In some trend-oriented sectors of contemporary art, hot names seem to linger for just a few days, never mind decades. And that sometimes-ckle nature of the art world makes Doris McCarthy’s creative longevity all the more impressive. On July 7, McCarthy turns 100, with a variety of exhibitions running to honour her eight-decade practice in landscape painting, plein-air process, art education and more. The largest and most important of these shows, “Doris McCarthy: Roughing It in the Bush,” takes place at McCarthy’s namesake gallery on the University of Toronto’s Scarborough campus as well as at the university’s downtown art centre. Combining rarely exhibited hard-edge abstractions from the 1960s with classic McCarthy landscapes and assorted travel ephemera, “Roughing It in the Bush” promises to present the artist’s much-loved oeuvre in a fresh and unexpected way. Independent curator Nancy Campbell, who organized “Roughing It,” certainly has a track record of highlighting vanguard qualities in overlooked or familiar-seeming bodies of work. Her projects presenting contemporary Inuit artists alongside their southern, urban counterparts have made Annie Pootoogook and Shuvinai Ashoona into deservedly well-known talents, and currently pair Ed Pien and Samonie Toonoo at the Justina M. Barnicke Gallery. No doubt Campbell’s eye for cutting-edge content in unexpected material continues in the presentation of these little-seen McCarthy abstracts. Doris McCarthy Keyhole Harbour 1965 Courtesy of the artist / photo Toni Hafkenscheid Also honouring McCarthy’s legacy is “Eight Paintings/Eight Decades,” an exhibition spanning the 1930s through to the 2000s at McCarthy’s Toronto dealer, Wynick/Tuck; a show of some other 1960s abstractions at the MacLaren Art Centre in Barrie; and an art camp and plein-air painting competition organized by Mountain Galleries in Jasper. -
SUNDAY MORNING GRID 3/26/17 LATIMES.COM/TV TIMES 7 Am 7:30 8 Am 8:30 9 Am 9:30 10 Am 10:30 11 Am 11:30 12 Pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Best/C
SUNDAY MORNING GRID 3/26/17 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Best/C. Bsk. Road to the Final Four 2017 NCAA Basketball Tournament 4 NBC Today in L.A.: Weekend Meet the Press (N) (TVG) Pregame Hockey Minnesota Wild at Detroit Red Wings. (N) Å PGA Golf 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 In Touch Paid Program 7 ABC News This Week News News Special Olympics NBA Basketball 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Schuller Mike Webb Paid Program REAL-Diego Paid 11 FOX In Touch Paid Fox News Sunday News Paid Program NASCAR NASCAR 13 MyNet Paid Matter Paid Program Best Buys Paid Program (500) Days of Summer 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Paint With Painting Joy of Paint Wyland’s Paint This Oil Painting Kitchen Mexico Martha Cooking Baking Sara’s 28 KCET 1001 Nights Bali (TVG) Bali (TVG) Edisons Biz Kid$ Biz Kid$ Rick Steves-Europe Huell’s California Adventures: Huell & Louie 30 ION Jeremiah Youssef In Touch White Collar Å White Collar Wanted. White Collar Å White Collar Å 34 KMEX Conexión Paid Program Como Dice el Dicho (N) La Comadrita (1978, Comedia) María Elena Velasco. República Deportiva (N) 40 KTBN James Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Pathway Super Kelinda John Hagee 46 KFTR Paid Program Película Película 50 KOCE Odd Squad Odd Squad Martha Cyberchase Clifford-Dog WordGirl Antiques Roadshow Antiques Roadshow NOVA Surviving Ebola. -
Vigee Le Brun's Memoirs
