DOCSLIB.ORG

Nixon Proposes Vietnam Withdrawa L

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nixon Proposes Vietnam Withdrawa L U.S., Allies To Leave Within 12 Months Nixon Proposes Vietn am Withdrawa l WASHINGTON (AP) — President Nixon "Nothing could have a greater effect in Cambodia and Laos in accord with a prescribed o f violence as a precondition to American :i|llllllllilllllllllllllllll associated press niimii iiiiiiiiiiiiii iiiii *? proposed last night a 12-month gradual convincing the enemy that he should negotiate timetable. withdrawal. withdrawal from South Vietnam of all outside in good faith than to see the American people Stating that his plan has the approval of In his summation, Nixon said. "I do not ask troops — American, U.S.-allied and North united behind a generous and reasonable peace President Nguyen Van Thieu of South Vietnam, unlimited patience from a people whose hopes Vietnamese. He said if his peace quest fails, he offer." Nixon said. "I believe this proposal for peace is for peace have too often been raised and cruel- will "expect the American people to hold me Recalling a campaign pledge to end the realistic, and takes account of the legitimate ly dashed over the past four years." But he said accountable." war in a way that would promote lasting peace, interests of all concerned ." he had tried to present the facts "with conv Nixon called for mutual withdrawal of all Nixon said : At the outset , the chief executive said it plete honesty." NewScop e outside troops under international supervision "I am determined to keep that pledge. If I might be easy and popular for him simply to He asked his listeners to consider the facts and suggested that step be followed by in- fail to do so, I expect the American people to withdraw American forces from the war. and. whatever their differences with the ad- ternationally guaranteed free elections in the hold me accountable for that failure." However, he argued that whatever the reasons ministration, that they "support a program The World South. Besides proposing a phased and supervised for initial American involvement. "I f we which can lead to a peace wc can live with and The chief executive outlined what he term- mutual withdrawal of troops and guaranteed simply abandoned our effort in Vietnam, the a peace we can be proud of." Enemy Losses High as Fi g hting Persists ed new initiatives in a major policy address for elections in the South , Nixon said also the cause of peace might not survive the damage At another point, he said: "The fact that SAIGON — Furious fighting persisted yesterday and by live broadcast to the nation by television and United States is prepared — if Saigon and the that would be done to other nation s' confidence there is no easy way to end the war does not unofficial count in Saigon the enemy is losing five dead for radio networks. Communist negotiators are willing — to par- in our reliability. " mean that we have no choice but to let the war «verv allied soldier killed in three days of savage battle. ' ticipate in a political as well as military settle- While the White House pictured the chief dra g on with no end in sight... 2,000 North Viet- Administration sources billed Nixon s peace Allied sources estimated more than proposals as the most comprehensive, flexible ment in the South. executive as presenting a virtually all-new "The time has come for some new namese and Viet Cong soldiers have been killed since Sunday. Here were the major points in the Nixon package, many of the elements he advanced initiatives. " 100 and South Viet- and conciliatory ever advanced by the U.S. U.S. battle deaths were put at more than government. package: have been offered at one time or another. Several hours before his speech, Nixon namese dead were about 300. — As soon as a formal agreement or in- One element, for a 12-month withdrawal, summoned congressional leaders and Am- enemy objective in the "I would stress," the President said, "that U.S. officials said one major these proposals are not offered on a take-it-or- formal but credible understanding could be differed from an agreement reached by U.S. bassador Lodge to the White House for an ad- upsurge of fighting is to inflict higher American casualties and reached, all forces other than those of the allies in the Vietnam war at the 1966 Manila vance briefing. One of the participants said the thus put pressure on Washington to give way at the Paris leave-it basis. We are quite willing to consider other approaches consistent with our princi- South Vietnamese government and native units conference. Those conferees pledged President read portions of his text to them. peace talks. ples." of the Viet Cong would begin withdrawals to be withdrawal within six months after a pullout of Called to the White House were Lodge, Vice However. Secretary of State William P. Rogers arrived in