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Certain Women
CERTAIN WOMEN Starring Laura Dern Kristen Stewart Michelle Williams James Le Gros Jared Harris Lily Gladstone Rene Auberjonois Written, Directed, and Edited by Kelly Reichardt Produced by Neil Kopp, Vincent Savino, Anish Savjani Executive Producers Todd Haynes, Larry Fessenden, Christopher Carroll, Nathan Kelly Contact: Falco Ink CERTAIN WOMEN Cast (in order of appearance) Laura LAURA DERN Ryan JAMES Le GROS Fuller JARED HARRIS Sheriff Rowles JOHN GETZ Gina MICHELLE WILLIAMS Guthrie SARA RODIER Albert RENE AUBERJONOIS The Rancher LILY GLADSTONE Elizabeth Travis KRISTEN STEWART Production Writer / Director / Editor KELLY REICHARDT Based on stories by MAILE MELOY Producers NEIL KOPP VINCENT SAVINO ANISH SAVJANI Executive Producers TODD HAYNES LARRY FESSENDEN CHRISTOPHER CARROLL NATHAN KELLY Director of Photography CHRISTOPHER BLAUVELT Production Designer ANTHONY GASPARRO Costume Designer APRIL NAPIER Casting MARK BENNETT GAYLE KELLER Music Composer JEFF GRACE CERTAIN WOMEN Synopsis It’s the off-season in Livingston, Montana, where lawyer Laura Wells (LAURA DERN), called away from a tryst with her married lover, finds herself defending a local laborer named Fuller (JARED HARRIS). Fuller was a victim of a workplace accident, and his ongoing medical issues have led him to hire Laura to see if she can reopen his case. He’s stubborn and won’t listen to Laura’s advice – though he seems to heed it when the same counsel comes from a male colleague. Thinking he has no other option, Fuller decides to take a security guard hostage in order to get his demands met. Laura must act as intermediary and exchange herself for the hostage, trying to convince Fuller to give himself up. -
New Films from Germany
amherstcinema FEB - APR 28 Amity St. Amherst, MA 01002 • www.amherstcinema.org • 413.253.2547 2020 See something different! In addition to the special events in this newsletter, Amherst Cinema shows current-release film on four screens every day. Visit amherstcinema.org and join our weekly e-newsletter for the latest offerings. films of Kelly Reichardt In anticipation of the March 2020 opening of her new movie, FIRST COW, Amherst Cinema is pleased to present four films from the back catalog of director Kelly Reichardt. Reichardt's dramas are small-scale symphonies; alchemical transmogrifications of the ordinary into gripping cinematic experiences. Often collaborating with the same creatives across multiple pictures, such as actor Michelle Williams and writer Jonathan Raymond, Reichardt's films turn the WENDY AND LUCY lens on those in some way at the margins of American communities. Be it a woman living out of her car in WENDY AND LUCY, a group of lost 1840s pioneers in MEEK'S CUTOFF, a reclusive ranch hand in CERTAIN WOMEN, or a hand-to-mouth ex-hippie in OLD JOY, Reichardt's characters, regardless of life circumstances, are deeply and richly human. There may be no other living filmmaker who so fully realizes Roger Ebert's assertion that "movies are the most powerful empathy machine in all the arts." All of which is to say nothing of her films' painterly cinematography, naturalistic and immersive sound design, and Reichardt's knack of scouting the perfect space for every scene, often in the wilds of the Pacific Northwest. Reichardt and her work have been honored at the Cannes Film Festival, the Venice Film Festival, the BFI MEEK'S CUTOFF London Film Festival, the Film Independent Spirit Awards, and more. -
Night Moves Instrueret Og Skrevet Af Kelly Reichardt
