A Chronology of Mozart and His Times
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Musician Consortiums
February 8 | 5:00 pm St. John the Divine Christopher Rountree, Conductor Andy Lin, Erhu • Kevin Lau, Composer Alejandro Basulto* (Bah-SOOL-Toe) Fanfarria de Feria ----2 minutes---- Kevin Lau* (LAUW) Between the Earth and Forever - Concerto for Erhu and Orchestra ----15 minutes---- Wolfgang Amadeus Mozart (MOT-zahrt) Maurerische Trauermusik (Masonic Funeral Music), in C minor, K. 477 (1785) ----5 minutes---- Jean-Féry Rebel (zhahn FEH-ree re-BEL) Chaos and other movements from Les Élémens (The Elements) (1737) ----12 minutes---- Kate Salfelder* Ephemera ----2 minutes---- William Grant Still Darker America (1924) ----15 minutes---- Jess Langston Turner* Fanfares and Riffs for Tiny Despots ----2 minutes---- *ROCO COMMISSIONED WORLD PREMIERE Please see page 6 for instructions on how to use LiveNote. Audio program notes are available on our website and produced with thanks to Catherine Lu and Houston Public Media. This evening’s music will include the pieces above, not necessarily in this order, with a Take 5 (short intermission) and possible surprises. * Scott Strong Nathan Williams Kristin Wolfe Jensen Matt McClung Principal Principal Principal Principal Musician Consortium Gretchen and Andrew McFarland Gavin Reed Jeanie Flowers Sarah & Jeffrey McParland Chair Chair Beverly and Bill Coit in loving memory of in memory of Angeleen McParland Chair Maiko Sasaki Dan Flowers Chair Founding Consortium Chair Daniel Chrisman Chair Jo Ann & Bob Fry Chair Clarinet/ Christina Carroll Eb Clarinet Susan Whitfield Chair Erik Gronfor Founding Consortium -
Comparative Jurisprudence(I) 1891
University of Pennsylvania Law School Penn Law: Legal Scholarship Repository Faculty Scholarship 1995 Comparative Jurisprudence (I): What Was it Like to Try a Rat? William B. Ewald University of Pennsylvania Law School, [email protected] Follow this and additional works at: http://scholarship.law.upenn.edu/faculty_scholarship Part of the Civil Law Commons, Civil Procedure Commons, Commercial Law Commons, Ethics and Political Philosophy Commons, Jurisprudence Commons, Law and Philosophy Commons, Legal Commons, Legal Education Commons, Legal History, Theory and Process Commons, Legal Theory Commons, Natural Law Commons, and the Public Law and Legal Theory Commons Recommended Citation Ewald, William B., "Comparative Jurisprudence (I): What Was it Like to Try a Rat?" (1995). Faculty Scholarship. Paper 1405. http://scholarship.law.upenn.edu/faculty_scholarship/1405 This Article is brought to you for free and open access by Penn Law: Legal Scholarship Repository. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Penn Law: Legal Scholarship Repository. For more information, please contact [email protected]. COMPARATIVE JURISPRUDENCE (I): WHAT WAS IT LIKE TO TRY A RAT? WILLIAM EWALDt PART ONE I. THE RATS OF AUTUN .......................... 1898 PART TWO H. COMPARATIVE JURISPRUDENCE .................... 1948 A. Remarks on Strategy .......................... 1943 B. The Boundaries of ComparativeJurisprudence ....... 1954 1. Criteria for a New Subject ................ 1955 2. Distinguishing Comparative Jurisprudence from the Philosophy of Law ................ 1956 III. THE PRESENT STATE OF COMPARATIVE LAW ............ 1961 A. The Malaise ............................... 1961 B. The TraditionalApproaches to Comparative Law ..... 1965 1. Casebooks and Pedagogy .................. 1965 2. Works of Scholarship ..................... 1975 3. The Problem of Public Law ............... 1987 t Assistant Professor of Law and Philosophy, University of Pennsylvania. -
EMR 11384 Maurerische Trauermusik