The Memoirs of Madame Vigee Le Brun Translated by Lionel Strachey 1903 Translation of : Souvenirs Originally published New York: Doubleday, Page CONTENTS CHAPTER 1 - YOUTH CHAPTER 2 - UP THE LADDER OF FAME CHAPTER 3 - WORK AND PLEASURE CHAPTER 4 - EXILE CHAPTER 5 - NEAPOLITAN DAYS CHAPTER 6 - TURIN AND VIENNA CHAPTER 7 - SAINT PETERSBURG CHAPTER 8 - LIFE IN RUSSIA CHAPTER 9 - CATHERINE II CHAPTER 10 - THE EMPEROR PAUL CHAPTER 11 - FAMILY AFFAIRS CHAPTER 12 - MOSCOW CHAPTER 13 - GOOD-BY TO RUSSIA CHAPTER 14 - HOMEWARD BOUND CHAPTER 15 - OLD FRIENDS AND NEW CHAPTER 16 - UNMERRY ENGLAND CHAPTER 17 - PERSONS AND PLACES IN BRITAIN CHAPTER 18 - BONAPARTES AND BOURBONS CHAPTER I - YOUTH PRECOCIOUS TALENTS MANIFESTED - MLLE. VIGEE'S FATHER AND MOTHER - DEATH OF HER FATHER - A FRIEND OF HER GIRLHOOD - HER MOTHER REMARRIES - MLLE. VIGEE'S FIRST PORTRAIT OF NOTE (COUNT SCHOUVALOFF) - ACQUAINTANCE WITH MME. GEOFFRIN - THE AUTHORESS'S PURITANICAL BRINGING-UP - MALE SITTERS ATTEMPT FLIRTATION - PUBLIC RESORTS OF PARIS BEFORE THE REVOLUTION. I will begin by speaking of my childhood, which is the symbol, so to say, of my whole life, since my love for painting declared itself in my earliest youth. I was sent to a boarding-school at the age of six, and remained there until I was eleven. During that time I scrawled on everything at all seasons; my copy-books, and even my schoolmates', I decorated with marginal drawings of heads, some full-face, others in profile; on the walls of the dormitory I drew faces and landscapes with coloured chalks. So it may easily be imagined how often I was condemned to bread and water. -
Reconstructing American Historical Cinema This Page Intentionally Left Blank RECONSTRUCTING American Historical Cinema
Reconstructing American Historical Cinema This page intentionally left blank RECONSTRUCTING American Historical Cinema From Cimarron to Citizen Kane J. E. Smyth THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2006 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 10 09 08 07 06 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Smyth, J. E., 1977- Reconstructing American historical cinema : from Cimarron to Citizen Kane / J. E. Smyth. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8131-2406-3 (alk. paper) ISBN-10: 0-8131-2406-9 (alk. paper) 1. Historical films--United States--History and criticism. 2. Motion pictures and history. I. Title. PN1995.9.H5S57 2006 791.43’658--dc22 2006020064 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. Manufactured in the United States of America. Member of the Association of American University Presses For Evelyn M. Smyth and Peter B. Smyth and for K. H. and C. -
Life in the Clearings Versus the Bush
Life in the Clearings versus the Bush Susanna Moodie Life in the Clearings versus the Bush Table of Contents Life in the Clearings versus the Bush......................................................................................................................1 Susanna Moodie.............................................................................................................................................1 Introduction....................................................................................................................................................1 One. Belleville...............................................................................................................................................5 Two. Local ImprovementsSketches of Society.........................................................................................20 Three. Free SchoolsThoughts on Education.............................................................................................34 Four. Amusements.......................................................................................................................................39 Five. Trials of a Travelling Musician...........................................................................................................46 Six. The Singing Master Trials of a Travelling Musician........................................................................52 Seven. Camp Meetings................................................................................................................................64 -
The Nobility of the Heart