ANGEL FILMS PRÆSENTERER Night Moves Instrueret og skrevet af Kelly Reichardt 112 minutter Kontakt:(Peter(Sølvsten(Thomsen,([email protected]( 1 Night Moves Dansk synopsis: En spændingsfyldt fortælling om de tre passionerede miljøaktivister, Josh (Jesse Eisenberg), Dena (Dakota Fanning) og Harmon (Peter Sarsgaard), der sammen planlægger en bombeaktion mod en dæmning. Aktionen lykkes, men ikke uden uforudsete konsekvenser – konsekvenser som skal vise sig at blive skæbnesvanger for de tre aktivister. Josh, Dena og Harmon vender tilbage til deres hverdag i forsøget på at holde lav profil, men begynder hurtigt at mærke det psykiske pres af deres store hemmelighed. Efterhånden som paranoia og mistillid kryber ind i de sammensvornes hoveder, begynder idealismens skyggesider at vise sig. Gennem Kelly Reichardts særegne stil og atmosfære, stiller NIGHT MOVES skarpt på spørgsmålet om, hvorvidt terrorhandlinger kan retfærdiggøres, så længe bevæggrunden herfor er sympatisk, eller om al terror leder til umoralsk fanatisme? Kontakt:(Peter(Sølvsten(Thomsen,([email protected]( 2 NIGHT MOVES ABOUT THE STORY Kelly Reichardt’s suspense thriller NIGHT MOVES follows three passionate environmentalists whose homegrown plot to Blow up a controversial dam unravels into a journey of douBt, paranoia and unintended consequences. Set against the ravishing, threatened natural Beauty of Oregon, the film tracks step-By- relentless-step as quiet organic farmer Josh (Jesse EisenBerg, THE SOCIAL NETWORK), high society dropout Dena (Dakota Fanning, WAR OF THE WORLDS, the TWILIGHT saga) and adrenaline-driven ex-Marine Harmon (Peter Sarsgaard, BLUE JASMINE, “The Killing”) prepare, carry out and then experience the shocking fallout of what they hoped would Be an attention-grabBing act of sabotage. -
Crystal Moselle
un film de – een film van CRYSTAL MOSELLE USA – 105 MIN. SYNOPSIS NL Camille is 18 jaar en dol op skateboarden. Dat vindt haar moeder maar niks, en na een blessure moet Camille beloven om nooit meer te skaten. Geen denken aan - de passie is te groot! Via Instagram komt Camille in contact met ‘The Skate Kitchen’, meisjes die stuk voor stuk ‘leven om te skaten’. Ze voelt zich meteen welkom bij de groep en dankzij hun wilde levensstijl gaat er een nieuwe wereld voor haar open. Wanneer haar moeder gaat dwarsliggen, loopt Camille weg van huis en trekt in bij een van haar nieuwe vriendinnen. Tot de liefde hun fragiele band onder druk zet. FR A New-York, la vie de Camille, une adolescente solitaire et introvertie va radicalement changer en intégrant un groupe de jeunes filles skateuses appelé Skate Kitchen. Cette bande éprise de liberté et sa rencontre avec un jeune skateur énigmatique vont l’éloigner de sa mère avec qui elle s’entend de moins en moins. ENG A teen girl gets on the ride of her life when she joins all-girl New York skateboard collective Skate Kitchen and falls for a mysterious guy in the scene. INTERVIEW WITH DIRECTOR CRYSTAL MOSELLE Skate Kitchen is a real skateboarding collective, and the cast is made up of real skateboarders. How did you meet them? I was on the train and I was listening to them just chat, and they were super interesting and they had skateboards, and I asked them, “Would you guys want to do like a video project, something?” We exchanged numbers and when we met up we just started hanging out and chatting. -
Film Matters Magazine
5/30/2020 The 50-Year Road Trip: Kelly Reichardt on Night Moves - MovieMaker Magazine MOVIEMAKING MOVIE NEWS FESTIVALS LATEST ISSUE PODCASTS The 50-Year Road Trip: Kelly Reichardt on Night Moves Latest DIRECTING MOVIE NEWS By Film Distribution Vet Liz Josh Ralske Manashil Explores the Future Published on June 20, 2014 of a Post-Pandemic Film Industry SHARE BY LIZ MANASHIL MAY 29, 2020 TWEET COMMENT The multi- award- winning Kelly Reichardt has produced work of such MOVIE NEWS routinely Everything You Need to Know superb quality About HBO Max — Including that it eluded Why It’s Not Available on Roku me until or Amazon Fire TV Sponsored by Sperry The 50-Year Road Trip: Kelly Reichardt on Night Moves Introducing the PLUSHWrecenAVEtly Collection how BY LOREE SEITZ MAY 29, 2020 far outside SHARE TWEOurET all-new PLUSHWAVE technology puts ultra-cushioning on your feet. A light fit design with flex grip stands up to LEARN MORE twhateverhe the day brings your way. https://www.moviemaker.com/the-50-year-road-trip-kelly-reichardt-on-night-moves/ 1/41 5/30/2020 The 50-Year Road Trip: Kelly Reichardt on Night Moves - MovieMaker Magazine mainstream she’s considered. TO TOP She’s justly revered by discerning ¤lm critics and festival programmers, and these days, thanks in part to Michelle Williams’ outstanding work in Wendy & Lucy Instagram and Meek’s Cuto¡, A-list actors are eager to work with her. And yet, as you’ll read below, there’s a disheartening precariousness to her ¤lmmaking career. Will Night Moves change that? It’s another thought- provoking, engaging, and beautifully rendered ¤lm, and features wonderfully true- to-life performances from Jesse Eisenberg, Dakota Fanning, and Peter Sarsgaard. -