Maurerische Trauermusik Masonic Funeral Music / Musique Funèbre Maçonnique Wind Band / Concert Band / Harmonie / Blasorchester / Fanfare Arr.: Jérôme Naulais Wolfgang Amadeus Mozart EMR 11384 st + 1 Score 2 1 Trombone nd + 1 Piccolo 2 2 Trombone st + 4 1 Flute 1 Bass Trombone nd + 4 2 Flute 2 Baritone 1 Oboe (optional) 2 E Bass 1 Bassoon (optional) 2 B Bass 1 E Clarinet (optional) 2 Tuba st 5 1 B Clarinet 1 String Bass (optional) nd 4 2 B Clarinet 1 Timpani rd 4 3 B Clarinet 1 B Bass Clarinet (optional) 1 B Soprano Saxophone (optional) Special Parts Fanfare Parts st 2 1 E Alto Saxophone st 2 1st Flugelhorn nd 1 1 B Trombone 1 2 E Alto Saxophone nd 2 2nd Flugelhorn st 1 2 B Trombone 2 1 B Tenor Saxophone rd 1 B Bass Trombone 2 3 Flugelhorn 1 2nd B Tenor Saxophone 1 B Baritone 1 E Baritone Saxophone (optional) 1 E Tuba 1 E Trumpet / Cornet (optional) st 1 B Tuba 3 1 B Trumpet / Cornet nd 3 2 B Trumpet / Cornet rd 3 3 B Trumpet / Cornet 2 1st F & E Horn 2 2nd F & E Horn 2 3rd F & E Horn Print & Listen Drucken & Anhören Imprimer & Ecouter Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch DISCOGRAPHY Funeral Music Track Titel / Title Time N° EMR N° EMR N° (Komponist / Composer) Blasorchester Brass Band Concert Band 1 Introitus (from the Requiem) (Mozart) 4’53 EMR 11229 - 2 Funeral March (Grieg) 6’56 EMR 11393 EMR 9008 3 Nimrod (Elgar) 4’21 EMR 10892 EMR 3742 4 Funeral March (Chopin) 6’05 EMR 10982 EMR 9009 5 Marche Funèbre (David) -
Beccaria, Cesare: Classical School
Encyclopedia of Criminological Theory Beccaria, Cesare: Classical School Contributors: Andrew N. Carpenter Editors: Francis T. Cullen & Pamela Wilcox Book Title: Encyclopedia of Criminological Theory Chapter Title: "Beccaria, Cesare: Classical School" Pub. Date: 2010 Access Date: September 12, 2014 Publishing Company: SAGE Publications, Inc. City: Thousand Oaks Print ISBN: 9781412959186 Online ISBN: 9781412959193 DOI: http://dx.doi.org/10.4135/9781412959193.n19 Print pages: 74-78 ©2010 SAGE Publications, Inc. All Rights Reserved. This PDF has been generated from SAGE knowledge. Please note that the pagination of the online version will vary from the pagination of the print book. SAGE ©2010 SAGE Publications, Inc. All Rights Reserved. SAGE knowledge http://dx.doi.org/10.4135/9781412959193.n19 Cesare Beccaria was an Italian Enlightenment philosopher, politician, and economist whose celebrated book On Crimes and Punishments condemned the use of torture, argued for the abolition of capital punishment, and advocated many reforms for the rational and fair administration of law. Beccaria's ideas about legal and penal reforms, which influenced intellectuals and statesmen throughout Europe and in North America, inspired many significant reforms in the last decades of the 18th century and the first decades of the 19th century. Beccaria influenced the British philosopher Jeremy Bentham who, along with Beccaria, produced the foundational ideas of the Classical School of Criminology. Many of the reforms that Beccaria advocated remain aspirations for contemporary systems of legal justice, including punishment proportionate to the severity of the crime and [p. 74 ↓ ] the development of a system of published laws and legal procedures applied equally to all without interference by the particular interests of rulers, judges, or clerics and without providing favorable treatment to individuals of higher social, political, or economic status. -
Works on Giambattista Vico in English from 1884 Through 2009
Works on Giambattista Vico in English from 1884 through 2009 COMPILED BY MOLLY BLA C K VERENE TABLE OF CON T EN T S PART I. Books A. Monographs . .84 B. Collected Volumes . 98 C. Dissertations and Theses . 111 D. Journals......................................116 PART II. Essays A. Articles, Chapters, et cetera . 120 B. Entries in Reference Works . 177 C. Reviews and Abstracts of Works in Other Languages ..180 PART III. Translations A. English Translations ............................186 B. Reviews of Translations in Other Languages.........192 PART IV. Citations...................................195 APPENDIX. Bibliographies . .302 83 84 NEW VICO STUDIE S 27 (2009) PART I. BOOKS A. Monographs Adams, Henry Packwood. The Life and Writings of Giambattista Vico. London: Allen and Unwin, 1935; reprinted New York: Russell and Russell, 1970. REV I EWS : Gianturco, Elio. Italica 13 (1936): 132. Jessop, T. E. Philosophy 11 (1936): 216–18. Albano, Maeve Edith. Vico and Providence. Emory Vico Studies no. 1. Series ed. D. P. Verene. New York: Peter Lang, 1986. REV I EWS : Daniel, Stephen H. The Eighteenth Century: A Current Bibliography, n.s. 12 (1986): 148–49. Munzel, G. F. New Vico Studies 5 (1987): 173–75. Simon, L. Canadian Philosophical Reviews 8 (1988): 335–37. Avis, Paul. The Foundations of Modern Historical Thought: From Machiavelli to Vico. Beckenham (London): Croom Helm, 1986. REV I EWS : Goldie, M. History 72 (1987): 84–85. Haddock, Bruce A. New Vico Studies 5 (1987): 185–86. Bedani, Gino L. C. Vico Revisited: Orthodoxy, Naturalism and Science in the ‘Scienza nuova.’ Oxford: Berg, 1989. REV I EWS : Costa, Gustavo. New Vico Studies 8 (1990): 90–92. -