THE NOBILITY OF THE HEART: A NOVEL. _____________________ BY ELIZABETH ISABELLA SPENCE, AUTHOR OF HELEN SINCLAIR. _____________________ For Fortune can depress, or can advance: But true Nobility is of the mind, Not giv’n by Chance, and not to Chance resign’d. DRYDEN. IN THREE VOLUMES. VOL. I. LONDON : PRINTED FOR LONGMAN, HURST, REES, AND ORME, PATERNOSTER-ROW. 1805. THE NOBILITY OF THE HEART. CHAP. I. No friend’s complaint, no kind domestic tear, Pleas’d thy pale ghost or grac’d thy mournful bier; By foreign hands thy dying eyes were clos’d, By foreign hands thy decent limbs compos’d; By foreign hands thy humble grave adorn’d, By strangers honour’d, and by strangers mourn’d. POPE. TEN years had now elapsed since the inhabitants of a small cottage on the borders of the New Forest, were one night, in the middle of December, alarmed at a late hour by a person loudly knocking for admittance. He was habited as a postilion, and supported a sick traveller who was unable to pursue his journey. On Gerard’s opening the door, he perceived the paleness of death on the countenance of the stranger, who, overcome by illness and the intense cold, was quite insensible. He had along with him a little girl of about four years old, whom Gerard’s benevolent wife gently took in her arms and put to bed. The gentleman lingered only a few hours after his arrival, and expired, supported in his last moments by Gerard and Agatha. On the close of the melancholy scene, they asked the post-boy a thousand questions about the stranger. -
SERIES II. MANUSCRIPTS Box 4 F.1 ___. Grace Marks, Nd 15 Leaves
SERIES II. MANUSCRIPTS Box 4 f.1 _________. Grace Marks, n.d. 15 leaves, ts. (carbon) Story with Ontario setting. f.2 _________. The racoon, n.d. 3 p. on 1 leaf, crossed. Ms. essay. f.3 _________. [Reminiscences of Susanna Moodie], n.d. 8 leaves, ts. Ts. essay, in sections, incomplete. [Edited for publication?]. f.4 Bird, James To Catherine Mary Moodie, an Infant, 1832. 1 p. on 1 leaf Ms. poem. "On her embarking for North America, May 31, 1832". f.5 [Ewing, Pamela, 1917- ] Who are the British? 2 leaves, ts. (mimeograph) Script [for radio, movie, television?]. f.6 [Maguire?], Lucy A wish, 1838. 4 p. on 1 leaf Ms. poem. Accompanied by an envelope stating: "Verses written by Lucy Maguire to John J. Vickers". At end: "September 27 1838, 8 Peter Place, LM". f.7 [Moodie, J.W. Dunbar] [Account of a dream], n.d. 3 p. on 1 leaf Ms. statement (copy) concerning a dream, recorded March 26, 1836. f.8 Moodie, J.W. Dunbar The bears of Canada, 1834. 2 p. on 1 leaf; 2 p. on 1 leaf Ms. poem, 2 copies. At end: "Douro 1834. Copied by C.M. Vickers". f.9 Moodie, J.W. Dunbar [Family history], n.d. 3 p. on 1 leaf Ms. account, pages numbered 21, 22, 23. See also letter of 6 May 1865. f.10 Moodie, J.W. Dunbar I love the sea, 1857. 2 p. on 1 leaf; 1 p. on 1 leaf Ms. poem, 2 versions. Note at end of 1st version: "Copied into Book January 1863". -
Happily Ever After
HAPPILY EVER AFTER Canadian Women in Fiction and Fact Clara Thomas Wно CAN FIND A VIRTUOUS WOMAN? for her price is far above rubies", said SolomonY Y но, and forthwith sketched her in some detail. His definition has constituted the ideal, and divergencies in fact and fiction have been merely variations from his standards. Fictionally, the model pattern has been the representation of the modest, capable, energetic wife and mother, bearing sorrows with fortitude and earning joy in her family's devotion and the achievements of her home-making. The most familiar variation of the pattern, still well within the structure of "virtue", has been the romantic rebel, revolting against her pre- destined "place", but so charming, or gifted, or both, that sometimes an indulgent Providence has allowed her a happy ending. In Canadian fiction, Sara Jeannette Duncan's The Imperialist establishes memorable portrayals of the types in Mrs. Murchison and her daughter, Advena. Mrs. Murchison is the wife of John Murchison, a benignly patriarchal, hard- working, modestly prosperous manufacturer of stoves, a pillar of the small Ontario town of Elgin. She is introduced in her kitchen disposing of the affairs of her household, her husband, and her children with entire competence and a charm that is partly rooted in our nostalgic memories of grandmothers who seemed just like that, and partly in Miss Duncan's combination of affection, acute observation and impeccable skill in her portraiture. 43 HAPPILY EVER AFTER On such occasions as the entertaining of Dr. Drummond, the clergyman, Mrs. Murchison's pride in her housewifery finds its own triumphant manifestation : The chicken salad gleamed at one end of the table and the scalloped oysters smoked delicious at the other. -