International & Festivals
COMPANY CV – INTERNATIONAL & FESTIVALS INTERNATIONAL CAMPAIGNS / JUNKETS / TOURS (selected) Below we list the key elements of the international campaigns we have handled, but our work often also involves working closely with the local distributors and the film-makers and their representatives to ensure that all publicity opportunities are maximised. We have set up face-to-face and telephone interviews for actors and film-makers, working around their schedules to ensure that the key territories in particular are given as much access as possible, highlighting syndication opportunities, supplying information on special photography, incorporating international press into UK schedules that we are running, and looking at creative ways of scheduling press. THE AFTERMATH / James Kent / Fox Searchlight • International campaign support COLETTE / Wash Westmoreland / HanWay Films • International campaign BEAUTIFUL BOY / Felix van Groeningen / FilmNation • International campaign THE FAVOURITE / Yorgos Lanthimos / Fox Searchlight • International campaign support SUSPIRIA / Luca Guadagnino / Amazon Studios • International campaign LIFE ITSELF / Dan Fogelman / FilmNation • International campaign DISOBEDIENCE / Sebastián Lelio / FilmNation • International campaign THE CHILDREN ACT / Richard Eyre / FilmNation • International campaign DON’T WORRY, HE WON’T GET FAR ON FOOT / Gus Van Sant / Amazon Studios & FilmNation • International campaign ISLE OF DOGS / Wes Anderson / Fox Searchlight • International campaign THREE BILLBOARDS OUTSIDE EBBING, MISSOURI / -
Meek's Cutoff
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 18 | 2019 Guerre en poésie, poésie en guerre Neo Frontier Cinema: Rewriting the Frontier Narrative from the Margins in Meek’s Cutoff (Kelly Reichardt, 2010), Songs My Brother Taught Me (Chloe Zhao, 2015) and The Rider (Chloe Zhao, 2017) Hervé Mayer Electronic version URL: http://journals.openedition.org/miranda/16672 DOI: 10.4000/miranda.16672 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Hervé Mayer, “Neo Frontier Cinema: Rewriting the Frontier Narrative from the Margins in Meek’s Cutoff (Kelly Reichardt, 2010), Songs My Brother Taught Me (Chloe Zhao, 2015) and The Rider (Chloe Zhao, 2017)”, Miranda [Online], 18 | 2019, Online since 16 April 2019, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/16672 ; DOI: https://doi.org/10.4000/miranda.16672 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Neo Frontier Cinema: Rewriting the Frontier Narrative from the Margins in Mee... 1 Neo Frontier Cinema: Rewriting the Frontier Narrative from the Margins in Meek’s Cutoff (Kelly Reichardt, 2010), Songs My Brother Taught Me (Chloe Zhao, 2015) and The Rider (Chloe Zhao, 2017) Hervé Mayer 1 The myth of the American frontier has provided the United States with a national mythology since the late 19th century, and has been explored most directly on screen in the genre of the Western.1 According to this mythology, the frontier is a cultural metaphor designating the meeting point between civilized territories and the savage wilderness beyond. -
To Download Press Cv
CONSULTANTS Launched in early 2010, WOLF is a boutique PR and Marketing firm specialised in helping filmmakers effectively communicate and achieve their vision. Through many years experience working for sales agents and producers, launching hundreds of films, we understand the demands of the market and offer an intelligent, fast, no-nonsense creative service. In our fragmented industry we‘re here to help join the dots. Marketing and communications are an integral part of the storytelling process, and our approach encompasses the entire production cycle: from overcoming initial obstacles to getting a new project noticed to preparing completed films