substantially completed over a 12-month period North Vietnamese troops and a lowering of the President Spiro T. Agnew, House Speaker John Saigon' with reassuring words for South Vietnamese' leaders Underlying his peace plan, however, was a statement of determination to avoid unilateral by agreed-upon stages. level of violence. W. McCormack, House Democratic Leader and no hint of change in basic American policy. — After the 12 months, all outside forces White House source" pictured Nixon's sug- Carl Albert, House Republican Leader Gerald In a statement at Saigon's heavily guarded Tan Son Nhut withdrawal from South Vietnam or "a disguis- ed defeat." He said: "would move into designated base areas and gestion as more flexible in that the North Viet- R. Ford . Senate Democratic Leader Mike airport, he declared: "We shall not compromise on our basic would not engage in combat operations." namese would not be required to act first and Mansfield and the Senate's GOP Leader, objective — the establishment of conditions which assure that "Let me be quite blunt. Our fighting men — Remaining American and allied troops the President said nothing about a lower level Everett M. Dirksen. the people of South Vietnam can determine their own future are not going to be worn down ; our negotiators would complete their withdrawal "as the unconditionally." are not going to be talked down ; our allies are remaining North Vietnamese forces were ¦ not going to be let down. • * * " withdrawn and returned to North Vietnam. The Nixon package will be presented to Hunt — "An international supervisory body, ac- ': ¦¦ ' ¦ ' Scot Protests Loch Ness Mons ter Communist negotiators in Paris Friday by Am- ceptable to both sides, would be created for the ' -. • -*• • V - ,.. .. : . v.c. LONDON — The head of a clan in the Scottish highlands bassador Henry Cabot Lodge, White House purpose of verifying withdrawals" and would sounded a protest yesterday against a plan to hunt down the sources said. luck out a help arrange supervised cease-fires. Loch Ness monster in a yellow submarine and p While concentrating on ideas for presen- — As soon as possible after the in- piece of its hide. tation in Paris. Nixon also said , "The time is ternational body was functioning, elections "I'm all for observing the monster, but I'm against approaching when South Vietnamese forces will would be held — open to all South Vietnamese molesting it." said Lord Lovat, 59, a famed commando leader be able to take over some of the fighting fronts who would forswear damnable to bully the "the use of force or in- in World War II. "I think it's just now being manned by Americans." timidation." The elections would be "under creature." Sources said some U.S. troops would be agreed procedures and under the supervision of Although no one has come up with proof the Loch Ness withdrawn from South Vietnam — regardless the international body." monster actually exists, the Scots consider the lake with its of what happens in Paris — as soon as such a — Arrangements would be made for "the legend their second most important liquid asset. move is deemed a responsible one by the ad- earliest possible release of prisoners of war on "I don't know who has given authority for bullying this ministration, and one that officials felt would both sides." animal," Lord Lovat told a meeting of the county council in be regarded as a sign of confidence in the allied — All parties would agree to observe the Inverness. "Don't we have powers to protect it'?" military position. 1954 Geneva accords on Vietnam and Cambodia With another monster-spotting season opening Saturday, a While declaring there will be no easy or and the Laos accords of 1962. group of Americans are readying a little yellow submarine to quick solution to the war, Nixon said in an ap- Nixon said the United States also would ask locate the hideout where the legendary Nessie lives. peal aimed directly at his homefront audience: that North Vietnam withdraw its forces from The Nation President To Hold Peace Discussions WASHINGTON — President Nixon, breaking a self- imposed silence on Vietnam peace prospects, plans a series of Thompson Calls For follow-up meetings to push for progress in the Paris talks. Nixon was to address the nation live via the major television and radio networks at 10 p.m. EDT yesterday. Press secretary Ronald L. Ziegler said the chief executive Three-da y USG Fast was spending most of the day in his living quarters working on the address, expected to take a cautiously, optimistic view of By DENISE BOWMAN campus to campus trying to result of the vigil and fast will prospects for ending the Vietnam war. "stir up trouble." be to "translate concerns into As a first follow-up, Nixon will meet this morning with Collegian Staff Writer Thompson said he advocates constructive, accepted action." Paris ' " Henry Cabot Lodge, chief U.S.