Freemasonry and Civil Society: Reform of Manners and the Journal Fu¨R Freymaurer (1784-1786)
111 Freemasonry and civil society: reform of manners and the Journal fuÈr Freymaurer (1784-1786) ANDREAS OÈ NNERFORS Freemasonry as a tool of moral improvement In 1784 the Bohemian mineralogist Ignaz von Born, in his capacity as master of the Masonic lodge Zur wahren Eintracht [True Union] in Vienna, took the initiative to publish the ®rst successful Masonic period- ical in Europe, the Journal fuÈr Freymaurer.1 It was subsequently edited in twelve quarterly volumes, with an average of 250 pages, printed in 1000 copies and disseminated across the entire Habsburg Monarchy, a vast undertaking, bearing in mind the transport infrastructure of the eight- eenth century. The journal contained extensive treatments of religious traditions resembling Freemasonry, essays on Masonic virtues and values, reviews of Masonic literature, poetry and Masonic news from all parts of Europe. But a signi®cant number of the essays included in the journal also covered the impact of Freemasonry on society. The Masonic move- ment interpreted itself as a moral force with the potential to transform manners for the universal bene®t and improvement of society and mankind. Born wrote in his address to readers that, within the Order of Freemasons, freedom of thought and equality of all natural rights was a fundamental law. Hence, it was a right to communicate the results of such free deliberation to fellow brethren.2 Based upon a series of essays focusing on the moral aspects of Freemasonry, this article attempts to outline the content of these `free deliberations' that only a few years before the French Revolution read surprisingly radical, especially in the context of the Habsburg Monarchy. -
Richard Lert Papers 0210
http://oac.cdlib.org/findaid/ark:/13030/kt638nf3ww No online items Finding Aid of the Richard Lert papers 0210 Finding aid prepared by Rebecca Hirsch The processing of this collection and the creation of this finding aid was funded by the generous support of the National Historic Publications and Records Commission. USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] June 2010 Finding Aid of the Richard Lert 0210 1 papers 0210 Title: Richard Lert papers Collection number: 0210 Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 58.51 Linear feet70 boxes Date (inclusive): 1900-1981 Abstract: This collection consists of Richard Lert's video and audio recordings of performances, rehearsals and lectures, personal papers and his music score library. Lert was born in Vienna and trained as an orchestral conductor in Germany. He moved to the United States in 1932 with his family and was the conductor of the Pasadena Symphony Orchestra from 1932 until his retirement in 1972. creator: Lert, Richard, 1885-1980 Biographical Note Richard Lert was born September 19, 1885, in Vienna, Austria. He trained as an orchestral conductor under Arthur Nikisch and began his career in Darmstadt, Germany, where he met and married his wife, Vicki Baum, in 1916. They had two sons. Lert held posts in Frankfurt, Kiel and Hannover before becoming the music director of the Berlin National Opera. Lert and his family moved to Los Angeles in 1932, where he became the music director of the Pasadena Symphony Orchestra. -
Best Local Scene in Salzburg"
"Best Local Scene in Salzburg" Gecreëerd door : Cityseeker 4 Locaties in uw favorieten Old Town (Altstadt) "Old Town Salzburg" The historic nerve center of Salzburg, the Altstadt is an enchanting district that spans 236 hectares (583.16 acres). The locale's narrow cobblestone streets conceal an entire constellation of breathtaking heritage sites and architectural marvels that showcase Salsburg's vibrant past. Some of the area's prime attractions include the Salzburg Cathedral, Collegiate by Public Domain Church, Franciscan Church, Holy Trinity Church, Nonnberg Abbey, and Mozart's birthplace. +43 662 88 9870 (Tourist Information) Getreidegasse, Salzburg Getreidegasse "Salzburg's Most