for launch at major international film festivals. What‘s unique about WOLF is that we‘re hands-on designers, marketing consultants and international publicists all rolled into one, with an intimate knowledge of all the major festivals and markets. Our expertise and flexibility help directors, producers, sales agents and other partners around the world create effective strategies tailored to each project‘s needs, giving the film the best possible start on the way to finding its audience. Recent highlights of WOLF‘s slate as International Publicists include UNDINE by Christian Petzold (Silver Bear for Best Actress, Berlin 2020), MARTIN EDEN by Pietro Marcello (Platform Prize, TIFF 2019 & Coppa Volpi, Venice 2019), BABYTEETH by Shannon Murphy (Marcello Mastroianni Award, Venice 2019), THE CLIMB by Michael Angelo Covino, (Jury Coup de Coeur, Cannes Un Certain Regard 2019), SO LONG, MY SON by Wang Xiaoshuai (Silver Bears for Best Actor & Best Actress, Berlin 2019), BORDER by Ali Abbasi (Un Certain Regard Prize, Cannes 2018), WOMAN AT WAR by Benedikt Erlingsson (SACD Award, Cannes Critics‘ Week 2018), TOUCH ME NOT by Adina Pintilie (Golden Bear & Best First Feature, Berlin 2018), CUSTODY by Xavier Legrand (Best Director & Best First Feature, Venice 2017) and VR projects by Baobab Studios and director Eric Darnell (MADAGASCAR). -
Following Is a Listing of Public Relations Firms Who Have Represented Films at Previous Sundance Film Festivals
Following is a listing of public relations firms who have represented films at previous Sundance Film Festivals. This is just a sample of the firms that can help promote your film and is a good guide to start your search for representation. 11th Street Lot 11th Street Lot Marketing & PR offers strategic marketing and publicity services to independent films at every stage of release, from festival premiere to digital distribution, including traditional publicity (film reviews, regional and trade coverage, interviews and features); digital marketing (social media, email marketing, etc); and creative, custom audience-building initiatives. Contact: Lisa Trifone P: 646.926-4012 E: [email protected] www.11thstreetlot.com 42West 42West is a US entertainment public relations and consulting firm. A full service bi-coastal agency, 42West handles film release campaigns, awards campaigns, online marketing and publicity, strategic communications, personal publicity, and integrated promotions and marketing. With a presence at Sundance, Cannes, Toronto, Venice, Tribeca, SXSW, New York and Los Angeles film festivals, 42West plays a key role in supporting the sales of acquisition titles as well as launching a film through a festival publicity campaign. Past Sundance Films the company has represented include Joanna Hogg’s THE SOUVENIR (winner of World Cinema Grand Jury Prize: Dramatic), Lee Cronin’s THE HOLE IN THE GROUND, Paul Dano’s WILDLIFE, Sara Colangelo’s THE KINDERGARTEN TEACHER (winner of Director in U.S. competition), Maggie Bett’s NOVITIATE -
57Th New York Film Festival September 27- October 13, 2019
57th New York Film Festival September 27- October 13, 2019 filmlinc.org AT ATTHE THE 57 57TH NEWTH NEW YORK YORK FILM FILM FESTIVAL FESTIVAL AndAnd over over 40 40 more more NYFF NYFF alums alums for for your your digitaldigital viewing viewing pleasure pleasure on onthe the new new KINONOW.COM/NYFFKINONOW.COM/NYFF Table of Contents Ticket Information 2 Venue Information 3 Welcome 4 New York Film Festival Programmers 6 Main Slate 7 Talks 24 Spotlight on Documentary 28 Revivals 36 Special Events 44 Retrospective: The ASC at 100 48 Shorts 58 Projections 64 Convergence 76 Artist Initiatives 82 Film at Lincoln Center Board & Staff 84 Sponsors 88 Schedule 89 SHARE YOUR FESTIVAL EXPERIENCE Tag us in your posts with #NYFF filmlinc.org @FilmLinc and @TheNYFF /nyfilmfest /filmlinc Sign up for the latest NYFF news and ticket updates at filmlinc.org/news Ticket Information How to Buy Tickets Online filmlinc.org In Person Advance tickets are available exclusively at the Alice Tully Hall box office: Mon-Sat, 10am to 6pm • Sun, 12pm to 6pm Day-of tickets must be purchased at the