Load more

Recommended publications
  • Dictionary of Westerns in Cinema
    PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas.
    [Show full text]
  • Young Minister Retains Athletic Leadership
    __H_«__H__k Hs_T *___>_________. ?____o ____ 'T_T"; " "__^" ALLTHE NEWS FROM THE T-T ALLTHE NEWS FROM THE ; WORLD OF SPORT \u25a0\u25a0_f ?\u25a0\u25a0_?# WORLD OF SPORT I i fl fl fl'- ? > ' tL '_V fl'-- - rß ; Edited by WILLIAMJ. SLATTERY-' THE CALL Edited by WILLIAMJ. SLATTERY SAN FRANCISCO,MSUNDAY, .JULY 113, 1913; - YOUNG MINISTER RETAINS ATHLETIC LEADERSHIP Frenzied Finance Proves a Hard Blow to the Boxing Game THIS ALL COMES UNDER THE HEAD OF PLEASURE Goldberg FRED THOMSON (Copyright, 1013,7 by, 11. ;L.i Goldberg) AMERICANS WIN LEADS FIELD IN EXHIBITION PLAY - ALL ROUND MEET WITH GERMANS Presbyterian Minister First Wallace F. Johnson of Phila- and Charles Morris of San delphia, Who Replaces Francisco Olympic Club McLoughlin, Shows Second in Honors Rare Tennis Class , NOTTINGHAM. Eng., July 12.? WILLIAM UNMACK United States team, which yesterday (Special Dispatch to The Call) won Its way to-' the final round of the LOS ANGELES, July 12.?Fred Thom- * preliminary contest to select a chal- son of the New York Athletic club lenger to meet England for the Davis this afternoon won the all around na- trophy, con- tional track and field championship international lawn tennis play semifinal with a score of 7,411% points. tinued in the round Germany today, although Jumbo Morris of the San Francisco against the remaining two regarded Olympic club was second with 6,082 matches were simply points, while Campbell of Stanford, as exhibition matches. who was running in Olympic club col- The United States team meets Canada ors, took third honors, only a few in the final next week at Wimble- -:.;.;-\u25a0-.:.
    [Show full text]
  • Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
    Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials .....................................................................................................................................
    [Show full text]
  • Manifest Density: Decentering the Global Western Film
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Manifest Density: Decentering the Global Western Film Michael D. Phillips The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2932 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MANIFEST DENSITY: DECENTERING THE GLOBAL WESTERN FILM by MICHAEL D. PHILLIPS A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 © 2018 Michael D. Phillips All Rights Reserved ii Manifest Density: Decentering the Global Western Film by Michael D. Phillips This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. __________________ ________________________________________________ Date Jerry W. Carlson Chair of Examining Committee __________________ ________________________________________________ Date Giancarlo Lombardi Executive Officer Supervisory Committee: Paula J. Massood Marc Dolan THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Manifest Density: Decentering the Global Western Film by Michael D. Phillips Advisor: Jerry W. Carlson The Western is often seen as a uniquely American narrative form, one so deeply ingrained as to constitute a national myth. This perception persists despite its inherent shortcomings, among them its inapplicability to the many instances of filmmakers outside the United States appropriating the genre and thus undercutting this view of generic exceptionalism.