Famous Shopping Street" Salzburg's Getreidegasse is the most famous street in the city, therefore the most crowded. If you are really interested in getting a view of the charming old houses, try to visit early, preferably before 10 in the morning - pretty portals and wonderful courtyards can only be seen and appreciated then. The Getreidegasse is famous for its wrought-iron signs, by Edwin Lee dating from the 16th to the 19th centuries - the design of the signs dates back to the Middle Ages! It is worth taking a second look at the houses because they are adorned with dates, symbols or the names of their owners, so they often tell their own history. +43 662 8 8987 [email protected] Getreidegasse, Salzburg Residenzplatz "Central Square" Set in the center of Altstadt, Residenzplatz is a must visit when visiting the city. Dating back to the 16th Century, it was built by the then Archbishop of Salzburg, Wolf Dietrich Raitenau. -
Cesare Beccaria's Contractual Theory of Criminal Law and Its Resonance in Absolutist Russia
UNIWERSYTET ZIELONOG6RSKI IN GREMIUM, tom 5 Srudia nad Hisrori~, Kulrur~ i Poliryk~ Zielona Gora 2011 Lan'sa Strese-Gassiev Uniwersytet w Poczdamie CESARE BECCARIA'S CONTRACTUAL THEORY OF CRIMINAL LAW AND ITS RESONANCE IN ABSOLUTIST RUSSIA Grazie alia filosofia e a qucgli spiriti illuminati che, ad onta dc'regiudizzi, del fanatismo, del dispotismo e delle bar-bare leggi sanno ed' anno il coraggio d'insegnare agli uomini la via della giu srizia, della dolcezza e dell'umanidl (G. Angiolini) I. The spirit of the eighteenth century was focused on the individual happiness. That happiness corresponds to the demand that was put forward by most Enlight enment philosophers to humanize the criminal code in order to advocate the greatest possible mildness in penal punishment. This humanisation of the penal system was conceivable, and conceptually attractive, during the Enlightenment, because for merly every alleviation of the prevail punishments, with which the highest being, God was attacked by the delict, was a matter to reconcile. That would have meant the human intervention into the penal power of God, and effectively, a weakening of God's rule. Important changes in the area of criminal law came to fruition only through the cooperation of philosophers and rulers and the corresponding seculari sation of many social and political areas by enlightened rulers such as Friedrich 11, Joseph 11 and Catharine lP. One cannot overestimate the close connections between Enlighteners and indi vidual monarchs. It is striking, according to the historian Karl Otmar of Aretin, that enlightened rulers like Cathrine 11 surrounded themselves with enlightened philoso phers, and not only from vanity, but also 'we1l sie de m neuen Denken einen hreiten 2 Raum hei der Neugestaltung ihrer Staaten einriumen wollten' • The argument of 1 C. -
Rev. Msgr. W. Ronald Jameson, V.F
206 TOURS PRESENTS: A S PIRITUAL C ATHOLIC J OURNEY CATHEDRAL OF ST. MATTHEW THE APOSTLE PATRON SAINT OF CIVIL SERVANTS CZECH REPUBLIC & AUSTRIA PILGRIMAGE SPIRITUAL LEADER: REV. MSGR. W. RONALD JAMESON, V.F. A PRIL 23 - M AY 4, 2014 | $4,249 FROM W ASHINGTON www.pilgrimages.com/stmatthewscathedral Schonbrunn Palace, Vienna Infant Jesus of Prague, Czech Republic Prague, Czech Republic Strauss Statute in Stadt Park, Vienna St. Charles Church, Vienna ABOUT REV. MSGR. W. RONALD JAMESON, V.F. Msgr. Jameson was raised in Hughesville, MD and studied at St. Charles College High School, St. Mary’s Seminary in Baltimore and the Theological College of the Catholic University of America. Msgr. Jameson was eventually ordained in 1968. Following his ordination, he completed two assignments in Maryland parishes, followed by an assign- ment for St. Matthew's Cathedral (1974- 1985). Msgr. Jameson has served God in many ways. He has achieved many titles, assumed positions for a variety of archdiocesan posi- tions and served or serves on multiple na- tional boards. In October 2007, Theological College bestowed on Msgr. Jameson its Alumnus Lifetime Service Award honoring him as Pastor-Leader of the Faith Communi- ty due to his many archdiocesan positions and his outstanding service to God. His legacy to St. Matthew's Cathedral will undoubtedly be his enduring interest in building parish community, establishing a parish archive and history project, orches- trating the Cathedral's major restoration project and the construction of the adjoining rectory and office building project on Rhode Island Avenue (1998-2006). *NOTE: The "V.F." after Msgr Jameson's name denotes that he is appointed by the Archbishop as a Vicar Forane or Dean of one of the ecclesial subdivisions (i.e. -