Guide to the William K
Guide to the William K. Everson Collection George Amberg Memorial Film Study Center Department of Cinema Studies Tisch School of the Arts New York University Descriptive Summary Creator: Everson, William Keith Title: William K. Everson Collection Dates: 1894-1997 Historical/Biographical Note William K. Everson: Selected Bibliography I. Books by Everson Shakespeare in Hollywood. New York: US Information Service, 1957. The Western, From Silents to Cinerama. New York: Orion Press, 1962 (co-authored with George N. Fenin). The American Movie. New York: Atheneum, 1963. The Bad Guys: A Pictorial History of the Movie Villain. New York: Citadel Press, 1964. The Films of Laurel and Hardy. New York: Citadel Press, 1967. The Art of W.C. Fields. Indianapolis: Bobbs-Merrill, 1967. A Pictorial History of the Western Film. Secaucus, N.J.: Citadel Press, 1969. The Films of Hal Roach. New York: Museum of Modern Art, 1971. The Detective in Film. Secaucus, N.J.: Citadel Press, 1972. The Western, from Silents to the Seventies. Rev. ed. New York: Grossman, 1973. (Co-authored with George N. Fenin). Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1974. Claudette Colbert. New York: Pyramid Publications, 1976. American Silent Film. New York: Oxford University Press, 1978, Love in the Film. Secaucus, N.J.: Citadel Press, 1979. More Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1986. The Hollywood Western: 90 Years of Cowboys and Indians, Train Robbers, Sheriffs and Gunslingers, and Assorted Heroes and Desperados. Secaucus, N.J.: Carol Pub. Group, 1992. Hollywood Bedlam: Classic Screwball Comedies. Secaucus, N.J.: Carol Pub. Group, 1994. -
Strength for Today and Bright Hope for Tomorrow Volume 12: 9
LANGUAGE IN INDIA Strength for Today and Bright Hope for Tomorrow Volume 12 : 9 September 2012 ISSN 1930-2940 Managing Editor: M. S. Thirumalai, Ph.D. Editors: B. Mallikarjun, Ph.D. Sam Mohanlal, Ph.D. B. A. Sharada, Ph.D. A. R. Fatihi, Ph.D. Lakhan Gusain, Ph.D. Jennifer Marie Bayer, Ph.D. S. M. Ravichandran, Ph.D. G. Baskaran, Ph.D. L. Ramamoorthy, Ph.D. Assistant Managing Editor: Swarna Thirumalai, M.A. The Role of Nature in Susanna Moodie’s Roughing It In The Bush Hamid Farahmandian Shima Ehsaninia ======================================================================== Courtesy: http://en.wikipedia.org/wiki/Susanna_Moodie Abstract The word nature has the ability to cover numerous concepts like landscape, geography, climate, flora and fauna which are thoroughly tangible in Canadian literary works especially in Susanna Moodle’s ‘Roughing it in the Bush’. Susanna, with the experience of emigration from England into new land (Canada) by the great expectations in mind of the new life, has Language in India www.languageinindia.com 12 : 9 September 2012 Hamid Farahmandian and Shima Ehsaninia The Role of Nature in Susanna Moodie’s Roughing It In The Bush 150 obtained the required ability to write about the deep effect of nature in the people; however, she concluded all those colourful dreams and the new land are all in fake and counterfeit. In Roughing It in the Bush, Moodie refutes the common Romantic assumption that living in a wilderness area, far from the corruption of cities, makes a person both spiritually and morally stronger. Although upon her arrival she delights in Canada's natural beauty, her enthusiasm later wanes as she becomes increasingly disillusioned with nature as a source of moral and spiritual rejuvenation. -