    [Show full text]
  • Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood'
    H-Film Black on Beauchamp, 'Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood' Review published on Monday, March 1, 1999 Cari Beauchamp. Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood. Berkeley: University of California Press, 1998. 475 pp. $21.95 (paper), ISBN 978-0-520-21492-7; $30.00 (cloth), ISBN 978-0-684-80213-8. Reviewed by Liza Black (University of Washington) Published on H-Film (March, 1999) A Boa Constrictor Without Lying Down is the well-deserved biography of an extraordinarily talented, unique, and powerful woman. She wrote hundreds of screenplays and had a profound impact on the lives of her friends and family. She was a professional woman amongst professional women. She was steadfastly loyal. She was also generous with her influence and power. According to her friend Adela Rogers St. Johns: "Frances Marion had the rugged determination of a boa constrictor where a friend was concerned." Beauchamp ably tells the story of Frances Marion's professional life. Marion was born in San Francisco in 1888. She moved to Los Angeles with her second husband. Where studio bosses initially noticed her looks instead of her writing. Others noted her beauty as well, but the only thing Marion took seriously was, first and foremost, her writing and, secondarily, attractive men. Over the course of her life, she wrote almost 200 produced films. During World War I, she was selected to film American Women in the War in France. She won two Academy Awards for writing The Big House (1930) and The Champ (1931) In 1933, Marion was elected as the first vice-president of the newly- formed Screen Writers' Guild.
    [Show full text]
  • 1 Philip Leers Behind the Great Man
    Philip Leers Behind the Great Man Female Screenwriters and Collaborative Authorship in Early Hollywood The predominance of the auteur theory in cinema studies has been a double-edged sword, each benefit attended by a disadvantage. While it mitigated the primacy of the Hollywood system, it posited in its place the equally problematic figure of the director as the sole source of meaning-making in filmmaking. While it has brought to light a worthy list of previously unappreciated films and directors, it has also been justly criticized for reinforcing the centrality of white, male directors, and exacerbating the marginalization of other voices. And while it has provided an invaluable identificatory and analytic framework for film theorists, it has also fostered an essentialist, and often ahistorical, conception of film authorship. The cult of the male director, for instance, has obscured the remarkable contributions of female screenwriters to the early cinema. Throughout the silent era, and into the thirties, a majority of the screen’s foremost scenarists were women, with luminaries like Alice Guy Blache, Anita Loos, Elinor Glyn, Lois Weber, Francis Marion, Beulah Marie Dix, June Mathis, Jeanie MacPherson, Marion Fairfax, and Jane Murfin achieving a considerable measure of influence within the industry and celebrity without. These screenwriters constituted a network of powerful women who outnumbered their male counterparts ten to one, a ratio that was perhaps only possible in the infancy of the cinema, when filmmaking practice had not yet been consolidated under the patriarchal hierarchy of the Hollywood system. Certainly, the masculinist slant of Hollywood’s “Golden Age” and its subsequent usurping of the public interest served to efface the impact of these women on the film industry, but their prominence at a time when the narrative language of the cinema was taking shape cannot be ignored.
    [Show full text]
  • Figure 4. Pickford Studio Portrait for the Poor Little Rich Girl (Dir