Age of Enlightenment Overview Students Will Explore the Age of Enlightenment Through a Power Point Presentation and Class Discussion
The Age of Enlightenment Overview Students will explore the Age of Enlightenment through a Power Point presentation and class discussion. Students will then further explore this period of history and its prominent figures by designing a dinner party for 12 Enlightenment thinkers. This project will encourage students to learn more about the period and the philosophers associated with it, as well as synthesize what they have learned while utilizing higher order thinking, group work skills, and creativity. Essential Questions • What was the Age of Enlightenment/Age of Reason and what led to this shift in thought? • Who were the prominent historical figures during the Age of Enlightenment and in what ways were they similar and/or different in their philosophies? • What impact did the Age of Enlightenment have throughout various countries on society, culture, politics, etc.? • How did the Enlightenment philosophers influence American government? Materials • The Age of Enlightenment Power Point, available in the Database of K-12 Resources (in PDF format): https://k12database.unc.edu/wp-content/uploads/sites/31/2014/03/EnlightenmentPPT.pdf o To view this PDF as a projectable presentation, save the file, click “View” in the top menu bar of the file, and select “Full Screen Mode” o To request an editable PPT version of this presentation, send a request to [email protected] • Notes for the Age of Enlightenment, handout attached • An Evening of Enlightenment assignment sheet, attached • An Evening of Enlightenment Guest List, attached • Sample Items for Party Planning, attached • Internet, textbooks, library access, and/or other research materials • Optional: Enlightenment Essay Assignment & Rubric, attached Duration • At least one class period for PowerPoint presentation and discussion • Additional class and homework time (teacher’s discretion) will be needed for the completion and presentation of the “An Evening of Enlightenment” project. -
MOZARTS REQUIEM Mi 6
Chefdirigent Axel Kober PROGRAMM 7. Philharmonisches Konzert MOZARTS REQUIEM Mi 6. / Do 7. März 2019, 20.00 Uhr Philharmonie Mercatorhalle Duisburger Philharmoniker Christoph Prégardien Dirigent Julia Kleiter Sopran Elvira Bill Alt Sebastian Kohlhepp Tenor Henning von Schulman Bass Audi Jugendchorakademie Werke von Wolfgang Amadeus Mozart Ludwig van Beethoven Ermöglicht durch Kulturpartner Gefördert vom Ministerium für Kultur und Wissenschaft des Landes Nordrhein-Westfalen 7. Philharmonisches Konzert Programm Wolfgang Amadeus Mozart (1756-1791) Maurerische Trauermusik KV 477 (1785) „Misero! O sogno, o son desto?“, Rezitativ und Arie für Tenor und Orchester KV 431 (1783) FÜR Ludwig van Beethoven (1770-1827) FÜR Trauermarsch h-Moll WoO 96/4 (1815) DUISBURG & „Ah, perfido!“, Szene und Arie KAMPDUISBURG LINTFORT & für Sopran und Orchester op. 65 (1796) Die Spendenplattform für soziale Projekte. ¯ Pause WirKAMP alle können helfen, LINTFORTunsere Städte noch lebenswerter zuDie machen. Spendenplattform Auf gut-fuer-duisburg.de für soziale kannst Projekte. du für gemeinnützige Projekte¯ in deiner Stadt spenden und Wir alle können helfen, unsere Städte noch lebenswerter Unterstützerzu machen. Auffür deinegut-fuer-duisburg.de eigene Initiative gewinnen.kannst du Jede für Wolfgang Amadeus Mozart Spendegemeinnützige geht zu Projekte100 % an indie deiner gemein Stadt nützigen spenden Projekte. und Requiem für vier Solostimmen, Unterstützer für deine eigene Initiative gewinnen. Jede (1791) www.gut-fuer-duisburg.deSpende geht zu 100 % an die gemein nützigen Projekte. Chor und Orchester d-Moll KV 626 I. Introitus. Requiem aeternam www.gut-fuer-duisburg.de II. Kyrie III. Sequenz 1. Dies irae – 2. Tuba mirum – 3. Rex tremendae – 4. Recordare – 5. Confutatis – 6. Lacrimosa IV. Offertorium 1. Domine Jesu Christe – 2.