Writers Without Borders the Global Framework of Canada’S Early Literary History1
Carole Gerson Writers Without Borders The Global Framework of Canada’s Early Literary History1 In “Publishing Abroad,” a signifcant contribution to volume 2 of History of the Book in Canada, Gwendolyn Davies ofers a lively account of the international publishing experiences of several major and minor nineteenth-century Canadian writers from the Maritimes. Included are the story of New Brunswicker Douglas Huyghue, who contributed to Bentley’s Miscellany in 1849-50 and published a three-volume novel in London before fnding his way to Australia; details of May Agnes Fleming’s legendary success in the 1860s and 1870s with the American market for popular romance; James de Mille’s specifc fnancial arrangements with Harper’s, his New York publisher; the astuteness of Marshall Saunders’ London publisher (Jarrold’s) in issuing her 1894 novel, Beautiful Joe, as a companion piece to Anna Sewell’s already classic Black Beauty; and a summary of Charles G.D. Roberts’ complex transatlantic career as he marketed his work simultan- eously in three English-speaking jurisdictions: Canada, Britain, and the US. Davies’ examples support the larger argument of the present essay: that the interplay of two recent phenomena—the globalization of culture and the rise of book history as a scholarly feld—inspires new perspectives on Canada’s literary history and challenges previous assumptions about the careers of English-Canadian literary authors of the nineteenth century. As well, the recent international success of a number of Canadian novelists has resur- rected the old question regarding what constitutes a “Canadian” book. Yann Martel’s Life of Pi received the 2002 Man Booker Prize only because it was nominated by its small Scottish publisher (Cannongate), not by its original Canadian publisher (Knopf Canada) who had issued it a year earlier. -
Revisiting Susanna Moodie's Roughing It in the Bush
View metadata, citation and similar papers at core.ac.uk brought to you by CORE Back in the Bush: Revisiting Susanna Moodie’s Roughing It in the Bush; or, Life in Canada ━━━━━━━━━━━━━━━━━━━━━━━━━━ Back in the Bush: Revisiting Susanna Moodie’s Roughing It in the Bush; or, Life in Canada Michael Herke [要約] 1852 年に出版されたスザンナ・ムーディのオンタリオ地方の移民としての体験に 基づいた自伝的小説 Roughing It in the Bush, or Life in Canada は、いまだにカ ナダ文学に大きな影響を与えている作品である。ムーディは執筆の動機を、裕福な 中上流階級の移民たちが、それまで何を聞き何を信じてきたかに関わらず、未開の カナダの大自然の中ですべてを確実に失ってしまうであろうことを警告するためで あると述べている。この論文ではムーディがこの目的を達成するために使っている テクニックを検証している。 この小説は当時の一般的な文学形式であるスケッチという技法を用いている。 登場人物や出来事の断片的スケッチは、極端な感情や行動、はっきりした正と悪と いったメロドラマ様式で描かれている。またムーディは、この本において原型的な 追放と救済という、彼女の読者層が古典文学や宗教文学、特に聖書でおなじみのパ ターンであるロマンチックな冒険物語を構築している。批評家の中には Roughing It in the Bush を一貫性がなく分裂症的であると指摘する者もいるが、上記の構造 から見ると、この作品は現代の読者に貴重な歴史的洞察を与えるものである。 ─ 85 ─ Michael Herke ━━━━━━━━━━━━━━━━━━━━━━━━━━ 1. Introduction Roughing It in The Bush, or Life in Canada by Susanna Moodie (Roughing It hereafter) remains, over 150 years after it first appeared in 1852, a touchstone text in Canadian literature and history (Peterman, 2007, xvii); in fact it has seldom been out of print in Canada since its first publication. Part autobiography and part travel sketch, Moodie wrote Roughing It as a warning to the unknowing upper middle class English prospective emigrant, describing Canada as a place far more likely to leave one broken and destitute than happy and prosperous. The Moodie family itself experienced years of poverty, hunger and other deprivations during their seven and a half year exile in the wilderness. The Moodies showed enormous strength of character and perseverance, and unlike many of their emigrant social equals, were able to adapt, survive and eventually thrive in the colony. For Susanna Moodie in particular, it was vital to not only survive, but to preserve her value system in the face of constant challenges.