    Figure 4. Pickford studio portrait for The Poor Little Rich Girl (dir. Maurice Tourneur, 1917). Courtesy of the Academy of Motion Picture Arts and Sciences. UC-Studlar-text-CS5.5-revs.indd 18 9/17/2012 11:33:13 AM Chapter 1 Oh, “Doll Divine” Mary Pickford, Masquerade, and the Pedophilic Gaze Mary Pickford, doll divine, Year by year, and every day At the moving-picture play, You have been my valentine. — Vachel Lindsay, “To Mary Pickford, Moving-Picture Actress” Mary Pickford was, arguably, the most famous woman of the first quar- ter of the twentieth century. Inarguably, she was one of the first major stars of the Hollywood film industry and one of the very few — female or male — able to sustain stardom for more than twenty years. Born Gladys Smith in Toronto, Canada, Mary Pickford became a stage actress at age six (published age “5”). She first appeared in motion pictures in one-reel- ers of American Biograph in the spring of 1909. In the 1910s the actress known as “Our Little Mary” quickly cemented her popularity through numerous films that coincided with the industry’s shift to Hollywood and using the actor as a personality for drawing audiences to the box- office.1 Pickford was promoted as “America’s Sweetheart,” “The World’s Sweetheart,” and, as poet Vachel Lindsay dubbed her, “The Queen of the Movies.”2 Her films for Famous Players in the late 1910s regularly netted more than a million dollars a year. In 1918 an article in American Magazine proclaimed what by then was obvious: “Our Little Mary” had become “the most popular motion
    [Show full text]
  • Frances Marion and Mary Pickford
    FRANCES MARION AND MARY PICKFORD A Thesis Presented to The Faculty of California Polytechnic State University, San Luis Obispo In Partial Fulfillment Of the Requirements for the Degree Master of Arts in History by Christopher Zeidel March 2009 © 2009 Christopher Zeidel ii All Rights Reserved COMMITTEE MEMBERSHIP TITLE: Frances Marion and Mary Pickford iii AUTHOR: Christopher Zeidel DATE SUBMITTED: March 2009 COMMITTEE CHAIR: Thomas R. Trice, Associate Professor COMMITTEE MEMBER: Kathleen Cairns, Part Time Lecturer COMMITTEE MEMBER: John G. Snetsinger, Part Time Lecturer ABSTRACT Frances Marion and Mary Pickford Christopher Zeidel iv This thesis attempts to find out how Frances Marion and Mary Pickford survived the film industry by having a strong working relationship. It is revealed through letters, films, autobiographies, and newspapers that Marion and Pickford were good friends and had worked closely together for years. Their friendship helped them to work hard enough to continue making films between the late 1910s and 1920s. Unfortunately, this topic is challenging because there has not been enough historical work done to give us a completely clear and accurate picture of how Marion and Pickford helped one another to continue working in the movie industry. More information is available on their careers that have nothing to do with their relationship. There were ways in which they struggled to work and reasons for why they survived the industry that have nothing to do with their working relationship. TABLE OF CONTENTS v CHAPTER I. INTRODUCTION…………………………………………. 1 II. CHAPTER 1: HISTORIANS……………………………… 7 III. CHAPTER 2: THE LETTERS…………………………….. 24 IV. CHAPTER 3: THE FILMS………………………………… 33 V.
    [Show full text]
  • L§T Directed by Lyle W
    - l§t Directed by Lyle W. Nash PEOPLE ... Ruth Etting, songstress of the 30s, visited so loaded with power, feeling and tone. If I lived in Portland , her hometown of David City, Neb. this summer. She now again, I'd become a roller skate fan. lives in Colorado Springs, Colo .... Signe Hasso popped up ~ recently in a 1974 TV pilot ... Some fans write Mary CHOICE reading describes David Chierichetti's new book, Carlisle c/o Elizabeth Arden Salon, 9702 Wilshire Blvd., "Hollywood Director" (Curtis, $1.50) which is all about Beverly Hills, Ca .... Lois Wilson still lives at 10 Mitchell Mitchell Leisen. C/,a,udette Colbert, Ray Mil/,a,nd, Olivia de Place, New York ... Gloria Swanson calls 920 Fifth Ave., Havil/,a,ndand Dorothy Lamour are only a few associates who New York, 10021, home ... Ben Lyon donated much of his tell of Leisen's talent. Much of the fascinating book is in the film memorabilia to the Rritish National Film Archive ... words of the great director himself Author Chierichetti has Ann Little, who played with Fred Thomson, is happily scored a smash hit with his excellent research, review and retired in Los Angeles . Official records now reveal interpretation. that Bobby Driscoll, 31, died of drug addiction in 1968. ~ REEL NEWS. .. California Gov. Ronald Reagan blasted BILLY AND BOBBY MAUCH are alive and happy. The talent sharks for cheating screen hopefuls when he was top Warner Bros. juveniles in the 30s returned from WWII Screen Actors Guild President in 1950 ... Carole Lombard (they did not serve together) to a film industry offering few made her film debut (age 12) in the 1920 silent Fox film A and fewer parts for twins.