corresponding venue’s box office. Ticket Prices Main Slate, Spotlight on Documentary, Special Events*, On Cinema Talks $25 Member & Student • $30 Public *Joker: $40 Member & Student • $50 Public Directors Dialogues, Master Class, Projections, Retrospective, Revivals, Shorts $12 Member & Student • $17 Public Convergence Programs One, Two, Three: $7 Member & Student • $10 Public The Raven: $70 Member & Student • $85 Public Gala Evenings Opening Night, ATH: $85 Member & Student • $120 Public Closing Night & Centerpiece, ATH: $60 Member & Student • $80 Public Non-ATH Venues: $35 Member & Student • $40 Public Projections All-Access Pass $140 Free Events NYFF Live Talks, American Trial: The Eric Garner Story, Holy Night All free talks are subject to availability. -
Certain Women (2016) “How Are You? How Are You
Certain Women (2016) “How are you? How are you?” / “I'm just fine. I'm just fine.” Major Credits Director: Kelly Reichardt Screenplay: Kelly Reichardt, based on three short stories by Maile Meloy Editor: Kelly Reichardt Cinematography: Christopher Blauvelt Cast: Laura Dern (Laura), Michelle Williams (Gina), Kristen Stewart (Elizabeth Travis), Lily Gladstone (The Farmer), Jared Harris (Mr. Fuller), Rene Auberjonois (Albert) Production Background Kelly Reichardt had previously directed several admired independent films, principally Old Joy (2006) and Wendy and Lucy (2008), which had starred Michelle Williams. To this point, her films have all been small budget projects that have been distributed principally at film festivals and art house venues. Certain Women was her first work to earn more than $1 million at the box office. Williams, Laura Dern, and Kristen Stewart are all highly respected actors who have transcended the label of “movie stars” (Stewart, in particular, has worked hard to be taken seriously following her early success in the Twilight franchise). Their performances here are excellent, yet it is the newcomer, Lily Gladstone, who arguably steals the show. Reichardt has acquired the reputation of being a “minimalist” filmmaker. Her plots are simple (Wendy and Lucy, for example, consists entirely of a young woman searching for her lost dog), the dialogue is extremely spare (long stretches of Certain Women could be watched with the sound turned off), music remains largely absent, the meaning opaque. Cinematic Qualities 1. Long takes: Reflecting her training as a photographer, Reichardt generally prefers sustained shots that emphasize composition within the frame rather than montage sequences. -
A Film by KELLY REICHARDT Starring MICHELLE WILLIAMS World
A film by KELLY REICHARDT Starring MICHELLE WILLIAMS World Premiere in Cannes 2008 — Un Certain Regard International Press World Sales Lucius BARRE MEMENTO FILMS INTERNATIONAL [email protected] Riviera Booth E.8 t: +1 917 353 22 68 t: +33 6 59 54 24 45 May 13-30: 06-7744-8524 [email protected] SYNOPSIS Wendy Carroll is driving to Ketchikan, Alaska, in hopes of a summer of lucrative work at the Northwestern Fish Cannery, and the start of a new life with her dog, Lucy. When her car breaks down in Oregon, however, the thin fabric of her financial situation comes apart, and she confronts a series of increasingly dire economic decisions, with far-ranging repercussions for herself and her dog. Wendy and Lucy addresses issues of sympathy and generosity at the edges of American life, revealing the limits and depths of people's duty to each other in tough times. E-MAIL TO THE PRODUCER Neil, how are you today? I enjoyed reading "Wendy and Lucy" and thought I'd send off some random-ish thoughts. Read when you have some time. I like films that show affection (at least some) for all their characters. I imagine that if Kelly delivers this one in her quiet style, she'll be adding powerful dramatic irony to the sadness, alienation and loss that permeate the story. The script could be read simply as a story illustration of that iconic American sound, the train whistle. The soundtrack of mourning. The siren of passing hope in the night that better things wait somewhere, anywhere that is not here, another place we could just maybe start again.