    [Show full text]
  • Presentation #5
    111 PRESENTATION #5 THE STORY OF MISTS After I was a participant in that glorious “Rose Marie Tour” at Lake Tahoe organized by the wonderful Marjorie Hadlock in 1996, I began to understand that neither club members nor their fans really had much definitive information about the Hideaway Home that Nelson found and leased for him and Jeanette. Nelson felt that they had to have a place of their own where they could have complete privacy and be free to enjoy their lives together without interference. It appeareappearedd that there was endless speculation as to whether or not there even was such a place, or where it was located. My memory was stirredstirred,,,, but I was not familiar with the term “Mists” that they now used to describe this home. However, I did recall going with mmyy Dad to deliverdeliver Mr. Eddy’s latest radio recordings to a place that was located in a remote area above Sunset Boulevard. As a matter of fact, over time, we made many visits to this particular property. Of course, my father was very strict about my behavior and as we would approach his current homehome.... I would get a little lecture to remind me that in 111 222 addition to how I should behave with Mr. Eddy, he made it loud and clear that under no circumstances was I to get out of our car unless “ ít caught on fire!fire!”.”.”.”. ThThatat up in the hills there was a lot of wild life and it might be dangerous.” That was enough to deter me! I was not about to tempt fate! I began to assemble research data about this place that Dad referred to as ‘Nelson’s Retreat’ .This story begins in 1923 when Fred Thomson, silent film cowboy star, and his award winning screen writer wife, Frances Marion, decided to build their estate to accommodate not only their familyfamily,,,, but the horses Fred owned that he used in his films.
    [Show full text]
  • Mary Pickford
    Mary Pickford Also Known As: Mary Pickford Rogers, Gladys Smith, Gladys Louise Smith, Gladys Mary Smith Lived: April 8, 1892 - May 29, 1979 Worked as: company director, distributor, film actress, film company founding partner, producer, screenwriter, theatre actress Worked In: United States by Christel Schmidt Mary Pickford was born Gladys Smith in 1892 in Toronto, Canada. After her father was killed in an accident, Gladys became the family’s main breadwinner by performing in the theatre. She was seven years old. In fact, the stage became a family venture, as her younger siblings Lottie and Jack and even her mother took up the trade. But the drive and determination to be a star belonged solely to Gladys. In 1907, her ambition would take her to Broadway and famed producer-director David Belasco, who changed her name to Mary Pickford and gave her a part in “The Warrens of Virginia.” In 1909, when Pickford was between stage engagements, she approached director D. W. Griffith at the Biograph Company in New York and asked for work in moving pictures. She had no intention of working permanently in the new medium, but hoped the income would tide her over before she went back to Belasco and the stage. Pickford was intrigued with film acting, and before long she began to enjoy “posing” for motion pictures. She stayed with the Biograph Company, working as both an actress and writer from 1909 to 1911, leaving for a brief stint with the Independent Motion Picture Company (IMP), and later with Majestic Pictures Corporation. She returned to Griffith at Biograph in early 1912, finishing out the year with him.
    [Show full text]
  • Preservation Examples: Silents to the Dawn of Sound
    PRESERVATION EXAMPLES: SILENTS TO THE DAWN OF SOUND For the first two decades of the motion picture, feature films as such did not exist. The short subject was the featured attraction in cinemas, offering patrons comedies, dramas, adventures, westerns, cartoons, documentaries, scenics, and trickfilms, all in as little as one reel or less. By the 1920s, the feature-length film of five reels and longer had assumed prominence, and the short subject was relegated as support to create a well-balanced program, a dynamic in theaters that continued well into the sound era. The UCLA Film and Television Archive strives to achieve a balance in its preservation program between feature films and short subjects. While several hundred features have been preserved by the Archive since the 1970s, more than a thousand shorts have been saved during that same period. Unfortunately, not all of the films preserved by UCLA The UCLA Film and Television Archive has preserved more are pristine. Although some have been reproduced than a thousand shorts and several hundred feature films from camera-original negatives and are things of since the 1970s including Molly O’ (1921), pictured above, beauty, others have been copied from sole-existing and featuring Mabel Normand and Jack Mulhall. prints which reflect the ravages of wear, mishandling, missing footage, or decomposition present in the surviving material. And while some can be numbered among the most entertaining films ever made, others might be included among the worst. But considering that at least 80 percent of silents – and far too many early sound films--are lost, with the ranks of the unpreserved being thinned steadily due to nitrate deterioration, it is fortunate that we have anything left at all.
    [Show full text]